The edge of every day Sketches of schizophrenia

Marin Sardy

Book - 2019

Marin Sardy's memoir traces the path of the schizophrenia that runs in her family. Against the starkly beautiful backdrop of Anchorage, Alaska, where the author grew up, Marin Sardy weaves a fearless account of the shapeless thief--the schizophrenia--that kept her mother immersed in a world of private delusion and later manifested in her brother, ultimately claiming his life. Composed of exquisite, self-contained chapters that take us through three generations of this adventurous, artistic, and often haunted family, The Edge of Every Day draws in topics from neuroscience and evolution to the mythology and art rock to shape its brilliant inquiry into how the mind works. In the process, Sardy casts new light on the treatment of the menta...lly ill in our society. Through it all runs her blazing compassion and relentless curiosity, as her meditations takes us to the very edge of love and loss--and invite us to look at what comes after.

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Subjects
Published
New York : Pantheon Books [2019]
Language
English
Main Author
Marin Sardy (author)
Edition
First edition
Physical Description
x, 289 pages ; 22 cm
ISBN
9781524746933
Contents unavailable.
Review by New York Times Review

According to her mother, Sardy's father was swept away in a tsunami in Hawaii in the mid-80s. He drowned and a stranger took his place. This man was very helpful and began taking care of the family, and after a while nobody noticed anymore that he wasn't their real dad. Sardy's mother knew the truth, though. He was a replacement. She called him Mr. Ree. Mr. Ree is one of many altered realities created by Sardy's mother - a product of the paranoia, hallucinations and delusions that characterize schizophrenia. Mental illness runs through four generations of Sardy's family, and this memoir is a dizzying reflection on her unwanted inheritance. While the story initially focuses on her mother and her struggles with the disease, it quickly shifts to the author's brother and the mental demons that transform their relationship. Sardy often refers to her own struggles with depression, but occasionally hints at something more. "1 kept having moments in which 1 would look around and feel that nothing 1 saw was actually there. Or conversely, that all was as usual and 1 myself did not exist," she writes, ft is unclear whether these are literal insights into her mind, vivid metaphors or merely an expression of fear that her own brain may, as a result of genes and shared environment, be showing signs of mental disruption. Sardy's writing is accomplished yet disjointed, with no adherence to structural norms. An unexpected history of the Soviet gymnast Svetlana Boginskaya is followed by a dive through Sardy's grandfather's financial wins and losses, before we encounter Gram Julia and her belief that Japanese soldiers are hiding in her walls. If all this sounds confusing, it's because it is. But by ignoring traditional narrative structure, jumping back and forward in time, subject and thought, Sardy skillfully reflects the "narrative crisis" that occurs in people with mental illness. The book itself offers a glimpse of the reality of living with schizophrenia and the multiplicities and contradictions that accompany the disease. HELEN Thomson is the author of "Unthinkable: An Extraordinary Journey Through the World's Strangest Brains."

Copyright (c) The New York Times Company [June 30, 2019]
Review by Library Journal Review

Pushcart Prize nominee and lauded essayist Sardy displays her superb skills for criticism and cultural journalism in this remarkable, beautifully written memoir of her family's lifetime struggle with schizophrenia. The illness has long absorbed her mother in a psychotic world of delusions and paranoia and so dominated her brother's life that it ultimately caused his death by suicide. Originally from Anchorage, AK, Sardy traveled around the country, eventually settling in New York. Here the author recalls her once uberwealthy grandfather who founded a successful oil exploration business but was overwhelmed by the illness's hold on the lives of his daughter and grandson. She also presents reflections on mental-health research into how the mind works and the state of current treatment. The narrative flows smoothly and cinematically evokes the author's coming to terms with the disorder and finding a way through the madness instead of trying to control or end it. VERDICT Some readers may need to adjust to the author's nonchronological approach that nevertheless succeeds brilliantly in conveying the realities of mental illness in a memorable manner. Should be required reading for mental health professionals; essential for all libraries supporting the mental health curriculum.--Dale Farris, Groves, TX

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Review by Kirkus Book Review

A shape-shifting debut memoir about a family's coming to terms with schizophreniaor not.Essayist and critic Sardy delivers an extraordinarily ambitious and accomplished narrative about significant challenges. She chronicles the immense difficulties in trying to maintain a semblance of sanity while both her mother and brother suffer through schizophrenia that they refuse to acknowledge, with the rest of the family in various states of denial as well. The structure keeps readers off balance, as the author refuses to follow conventional notions of chronology or connection, illuminating mental illness from the inside out. "Mental illness is not contagious, but madness often is," she writes, a crucial distinction in her exploration of how, "in my family, psychotic illness has threaded its way through four generations in a row" and how those not afflicted have suffered through the effects of coming to terms with the delusions of schizophrenia, which seem so real to the one suffering and so outlandish to anyone else. At the outset, the book seems to be a memoir about coming-of-age while the author's mother was falling apart, refusing to acknowledge her condition, spending all of her sizable inheritance, and telling her daughter that now is a particularly good time to emigrate to Pluto. Meanwhile, her father, whom her mother refused to acknowledge as such, remained in a state of denial while trying to provide a safe harbor when he had the children. Yet much more of the narrative concerns her relationship through her 20s with her brother, who showed similar signs of disintegration from schizophrenia, resisted diagnosis and treatment, and suffered from increasingly harmful delusions, leaving him in jail or homelessthough rarely completely out of touch with his family. The author herself suffers from bouts of depression, which she acknowledges and probes in her unsettling narrative.Both powerful and disturbing, this impressive debut memoir suggests just how challenging it can be to regain some semblance of balance after that balance is lost. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

