Mama's boy A story from our Americas

Dustin Lance Black

Book - 2019

"From the Academy Award-winning screenwriter and political activist, a candid, vivid, powerfully resonant memoir about growing up as a gay Mormon in Texas that is, as well, a moving tribute to the mother who taught him about surviving against all odds. Dustin Lance Black wrote the Oscar-winning screenplay for Milk and helped overturn California's anti-gay marriage Proposition 8, but as an LGBTQ+ activist he has unlikely origins. Raised in a military, Mormon household outside San Antonio, Texas, Black always found inspiration in his plucky, determined mother. Having contracted polio as a small girl, she endured leg braces and iron lungs, and was repeatedly told that she could never have children or live a normal life. Defying expec...tations, she raised Black and his two brothers, built a career, escaped two abusive husbands, and eventually moved the family to a new life in Southern California. While Black struggled to come to terms with his sexuality--something antithetical to his mother's religious views--she remained his source of strength and his guiding light. Later, she would stand by his side when he helped bring the historic gay marriage case to the U.S. Supreme Court. Mama's Boy is a stirring celebration of the connections between mother and son, Red states and Blue, and the spirit of optimism and perseverance that can create positive change in the world"--

Saved in:

2nd Floor Show me where

BIOGRAPHY/Black, Dustin Lance
0 / 1 copies available
Location Call Number   Status
2nd Floor BIOGRAPHY/Black, Dustin Lance Due Jan 13, 2025
Subjects
Genres
Autobiographies
Gay autobiographies
Gay biographies
LGBTQ+ autobiographies
LGBTQ+ biographies
Published
New York : Alfred A. Knopf 2019.
Language
English
Main Author
Dustin Lance Black (author)
Edition
First edition
Item Description
"This is a Borzoi book."
Physical Description
viii, 406 pages : illustrations ; 25 cm
ISBN
9781524733278
  • Prologue
  • Part I.
  • Chapter 1. Still Water
  • Chapter 2. Safety's Sound
  • Chapter 3. Our Suffering
  • Chapter 4. A Body in Motion
  • Chapter 5. Bedrock
  • Chapter 6. Grand Theft Auto
  • Chapter 7. Cant Walk, Cant Talk
  • Chapter 8. Bull by the Horns
  • Chapter 9. Hungry Devils
  • Chapter 10. Deliverance
  • Part II.
  • Chapter 11. West of Home and East of Eden
  • Chapter 12. Secret Somethings
  • Chapter 13. Allemande Left
  • Chapter 14. Queen of the Ma'ams
  • Chapter 15. Xmas Down
  • Chapter 16. Hungry Jackals
  • Chapter 17. Spinning Yarn
  • Chapter 18. Milk Calls
  • Chapter 19. Cataclysm
  • Chapter 20. SCOTUS Hiatus
  • Chapter 21. Virginia Roads
  • Part III.
  • Chapter 22. Our Americas
  • Chapter 23. Mamas Boy
  • Epilogue
  • Acknowledgments
  • Photo Captions and Credits
Review by Booklist Review

Black grew up in the South, surrounded by stories the telling sometimes fueled by Jack Daniels that made people stronger. As a result, he fell in love with the magic of storytelling and has himself become a consummate storyteller, as he demonstrates in this beautifully written, vastly entertaining, and moving memoir. The most powerful stories are the most personal, Black believes, and, in that context, the most important figure in his story is his indomitable mother, who, a victim of childhood polio, had no use of her legs but refused to let that stop her. From her tough, stubborn heart, he inherited his own strong will and optimism, traits that were put to the test when, at the age of six, he realized he was gay, growing up in fear and shame in a devout Mormon household in the deep South. Though he considered suicide at age 12, this did not stop him from becoming, as an adult, a gay-rights advocate, the Oscar-winning screenwriter of the movie Milk, and a staunch opponent of California's notorious, anti-gay marriage Proposition 8 and a leader of its eventually successful repeal movement. Black seems incapable of writing a dull word as he evokes his stirring life and times, ultimately inspiring comity by word and example. His book belongs in every library.--Michael Cart Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

