Review by New York Times Review
SUGAR RUN, by Mesha Maren. (Algonquin, $26.95.) An ex-convict returns to her Appalachian roots in this debut novel. The literary lineages here are hard-boiled fiction and film noir - but by exploring place, connection and redemption in the face of the justice system, Maren creates bold takes on those venerable genres. ANNE FRANK'S DIARY: The Graphic Adaptation, adapted by Ari Folman. Illustrated by David Polonsky. (Pantheon, $24.95.) By turning the famous diary of a girl hiding from the Nazis into a graphic novel, Folman and Polonsky bring out its wit and humor in whimsical illustrations capturing Anne's rich imaginative life. REVOLUTION SUNDAY, by Wendy Guerra. Translated by Achy Obejas. (Melville House, paper, $16.99.) This Cuban novel, about a poet facing political and personal questions amid the loosening grip of socialism, plays with expectations; as often as Guerra gives a concrete description of Havana, she gives one that dances and evades. GHOST WALL, by Sarah Moss. (Farrar, Straus & Giroux, $22.) This compact, riveting novel, about a 17-year-old working-class girl forced by her parents to join a re-enactment of Iron Age Britain, asks us to question our complicity in violence, particularly against women. MY SISTER, THE SERIAL KILLER, by Oyinkan Braithwaite. (Doubleday, $22.95.) Murders litter this debut novel by a young Nigerian writer, but the book is less about crime than about the complexities of sibling bonds, as well as the way two sisters manage to survive in a corrupt city that suffocates women at every turn. THE BREAKTHROUGH: Immunotherapy and the Race to Cure Cancer, by Charles Graeber. (Twelve, $28.) Training the body's immune system to fight disease now offers the most promising developments in the effort to battle cancer. Graeber recounts the treatment's 19th-century origins and provides a panoramic view of the work being done today to make it effective. TODDLER-HUNTING: And Other Stories, by Taeko Kono. Translated by Lucy North, with an additional translation by Lucy Lower. (New Directions, paper, $16.95.) As nonchalantly as some authors might describe a character's hair, Kono details her characters' taboo desires. First published in the '60s, these stories all retain interest. WE ARE DISPLACED: My Journey and Stories From Refugee Girls Around the World, by Malala Yousafzai. (Little, Brown, $18.99; ages 12 and up.) The world's youngest Nobel laureate gathers stirring stories of displacement from nine other girls. A THOUSAND SISTERS: The Heroic Airwomen of the Soviet Union in World War II, by Elizabeth Wein. (Balzer + Bray, $19.99; ages 13 and up.) The powerful tale of the all-female Soviet air regiments who flew 24,000 missions to help defeat the Nazis. The full reviews of these and other recent books are on the web: nytimes.com/books
Copyright (c) The New York Times Company [January 31, 2019]
Review by Booklist Review
Wein has written plenty of novels starring daring women flyers, but sometimes the truth is just as compelling as fiction. Such is the case of the three WWII Soviet women's flight regiments she profiles here. Wein lucidly describes the pilots' air battles, crash landings, and escapes, as well as the more mundane details of barracks life, including the drudgery of maintaining their aircraft in the harsh Russian winter; their attempts to adapt their too-big men's uniforms (such as improvised silk underwear from pilfered parachutes); and the deep-seated affection that developed among the women. Of course, this is a book about combat, and deaths are frequent and heartbreaking. Incorporating plenty of primary documents and copious source notes, this is exceptionally well researched, and Wein offers plenty of helpful historical and cultural context to drive the concepts home. While the litany of names, titles, and troop movements can get repetitive, these are nevertheless thrilling stories packed with lively detail, and the fascinating topic, still relatively unknown, should lure a broad range of readers.--Sarah Hunter Copyright 2018 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
In this engrossing account, Wein (The Pearl Thief) introduces three Soviet regiments of female combat pilots during WWII. The chapters cover the ambitions, training, daily life, horrors, and successes of the "thousand sisters" who volunteered to join their commander, Marina Raskova, for this perilous work. The opening sections about Raskova's rise to prominence are particularly well-written and include helpful background on the Soviet Union's formation, Stalin, and the 1930s, as well as the 1938 flight of the Rodina, which made Raskova a household name. Once the regiments disperse to separate locations, each with a different mission and type of aircraft, the narrative becomes trickier to manage. Wein successfully reminds readers of locations and who's who, but some of the later chapters suffer from name overload. Still, readers will be impressed by her clear, casual style and her affecting introduction to these courageous, determined pilots, mechanics, and navigators. Insets provide information on side subjects, such as radar vs. radio and female pilots in the U.S. and Britain. Abundant archival photos, a bibliography, and source notes support the story. Ages 13-up. (Jan.) © Copyright PWxyz, LLC. All rights reserved.
