Too much is not enough A memoir of fumbling toward adulthood

Andrew Rannells

Book - 2019

"From the star of Broadway's The Book of Mormon and HBO's Girls, the heartfelt and hilarious coming-of-age memoir of a Midwestern boy surviving bad auditions, bad relationships, and some really bad highlights as he chases his dreams in New York City."--Publisher's description.

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Subjects
Genres
Autobiographies
Published
New York : Crown Archetype [2019]
Language
English
Main Author
Andrew Rannells (author)
Edition
First edition
Physical Description
xii, 251 pages ; 22 cm
ISBN
9780525574859
  • About Andrew Rannells (The Honest Version)
  • My Entrance
  • Be Loud
  • A New Me for New York
  • The 40-Year-Old and the Virgin
  • It's Never the Priest You Want to Kiss
  • Boy Stuff
  • Taking Requests
  • Summer Stock (or Things You Can Learn in a Barn)
  • Young Artists Seeking ... Art
  • Josephine
  • Broadway Adjacent
  • Imaginary Omaha Andy
  • I Don't Want to Catch 'Em All
  • Party Monsters
  • My Second Date with Brad
  • Our Good-bye to Ron
  • The Wisdom of Hedwig ... and Britney
  • Everything Is Rosie
  • Ivy League by Association
  • The Tallest Man I Ever Loved
  • "Hairspray, Wow!"
  • Acknowledgments
Review by New York Times Review

junk, by Les Bohem, read by John Waters. (Audible.) Waters, a Hollywood veteran both in front of and behind the camera, narrates the Emmy-winning screenwriter's epic story of an alien takeover of Planet Earth, set in present-day Los Angeles. TOO much is not enough, by Andrew Rannells, read by the author. (Penguin Random House Audio.) The star of "The Book of Mormon" and "Girls" on HBO recounts his coming-of-age from a sexually confused Midwestern teenager to finding his footing as an actor in Manhattan. QUEENiE, by Candice Carty-Williams, read by Shvorne Marks. (Simon & Schuster Audio.) The "Endeavour" actor gives voice to a 20something Jamaican-British journalist navigating the trials of interracial dating, in a tale so full of humor she's been called a "black Bridget Jones." sal & gabi break the universe, by Carlos Hernandez, read by Anthony Rey Perez. (Listening Library.) This mystical middle-grade novel set at a magnet school in Miami lends a Cuban-American lilt to the genre of science fiction. remembering Roth, by James Atlas, read by the author. (Audible.) The biographer narrates an intimate homage to the late novelist, with whom he shared a decades-long, but not uncomplicated, literary friendship.

Copyright (c) The New York Times Company [July 11, 2019]
Review by Booklist Review

Readers may recognize Rannells from his role as Elijah on HBO's Girls and as part of the original cast of The Book of Mormon, but in this memoir, he introduces the person he was before his first big break. Chronicling his early life in Omaha, and the seven years after his move to New York City in 1997, Rannells recounts the heartbreaks and missteps on the path to his debut role on Broadway. Fueling his prose with pop-culture references, he verbalizes feelings of insecurity with shocking poise as he describes being left adrift in a new city, and even maintains an affable tone when discussing devastating life events, such as his grandmother's progressive dementia and the death of his father. As Rannells takes readers through gigs lost and friends made, they gain a multidimensional picture of this talented actor-cum-writer while also enjoying a number of laughs along the way. This is certain to resonate with all those brave enough to leave their comfort zones in pursuit of their dreams, and it is clear Rannells still has more stories yet to tell.--Kenneth Otani Copyright 2019 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Kirkus Book Review

A Grammy Award-winning actor and singer recalls his unique childhood and ascent to notoriety.In a spirited debut saturated with personality and frank humor, Rannells tells the stories of his youth growing up as the fourth of five siblings in Omaha, Nebraska. The son of an advertising salesman and a former teen model, the author fostered his love of live theater by watching musicals from the 1940s and '50s and by viewing the Tony Awards broadcast, which "was so much better than the movies; it was live!" Moving swiftly through the trajectory of his budding career, Rannells shares amusing anecdotes on his Midwestern upbringing, being taught "how to throw shade" by his grandma Josephine, becoming a busy "shameless entertainer" on the Omaha theater scene, and his timely decision to come out to his conservative parents mere days before moving to New York City in 1997 to study the arts. These chapters form a descriptive rainbow of personal mishaps as the author describes his sexual awakenings; having to endure priestly inappropriateness while he was a student at an all-boys Jesuit Catholic high school; meeting his best friend, Zuzanna, at an audition; nightclub adventures; and formative work at upstate New York summer stock. Despite a series of rude awakenings and rejections in the businessincluding an exhaustive tour with Pokemon Live!Rannells, a model of persistence and dedication, ultimately found his footing and branched out toward a momentous Broadway debut in Hairspray in 2006. Later, he earned a Tony Award nomination for the originating role of Elder Price in The Book of Mormon. The author is a natural raconteur who engages readers with self-effacing honesty about his life's great expectations and fumbles. His life story will be encouraging and inspirational particularly for theater buffs and readers pursuing a stage career, and musical fans will savor his enticingly told journey from awkward childhood to fame in the spotlight.An inspiring and consistently witty entertainment memoir. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

