Review by New York Times Review
21 LESSONS FOR THE 21ST CENTURY, by Yuval Noah Harari. (Spiegel & Grau, $28.) This sweeping survey of the modern world by an ambitious and stimulating thinker offers a framework for confronting the fears raised by such major issues as nationalism, immigration, education and religion. PRESIDIO, by Randy Kennedy. (Touchstone, $26.) Vintage Texas noir, this first novel follows the flight to the Mexican border of a car thief turned accidental kidnapper. BOOM TOWN: The Fantastical Saga of Oklahoma City, Its Chaotic Founding, Its Apocalyptic Weather, Its Purloined Basketball Team, and the Dream of Becoming a World-Class Metropolis, by Sam Anderson. (Crown, $28.) A vivid, slightly surreal history of "the great minor city of America," starting 500 million years ago and continuing up through Timothy McVeigh, Kevin Durant and the Flaming Lips. FASHION CLIMBING: A Memoir With Photographs, by Bill Cunningham. (Penguin Press, $27.) Discovered after his death, these autobiobraphical essays chart the beloved New York Times photographer's early career as a milliner, fashion reporter and discerning observer of high society. SMALL SMALL FRY, by Lisa Brennan-Jobs. (Grove, $26.) BrenFUY nan-Jobs's memoir of an unstable childhood at the mercy of her depressed, volatile and chronically impoverished mother, on the one hand, and her famous, wealthy and emotionally abusive father, on the other, is a luminous, if deeply disturbing, work of art. CHERRY, by Nico Walker. (Knopf, $26.95.) The incarcerated novelist's debut is a singular portrait of the opioid epidemic and the United States' failure to provide adequate support to veterans. It's full of slapstick comedy, despite gut-clenching depictions of dope sickness, the futility of war and PTSD. OPEN ME, by Lisa Locascio. (Grove, $25.) This debut novel by a lovely, imagistic writer is a subversion of the study-abroad narrative: Instead of being transformed by the external world in Denmark, the narrator dives inward, spending her days discovering the possibilities of her own pleasure. TERRARIUM: New and Selected Stories, by Valerie Trueblood. (Counterpoint, $26.) Urgent, unnerving and tightly packed short fiction that covers enough ground for a library of novels. BUT NOT THE ARMADILLO, written and illustrated by Sandra Boynton. (Simon & Schuster, $5.99; ages 0 to 4.) Boynton's new board book, a follow-up to "But Not the Hippopotamus," stars another creature who'd rather not join in. Some folks just prefer to go their own way - toddlers will understand. The full reviews of these and other recent books are on the web: nytimes.com/books
Copyright (c) The New York Times Company [August 23, 2019]
Review by Booklist Review
*Starred Review* When artist Chrisann Brennan told her on-again, off-again partner, Apple founder Steve Jobs, that she was pregnant with his child, he literally ran away. When the baby, who would become this book's author, was born, Jobs reappeared for just long enough to name her Lisa. After first publicly denying paternity (even after a DNA test) and being forced to pay child support, Jobs becomes a sporadic, enigmatic, and powerful presence in the author's young life. While Brennan is loving and affectionate as she struggles to provide a stable home, Jobs is awkward and distant, even as he and Brennan-Jobs become closer. The author's youthful longing for her father's approval drives this memoir. Though Jobs' rejections, from denying he named one of the first Apple computers after the author (he did) to telling her how stupid debate is after she wins a competition, can be difficult to read, Brennan-Jobs skillfully relays her past without judgement, staying true to her younger self. It is a testament to her fine writing and journalistic approach that her memoir never turns maudlin or gossipy. Rather than a celebrity biography, this is Brennan-Jobs' authentic story of growing up in two very different environments, neither of which felt quite like home.--Kathy Sexton Copyright 2018 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
