The drifter

Nicholas Petrie

Book - 2017

Peter Ash came home from the wars in Iraq and Afghanistan with only one souvenir: what he calls his "white static," the buzzing claustrophobia due to post-traumatic stress that has driven him to spend a year roaming in nature, sleeping under the stars. But when a friend from the Marines commits suicide, Ash returns to civilization to help the man's widow with some home repairs. Under her dilapidated porch, he finds more than he bargained for: the largest, ugliest, meanest dog he's ever encountered ... and a Samsonite suitcase stuffed with cash and explosives. As Ash begins to investigate this unexpected discovery, he finds himself at the center of a plot that is far larger than he could have imagined ... and it may lead ...straight back to the world he thought he'd left for good.

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Subjects
Genres
Thrillers (Fiction)
Detective and mystery fiction
Fiction
Published
New York : G.P. Putnam's Sons [2017]
Language
English
Main Author
Nicholas Petrie (author)
Physical Description
450 pages ; 19 cm
ISBN
9780735215207
Contents unavailable.
Review by Booklist Review

Lieutenant Peter Ash is attempting to accommodate the intense claustrophobia he developed after returning from Afghanistan by living out of a backpack in the Cascades when he learns that his sergeant, Jimmy Johnson, has committed suicide. Disturbed by the thought that he wasn't there for his best friend, Peter invents a Marine Corps program that provides repairs to veteran's homes and heads to Milwaukee to look after Jimmy's family on the sly. During the demolition of Dinah Johnson's rotten front porch, Peter finds a suitcase full of cash and plastic explosives that Dinah claims to know nothing about. Peter can't leave Jimmy's family until the suitcase and the black SUV he's noticed casing Dinah's house are sorted out, so he begins methodically piecing together Jimmy's last days to find answers. Peter's sharply intelligent, witty voice strikes the right tone for an honest exploration of the challenges returning veterans face, and while this wandering veteran will remind some of Jack Reacher, Peter's struggle to overcome PTSD sets him apart. An absorbing thriller debut with heart.--Tran, Christine Copyright 2016 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

