See you in the piazza New places to discover in Italy

Frances Mayes

Book - 2019

The Roman Forum, the Leaning Tower, the Piazza San Marco: these are the sights synonymous with Italy. But such landmarks only scratch the surface of this magical country's offerings. In See You in the Piazza, Frances Mayes introduces us to the Italy only the locals know, as she and her husband, Ed, eat and drink their way through thirteen regions--from Friuli to Sicily. Along the way, she seeks out the cultural and historic gems not found in traditional guidebooks. Frances conjures the enchantment of the backstreets, the hubbub of the markets, the dreamlike wonder of that space between lunch and dinner when a city cracks open to those who would wander or when a mind is drawn into the pages of a delicious book--and discloses to us the s...ecrets that only someone who is on intimate terms with a place could find.

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Subjects
Published
New York : Crown [2019]
Language
English
Main Author
Frances Mayes (author)
Edition
First edition
Item Description
Includes indexes.
Physical Description
xvii, 429 pages : map ; 25 cm
ISBN
9780451497697
  • Preface
  • Note From The Author
  • Piemonte
  • Torino
  • Orta San Giulio
  • Le Langhe: La Morra, Barolo, Castiglione Falletto, Serralunga d'Alba, and Novello
  • Le Langhe: Alba, Cherasco, Santo Stefano Belbo, and Neive
  • Trentino-Alto Adige
  • Trento
  • Rovereto
  • Merano
  • Monte San Vigilio/Lana
  • Vipiteno
  • Campo Tures
  • Veneto
  • La Laguna di Venezia
  • Asolo
  • Valdobbiadene
  • Arquà Petrarca and Colli Euganei (The Euganean Hills)
  • Montagnana
  • Este
  • Monselice
  • Mira and Dolo
  • Friuli Venezia Giulia
  • Cormòns, Cividale del Friuli, and Palmanova
  • Aquileia
  • Emilia-Romagna
  • Parma
  • Liguria
  • Camogli
  • Varese Ligure
  • Genova
  • Toscana
  • Scarperia
  • Buriano, Castiglione della Pescaia, Vetulonia, Montepescali, Campiglia Marittima, Populonia, and San Vincenzo
  • Massa Marittima
  • Sansepolcro
  • Umbria
  • Montefalco
  • Bevagna
  • Le Marche
  • Sant'Angelo in Vado
  • Mercatello sul Metauro
  • Sirolo
  • Recanati and Fermo
  • Lazio
  • Sabaudia
  • Sperlonga
  • Gaeta
  • Puglia
  • Trani
  • Ruvo di Puglia
  • Ostuni
  • Lecce, Corigliano d'Otranto, Specchia, and Otranto
  • Lucera, Troia, and Pietramontecorvino
  • Orsara
  • Monopoli, Bitonto, Lecce, Altamura, Matera, and Alberobello
  • Sardegna
  • Pula and Teulada
  • Santadi
  • Isola di San Pietro and Carloforte
  • Iglesias and Piscinas
  • Cagliari
  • Sicilia
  • Marzamemi
  • Scicli
  • Vittoria
  • Caltagirone
  • Chiaramonte Gulfi
  • Catania
  • Epilogue
  • Cortona
  • Acknowledgments
  • Index
Review by New York Times Review

what do you need to know about the places you're going? A dozen new books answer this question in strikingly idiosyncratic ways, wreathing their authors' wanderings in vivid back story - sometimes emotional, sometimes empirical, sometimes imperial - enveloping the reader in a kind of legible Sensurround. These books ought to come with 3-D glasses and a soundtrack. Five years ago, the Manhattanites Erik and Emily Orton, beleaguered but buoyant parents of five children between the ages of 6 and 16, hadn't even plotted an itinerary when they bought a 38-foot catamaran (sight unseen), flew to a Caribbean harbor and set sail on a Swiss-FamilyRobinson-style adventure. "Based on our best budgeting," Erik calculated, "we'd saved enough money to sail for a year. After that we'd be broke." Like her husband, Emily wanted to "pursue a dream so big there was room for my whole family" before their eldest left for college. Their time on the boat would be that dream. Where would they go? They didn't know, but their shipboard byword became, "It Will emerge." In SEVEN AT SEA: Why a New York City Family Cast Off Convention for a Life-Changing Year on a Sailboat (Shadow Mountain, $27.99), husband and wife take turns narrating the story of their voyage, chronicling the crests and troughs of their seaborne experience. Five months in, anchored in Virgin Gorda Sound, they woke to "the blue and green water rolling past, the sun coming up in the east, the trade-wind breeze cooling the morning, the flag flapping." Where would they go next? Anegada? Tortola? Puerto Rico? It would emerge. In THE SALT PATH (Penguin, paper, $17), Raynor Winn and her husband embark on another kind of sea-hugging journey. Theirs will not be on water but alongside it, walking England's rugged South West Coast Path, 630 miles from Somerset to Dorset, battered by rains, blasted by the sun, and shielded from the elements only by a thin tent. Their guide? A 30-year-old book called "Five Hundred Mile Walkies," written by a man named Mark Wallington, who'd undertaken the saunter with his dog. Unlike Wallington, they made this trip not because they wanted to but because they saw no other option. In middle age, they had become homeless as if by thunderclap: In