Review by New York Times Review
SUGAR RUN, by Mesha Maren. (Algonquin, $26.95.) An ex-convict returns to her Appalachian roots in this debut novel. The literary lineages here are hard-boiled fiction and film noir - but by exploring place, connection and redemption in the face of the justice system, Maren creates bold takes on those venerable genres. ANNE FRANK'S DIARY: The Graphic Adaptation, adapted by Ari Folman. Illustrated by David Polonsky. (Pantheon, $24.95.) By turning the famous diary of a girl hiding from the Nazis into a graphic novel, Folman and Polonsky bring out its wit and humor in whimsical illustrations capturing Anne's rich imaginative life. REVOLUTION SUNDAY, by Wendy Guerra. Translated by Achy Obejas. (Melville House, paper, $16.99.) This Cuban novel, about a poet facing political and personal questions amid the loosening grip of socialism, plays with expectations; as often as Guerra gives a concrete description of Havana, she gives one that dances and evades. GHOST WALL, by Sarah Moss. (Farrar, Straus & Giroux, $22.) This compact, riveting novel, about a 17-year-old working-class girl forced by her parents to join a re-enactment of Iron Age Britain, asks us to question our complicity in violence, particularly against women. MY SISTER, THE SERIAL KILLER, by Oyinkan Braithwaite. (Doubleday, $22.95.) Murders litter this debut novel by a young Nigerian writer, but the book is less about crime than about the complexities of sibling bonds, as well as the way two sisters manage to survive in a corrupt city that suffocates women at every turn. THE BREAKTHROUGH: Immunotherapy and the Race to Cure Cancer, by Charles Graeber. (Twelve, $28.) Training the body's immune system to fight disease now offers the most promising developments in the effort to battle cancer. Graeber recounts the treatment's 19th-century origins and provides a panoramic view of the work being done today to make it effective. TODDLER-HUNTING: And Other Stories, by Taeko Kono. Translated by Lucy North, with an additional translation by Lucy Lower. (New Directions, paper, $16.95.) As nonchalantly as some authors might describe a character's hair, Kono details her characters' taboo desires. First published in the '60s, these stories all retain interest. WE ARE DISPLACED: My Journey and Stories From Refugee Girls Around the World, by Malala Yousafzai. (Little, Brown, $18.99; ages 12 and up.) The world's youngest Nobel laureate gathers stirring stories of displacement from nine other girls. A THOUSAND SISTERS: The Heroic Airwomen of the Soviet Union in World War II, by Elizabeth Wein. (Balzer + Bray, $19.99; ages 13 and up.) The powerful tale of the all-female Soviet air regiments who flew 24,000 missions to help defeat the Nazis. The full reviews of these and other recent books are on the web: nytimes.com/books
Copyright (c) The New York Times Company [January 31, 2019]
Review by Booklist Review
Moss' slender novel follows a working-class family of three from Northern England as they take a proverbial trip back in time, joining an archaeology professor and three of his students on a journey to the wilds of the country to live in the fashion of Iron Age Britons. Seventeen-year-old Sylvie and her mother, Alison, are just along for the ride; it's Sylvie's father, Bill, who is truly passionate about the excursion and England's ancient history. Bill is a churlish man who controls his wife and daughter with brutal beatings. But Sylvie is quietly starting to question him, drawn to Professor Slade's trio of students, who are only a little older than she is. Beautiful Molly, with her golden hair and carefree nature, is particularly enthralling to oppressed Sylvie. The story builds to a primitive ritual teasingly foreshadowed in the opening pages that lays bare Sylvie's vulnerability and oppression at the hands of her father. Tackling issues such as misogyny and class divides, Moss (Signs for Lost Children, 2017) packs a lot into her brief but powerful narrative.--Kristine Huntley Copyright 2018 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Moss (Cold Earth) delivers a powerful and unsettling novel about an Iron Age reenactment that steadily morphs into something sinister. The narrator, 17-year-old Silvie, is forced by her domineering father, a history buff, to join a group of three college students-Pete, Dan, and Molly-and their experimental archaeology professor for a stay on a relatively isolated spot of land in the English countryside to gain insight into what it was like to live day-to-day in the Iron Age. Silvie wears a scratchy tunic and searches for edible berries and roots, becoming close with Molly. Quickly, though, Silvie's dad's darker side comes to the forefront, as he becomes obsessed with following the rules of the experiment; he is particularly captivated by people who were found in the bogs of the region with their hands tied or bearing wounds, perfectly preserved from the Iron Age and discovered centuries later. The story grows increasingly ominous as the men build a replica of a ghost wall-a wall topped with skulls that a local tribe erected to ward off the invading Romans-before arriving at a terrifying, unforgettable ending. The novel's highlight is Silvie, a perfectly calibrated consciousness that is energetic and lonely and prone to sharp and memorable observations: "Who are the ghosts again, we or our dead? Maybe they imagined us first, maybe we were conjured out of the deep past by other minds"; "You'd think that dismembering something would get easier as the creature becomes less like itself, but with rabbits that's not the case." This is a haunting, astonishing novel. (Jan.) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
In this latest from the acclaimed Moss (e.g., Night Waking), teenage Silvie from northern England is stuck in a family camping vacation from hell. Her domineering, amateur-historian father has brought her and her mother on a historical reenactment of Iron Age hunter-gatherers near the Scottish border in connection with a university archaeology class field trip. Aside from enduring his physical abuse, Silvie and her mother are burdened with foraging, cooking, and keeping the fire; domestic violence and gender roles are as old as time, after all. While the university professor and Silvie's dad ponder the mysteries of primitive female sacrifice among the ancient bog people, Silvie has firsthand knowledge of torture and scapegoating. As with much Brexit-era British fiction, the novel touches on issues of class and immigration. The posh professor and students are juxtaposed with Silvie's working-class family, and while Silvie's father seeks a historical justification for a pure Britain, an inconvenient fact is that the ancient world had its migrations, too. -VERDICT This novella-length story is thought provoking on multiple levels, with insights into -primitive and modern societies, and coming of age in the face of family violence. [See Prepub Alert, 7/16/18.]-Reba Leiding, -emeritus, James Madison Univ. Lib., Harrisonburg, VA © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
A teenager and her working-class family join a group of experimental archaeologists and must face the sinister connections between their own circumstances and the brutal lives of the Iron Age inhabitants of Britain.Seventeen-year-old Silvie's father has an unusual hobby. A bus driver by trade, her dad is an amateur expert in pre-Roman British history. He's taught Silvie how the ancient people would have livedwhich roots can be eaten, which moors can be usefully foragedand how they would have died, found preserved in bogs with ropes around their necks, hands, and feet. But his interest isn't especially benign. A violent, racist man, he reveres Iron Age Britain as a symbol of purity, believing it represents a culture before it was sullied by invaders from other lands. A local professor has invited Silvie's family to tag along on a summer archaeology course that will attempt to replicate the daily lives of the Iron Age Northumbrians. As the college students in the course get to know Silvie and get a closer look at her family dynamicsher tempestuous father, her cowed momSilvie is forced to both question her secret life and protect it from outsiders before the re-enactment goes too far. Moss' (Signs for Lost Children, 2017, etc.) unusual premise allows her to explore issues of class, sexuality, capitalism, and xenophobia in fewer than 150 pages. Her decision to use unformatted dialogue, without punctuation or paragraph breaks, can be frustrating and works against the plot's natural suspense, but it also shows Silvie's panic, confusion, and longing as strangers get too close. One can't help but wonder if there is a post-Brexit cautionary tale flowing not too far below the surface here.A thorny, thoroughly original novel about human beings' capacity for violence. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
