Gatsby's Oxford Scott, Zelda and the Jazz Age invasion of Britain: 1904-1929

Christopher A. Snyder, 1966-

Book - 2019

The poet T.S. Eliot. The polo star Tommy Hitchcock. F. Scott and Zelda Fitzgerald. This diverse group of Americans came to Oxford in the first quarter of the twentieth century--the Jazz Age--when the Rhodes Scholar program had just begun and the Great War had enveloped much of Europe. Scott Fitzgerald created his most memorable character--Jay Gatsby, the Oxford man in the pink suit--shortly after his and Zelda's visit to Oxford. Fitzgerald's creation is a cultural reflection of the aspirations of many Americans who came to the University of Oxford seeking beauty, wisdom, and social connections. Beginning in 1904, when the first American Rhodes Scholars arrived in Oxford, this book chronicles the experiences of Americans in Ox...ford through the Great War and the years of recovery to 1929, the end of Prohibition and the beginning of the Great Depression. This period is interpreted through the pages of The Great Gatsby, producing a vivid cultural history. It shows just how much Fitzgerald, the quintessential American modernist author, owes a debt to the medieval, the Romantic, and the European historical tradition. Archival material covering the first American Rhodes Scholars who came to Oxford during Trinity Term 1919--when Jay Gatsby claims he studied at Oxford--enables the narrative to illuminate a detailed portrait of what a "historical Gatsby" would have looked like, what he would have experienced at the postwar university, and who he would have encountered around Oxford--an impressive array of artists including Eliot, W.B. Yeats, Virginia Woolf, Aldous Huxley, Evelyn Waugh, Winston Churchill, J.R.R. Tolkien, and C.S. Lewis.

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Subjects
Published
New York : Pegasus Books [2019]
Language
English
Main Author
Christopher A. Snyder, 1966- (author)
Edition
First Pegasus Books cloth edition
Item Description
Maps on endpapers.
Physical Description
xxii, 346 pages, 8 unnumbered pages of plates : illustrations, maps ; 24 cm
Bibliography
Includes bibliographical references (pages 267-282) and index.
ISBN
9781643130095
  • Map Of Oxford Ca. 1919
  • Glossary Of Oxford Terms
  • Preface
  • 1. Jay Gatsby: An Oxford Man
  • 2. "Our Young Barbarians All At Play": Oxford From Percy Shelley To Oscar Wilde
  • 3. "Old Sport": The First American Rhodes Scholars
  • 4. "Modish Negroes" And Mr. Wolfsheim: Alain Locke, Horace Kallen, And Cultural Pluralism
  • 5. An American At Merton College: T. S. Eliot, Garsington, And The Women Of Oxford
  • 6. Major Gatsby In Trinity Quad: Oxford And The Great War
  • 7. The Castle And The Grail: J.R.R. Tolkien, C. S. Lewis, And Modern Medievalism
  • 8. "A Meadow Lark Among The Smoke Stacks": Oxford And Princeton
  • 9. Scott And 2Elda, Meet The Churchills
  • 10. England's Jazz Age: Evelyn Waugh And The Bright Young People
  • 11. Dreaming In Oxford
  • Appendix A. Oxford Writers, Ca. 1829-1929
  • Appendix B. A.E.F. Soldier-Students At British Universities, 1919
  • Bibliography
  • Endnotes
  • Acknowledgments
  • Image Sources
  • Index
Review by Publisher's Weekly Review

Inspired by the repeated references in The Great Gatsby to the title character as having attended Oxford, Snyder (The Making of Middle-earth), a professor of European history at Mississippi State University, vividly recreates the people and places Gatsby might have encountered during his brief stay there, in 1919. The book posits that Fitzgerald, himself on record as being infatuated with Oxford University, created a character modeled on the many young Americans who passed through the university following WWI, as Gatsby claims to have after his military service in France. Snyder demonstrates that Fitzgerald read examples of the then-popular Oxford novel, in which a young man comes of age there, including Max Beerbohm's Zuleika Dobson and Compton Mackenzie's Sinister Street, and draws portraits of some notable Oxford-linked writers of the time, such as T.S. Eliot, C.S. Lewis, and J.R.R. Tolkien. For the last, he compares that author's epics of medieval heroism to Fitzgerald's fascination with the chivalric ideal, explored indirectly in The Great Gatsby, and directly in an unfinished historical novel set in ninth-century France. Snyder's captivating study offers a fresh reading of Fitzgerald's masterpiece as a novel about the American Dream, wrapped in medieval colors. Agent: Mark Gottlieb, Trident. (Apr.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Weaving literature and history, Snyder (The Making of Middle-earth: A New Look Inside the World of J.R.R. Tolkien) here takes a new historicist approach, presenting a social history of Oxford and its influence during the Jazz Age, which he connects to F. Scott Fitzgerald's Jay Gatsby. Building on Fitzgerald's interest in the "Oxford novels," a type of bildungsroman, Snyder explores the often unexamined role of the university in Gatsby's life and in the novelist's consciousness. Accounts of writers such as T.S. Eliot, Evelyn Waugh, W.B. Yeats, C.S. Lewis, and J.R.R. Tolkien about their time at Oxford emphasize its importance as a premier university for study and making connections. Of particular interest is the role of the Rhodes scholarship in bringing students, especially Americans, to Oxford beginning in 1903, many of whom returned home to become educational reformers and societal leaders. VERDICT Through extensive research, Snyder has succeeded in revealing Oxford in all of its medieval glory and the hold it had on Fitzgerald's creativity. Recommended for scholars and general readers interested in a unique explication of The Great Gatsby and an informative cultural history.-Nancy R. Ives, SUNY at Geneseo © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.