the space of two days, they lost the farmhouse that had provided both their home and their livelihood and learned that Winn's husband had a terminal illness. Not wanting to be a burden on their children or to move into a "soul-destroying" council house, they headed for the path and closed the door behind them. Along the way, passers-by in coastal villages mistook them for drunken tramps and even the birds seemed to jeer at them: "Herring gulls calling daylight calls, tossed up by the air currents, mocked our slow progress." Winn possessed only one assurance: "If I put one foot in front of the other the path would move me forward." Her language makes their arduous trek luminous with the mingled menace and providence of a Hirner painting. "I'm a farmer and a farmer's daughter; the land's in my bones," Winn writes. "I'm cut free from that connection, from the meter of my existence, floating lost and unrooted. But I can still feel it_All material things were slipping away, but in their wake a core of strength was beginning to re-form." During the Raynors' long ramble, British dogs frequently burst through the gorse at awkward moments. But for the doughty park ranger Kristin Knight Pace, dogs are no mere detail; they stand, howling zestfully, in the foreground of her explorations of the Yukon wilderness. In 2016, at the age of 32, she mushed a dog team through the Iditarod, from Anchorage to Nome. This was a remarkable feat for a woman who had arrived in Alaska in tears only seven years earlier, fleeing the breakup of her marriage in Montana by taking a sled-dog-sitting gig in a small mining village near Denali National Park. Her memoir, this much country (Grand Central, $27), retraces her experiences in Alaska, where she remains today, working for the National Park Service and running a kennel with her new husband, whom she met when he helped dig her S.U.V. out of a snowbank the day after her divorce papers landed. By then, her heartbreak had just begun to heal, helped along by a forceful nudge from the dogs. The week before, on a day that reached minus 15 degrees ("a perfect temperature for mushing"), she had hitched the team to a sled unassisted for the first time. The animals "went berserk" with joy when she brought out their harnesses. No sooner had she pulled the quick-release knot than the sled hurtled forward, the dogs yanking her "violently forward into the unknown"; memories of her ex-husband fell off the sled as the team surged ahead, "the sun sinking low in the early afternoon, casting a brilliant orange glow on a frozen lake, silhouetting my dog team as Denali's slopes rise indomitable and massive in the great blue distance." Awe at the wonders of nature revives her confidence: "I have no past, no history. I am this very moment, I am excitement, I am intuition, I am love between a woman and her dogs. I am pure and undiluted. I am the world that surrounds me." Intuition and dogs can also help you get a bead on present-day Russia; Bulgakov's short novel "Heart of a Dog," a satire of Bolshevik officialese, still resonates today. Far more useful, however, is to read in PUTIN'S footsteps: Searching for the Soul of an Empire Across Russia's Eleven Time Zones (St. Martin's, $28.99), Nina Khrushcheva and Jeffrey Tayler's fascinating account of their travels in 2017 between Kamchatka and Kaliningrad. In its pages, you'll learn that you can see China quite clearly from Russia in the harbor city of Blagoveshchensk, six time zones east of Moscow and 500 yards across the Amur River from the Chinese city of Heihe. Ferries transport Chinese and Russian traders back and forth daily. Khrushcheva made that shuttle trip and does not recommend it - the pushing and shoving and rude border control brought her to tears. Khrushcheva (a granddaughter of Nikita Khrushchev), who teaches at the New School (as do I, though we've never met), collaborated with Tayler, an American journalist who lives in Moscow and is married to a Russian, to write this book. They were inspired by a suggestion Vladimir Putin floated during the first year of his presidency: that he should fly across the Russian Federation one New Year's Eve, making pit stops at midnight local time in all 11 time zones to "show our nation's greatness, our riches, the diversity of our Mother Russia, our unity, our worth." The authors sample that diversity and report back. Exploring dozens of points along the 6,000-mile-long Trans-Siberian Railway and beyond, they find contemporary evidence of a revival of national pride, not unmixed with habitual Slavic cynicism and resignation. As one contemporary joke they cite goes, "Before you make fun of children who believe in Santa Claus, please remember that there are people who believe that the president and the government take care of them." The double-headed eagle, a czarist symbol suppressed during Soviet times, now replaces the Communist red star in many city squares, along with cult-of-personality-style portraits of Putin. The