This strong thriller from debut author Petrie begins on the mean streets of Milwaukee, Wis. Marine veteran Peter Ash spent eight years fighting in Iraq and Afghanistan; now he's a civilian suffering from PTSD. Ash's first order of business after mustering out of the service is to help Dinah, the widow of Jimmy Johnson, a Marine buddy who committed suicide after returning home. While rescuing a huge stray mutt living under Dinah's ramshackle porch, Ash discovers a hidden suitcase containing $400,000 and plastic explosives. Dinah pleads ignorance, but Ash becomes skeptical after an armed, scarred man accosts him at the house. It all seems to revolve around a mysterious man in a "black canvas chore coat," whose surreptitious goal is to secure several thousand pounds of ammonium nitrate, a potentially explosive substance. Petrie's expertly paced plot sets a colorful array of characters on a collision course. Readers will look forward to seeing more of the resourceful Ash. Agent: Barbara Poelle, Irene Goodman Literary Agency. (Jan.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Peter Ash is a 31-year-old marine vet whose PTSD "white static" prevents him from being indoors. Feeling guilty about a fellow vet's suicide, he goes to -Milwaukee to help the widow out, and he finds $400,000 in cash plus explosives and a giant dog under her porch. As Ash investigates his friend's death and possible involvement in some dirty dealings, his probe leads him to a gangster, a plot to blow up a bank in a financial scam, and a hedge fund manager who may have murdered his wife. -VERDICT Despite a finale that strains credulity, Petrie's impressive debut thriller is fine tuned, the action gripping, and through Ash offers a well-drawn portrait of a vet who can't escape his combat experience. Like Raymond -Chandler's Philip Marlowe, Ash's philosophy of detection is to poke a stick into something and see what happens. His discoveries will keep the reader on edge and whet the appetite for more from this author. [See Prepub Alert, 7/27/15.]-Roland Person, formerly with Southern Illinois Univ. Lib., Carbondale © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A debut thriller that raises questions about domestic terror and the way the American government treats its war veterans. In the prologue, someone identified only as "the man in the black canvas chore coat" buys fertilizer at a farm supply store,clearly intending to build a bomb and evoking parallels to Timothy McVeigh. Meanwhile, Marine veteran Peter Ash sets out to repair the broken-down Milwaukee home of Jimmy Johnson, a comrade who'd committed suicide. Feeling responsible as Jimmy's former commander, Peter tells widow Dinah Johnson that his work is part of a Marine program to assist returning vets. No such program exists, but he knows Dinah would refuse his charity, and he likes fixing old houses anyway. Under the porch he discovers a suitcase that's guarded by a fearsome pit bull. He improvises a clever way to control the dog and finds $400,000 and bars of C4 explosive in the suitcase, hinting at a horrific attack in the wind. Ignorant of the explosives, Dinah wants no part of the money. But a scar-faced stranger is watching the house, and Peter wants to know whyperhaps the man is looking for the suitcase. The enormous dog had been Jimmy's and is named Mingus, after the jazz great Charles Mingus. The snarling monster has an overpowering stench, "a stink sharp enough to cut." Throughout the story, Peter feels "white static" in his head anytime he's indoors, a combat legacy that threatens to incapacitate him. Peter talks to detective Sam Lipsky about the suicide while Dinah and Peter try to find out where the money came from. Midden, the guy in the chore coat, is part of a small group of angry vets who want to teach big banks a lesson: "that the people run this country." Now the story is about much more than Peter defeating his demons; it's about America's sorry treatment of veterans and the desperate measures a few of them might take. Meanwhile, when Peter learns the truth about Jimmy, his mission changes. The relationship between Peter and Mingus is entertaining and reveals a lot about the man's character. A powerful, empathetic, and entertaining tale about the plight many combat veterans face when they come home from Iraq and Afghanistan. Top-notch storytelling. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter 1 There was a pit bull under the front porch and it didn't want to come out. Young Charlie Johnson said, "That dang dog's been there for weeks, sir. It already ate up all the cats and dogs around here. I can't even let my dang little brother out the front door no more." The hundred-year-old house sat on a narrow lot on the edge of a battered Milwaukee neighborhood that, like the house, had seen better days. It was early November, not warm, not even by Wisconsin standards. The leaves had already fallen from the skeletal trees that towered overhead. But the sun was out, which counted for something. And the sky was a high, pale morning blue. Not a morning for static. Not at all. Peter Ash said, "Just how big is this dog?" Charlie shook his head. "Never seen it up close, sir, and never in daylight. But it's awfully dang big, I can tell you that." "Didn't you call animal control?" "Oh, my mama called," said Charlie. "Two men came, took one look under there, got right back in their truck and drove away." Charlie wore a school uniform, a light-blue permanent-press dress shirt, dark-blue polyester dress pants, and giant polished black shoes on his oversized feet. He was the kind of skinny, big-eared, twelve-year-old kid who could eat six meals a day and still be hungry. But his eyes were older than his years. They didn't miss a thing. He was watching Peter Ash now. Peter sat on the closed lid of a wooden toolbox, his wide, knuckly hands on the