In her incisive debut memoir, writer Brennan-Jobs explores her upbringing as the daughter of Apple founder Steve Jobs and Chrisann Brennan, an artist and writer (the couple never married). The book opens with Jobs's deteriorating health from cancer, but the author quickly backtracks to her early childhood, filling in details of her birth (including Jobs's initial denial of paternity, a claim debunked through DNA testing). Brennan-Jobs's narrative is tinged with awe, yearning, and disappointment. Initially, Brennan-Jobs lived with her mother, who supplemented welfare with waitressing and cleaning houses. In time, Jobs became interested in his daughter, and in high school Brennan-Jobs lived with him, becoming the go-to babysitter for his son with his wife, Laurene Powell. Later, when Brennan-Jobs declined a family trip to the circus, Jobs, citing family disloyalty, asked her to move out and stopped payment on her Harvard tuition (a kindly friend offered aid, which Jobs later repaid). Bringing the reader into the heart of the child who admired Jobs's genius, craved his love, and feared his unpredictability, Brennan-Jobs writes lucidly of happy times, as well as of her loneliness in Jobs's spacious home where he refuses to bid her good-night. On his deathbed, his apology for the past soothes, she writes, "like cool water on a burn." This sincere and disquieting portrait reveals a complex father-daughter relationship. Agent: David McCormick, McCormick Literary. (Sept.) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
Stepping forward with her own version of her complicated relationship with father Steve Jobs, founder of Apple, debut author Brennan-Jobs adds to the Jobs lore with this distinctive memoir. Born to Chrisann -Brennan, an early girlfriend of Jobs's (they met during high school and never married), the author details the adversarial and litigious relationship between her parents during her Bay Area upbringing. From her child's perspective, Jobs appeared remote but fascinating and alluring, while Brennan, although emotionally reactive, was a source of support and love. The relationship Brennan-Jobs eventually "enjoyed" with her father was never comfortable, and her position in his universe never seemed to her to be as secure as that of her stepfamily's. While some revelations about Jobs's idiosyncratic behavior might be seen as settling scores, the narrative provides unvarnished truths about the author's own actions while attempting to create a relationship with the elusive tech visionary. VERDICT Jobs's many devotees will seek out this account, which deals less with innovation than with emotion. [See Prepub Alert, 3/12/18.]-Thérèse Purcell Nielsen, Huntington P.L., NY © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
An epic, sharp coming-of-age story from the daughter of Steve Jobs.It's rare to find a memoir from a celebrity's child in which the writing is equal toor exceedsthe parent's reputation, but that is the case with Brennan-Jobs' debut. The author engagingly packs in every detail of her life, including her seemingly innocuous conception by Jobs and artist Chrisann Brennan, her father's paternity denial, their rocky reconciliation, and Jobs' ultimate rejection and silence. In a lesser writer's hands, the narrative could have devolved into literary revenge. Instead, Brennan-Jobs offers a stunningly beautiful study of parenting that just so happens to include the co-founder of Apple. With a background in journalism, she skillfully and poignantly navigates her formative years, revealing the emotional wounds that parents can often visit upon their children. From Jobs' refusal to pay for her college to his ongoing refutation that his first personal computer, the Apple Lisa, was named for her, she describes a master of mental and emotional manipulation: " Well, then, who was it named after?' An old girlfriend,' he said, looking off into the distance, as if remembering. Wistful. It was this dreamy quality that made me believe he was telling the truth, because otherwise it was quite an act.I had a strange feeling in my stomach[and was] starting to believe I was calibrated wrong." Not until Jobs was on his deathbed did he finally admit to his daughter that the Apple Lisa was named after her. But why lie? Why purposely hurt your child and then, a moment later, display enormous affection? Those are some of the questions the author wrestles with as she examines her youth. Of course, the book also includes enough celebrity gossip to please tabloid lovers, but this is not a tell-all; it's an exquisitely rendered story of family, love, and identity.Brennan-Jobs benefits from her father's story, but her prose doesn't require his spotlight to shine. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