triumphant cry "Crimea is ours!," referring to Putin's 2014 annexation of Crimea, met the authors in many places, reflecting, they thought, "feelings of insecurity and superiority all at once." Their book delivers a unified impression of a "coherently incoherent" Russia. They bring fresh eyes to cities that usually get too little attention and share fascinating revelations. Who knew that the city of Yakutsk held the world's only woolly mammoth museum, or that its icy river Lena inspired the young Vladimir Ilyich Ulyanov to mint his nom de revolution, Lenin? They knew. But nobody knows more than the erudite and entertaining Simon Winder. If you could plug your brain into his, you wouldn't need Google. Then again, your head might explode. After entering the literary fray a dozen years ago with a stirring tribute to James Bond, he hopped the Channel and wrote two volumes of Hapsburg and Teutonic social and political history, "Germania" and "Danubia." Winder now crowns his Continental trilogy with LOTHARINGIA: A Personal History of Europe's Lost Country (Farrar, Straus & Giroux, $30), a book that enfolds a geographic sprawl even a framer of the Almanach de Gotha would be at pains to chart. The title, at least, can be explained. In 814, when the great emperor Charlemagne died, he was notionally the ruler of "everywhere between the Pyrenees and Denmark, the mountains of Bohemia and central Italy." As anyone who has watched (or read) "Game of Thrones" can understand: That's a lot of land to hold onto. In 843, Charlemagne's grandsons split the empire into chunks to give them a better chance at keeping it in the family. Charles 11 took the west, which today is basically France. Louis 1 took the eastern chunk, which today is basically Germany. The third brother, Lothair 1, took the middle, from the North Sea to northern Italy. Lothair f's chunk was still a lot to wrangle, so when he died, his sons divided it further; one took north Italy, one took Provence, and Lothair 11 took everything north of Provence, giving rise to the word "Lotharingia." Today Lotharingia, like a Delphic riddle, is nowhere and everywhere. To give a sense of what a notional map of Lotharingia might look like, Winder supplies the metaphor of a dog that has swallowed a jigsaw puzzle, then thrown it up. To those who say, like Forster, "Only connect," this brilliant and maddening book prompts the thought, "Must we?" Nonetheless, it will make you want to visit several hundred places upon which Winder's discerning, lionizing eye alights. The journalist Alev Scott knows all about the intricacies of Cypriot politics. Though she grew up in England, her mother and grandmother were born in the northern half of Cyprus, an island long divided between Türkey and Greece. In ottoman odyssey: Travels Through a Lost Empire (Pegasus, $27.95), Scott tracks the vine of Turkish influence, "architectural, political and social," that laces through the Levant and the Balkans, finding Turkish words "scattered like Ottoman souvenirs" in the speech of the people. She also encounters physical offshoots - "haunted wooden mosques" in Bulgaria; Turkish flags and a whirling dervish lodge in Bosnia-Herzegovina; TUrkish-speaking car mechanics in Kosovo; and in Serbia, a middle-aged Erdogan fanboy who serves her Turkish cay in a tulip glass. "The Ottomans made us," he tells her. In 2016, Scott made a pilgrimage to Thessaloniki (formerly Salonika) in Greek Macedonia to visit the childhood home of Turkey's founding father, Kemal Atatürk. Afterward, trying to book her flight home to Istanbul, she discovered that her Turkish visa had been suspended, a result of her reporting on Erdogan's crackdowns. Feeling the sting of exile, she moved "masochistically" to the Greek island of Lesbos, where she could see the Turkish coast from the distance. From there, she flew to Lamaca, in Greek Cyprus, and managed to cross the border into Turkish Cyprus. She met Greek holdouts who spoke Turkish; TUrks who spoke Greek. They shared a culture and a landscape, but were powerless to change their borders. "What is 'homeland' - a place or an idea?" Scott asks. "The more 1 traveled, the more powerful and yet obscure 1 found the emotional connection between geography and identity." The power of the connection a person feels with a place can have nothing at all to do with bloodline or citizenship, fn VOLCANOES, PALM TREES, AND PRIVILEGE: Essays on Hawai'i (Overcup, paper, $15.95), Liz Prato, an Oregonian, racks her conscience over the strong attachment she feels to balmy Hawaii. Most visiting American mainlanders throw aside worries about political correctness, seeking only to bask in the sun and surf the indigo sea, accompanied by the plinking of ukuleles. Not Prato. Such uncomplicated pleasureseeking makes her nervous. She first visited the archipelago at 12, soon before her parents' divorce. Scott's father took her and her brother back to Maui countless times; after her parents and her brother died, Hawaii became her