She made a monster How Mary Shelley created Frankenstein

Lynn Fulton

Book - 2018

On a stormy night two hundred years ago, a young woman sat in a dark house and dreamed of her life as a writer. She longed to follow the path her own mother, Mary Wollstonecraft, had started down, but young Mary Shelley had yet to be inspired. As the night wore on, Mary grew more anxious. The next day was the deadline that her friend, the poet Lord Byron, had set for writing the best ghost story. After much talk of science and the secrets of life, Mary had gone to bed exhausted and frustrated that nothing she could think of was scary enough. But as she drifted off to sleep, she dreamed of a man that was not a man. He was a monster.

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Subjects
Genres
Picture books
Published
New York : Alfred A. Knopf [2018]
Language
English
Main Author
Lynn Fulton (author)
Other Authors
Felicita Sala (illustrator)
Edition
First edition
Physical Description
1 volume (unpaged) : color illustrations ; 28 cm
Bibliography
Includes bibliographical references.
ISBN
9780525579618
9780525579601
Contents unavailable.
Review by Booklist Review

Images of swirling smoke, laboratories full of jars, and hulking creatures on dusky, stormy backgrounds set the perfect atmosphere for this picture-book biography about Mary Shelley, which focuses on the inspiration for her iconic novel. Appropriately, it all starts on a dark and stormy night when Mary Shelley is mulling over a story. She thinks back on a tale she heard as a child, about a man who made a corpse move with electricity, as well as the pioneering feminist writings of her own mother, Mary Wollstonecraft. It's not until she sees a vision of a student cowering next to a hulking creature that it all starts to come together. Fulton's brief, lightly fictionalized account of Shelley's inspiration for her groundbreaking novel is written with classic ghost-story turns of phrase, and Sala's appropriately moody artwork is an ideal complement, particularly when pale, graceful Mary looks spooked by her creation but is ultimately serene and composed once she starts to write. Eye-catching artwork and engaging storytelling give this biography of a fascinating woman even more appeal.--Hunter, Sarah Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Inspired by Mary Shelley's introduction to the 1831 edition of Frankenstein, this imagining of the classic's creation acquaints readers to a true story of literary ingenuity. Two hundred years ago, a young Mary, dreaming of becoming a writer, visited the poet Lord Byron on the shore of Lake Geneva with her future husband Percy Bysshe Shelley and other friends. A competition to write the best ghost story, a conversation about electricity being used to reanimate a frog, and a haunting dream spur Shelley's imagination until she finds her ghost story and sets about writing it. Moody illustrations by Sala, in jewel tones and shades of gray, mimic the atmosphere of Shelley's best-known novel. A note from debut author Fulton explains included details that are not directly noted in the source material. This is a useful introduction to Shelley and a valuable touchstone for discussions about persistence and the creative process. Ages 4-8. (Sept.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review

Gr 3-5-The bicentenary of Frankenstein has generated a lot of attention for the origin story of its author, Mary Godwin Shelley. With this title, Fulton demonstrates the challenges of presenting literary history for younger readers. Sala's illustrations convey the gothic tone of the source material, complete with spooky trees, jagged lightning, and Shelley's famously aquiline profile. Fulton has the harder task of translating Shelley's Romantic ideas of inspiration "like a bolt of lightning" into the rhetoric of empowerment. Although "Mary wants to become a writer," she is lonely, plagued by writer's block, and sidelined by egotistical male poets. Overhearing Lord Byron and Percy Shelley's talk of reanimated corpses, Shelley poses two crucial questions: "Wouldn't it be.more terrifying, to be such a creature" and, after dreaming of a monster, "What did it want from her?" These questions of identification and purpose are crucial, but unresolved in the narrative. Statements like "her mother was right! A woman's writing could be just as important as a man's" feel off-center, because, unlike Frankenstein's creature, this version of Shelley never raises her voice against her oppressors or triumphantly presents her act of defiance. Indeed, readers leave her picking up her pen, before her novel fully comes to life. VERDICT Though slight on biography, this is a satisfyingly creepy take on a literary genius and the power of transforming nightmares. An additional purchase.-Katherine Magyarody, Texas A&M University, College Station © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review

She Made a Monster: How Mary Shelley Created Frankenstein by Lynn Fulton; illus. by Felicita SalaPrimary Knopf 40 pp. gTwo hundred years ago, twenty-year-old Mary Shelley (17971851) anonymously published the first modern science-fiction novel: Frankenstein; or, The Modern Prometheus. Shelley supposedly first conceived of her mad scientist and his creation two years before, on a sleepless night after being challenged by her friend Lord Byron to write a ghost story. However, she was heavily influenced by a life already full of experiences, scientific interest, heartbreak, and scandal, the last of which both picture books mostly gloss over for their young audiences. In their respective accounts, Bailey and Fulton each relate that seminal evening and weave in formative events that possibly helped inspire Shelleys masterpiece. Baileys more in-depth volume is framed by her subjects penchant for dreaming, and serves as a solid introduction to Shelley. Baileys readers will likely linger over Sards decorative watercolor and digital illustrations in a macabre style featuring sharp-edged, ghostly-looking characters. In contrast, Fulton excels at capturing the spirit of Shelleys novel. Like a scary story told around a campfire, Fultons short, descriptive passages and occasional fictionalized dialogue set the mood, build suspense, and drive her focused retelling of that night. Nicely complementing Fultons tale are Salas striking watercolor, ink, and colored-pencil illustrations, which display a gothic sensibility, with angular features and a dark color palette containing shocks of white for dramatic effect. Each book concludes with an authors note providing sources and containing additional information about Shelleys life and her famous novel. cynthia k. ritter(c) Copyright 2018. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Fulton chooses a dramatic event in Mary Shelley's tumultuous life to illustrate how one of the most famous monsters in the world came to life. Mary; her fiance, the famous poet Percy Bysshe Shelley; and other friends, including the poet Byron, are gathered at Byron's villa on the shores of Lake Geneva. As a fearful thunderstorm rages, the conversation turns to the supernatural and the friends' response to Byron's challenge that each member of the group should write a ghost story. However, Mary cannot come up with an idea for a story. Two events inspire her. She overhears the men discussing the latest scientific experiments with galvanism, the process of inducing movement in dead creatures. And the opening scene of the novel came to her in a dream, featuring the monster in all his terrifying glory. Fulton gives the story a feminist twist, reminding readers of the influence of Mary's mother, Mary Wollstonecraft, whose "stirring words about democracy and the rights of women" spur her daughter to prove that "a woman's writing could be just as important as a man's." Sala's dramatic watercolor-and-ink illustrations, rendered in a controlled palette of predominately sepia and gray (excellent for limning livid, undead flesh), well-complemented by the classic typeface, evocatively depict the young white woman and the demons that beset her. An elegant picture book that will signal to young readers that there is more to the story than the familiar green-skinned monster. (Picture book/biography. 7-11) Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.