work-worn knees of his carpenter's jeans, peering through the narrow access hatch cut into the rotted pine slats enclosing the space under the porch. He had to admit the dog sounded big. He could hear it growling back there in the darkness. Like a tank engine on idle, only louder. He had a .45 under the seat of his pickup, but he didn't want to use it. It wasn't the dog's fault, not really. It was hungry and scared and alone, and all it had was its teeth. On the other hand, Peter had told Charlie's mother, Dinah, that he would fix the rotting supports beneath her ancient porch. She hadn't mentioned the dog. Peter really couldn't blame her. Her husband had killed himself. And it was Peter's fault. ** Peter was lean and rangy, muscle and bone, nothing extra. His long face was angular, the tips of his ears slightly pointed, his dark hair the unruly shag of a buzz cut grown wild. He had the thoughtful eyes of a werewolf a week before the change. Some part of him was always in motion--even now, sitting on that toolbox, peering under that porch, his knee bobbed in time to some interior metronome that never ceased. He'd fought two wars over eight years, with more deployments than he cared to remember. The tip of the spear. He'd be thirty-one in January. As he bent to look through the narrow access hatch under the porch, he could feel the white static fizz and pop at the base of his skull. That was his name for the fine-grained sensation he lived with now, the white static. A vague crackling unease, a dissonant noise at the edge of hearing. It wasn't quite uncomfortable, not yet. The static was just reminding him that it didn't want him to go inside. Peter knew it would get worse before he was done. So he might as well get to it. The space under the porch was about three feet high. Maybe twelve feet wide and twelve deep, with a dirt floor. About the size of four freshly dug graves, laid sideways. The smell was rank, worse than a sergeant's feet after two months in a combat outpost. But not as bad as a two-week-old corpse. Light trickled in through the slatted sides of the porch, but shadows shrouded the far corner, some kind of cast-off crap back there. And that growl he could just about feel through the soles of his boots. It would be good to do this without being chewed on too much. He went out to his truck and found a cordless trouble light, some good rope, and a length of old handrail. White oak, an inch and three-quarters thick, maybe eighteen inches long. Nice and solid in the hand. Which was a help when you were contemplating something spectacularly stupid. Serenaded by the growls from the crawl space, he sat down on the toolbox and took out his knife while young Charlie Johnson watched. Not that Peter wanted an audience. This certainly could get ugly. "Don't you have someplace to go, Charlie? School or something?" Charlie glanced at a cheap black digital watch strapped to his skinny wrist. "No, sir," he said. "Not yet I don't." Peter just shook his head. He didn't like it, but he understood. He figured he wasn't that far from twelve years old himself. He cut three short lengths from his rope and left the remainder long, ten or twelve feet. Tied one end of a short piece of rope tight to each end of the oak rail. Looped the last short rope and the remainder through his belt a single time, so he could get at it quickly. Then he looked up at Charlie again. "You better get out of here, kid. If this goes bad, you don't want to be around." Charlie said, "I'm not a dang kid. Sir. I'm the man of the family." He reached inside the door, brought out an aluminum baseball bat, and demonstrated his swing. "That's my dang porch. My little brother, too. I ain't going nowhere." Charlie's dad always had the same look behind the Humvee's .50 turret gun. Eyes wide open and ready for trouble. Daring any motherfucker to pop up with an RPG or Kalashnikov or whatever. But when his wife, Dinah, sent cookies, Big Jimmy Johnson--known inevitably to the platoon's jokers as Big Johnson, or just plain Big--was always the last to eat one. Peter missed him. He missed them all. The dead and the living. He said, "Okay, Charlie. I can respect that." He put his eyes on the boy and held them there. "But if that dog gets loose you get your butt in that house, you hear me? And if you hit me with that bat I'm going to be seriously pissed." "Yessir." Charlie nodded. "Can't promise anything, sir. But I'll do my best." Peter smiled to himself. At least the kid was honest. After that there was nothing more to do but lean back and kick out the slats on one side of the porch, letting in more daylight. The space was still small. The tank engine in the shadows got louder. But no sign of the dog. Must be lurking in that trash pile in the far corner. Not that it mattered. He wasn't turning away from the challenge. He was just planning how to succeed. The familiar taste filled his mouth, a coppery flavor, like blood. He felt the adrenaline lift and carry him forward. It was similar to the static, rising. The body's preparation for fight or flight. It was useful. He peered under the porch, and the static rose higher still. The static didn't care about the snarling dog. It cared about the enclosure. It jangled his nerves, raced his heart, tightened his chest, and generally clamored for his attention. It wanted him to stay outside in the open air, in the daylight. Breathing deeply, Peter took the piece of oak and banged it on the wood frame of the porch. It rang like a primitive musical instrument. Despite everything, he was smiling. "Hey, dog," he called into the darkness. "Watch your ass, I'm coming in!" And in he went, headfirst on his elbows and knees, the stick in one hand and the trouble light in the other. What, you want to live forever? Excerpted from The Drifter by Nick Petrie All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.