refuge. She dreamed of living there, but was afraid of being seen as an interloper. Her book is a rebuke to cultural appropriation, combined with tribute to a place she loves too much to make her own. Italy's isle of Capri owes its cultural heritage to the famous and infamous outsiders who claimed it for their own: emperors and painters, writers and revolutionaries, prodigies and prodigals. Jamie James's splendid history, pagan LIGHT (Farrar, Straus & Giroux, $28), presents a pageant of these decadent invaders and illustrious exiles: from the Emperor Tiberius to Oscar Wilde and Pablo Neruda. If you read James's book, you will know that you should do more than sail through the narrow entrance of the Blue Grotto: You must hunt down the former Villa Behring, near Capri's main square, where Gorky and Lenin played chess, and seek out the homes of the lesser-known figures of Capri's past, whose rich stories are the true focus of this marvel of nuanced, connected biography. Frances Mayes learned long ago that Italy was her second true home. Indeed, she has lived longer in her villa in Cortona (the subject of her 1996 memoir "Under the Tuscan Sun") than anywhere else, fn see you in the piazza (Crown, $27), she invites ftalophile readers to accompany her and her husband on their visits to out-of-the-way spots. Reading this book is a vacation in itself; it proceeds geographically, not chronologically, pausing in nearly 80 towns and villages in 13 regions so readers can single out chapters that harmonize with their own travel plans. But why take a shortcut, with so many unexpected pleasures to discover? How else would you have known to add the Alto-Adige to your itinerary? There, in the alpine Dolomites, Mayes takes a cable car up a mountainside: "Like the birds, we skim through the larch forest." For Beppe Severgnini, a bona fide, passport-carrying Italian, trains are the preferred mode of travel, "rolling theater, where the scenery and actors change constantly." A train "isn't a vehicle: ft's a place," he explains, a place where talkativeness is "inversely proportional to velocity." fn OFF THE RAILS: A Train Trip Through Life (Berkley, $26), Severgnini reverses down the thousands of miles of tracks he has covered, from Baikal to the Bosphorus and across America and Australia, retrieving memories that emerged along the way. He begins in Washington, D.C., where he lived when he was a foreign correspondent for an Italian newspaper. Twenty years on, he returns with his 20-year-old son, intending to pass along his grand passion for Amtrak via a 5,000-mile ride from Washington, D.C., to Washington State. "Look at America out there," Severgnini enthuses. As Papa rhapsodizes, his son communes with his iPhone, listening in "rapt silence. A little too silent," he realizes. "1 lean over: He's asleep." The American writer John von Sothen crushed out on a more universally recognized source of allure, a beautiful Frenchwoman, whom he met in a bistro in Brooklyn at the turn of the millennium. Soon his love for that woman, Anais, launched him across the Atlantic to Paris, where he remains today, monsieur mediocre: One American Learns the High Art of Being Everyday French (Viking, $25) records his love affair with France and with Anais (whom he married), and his continuing, bumbling attempts to carry off la vie Parisienne with something approaching grace - or, at least, skirting calamity. With Anais in Paris, he bought a disused spice warehouse in a dodgy section of the 10 th Arrondissement and converted it into a cavernous New York-style loft. At the housewarming party, von Sothen committed a flight of faux pas, from cutting the Camembert the wrong way to tucking in to dinner before his wife, the hostess, had raised her fork. All these years later, he has made his peace with his Franco-American improvisations: "fn a land not my own, 1 really could choose my own adventure and aliases." Few places are better than France for trying on new identities. The Australian John Baxter moved to Paris almost 30 years ago in pursuit of a Frenchwoman (what is it about Frenchwomen?), whom he married. Since then, he has written a number of books about his new home. He begins his latest tribute, A YEAR IN PARIS: Season by Season in the City of Light (Harper Perennial, paper, $17.99), with a dreamlike, only-in-France civic action. On an August Sunday in 1990, he woke to find the Champs-Élysées covered with a field of wheat. Farmers had "planted" it to remind the government to value those who work the land. The message was implicit: "Defy them, as Louis XVI had done in 1789, and you risked being handed your head." As Baxter shows, France's republican instinct lives on. fn "A Year in Paris," he strings together the beautiful beads of the French everyday, all held together by the invisible act of imagination that makes a country cohere and endure. LlESL schillinger, a critic and translator, is the author of "Wordbirds: An Irreverent Lexicon for the 21st Century."