A gay man and his disabled, homophobic mother bond despite their differences in this sometimes overwrought, sometimes luminous memoir. Black, the Oscar-winning screenwriter of Milk, centers his life story on his mother, Anne, a Louisiana share-cropper's daughter whose legs were paralyzed by polio when she was two; thanks to her dogged work ethic and stoicism, she defied doctors' predictions by learning to walk on crutches and bearing three children, weathered abusive husbands, and became a laboratory supervisor. Black's emotional attachment to his mother was deep, but their membership in the Mormon Church made him hide his homosexuality from her; going on to film school, Hollywood, and marriage-equality activism, he worried that the gulf between him and his conservative clan might be unbridgeable. Black devotes much space to tremulous fretting over his blue-on-red coming-out saga, but the results are not very dramatic: his family-even the Texarkana Baptist branch-takes the revelation well, and Anne, despite a few previous homophobic comments, is soon socializing with his gay friends. (Black's bigger problem is with gay moderates who wanted to slow-walk the marriage movement.) But the book shines in its portrait of the vibrant, indomitable Anne trudging determinedly over every obstacle, and in intimate scenes of everyday family heartaches and triumphs against the odds. Photos. (May) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

An award-winning screenwriter's journey from Texas Latter-day Saints roots to prominent LGBTQ activist.At the center of this thought-provoking memoir, Black, who won an Academy Award for the screenplay for Milk, offers a heartfelt tribute to Anne, his courageously inspiring yet deeply religious and politically conservative mother. Anne was raised in an impoverished family of sharecroppers in Louisiana. After contracting polio at age 2, she suffered through years of therapy and painful surgeries, leaving her reliant on leg braces and crutches for the rest of her life. Despite these physical disadvantages, Anne went on to marry and eventually raise three children, primarily as a single mother, while building a successful career. After enduring two abusive marriages, she found sustaining love with her third husband. The author's life story follows a parallel path of meeting obstacles through resiliency. Though he was a shy and awkward child, Anne's examples of her strong willpower motivated Lance to reach his own challenging goals, ultimately inspiring the necessary confidence to come out to his family at age 21. Though mother and son often held firm to their conservative and liberal viewpoints, each recognized positive attributes inherent in either camp. Lance discovered common interests with some of his Texas relations, and Anne gained a more compassionate understanding of the LGBTQ community. "Our house should have been dividedNorth vs. South, red vs. blue, conservative vs. progressive, coasts vs. mountain or plains, or however you choose to name such tribes," writes the author. "Instead, my mom and I fueled each other. Her oil lit my lamp, and eventually mine lit hers. The tools I learned to wield growing up in her conservative, Christian, Southern, military home were the same ones I'd used to wage battles that had taken meto the front row of the United States Supreme Court to fight for LGBTQ equality." Black provides a wholly engrossing account of how a mother and son evolved beyond their potentially divisive religious and political beliefs to uncover a source of strength and unity through their enduring bond.A terrifically moving memoir of the myriad complexities of family dynamics. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Prologue A hot, gauzy morning in the late summer of 1987. That was the first time I ever laid eyes on the streets of Los Angeles. I was thirteen years old but looked ten at best--an agonizingly shy Texas boy with eyes like water, hair like the sun, and a tanker truck's worth of secrets. I was jammed in the backseat of my mom's mas­sive yellow Malibu Classic between my little brother, Todd, and our stinking cat, Airborne. My mom said we were "on the move." Others would have called it "on the run." Days earlier, my family had packed up what little we had of value and vanished without notice from our lives in the Lone Star State--leaving behind my middle school in San Antonio and our Mormon church in the Randolph Ward, heading west. My mom was behind the wheel, her hairspray-stiffened curls resting on worried shoulders as she worked the hand controls to speed up and slow down her beast of a car: a colossal artifact from a former life that now had to be wrested into submission by a woman who walked on crutches, her legs in braces, her spine fused and held together with metal bars hid­den just beneath the scars that ran the length of her body. My big brother, Marcus, sat up front beside her. His hair was just as long as hers but kissing a black leather punk-rock jacket covered in pins and buttons that shouted obscenities my mom had miraculously (if not willfully) grown blind to. He had a map spread out on his lap. We were lost. We were scared. But in good Southern, Mormon fash­ion, we kept our terrors to ourselves. Here's the thing: we'd been taught our entire lives that places like Los Angeles were filled with folks who'd traded their souls and sal­vation for fame, booze, drugs, cash, cars, hetero sex, group sex, and dirty, filthy faggot sex. Los Angeles was the