Review by School Library Journal Review
PreS-Gr 2-A young boy and his six stuffed animals enjoy performing skits on the stage in his room before bedtime. Tonight, as the animals set up for another play, Arlo falls asleep, signaling the end of the first act. With their leader out of commission, the toys decide to go ahead and perform their play anyway, heralding in the second act. However, with no one in charge, the toys can't come to a consensus on a song, dance, or other necessities as they prepare for their production. The ruckus awakens Arlo, who assists them in getting organized and completing what they started. Die-cut pages in the shape of red-and-white-striped stage curtains grace the edges, and a large gatefold heralds the opening of the third act. The gouache illustrations have simple lines and solid colors. The wallpaper in Arlo's room is of water, clouds and sailboats, foreshadowing the play's action, and the backdrop on the stage changes often, adding to this childhood fantasy. VERDICT A fun, fanciful offering for young thespians and fans of creative play. Add to most picture book shelves.-Maryann H. Owen, Oak Creek Public Library WI © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
It's bedtime, but Arlo's animal friends are excited to put on a play. In each spread, the animals highlight a different element of playmaking: scenery, costumes, sound, movement, props, etc. Finally, everything comes together in a satisfying gatefold. Speech-bubble text, clever die-cut curtains, and canny details in the bold gouache illustrations encourage exploration, observation, and rereading. (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
Usually it is the sleepless child who invents a nocturnal story for his or her stuffed animals to enact; Boyd imagines the reverse. The narrative employs the elements and accoutrements associated with a theatrical performance, starting with the red-and-white jacket flaps that are shaped like drawn curtains. This attention-grabbing design component echoes the protagonist's similarly striped pajamas and is incorporated into each spread. The drapery functions as side borders on pages of varying widthsa situation that promotes turning back and forth to check on partial or complete disappearances. While Arlo's friendsrabbit, lemur, fawn, leopard, and birdsplan the first act, the little boy falls asleep. The backdrop consists of changing scenery rendered in a controlled palette of blues or greens against whitea foil for the solid, gouache characters and an opportunity to hide extra details for observant viewers. Costumes are procured and abandoned (too itchy, etc.); props are brought out after a run-through of sound effects and actions. The noise wakes Arlo, and the curtains open in a climactic gatefold that reveals a grand sailing expedition before a sleepy denouement. As in actual productions created by a group of youngsters, the event is more about negotiations and protocols than plot, but the creative die cuts, quick pace, and winsome creatures provide an enjoyable diversion. Arlo has straight, black hair, and his skin is paper-white.A clever introduction to theater for young audiences or performers (and an inspiration for post-bedtime play). (Picture book. 3-6) Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