Copyright (c) The New York Times Company [June 2, 2019]
Review by Booklist Review

The author of Under the Tuscan Sun (1996) reports back on her travels through dozens of little towns in Italy in this encyclopedic volume. Accompanied by her husband, Ed, and sometimes by her precocious grandson, William, or by various friends, Mayes enthusiastically seeks out the highlights of small towns, usually in the off season. She eats and drinks her way through them, mostly with obvious delight, peppered with the occasional sharp word for an inadequate hotel or restaurant. The casually arranged volume, arranged more or less from north to south in Italy, can be overwhelming, consisting as it does of observations on one town or another, most of which include churches worth touring and restaurants serving rich, multicourse meals. It's best sampled town by town, allowing the reader to savor offhand comments, like You can gauge the wealth of a town by how many shops you see for fancy baby clothes, or descriptions of a waiter aiming a water pistol at pigeons that encroach on our table. --Margaret Quamme Copyright 2019 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Mayes (Under the Tuscan Sun) gives a sparkling and irresistible view of Italy in her eighth book, in which she and her husband explore the country from north to south. Mayes begins in Piedmont and ends in Catania, Sicily. Along the way she treats readers to "oh-pull-over" views, looks inside glorious churches, descriptions of innumerable meals (in Sardegna "the seafood fritto misto comes to us hot and crisp, and the grilled fish under a heap of chopped celery and tomatoes"), and recipes for the dishes they ate (e.g., gnocchi with wild hare from Friuli-Venezia Giulia). Mayes weaves into her narrative historical background (in mid-11th-century Puglia, Frederick II "built castle, mint, treasury and... brought twenty thousand Arab Muslims from Sicily" as troops) and practical travel tips, such as not checking luggage on planes and packing gold-colored sandals (they transform casual to dressy). Mayes has a wonderful eye for detail as she lyrically describes her surroundings, like a river that's "a long skein in the moonlight, as though a woman has unfurled her silvery gray hair." Travel, she explains, provides a chance to see life anew and helps form rich memories. Readers will want to take their time, savoring this poetic travelogue like a smooth wine. (Mar.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Mayes, best known for her lyrical works about Tuscany (Under the Tuscan Sun), divides her time between a farm near Hillsborough, NC, and a home in Cortona, Tuscany. She admits that it would take "ten lifetimes" to know Italy well. This work takes readers along with the author and husband Ed as they travel by car, train, ferry, or foot, to lesser-known village squares where two or more roads meet. At these crossroads, they find a church, market, osteria or trattoria, and perhaps a town hall. Visitors to Italy may appreciate the role of the piazza in Rome, Naples, Venice, Pisa, Florence, and Trieste, for example. Here, we are off the beaten track, soaking in the distinctive sunlight, traditional cuisines, architecture, and geographical features of each area. Mayes celebrates the ethnic, cultural, and culinary differences of picturesque villages in the north, central, south, and island regions of the country, providing delightful trattoria recipes, poetry, and anecdotes. Readers will definitely eat well by staying by her whimsical and conversational side. VERDICT Recommended for those who look for the unexpected when they travel. [See Prepub Alert, 9/24/18.]-Elizabeth Connor, Daniel Lib., The Citadel, Military Coll. of South Carolina, Charleston © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Italy satiates a couple's wanderlust.Since her bestselling book Under the Tuscan Sun appeared in 1996, poet, novelist, and travel writer Mayes (Women in Sunlight, 2018, etc.) has been testifying to the glories of Italy, a country, she writes in her latest celebration, that offers "an endless surprise." For a year and a half, she and her husband took to the road in search of towns, food, and landscapes exemplary of the nation's rich gifts, joined for part of the trip by their teenage grandson, who was able to find information on the internet and shares his grandparents' tastes. Although Mayes writes that "the most vivid pleasures of Italy are often the simple ones," the hotels, restaurants, and shops that enchant her require a travel budget that points to a particular demographic: sophisticated, well-heeled tourists who share the author's delight in restaurants with "crisp table linens, good cutlery and crystal, understated flowers," a stool for her handbag, and solicitous wait staff. Throughout their journey, the travelers seek out the gustatory pleasures of regional wines, cheeses, and prosciutto, staying in well-appointed rooms in elegant hotels with picturesque views, where they can sip prosecco on verdant terraces or in a town's lovely peach and ochre piazza. Days are spent browsing (and buying) in "curated shopping streets," taking walks around a lake, reading at poolside, and visiting museums, castles, and churches. Mayes has arranged her memoir geographically from north to south, rather than chronologically, to allow readers to peruse the sections randomly, perhaps using the book as a companion guide to their own trip. Her descriptions are painterly and alluring, and she includes recipes for memorable dishesgrilled prawns with fennel and olives, sea bream poached in special seasoned broth, lemon ricotta tart, gnocchi with wild hare, and crispy octopusthat are likely to whet the prospective traveler's appetite.A charming homage to upscale travel through Italy. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter 1 Torino The waiter slides toward me a clear little glass layered with cream, chocolate, and coffee. Sip the layers and you taste Torino. The bicerin--dialect for small glass--has come to be synonymous with the many atmospheric cafés that are the city's life blood. Torino is flush with regal boulevards and piazzas ringed with these delicious haunts. I'm at the wood-paneled Caffè Al Bicerin, intimate, with candles on tiny marble tables. In this very place, someone in 1763 first concocted the bicerin, a wickedly sumptuous drink. I like a place that remembers a coffee drink invented 256 years ago. I've slipped into other historic cafés to sample their bicerin or lemonade or cappuccino. Bliss. There's Caffè Torino under the grand arcades, where the great Cesare Pavese, who lived nearby, used to meet other writers; Caffè Mulassano, with marble bar and bentwood chairs, said to have the best espresso in town. Baratti e Milano, more chocolate- and confection-oriented than the others but with an old-world air, and Caffè San Carlo, all gilt and columns and statues. In late afternoon, the cafés serve aperitivi. No surprise: Campari and vermouths such as Punt e Mes were all invented in Torino. Order a drink and you're welcome to a lavish buffet of stuzzichini--crostini, olives, chips, focaccia, prosciutto, slices of omelet, and grissini, bread sticks (also invented in Torino). This interlude previews dinner. Which is glorious to anticipate. Torino restaurants are up there with the best in Italy. Late morning, Ed and William, who've been out walking, meet me under the arcades at Caffè Torino. They are impressed by its bodacious chandeliers, smooth waitstaff, and medallion of a rampant bull inlaid in the flagstones outside the door. This is a perfect perch for watching the human parade. We order cappuccino, then tramezzini, the triangular half sandwiches made of trimmed, soft white bread--the kind of air bread we usually scorn. "These were invented in Torino," I tell them. "At Caffè Mulassano. The weird poet D'Annunzio made up the name . . ." Mine is ham and cheese. "Tramezzo, a divider. Across the middle," Ed says. "The -ino or -ini is the diminutive." "Across the middle of the morning or across the corners of the bread?" William asks. "Who knows? It was easier to say than the popular 'English tea sandwich.''' "Everything was invented in Torino?" William concludes. Unlike panini, the tramezzini usually have mayonnaise. Almost all bars, train stations, and cafés serve a variety. Ed took to them right away, especially the tuna and olive for a mid-morning snack. Spread out on the table, our books on Piemonte and the poems of Pavese. Never much of a café sitter, I could while away the morning like this. A well-dressed businessman grinds his foot over the balls of the gold bull. Not sure how that brings the good luck it's reputed to. We stroll along Via Garibaldi and Via Roma, checking out the designer shops (oh, no! William is attracted to Louis Vuitton belts). Torino has eighteen kilometers of covered walkways, a reminder that inclement weather can pour in from the Alps. The chic shops are punctuated by more appealing cafés in glass-roofed Galleria San Federico, where we happen upon Cinema Lux, an Art Nouveau theater. In smaller streets we find Libreria Internazionale Luxemburg, a vintage British bookstore and a cool contemporary café and art space. Where are the tourists? we wonder. They're all in Florence. We came to Torino last summer with William and loved every minute of the four days we spent blessedly free from mobs. We all agreed--we needed more time here. As we begin a trip into Piemonte, we decided to light here again. What a fantastic place to bring a child or young adult! Highlights from our first visit: We took a taxi out to the Museo Nazionale dell'Automobile. Even if you're not a car fan, you have to swoon at the design genius on display. The emphasis is on vintage Fiat, Lancia, and Alfa Romeo, though there are Bugattis, Ferraris, and others. A long-time Alfista (one who adores Alfas), Ed examined each. Eataly: the Italian food emporium near the car museum. We walked from the car museum to there for lunch and to look at the amazing range of olive oil, pasta, honey, jam, wine, and other products, all from this country. Museo Egizio: after Cairo, the largest Egyptian museum in the world. Torino began collecting in 1630, and now displays 6,500 items (with another 26,000 in storage). The museum is located right in the centro. Museo Nazionale del Cinema in the Mole Antonelliana, where on the ground floor, you can watch movie clips in lounge chairs with headphones. You spiral up to three floors of changing displays; many are interactive, demonstrating the history of photography and film. It's a lively tour. The glass-walled elevator takes you to the tower for a view over Torino and the Alps in the distance. I didn't