embodiment of an unfa­miliar, exotic America that we'd been warned to avoid: liberal, often coastal, a place for sinners and moral relativists. For our ragtag family on the run, passage through this city was a test of spiritual strength. So we plugged our noses in back, Marcus did his best to navigate up front, and my tiny runaway mom rotated the hand control that turned the gear that pressed down on the gas pedal that she hoped might propel us to safety. Two hours later, Marcus and my mom finally spotted the entrance to the 5 Freeway heading north. The terrain grew steeper as we headed into the hills and over the Grapevine, a stretch of highway out of L.A., where the snarl of traffic gave way to golden grasses, a reser­voir lake, ranches, and a meadow filled with wildflowers. These were more familiar sights. This felt more like home. My mom looked up into her rearview mirror, found my eyes, and with all of her mighty love and warmth, sent me a strong, silent message: You're safe now, my Lancer. I took a breath or two, pulled out a pen and a spiral notebook, and wrote a letter to a girl back in San Antonio. She and I had recently par­ticipated in a one-act drama competition. She'd played Eve. I'd played Adam. Her mom was our drama teacher. I described Los Angeles as the "second gayest city in the world." It wasn't a compliment. I was already fairly certain that San Francisco was in first position thanks to AIDS hitting the national news when Old Hollywood heartthrob Rock Hudson fell out of his closet and into his grave. Since then, even the news shows in Texas had started offering up images of emaciated gay men, most in San Francisco, but others in New York and Los Angeles, dying terrible deaths thanks to their "lifestyle choices." So yes, it seemed that San Francisco was the closest to hellfire, but I was fairly certain Los Angeles wasn't far behind. I suppose I felt it neces­sary to let someone in Texas know I'd survived our journey through this foreign land. But as we reached the top of a mountain, something in my God-fearing heart stirred, and I looked back toward the city. It was calling to me. If I'm being honest, it had started calling well before we set out on this adventure. If Los Angeles was dangerous, I was curious. How true were the stories I'd heard? Did the people there really do so many strange things to their bodies, their minds, and one another? Did they really make all of those movies and TV shows I'd fallen in love with on the rare occasions we were allowed to watch them? And the most dangerous question of all: Did the nation's current teen heartthrob, Ricky Schroder, with his golden hair and ocean-blue eyes, actually live somewhere down in all that chaos? That question, and all of its invasive roots and sticky webs, lin­gered longest in my mind as I watched the city glimmer and shine in the morning sun until it slowly disappeared behind a veil of blue-white smog.       Thirty years have passed since that drive, and for more than two and a half decades of that time I've called this City of Angels my home, with all of its sunshine, celebrities, workers, artists, headaches, egos, booze, dreams, lies, cigarette butts, body parts, hot tubs, invitations, hangovers, trophies, and yes, reliably progressive values. And like most Angelenos, I've spent much of that time in my car getting from place to place, tucked inside my bubble. Isolated. And in a hurry. So whenever I heard a siren, I did what most Angelenos do: look forward, left, right, check my rearview mirror, and keep on driving. As an Angeleno, the last thing you want to do is tap the brake. The clock is ticking. We have places to be, coffees to order, deals to make, and great things to accomplish by lunchtime. But something happened a few years back to strip me of that habit. I was driving home down Hollywood Boulevard when my mom called. I hit the icon on my dash to answer. She sounded gloomy and called herself a "dinosaur" twice. I'd rarely heard her in such a state. I was worried. So I added a three-day layover via Dulles Airport in Virginia to my next love-fueled flight to London to see the Brit I was fast falling head over heels for. It was a little surprise visit to lift my mom's spirits, and a big birthday present to myself. My mom now lived in Manassas Park, in a house built right on top of the bloodied Civil War battlefields of Bull Run, where more than twenty-four thousand soldiers gave their lives in the debate over whether all men are created equally--a scar on our nation, remind­ing us of how divided we once were, and in many ways still are. My mom cried with joy and relief when I walked into her bed­room. I spent all three days with her there. We blew out candles. We ate cake. We ordered in from a local restaurant and enjoyed our din­ners on her bedroom floor. Then I opened the presents she'd ordered off her laptop from her perennial perch atop her bed. She wasn't feeling well, but that was nothing new. For a variety of reasons, big and small, she'd long been forced to use her not incon­siderable strength to fight off this illness or that. We'd done this ailment dance many times. We simply took advantage of her sleep­less nights to share stories, watch NCIS, check out the Home Shop­ping Network's jewelry specials and buy a few pairs of earrings she couldn't afford on a military retirement check, sneak far too many Oreo cookies, and witness a sunrise. Her spirits were lifted by the company. So were mine. Just before I left, my stepdad