***This excerpt is from an advance uncorrected copy proof*** Copyright © 2018 Andrew Rannells About Andrew Rannells (The Honest Version)   This is maybe not going to be what you think it's going to be. When I have to provide a bio for a Playbill or a television show announcement or the jacket of the book you're holding in your hand, I'm always struck by how tidy it looks. Each sentence contains an achievement that I'm proud of, something that for years I had only dreamed could be possible. I've worked hard, and I'm happy to say that I have achieved much of what I set out to do when I first moved to New York in 1997. (I mean, I would still like to have a weekly brunch date with Stephen Sondheim, but it's always good to have goals.) But my biography is also deceiving. It's all highs and no lows, with bullet points of good stuff and none of the details of the in-between, and it starts with me starring in my third Broadway show, when I was thirty-two. In reality, my bio should include sentences like: Prior to being cast in The Book of Mormon, Andrew left his family in Omaha, Nebraska, missed them terribly, and often wondered if he had made the right choice to leave his home. Or: After starring in Hairspray on Broadway as the third Link Larkin, Andrew faced months of unemployment and thought he would never work again. During that time, he loved to stress eat, spiraled into regularly scheduled anxiety attacks, and had to take a job as a temp at Ernst and Young. He still couldn't tell you what he was supposed to be doing at that job, because he mostly hid in either the men's bathroom or the break room. Or: In his free time, Andrew likes to drink wine with friends, watch countless consecutive hours of HGTV, and manage panic about his personal life. (Just a side note: You know how, at the end of Our Town, the Stage Manager lets Emily go back and pick one day in her life to visit? One of my greatest fears is that this will happen to me when I die and I will accidentally pick a day that I spent alone in my apartment eating large Domino's pizzas and watching an entire season of Mad Men straight through. Like, all thirteen hours at once. Actually, maybe there's nothing wrong with that day.) What these official bios always leave out are the years I had in New York City before I was working on Broadway. Before I was in The Book of Mormon and Girls . Before people started stopping me on the subway to say, "Did we go to high school together?" (Unless you attended an all-boys Jesuit Catholic high school in Omaha, Nebraska, . . . no, we did not.) Or "I love you on Modern Family !" (Actually, that's Jesse Tyler Ferguson.) Or my all-time favorite, "Tell me why I know you!" (Ma'am, that's a question only you can answer.) These missing years were messy and confusing and filled with questionable choices, and for a long time I was happy to omit them. But I realize now just how much happened during that period of my life--a time when I was excited, and terrified, on a daily basis about what the future held for me--and I wanted to tell some stories about experiences that have been just as important as all of those highlights in my bio. Everyone who leaves home, with dreams of making it in the city, starts somewhere, and I'm pretty sure that my dream began at a young age, when my dad started showing me MGM and Warner Bros. musicals from the forties and fifties. Judy Garland, Betty Grable, Gene Kelly, Dick Haymes. I idolized all of them. My love of older movie musicals led to a love of newer movie musicals like Fame, Little Shop of Horrors, and Grease 2 (I prefer the sequel to the original; I know I'm not alone here). Because of this love of musicals, my mom suggested I watch the Tony Awards one year. I was instantly hooked. It was so much better than the movies; it was live! I would watch the Tonys every year and dream about being one of those people on the stage performing. It was the 1993 Tony Awards that really sealed the deal. The casts of Kiss of the Spider Woman, Blood Brothers, The Goodbye Girl, and The Who's Tommy all performed that night, and I fell madly in love with every minute of the telecast. That was the moment I knew that I didn't want to be just a fan, I wanted to be one of them. I wasn't sure how I was going to do it, but I knew I had to figure it out. My family, while incredibly supportive, didn't have the answers, either. I thought I would start with the most obvious first step and just go from there; I had to get myself to New York City. I see the new kids arriving in the city every year, new faces ready to tackle their dreams, practically shouting, "God, I hope I get it! I hope I get it!" I want to welcome them and tell them what they can expect, what I wish I had known when I first arrived. At the top of that list: It might look like people are ahead of you, be it in money, looks, or opportunity, but here's what--Eyes on your own paper, folks! Everyone has to do the work. People who just get handed opportunity without the effort usually fuck it up and end up much lower than when they started. Your career is something that starts with the first step, not with a promotion or a movie or an award. It begins the minute you say you are going to do it. So make it all count. I can't give you a shortcut, because there isn't one, so the following pages are not a guide to making it in New York. Instead, they are stories of wins, big and small, of falling down but always getting up, and of experiencing everything you possibly can and making a life to be proud of along the way. That's all a lofty way to say you are about to read about homesickness, bad auditions, good auditions, sex with the wrong person, occasionally sex with the right person (who generally turns out to be the wrong person), some unfortunate but inescapable life events on the path to adulthood, and lots of wine with friends along the way. If I could squeeze all of these stories into the bio on the jacket of this book, I would. But my editor won't let me, so please consider this book the longer, more honest version of my bio--the one I'd share with a friend over a few drinks. I should also add that some names and personal details have been changed. I tried to be as accurate as possible, but, let's be honest, we all know how memory works. For example, as I was writing many of these stories, I imagined myself as a young Leonardo DiCaprio in them, but after consulting some photo albums, I realized that simply wasn't the case. I hope you enjoy my stories anyway. Excerpted from Too Much Is Not Enough: A Memoir of Fumbling Toward Adulthood by Andrew Rannells All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.