go; it looked claustrophobic and harrowing. Ed and William did, and they reported it was claustrophobic and harrowing. Via Po: Stroll along this grand boulevard lined with palazzi and arrive at the Po River. The rarefied French influence of the House of Savoy, which ruled Italy from 1861 to 1946, is everywhere in Torino. A gaily lit string of cafés beckons as evening falls. A moment to time-travel to nineteenth-century Paris. We are staying at the home of Pavese! By chance, I came across a listing for a B & B called La Luna e i Falò (The Moon and the Bonfires is the title of one of Pavese's novels). I was shocked to see that the B & B had been his home. With awe, I reserved two of its three rooms. His own copies of his paperbacks lie on the hall table. His small writing room (or was it his dining room?) is now the guests' sitting room. Our bedroom, furnished with antiques, blue toile fabrics, a table in front of a window, looks out at the graceful balconies that festoon the elegant houses across the street. I open the window and look at what Pavese looked at. Where he smoked and smoked, and wrote and wrote. Where he sipped Campari and left his slippers by the chair. The current dining room, where we're served afternoon tea and breakfast at round tables with flowers and silver, must have been his living room. There would have been books and paintings. If he appeared today, what would he think? Yes, the young woman who checked us in says, yes, he lived here in 1950 when he committed suicide. "Not at home," she adds quickly. "He locked this door for the last time and checked into Hotel Roma near the train station. Overdose of sleeping pills. He was two weeks shy of forty-two." All that passion and romance and darkness and profundity and work silenced by a handful of pills. There's an undercurrent of loss running through his poems but a swifter stream of longing and acute love for people. I tried this translation of his poem, "La Casa": The House The man alone listens to the calm voice with eyes half-closed, almost a breath blowing on the face, a friendly breath that rises, incredibly, from a time gone. The man alone listens to the ancient voice that his fathers, in their time, have heard, clear and absorbed, a voice that like the green of the ponds and the hills darkens at evening. The man alone knows a shadow voice, caressing, that rises in the calm tones of a secret spring: he drinks it attentively, eyes closed, and it doesn't seem past. And the voice that one day stopped the father of his father, and everyone of dead blood. A woman's voice that sings secretly At the threshold of the house, to the falling dark. I like his poem. He is trying to express something that cannot really be said. Translating feels like pouring water through a sieve. Two lines don't go happily into English. Perhaps aren't that happy in Italian, either. That's okay. Pavese has pulled me into an intensely private moment. A woman sings. The song has been heard by his father and his father's father before. The threshold--now and then, life and death, love and loss. The song spirals in his DNA. A lullaby, a love song, a dirge. I like his house, too. There's a squeak to a floorboard, a panel of sunlight falling in at an angle, a gray quietness where something might happen. And it did. Beginning with Walt Whitman, he worked vigorously on translations, in addition to his own novels and poetry. Moby-Dick! From this small room, he brought contemporary American fiction to Italy: Sinclair Lewis, John Dos Passos, Sherwood Anderson, William Faulkner, Gertrude Stein. Nights of work. Then he would take long walks in the rain. At lunch we stop at Pepino on Piazza Carignano and sit outside for quick vegetable salads. William notices an old, wheeled ice cream cart parked near the door and people at the next table ordering what we called "nuggets" when I was growing up. We find out that the Pinguino, penguin, the original chocolate-dipped ice cream on a stick, was invented here in 1939. Pepino has been making gelato since 1884. "That list of Torino inventions is getting longer," William remarks. I think for years invented in Torino will be a family saying. All of Piemonte is known for the pleasures of the table but Torino particularly so. Those Savoy royals brought from France the tradition of fabulous desserts, not always, or even usually, a given in Italy (except for gelato). The wine region just to the north, the irresistible cheeses, the ever-present taste of hazelnut, the coveted beef of Piemontese Fassone cows, and sopratutto, above all--chocolate. Not only plain chocolate but gianduia, chocolate with roasted hazelnuts, one of those genius mother-of-necessity inventions at a time when chocolate was scarce and roasted hazelnuts were incorporated to stretch the quantity. Gianduia probably was named after a commedia dell'arte character. A foil-wrapped gianduia in the shape of Gianduia's hat is called giannuiotto. The plump triangles melt in your mouth and on your fingers. Several superb chocolate makers reign in Torino. Our good friends in Tuscany, Aurora and Fulvio, grew up here. With the gift of a lavish box that could have held a limited-edition art book, they introduced us to Guido Gobino chocolates. Last year, we visited the jewel-box shop at via Giuseppe Luigi Lagrange, 1. Now, we retrace those steps. Gianduia, check, fruit