The kinship of secrets A novel

Eugenia Kim

Book - 2018

"From the author of The Calligrapher's Daughter comes the riveting story of two sisters, one raised in the United States, the other in South Korea, and the family that bound them together even as the Korean War kept them apart"--

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Subjects
Genres
Bildungsromans
Published
Boston : Houghton Mifflin Harcourt 2018.
Language
English
Main Author
Eugenia Kim (author)
Physical Description
292 pages ; 24 cm
ISBN
9781328987822
Contents unavailable.
Review by Booklist Review

*Starred Review* Kim's (The Calligrapher's Daughter, 2009) second novel is a timely and moving historical saga illuminating the repercussions experienced by families separated by war. In 1948, Calvin and Najin Cho travel from Seoul to the U.S., hoping to find new opportunities to support their two young daughters. Miran, their adopted daughter, travels with them; Inja is left behind with Najin's brother, his wife, and the grandparents. The Chos plan a quick return, but the Korean War intervenes, and the family remains separated. In alternating chapters, Kim traces the dramatically different lives of each daughter. Inja survives a life of hardship and constant sacrifice, remembering her parents as ghost people to whom she is somehow bound. Miran grows up in a Washington, D.C., suburb and forgets all things Korean, becoming thoroughly American. Because Calvin has ties to the U.S. government, they can't return to Korea, and the years pass until 1963, when they have saved enough to bring Inja to America. How she copes with the cultural change, and how the sisters gradually forge the bond they had only dreamed about, make up the remainder of Kim's heartfelt story, one which will greatly appeal to readers who enjoy the multicultural novels of Lisa See and Amy Tan, stories that enlighten as well as entertain.--Deborah Donovan Copyright 2018 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

The lives of two sisters growing up on opposite sides of the world-one in war-torn Korea, the other in America-come to life in this finely wrought novel from Kim (The Calligrapher's Daughter), inspired by her family's experiences. In 1948, Najin and Calvin Cho leave Korea for America in search of a better life, taking firstborn Miran with them, but leaving their infant daughter, Inja, behind with Najin's parents, brother, and sister-in-law. The Chos intend to return for Inja when she is older and better able to travel. But the Korean War breaks out, foiling their plans. The Chos send care packages to their family, but that doesn't assuage their anguish at being separated. Told from each sister's viewpoint, readers learn about their vastly different upbringings-Inja's frightening experiences leaving her war-torn home to flee to a safer part of Korea while Marin grew up with the threat of war but in relative luxury. Yet this is also a family with deep secrets, between parents and children and between siblings, and the way these secrets impact the characters when they are finally united reflects Kim's sharp insight into relationships. This is a stirring novel about family and the sacrifices made to keep it whole. (Nov.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Opening at the start of the Korean War and inspired by events in the author's life, this heartfelt follow-up to Kim's highly acclaimed debut, Calligrapher's Daughter, focuses on two sisters: four-year-old Inja, who lives in Korea with her grandparents, uncle, and aunt, and her five-year-old sister, Miran, who lives with their parents in the United States. The chapters alternate between the two girls, portraying their distinct upbringings. Clearly, Inja's experiences are more unsettling as she lives through wartime and its aftermath, but Miran's -perspectives as a typical young girl and later teenager seeking attention and affirmation are no less interesting. The story takes a sharp turn when arrangements are made for Inja to immigrate to the United States at age 15, and she must learn to adapt to a family from whom she's long been separated and a way of life different from what she's known. VERDICT Though the ending seems a bit rushed, as the sisters go off to college and enter their twenties, Kim is a true storyteller, and her latest work is engaging throughout. Readers who enjoy family sagas by Lisa See and Jamie Ford will appreciate this one. [See Prepub Alert, 5/14/18.]-Shirley Quan, Orange Cty. P.L., Santa Ana, CA © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Two sisters, estranged by circumstance, seek to forge a bond and understand their individual and shared histories.Inja and Miran are near twins. Remarkably close in age, both are artistic and sensitive. But when the novel opens, in 1950, the two girls live on separate continents: When Miran's parents left South Korea for the United States, they were only able to travel with one child. They chose Miran, who had been in poor health as an infant, and left Inja behind with her maternal grandparents, aunt and uncle. Though the family had planned to return for Inja, North Korean troops invade South Korea and war breaks out. Inja and her relatives are displaced to Busan, enduring hunger, cold, and constant instability; in America, Miran struggles to understand her parents' anxiety and helplessness as they wait for news. The novel stretches from the early 1950s through the mid-'70s, alternating between Inja's adolescence in a divided Korea and Miran's coming-of-age in a differently tumultuous USA. Based loosely on Kim's (The Calligrapher's Daughter, 2009) own family history, as detailed in the author's note, this elegant though frequently sentimental novel relies on the power of family secrets to propel the reader through the sisters' lives. Inja, contemplating all she does not know of her American familyand vice versanotes "the strange kind of power one gained from holding secrets." Will Inja ever know the sister who is practically her twin? Will either sister ever truly understand Korea or America, or will they continue to exist in the space between?Though the novel is quiet and occasionally dense with historical exposition, it offers a valuable window into Korean history as well as to issues like immigration and assimilation that couldn't be more relevant today. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