arrived home from work to take her to the doctor for a checkup, and get her some antibiotics for what she felt sure was a bladder infection. Love hungry and London bound, I ordered a cab to the airport. It was a markedly quiet ride. I don't remember music ever even being turned on. But then my cell phone rang. The caller ID said "Mom." Nothing unusual. This was her regular call to say she missed me already, and I would say the same, because it was true. Instead, when I said hello, my stepdad's trembling voice rang in my ears: "Your mother collapsed. In the garage. Her heart stopped. The med­ics got here. They did CPR and revived her, but she isn't conscious. It's bad, Lance. It's really bad." I couldn't process it. This was the same brave mom who had suc­cessfully slayed the City of Angels years earlier with three little boys and no use of her legs. It was impossible to imagine her having to be revived by anyone. My mom was the one who kept everyone else safe and strong. Her tough, stubborn heart didn't need a stranger's help to keep going. Choking out the words, I told the cabdriver what I'd just heard, and bless his heart, he plowed right over the grassy center median and turned back the way we'd come. Soon we heard the siren. Then we saw an ambulance take a left turn off of my mom's road, rac­ing away from us toward the local Manassas hospital. That's when I noticed that, like they did in Los Angeles, the drivers in this small, polite, Southern town mostly didn't bother to pull over for ambulances either. Maybe a brief pause to let it pass, then a chase to make up their lost time in its wake. As we raced to catch up, I grew more and more distressed by this surprising similarity. My mom, my best friend, my rock was inside of that ambulance fighting for her life, and even here in her treasured South, no one seemed to give a damn. Our terror was their inconvenience. Just like my mom, when things get bad, I get quiet. The worse they get, the more silent I become. The cabdriver looked back. I hadn't taken more than half a breath since I told him to turn around. I must have looked like a ghost. And with far too much peace in his voice for my comfort, he said, "What is meant to be now, will be." I started to shake. Until then, I hadn't considered that she might die. Everything I'd ever built was thanks to that stubborn heart of hers, and there it was, racing away from me in the back of an ambu­lance. Suddenly, I didn't know if I'd ever again feel the warmth of her hand, know the might of her will, or stand atop the foundation she'd built for our family with the strength of her steel-clad spine. My mom had grown up in the South. Louisiana and Georgia. She had been deeply religious. Baptist, then Mormon. She had worked for the U.S. military. She had voted for Ronald Reagan and Bush Senior. I now had spent decades living in that wicked city she'd refused to let us set foot in when I was thirteen. I had gone into the arts. Heck, I'd outright fought for progressive causes like marriage equality. To outsiders, in this day and age, my mom and I should have been ene­mies. Our house should have been divided--North versus South, red versus blue, conservative versus progressive, coasts versus mountain or plains, or however you choose to name such tribes. Instead, my mom and I fueled each other. Her oil lit my lamp, and eventually mine lit hers. The tools I learned to wield growing up in her conser­vative, Christian, Southern, military home were the same ones I'd used to wage battles that had taken me from a broken-down welfare apartment where gunfire sang me to sleep to the biggest stages in the world, and to the front row of the United States Supreme Court to fight for LGBTQ equality. Although my mom and I had often disagreed politically and per­sonally, she'd led our family by example, instilling in us a can-do atti­tude that often defied reason--an optimism many would call foolish, ignorant, and naïve, but an optimism that occasionally shocked our neighbors and our world with its brazen veracity. She was my reason. It's not something I've shared until now, and I know it may sound silly to some, but I had often hoped our relationship was like a pebble thrown into a pond, breaking the surface and sending ripples to the water's edge. If my mom and I could set foot on the bridges between us, then perhaps our neighbors and those closest to us could too. Perhaps our diverging Americas wouldn't be doomed to destroy each other the way our news shows and politicians would have us believe. And perhaps more could find a higher plane than politics. So I let the cabdriver know that I'd pay for any ticket he got, but that if he didn't push his pedal to the floor, he was asking for a big old can of whoop-ass from yours truly. He didn't need much convincing. My red eyes had already made the stakes abundantly clear. My mom had to live. Because deep in my gut, I feared a storm was coming. Beyond the headlines of the day, I could just make out the sparks of division catching fire in the disparate places we called home, and I knew that my mom and I had much more to discover and build if we were going to help our neighbors and family weather the terrible schisms this storm would bring. So I held my zen-like cabdriver's gaze until he looked back out toward the ambulance that was now racing away from us, and he hit the gas. Excerpted from Mama's Boy: A Story from Our Americas by Dustin Lance Black All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.