gelatine (jellies), check. Also the jellies of pear, lemon, myrtle covered with milk chocolate. But this time we go for the ganache, flavored with Barolo, candied lemon, orange and almond, lemon and cloves, vermouth. William selects our box for the road. After being offered several delectable tastes, we can't even try a chocolate granita or a cold summer bicerin. I so want to write about food! Where to begin? I could write an entire book about Torino. We were wild about every restaurant we tried on our trip last year, beginning with the classic Tre Galline and the inventive bio-aware Consorzio. Before the Savoys entered with their fancy ways, Torinese were feasting on goose, rabbit, venison, boar, snails, goat, and--oh, yes--donkey. Never scorned: il quanto quarto, the fifth part, meaning offal. Modern chefs are still inventing around these ingredients, which endure in temples of gastronomy dusted with Michelin stars. We each had our favorite restaurants. Mine was: Del Cambio. The long mirrors sending back the sparkle of chandeliers, the tables, drawn up to claret velvet banquettes and laden with polished cutlery and hothouse flowers, the atmosphere of friendly hauteur. I wished I'd worn a black dress and very high heels, but the printed silk shirt and linen pants had to do. I imagined all the occasions that Torinesi families have celebrated here. Since 1757, Del Cambio has served the locally beloved finanziera, a stew our friend Fulvio always raves about anytime he returns to Torino for a visit. The hallowed dish earned its name from what was on the backs of bankers who dined at this very restaurant; they wore coats called finanziere, financiers. The recipe is sometimes called finanziera Cavour, for the prime minister-­statesman who frequented the restaurant. The ingredients include brains and veins, veal, bone marrow, calf and/or rooster testicles, cockscomb, wattle, mushrooms, Marsala or Barolo, parsley, garlic, and bay leaves. Finanziera's popularity in Torino reveals something essential about the local palate: anything that moves or grows is fair game. Were we brave enough to try this signature dish? I'm afraid, in summer, we tended toward lighter fare. Pretty shapes of melon on ice, gossamer fried slices of vegetables; plin (pinched ravioli) with lardo, lemon, and mackerel; vitello tonnato (a Piemontese favorite, veal with a creamy tuna sauce); sea bass in sea lettuce. William is served a small amount of wine. He wore a fitted gray sport coat and white shirt. He was wide-eyed with pleasure. I had a glimpse of the man he will be, someday sitting with someone he loves. Service is cordial. If you get up from the table, the waiter doesn't just refold your napkin. He brings a fresh one. This lighting makes everyone look glamorous. I'm intrigued by a bejeweled older woman next to us (an aged-out high-class prostitute?), sitting beside her ancient, coiffed, and silent mother. There's a story there, as there's a story everywhere. Dessert arrived. A gianduia expanse topped with blackberries and, on top of William's, a chocolate model of the Mole Antonelliana, the tower he ascended. The tower is toppled and we all had a bite. Ed's favorite: Circolo dei Lettori, formerly a private literary club that now hosts publishing events and book clubs in their reading room, but also serves lunch and dinner in hushed, clubby rooms lined with paintings of artists. What a special lunch, watched by the faces of Torino's artists. William's favorite, and a topic of conversation all year: Combal.Zero, a long taxi ride outside town to Rivoli, one of the royal palaces, and now Museo d'Arte Contemporanea. By the time we arrived, the museum was long closed. We had to ring at a gate, where a hip-looking guy escorted us to the long, glass-walled restaurant of chef Davide Scabin. Only two other tables were occupied. (This really is too far from town for a spontaneous visit.) William was immediately stunned when they presented a water menu, listing an array from all over Europe with their mineral contents. He and Ed proceeded with the extravagant tasting menu, far too experimental for my tame palate. Ed selected the wine pairings and William was offered pairings as well, various fruit, water, and tea preparations. The courses began to roll out. This, clearly, is play. The chef is having fun. We had fun, too. The waiters hovered, enjoying William's awe and delight. It's a party. Torino: Forty museums. Sixty markets. Churches, more cafés, contemporary galleries--we must come back. Again, and again. We cannot, we agree, leave without visiting the Musei Reali complex, the residences and collections of the Savoy rulers, and the gardens designed by André Le Nôtre. The scale of the city complex is daunting. We tour the royals' personal quarters, which are so gilded and frescoed and sumptuous that we emerge feeling that we must be gold-leafed ourselves. I like the neoclassical ballroom best--the gold rosettes on the coffered ceiling with allegorical dancers representing Time frolicking around Apollo and the Muses. The Armeria, a grand room of armorial dress, is surprisingly interesting because the heavy plates often are decorated or personalized. Fashion was as important as protection. Excerpted from See You in the Piazza: New Places to Discover in Italy by Frances Mayes All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.