From Ultima Thule:   ###   After Tom died, I read parts of his journals from the years leading up to the onset of his illness. I couldn't get through them--his near-frantic distress about the way his life was going, how long he had struggled before full-blown psychosis set in. I could feel from the page his aching depression, a sting­ing kind of loneliness. Nothing he tried seemed to work out, except working out, which he did obsessively. He wanted to study but was failing at school. He wanted to attract girls but couldn't connect with them. And he didn't know why. He felt deeply that something was wrong, but he couldn't figure out what it was. No wonder, then, that when psychosis came in with all its colors it felt like salvation.   There had been a lover, back some time before. We didn't know until long after, when Dad took a wilderness first aid course and she, the instructor, approached him. She had seen the last name on the roster and asked if he was related to Tom. They talked a little while. She said, "He broke my heart." I later found among Tom's journals a note from her with a beautiful drawing of some mountains. Her language was precise, lovely. Why he broke it off, why he never men­tioned her--   Among other things, one's perception of time is heavily altered in psychosis. Time loses its continuity, becomes episodic, frag­mented, gaping. Much is forgotten, or remembered only as a mood, an atmosphere. Sass noted that people with schizophre­nia often speak of "the immobility of time, of the loss of past and future," of difficulty recalling events in the correct order. Events are not processed, integrated, linked to one another in succession, but rather become, as other researchers noted, like "a series of stills." One man with psychosis described it as "the infinite present."   Recently my mother asked me where I went to college. If I had ever lived in Europe. She sounded apologetic, a little embarrassed.   I once met an oral historian who spoke of a "narrative crisis" occurring in people with mental illness, the result of drastic disruptions in the trajectories of their lives and in their recol­lections of events--a sense of loss of agency, loss of control over not only their lives but also their life stories. Loss of the capacity to shape a life into a story.   By the time Tom was homeless, I had left Alaska for good, chasing down a vague but persistent notion of myself as a writer, following it from Bozeman to graduate school in New Hampshire, then to Santa Fe, where I found work at a maga­zine (and Will), before moving on to New York and finally Tucson. I only rarely got back to Anchorage, and never for long. In Tom's eight years on the street, I would see him only four times on two visits home--twice for an hour or so and twice for just a few minutes.   One of those times, I spotted him while riding in a friend's car down on our neighborhood's end of Northern Lights Boule­vard, the main artery through our part of town, in the resi­dential section that was lined with landscaping of grass and birch trees. We pulled over and I jumped out, but my friend's presence disconcerted him and after only a few exchanges he said he had to go.   Experience can be defined, as anthropologist Robert Desjarlais has suggested, as a reflective process of interpretation and assimilation of our encounters through time. If this is so, does psychosis create a vacuum of experience? What did Tom make of our encounters? Did he absorb them, consider them, remember them?   Riding away, I fretted in silence, wondering where he was walking to. Maybe he would head all the way out past Mom's old duplex to where a high barbed-wire-topped fence divided the houses from the boggy woods surrounding the airport. Maybe he would cut over into Earthquake Park and go out toward the seaside bluffs on the Coastal Trail, as we all had long ago, on bikes or Rollerblades or running shoes. Maybe he would follow the shore and its wide, wild mudflats out to the overlook at Point Woronzof, where Cook Inlet rolled into Knik Arm and on a clear day you could see all the way to Denali.   Where does experience go if it can't proceed forward? For the homeless mentally ill, Desjarlais proposed, it tends to dis­solve into an ongoing succession of shocks and surprises--distractions interspersed among months or years of an unmoored kind of stasis.   I have a memory that keeps surfacing. In high school, on over­cast nights in winter, the clouds and the snow would trap in the orange light of the streetlamps, making the sky glow a dense pinkish orange-brown. Evenings, desperate to get out of Dad's house, I would sometimes take the Wagoneer and drive west on Northern Lights near where I would see Tom walking so many years later--out beyond the airport, past the runways, to where the city lights ended and the clouds faded to a deep blue-black, turned invisible. I would look up as I drove, watching for the moment I got out from under that toxic sky. Then I would park at a pullout and turn off the car lights and just sit alone in the darkness, listening to the radio.   Was he beset? Was he thrown wide? Was psychosis a land of many promises? Did he know he was a prisoner there? Excerpted from The Edge of Every Day: Sketches of Schizophrenia by Marin Sardy All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.