Review by School Library Journal Review
Gr 9 Up-From Wein, author of Code Name Verity, comes a nonfiction account of the women pilots of the Soviet Union. Starting prior to World War II, Wein describes how aviation became a hobby and passion for many young women in the Soviet Union. When World War II started, life under the Soviet system meant women could serve as pilots, theoretically equal to men, in the war effort. Wein provides a meticulously detailed account of Marina Raskova's Aviation Regiments: the 586th Fighter Aviation Regiment, the 587th Bomber Aviation Regiment, and the 588th Night Bomber Aviation Regiment. These three were largely staffed with women volunteers and fought on the frontlines of the war. The author provides an intimate look at the pilots' lives, both personal and military, as they work to defeat the Nazis. Likewise, Wein does not shy away from describing the difficult and often terrifying aspects of living under Stalin, including descriptions of man-made famines and the Great Purge. Some readers may have difficulty keeping track of all of the figures, but Raskova often acts as an anchor to assist readers in following the numerous and complex accounts. VERDICT Recommend this richly detailed work of nonfiction to fans of Monica Hesse and Wein's historical fiction.-Kaetlyn Phillips, Yorkton, Sask. © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
Wein has established herself as a consummate writer of historical fiction (Code Name Verity, rev. 5/12; Rose Under Fire, rev. 11/13); here she exercises her considerable skill as a researcher, historian, and storyteller in a capacious history of the USSRs three regiments of airwomen during World War II. Beginning with Marina Raskovas advocacy for women pilots, and the formation of her all-women regiments of dive bombers, fighters, and night bombers (familiarly known as the Night Witches), Wein takes us deep into the training, daily lives, combat, and intense personal commitment these women experienced throughout the war. She clearly contextualizes their story within Stalins regime, Nazism, and developments at the Eastern Front, but her passionate undergirding theme is the right of women to fly and, particularly, to fly in combat. The personalities and skills of the airwomen come alive, in part through accounts of night after night of flying and bombing and fighting, and in part through Weins attention to how they exerted femininity and solidarity in the thick of brutal living conditions. An easy, friendly writing styledeceptive, given the acuity of Weins perceptions and the extent of the material she managesinvites readers into the company of a formidable sisterhood. Illustrated throughout with maps and period photographs; appended with copious back matter, including meticulous source notes, a lengthy bibliography, an authors note, and an index. deirdre f. baker July/Aug p.150(c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
In her first work of nonfiction for teens, Wein (The Last Jedi, 2017, etc.) details the complex and inspiring story of the only women combat pilots of World War II.The "Great Patriotic War" was already under way by the time Marina Raskovaa famous, record-breaking pilotconvinced the Soviet Union to create women's air regiments. Using photographs and primary source quotations, Wein brings these regiments of young women to life, tracing their harrowing experiences before, during, and after the war. A detailed overview of the Russian political and social landscape in the first half of the 20th century is interwoven throughout the narrative, contextualizing the Soviet Union's involvement in World War II. Wein thoughtfully addresses her readers' contemporary understanding of identity politics, acknowledging the homogeneity of her white (despite the ethnic diversity of the USSR), straight subjects and the ways that Soviet ideologies about gender align with or differ from the expectations of contemporary American readers. The Soviet women's experiences are placed in context through comparisons with the roles of women pilots in the Royal Air Force and the United States military. Vivid descriptions of their personal sacrifices and the deep bonds they formed connect readers to the story. Careful footnotes provide information about unfamiliar vocabulary, and pagelong sidebars round out the history with tangential but fascinating facts.For readers invested in military and/or feminist history, this important book soars. (source notes, bibliography) (History. 14-18) Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