On a chilly summer night, a newsmonger trudged uphill to a residential enclave of Seoul, the last neighborhood on his route. By the dim light of his lantern swinging atop a bamboo pole, he checked his watch, clacked his wooden clappers three times, and, with the crystalline tones of his nighttime newscast, sang, "Attention, please, attention. Tuesday, twenty-seven June, three-thirty a.m. The North Korean People's Army retreats after our heroic counteroffensive in Uijongbu. Enemy tanks were destroyed, and our forces have mobilized to repulse the enemy all the way to the Yalu River. President Rhee urges the people of Korea to trust our military without being unsettled in the least, to carry on with their daily work and support military operations. Attention, please, attention."   His call echoed against the bulky profile of a Western-style house, where Inja, nearly four years old, lived with her maternal uncle, aunt, grandparents, as well as a cook and her teenaged daughter. Though it was the hour of dreams, Inja slept hard and still, her steady breaths matching those of her grandmother snuggled in the bedding beside her. The day before, Inja had accompanied Uncle downtown to read posted news bulletins, and his strained and rapid stride elevated her fear of things she didn't understand--communists, invasion--and had exhausted her.   Inja's dreams, both waking and sleeping, were often fanciful visions of her parents and her year-older sister in America. Having been left behind in Korea when she was a baby, Inja had no concrete memory of her family. They appeared to her as shadow people, their smiles as still as the few photographs they sent. To animate their grainy black-and-white features into an idea of mother, father, and sister, her imagination blurred them into amorphous shapes ​-- ​loving, said Uncle, and generous, as proven by the monthly packages they sent--ghost people to whom she was bound.   Yesterday, Uncle and Aunt argued fiercely about the merits or foolhardiness of leaving their home and fleeing south. Inja had thought the mystifying and controversial invasion could be an exciting change of routine, and though she had no say in the decision to stay or go, she longed for adventure. Already her shadow sister had journeyed halfway across the world, while she herself had gone nowhere.   A dry wind carried the newsmonger's song into their yard on his return trip down the hill, and Inja woke. She heard a pop of electricity--Uncle turning on the lightbulb dangling from the ceiling in his sitting room. Its blue glare streamed down the hallway, and his feet padded out to the porch. Her uncle was a calligrapher who created newspaper mastheads and banner headlines, so he had many contacts in the news business. Whirring crickets muffled Uncle's queries to the man on the street. Inja opened her eyes wide as if it would help her to hear better. No strand of morning light yet touched the shutters. She slid out of the bedding, careful to not disturb Grandmother, crept into the long side room that was the hub of the house, and peeked out the front door.   In the darkness, Uncle ran straight into her. "Umph! Yah, why are you up? Are you okay? Let's see that nose."   Startled tears sprang from her eyes, but she smiled and rubbed her nose to say she was unhurt. "What did the man say? Are we going on a trip?"   "Heedless ears make heedless thoughts," said Uncle. He crouched to meet her eyes in the shadows cast by the bedroom light.   She stepped into his open arms and his ready hug. With such protection, invasion couldn't possibly harm her. "Will we all go together?"   "I'll talk it over with Harabeoji." Since Uncle didn't say no and discussions with Grandfather usually meant he'd made up his mind, she was certain they would go. A sliver of glee shivered down her back, and she hopped out of his hug. "I can pack all by myself. I can help with Halmeoni." Inja could keep her tiny Grandmother's cane ready when she wanted to stand, or fetch her Bible, a clean pair of socks ​-- ​whatever she needed.   "Don't disturb her. You go back to sleep, and I'll wake you if we decide to go. And if we do, it's only for a short while."   "Okay." She returned to her room. Uncle was lax with discipline, but Inja had grown dutiful under the rough watch of her strict aunt and a stern command or two from her grandparents. Back in bed, with the pulse of Grandmother's breath in her ear, she lay wide awake and listened to unintelligible talk between the men, and soon a rising volume of complaints from Aunt. With such fights frequent in their house, Inja had learned to muffle the bitter tones and ugly words by diverting her attention to making lists, sometimes of what came in the last package from America, what clothes had been distributed, what candy had been devoured, what new words she'd learned from reading newspapers with Uncle, or the quirky things Yun ​-- ​her nanny, who was Cook's thirteen-year-old daughter--did that made her laugh. She created an imaginary list of what she would pack.   Bible picture book from Mother, my favorite of everything Blue KEDS sneakers from Mother (I copied those letters from the blue rubber label at the heel) Socks and clothes She ran her hand over the pressed linen surface of her Bible storybook, always nearby, and fingered its borders tooled with gold swashes. As high and wide as her chest and as thick as three fingers, it required both arms to carry it. If she took the book, little else would fit into a small bundle for their journey, so she sat against the wall and thought about all the things from the American packages she'd have to leave behind, all gifts from her mother and father and sister. These items lay on a corner shelf nearby, and as the room grayed with dawn, their silhouettes made it easier for her to inventory.   Pink rubber ball Small doll with yellow hair and moving arms and legs American flag on a chopstick-sized stick A miniature spoon with words etched in its bowl Bamboo flute Shiny wrappers from candy and gum A brooch made of pompoms, shaped like a poodle (a strange American dog) Card of hairpins with a picture of a pretty girl with brown curls Coloring book, all done, and six crayons (Yun was better at staying inside the lines) Woolen scarf with mittens knitted onto the ends (no one liked it because it was red) Cross-legged on the floor, she opened the Bible book to feel the glossy leaves of its illustrations. It was too dark to see, but she'd studied them for so many hours, she could guess what image was beneath her fingers by the bulk of pages in each hand. They were vivid and unforgettable, and from memorizing what her uncle said about the captions, she had learned what Fear looked like, and Greed, Sin, Pride, and Envy. It did not have a picture of Communist Invasion, but she thought their forthcoming journey might mirror how the Chosen People had crossed the sea floor while God held the raging waters back.   Inja leaned against the wall and fell asleep to sounds of activity in the kitchen and in an outside shed, where an oxcart had been stored since the war with Japan before she was born.   And on the other side of the city, the newsmonger snuffed his lantern in the dim gray before sunrise, noting a strange red glow beneath darkening clouds on the horizon. He pocketed his clackers and frowned at the teletype saying that the gains he'd just reported were lost. He conferred with his editor, who relayed the rumor that President Rhee had fled Seoul by train overnight to Suwon. But the editor also said they would not alarm the populace with confusing news of battles--or presidential flight. The newsmonger rubbed his eyes and went home to soak his feet. Excerpted from The Kinship of Secrets by Eugenia Kim All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.