The prisoner in the castle A Maggie Hope mystery

Susan Elia MacNeal

Book - 2018

"American-born spy and code-breaker extraordinaire Maggie Hope must solve a baffling series of murders among a group of captive agents on an isolated Scottish island as the acclaimed World War II mystery series from New York Times bestselling author Susan Elia MacNeal continues. Maggie Hope is being held prisoner on a remote Scottish island with other SOE agents who know too much for the enemy's comfort. All the spies on the island are trained to kill--and when they start dropping off one-by-one, Maggie needs to find the murderer... before she becomes the next victim"--

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MYSTERY/MacNeal, Susan
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Subjects
Genres
Thrillers (Fiction)
Spy fiction
Historical fiction
Detective and mystery fiction
Spy stories
Published
New York : Bantam Books, an imprint of Random House [2018]
Language
English
Main Author
Susan Elia MacNeal (author)
Edition
First Edition
Item Description
Book 8 in series. Sequel to: The Paris spy.
Physical Description
306 pages ; 25 cm
Bibliography
Includes bibliographical references (page 306).
ISBN
9780399593826
Contents unavailable.
Review by Booklist Review

Maggie Hope is a well-educated Bostonian transplanted to England during WWII as a code-breaker and, later, as a spy. The series, starting with Mr. Churchill's Secretary in 2012, follows Maggie on special postings, including a couple taking place in Buckingham Palace, that give readers a wealth of historical information amid settings that range from gritty to lavish. This time out, Maggie has been banished to an island off the west coast of Scotland, along with other spies belonging to the behind-enemy-lines Special Operations Executive (SOE) created by Churchill. The imprisoned spies are held in a Victorian monstrosity because they're deemed likely to snap after all the horrors they've witnessed. And snap someone does, methodically killing off SOE agents one by one. The book-accompanying press information says that the plot was inspired by Agatha Christie's And Then There Were None, but some may think that the systematic murders using a variety of strange weapons are a little too obvious and suspense-killing, even as a tribute. Nevertheless, this latest Maggie Hope adventure has the resourceful and ever-appealing Maggie and the riveting WWII setting to recommend it.--Fletcher, Connie Copyright 2018 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Agatha Christie's And Then There Were None provides the setup for MacNeal's evocative if unconvincing eighth Maggie Hope mystery (after 2017's The Paris Spy). Toward the end of 1942, British special agent Maggie is ensconced at Killoch Castle, a onetime Victorian hunting lodge on the tiny Hebridean island of Scarra. Ostensibly a training center, the top-secret British facility there actually sequesters agents with dangerous weaknesses or knowledge too sensitive to leave in the field-in Maggie's case, detailed information on the upcoming invasion of occupied Europe. Life is pleasant enough, until the nine other agents on Scarra begin being murdered by means from arsenic and cyanide to impalement by harpoon. As a storm cuts off all possibility of help from the mainland, Maggie attempts to discover which of her fellow "guests" is a killer. MacNeal's scenario lacks the rigorous plotting of its classic predecessor, and the slew of disparate murders feels more silly than chilling. Agent: Victoria Skurnick, Levine Greenberg Literary. (Aug.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

American-born spy Maggie Hope, a master code-breaker working in London during World War II, is being held prisoner with other Special Operations Executive agents on a far-flung Scottish island. She's back to sleuthing when the agents start dying one by one. From a multi-award-winning and -nominated author and a New York Times best seller to boot.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Prisoners on a remote Scottish island play cat and mouse with a killer.Maggie Hope has been everything from Churchill's secretary to a spy who barely escaped Nazi-occupied Paris (The Paris Spy, 2017, etc.). Now, because the Special Operations Executive deems what she knows too dangerous for her to be back in the field, she's a prisoner on the Isle of Scarra. Maggie and the other agents exiled there live in a hideous fake Tudor mansion once owned by Sir Marcus Killoch, who reportedly killed 10 of his guests and committed suicide. The prisoners pass the time by fishing, hunting, reading, drinking, and, in Maggie's case, swimming in the frigid surf and learning Gaelic from Mrs. McNaughton, the cook. Still another amusement is getting murdered. The first to die is Capt. Evans, the commander at Scarra, who's apparently poisoned. Before Arisaig base can send a boat, another man is found dead, possibly by accident. Back in London, DCI James Durgin, desperate to have Maggie testify in a murder trial, is thwarted by the powers that be. As more of her fellow prisoners are dispatched, Maggie wonders whom to trust, for they're all trained to kill. She's not cheered to learn more about Sir Marcus' despicable treatment of the local girls he forced into sadistic sexual games. To raise the stakes even higher, SOE has discovered that someone at Scarra is a German spy sending coded messages to a submarine lurking nearby. When a strong storm prevents anyone from reaching Scarra, it's up to Maggie to act.MacNeal uses Christie's And Then There Were None as a framework for a character-driven mystery/thriller that successfully emulates the original. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter One * "It's dark so early these days," said Maggie Hope, staring out locked windows at the lengthening shadows. It wasn't yet four o'clock, but daylight in the highlands of Scotland was only grudgingly cast out before it was reeled back in again. The November sun was setting, touching the black and bulky hills of the island with glimmers of gold. Outside the oriel windows, Maggie could see past brittle old apple trees to a flock of geese that had settled in an empty field. Beyond lay the ocean. "Six hours of daylight's a meager ration. But then, we're used to rationing now." From across a mahogany desk the size of a small boat, Dr. Charles Jaeger permitted himself a smile. He pressed his palms together, his long fingers tapered and elegant. Maggie had met many, many pale older British men since she'd moved from Boston to London in 1937, but Jaeger was colorless almost to the point of being invisible--­his hair and eyebrows white, his face ashen, his eyes bleached blue. The doctor looked more like an ascetic saint carved from marble than a flesh-­and-­blood man. "You're always gazing outside, Miss Hope," he remarked in a low, sonorous voice, sounding amused. In the late afternoon light, the sea was a glittering spearmint green. It stretched to the horizon, no land visible, an endless ­expanse of rippling water, tipped by white-­capped waves. "Looking for an escape, I suppose." Maggie was a slim twenty-­seven-­year-­old woman with thick coppery hair pulled back neatly into a low bun. She put down her knitting needles and the navy sock she was working on--­socks for soldiers, each with Morse code V for Victory knit in. "Watching the play of light on the water has been one of my comforts here--­I wish I could draw or paint it. The ocean's huge, deep, and powerful, but we only see the surface. The secret is what lies beneath, isn't it?" "And what do you think lurks below the surface, Miss Hope?" The doctor was backlit by the setting sun, a dark silhouette against citrine. Foreboding crept over her, making the hairs on the back of her neck rise. We're at war. The enemy always might be closer than we think. "U-­boats, most likely. Wolf packs of them." "I don't mean literally." "Well then, who knows?" Maggie turned her gaze back to him. "Salmon, before they make their way back up the rivers and streams to spawn? Sunken pirate ships? Monsters, mermaids--­they call them selkies here, don't they? The Blue Men of the Mich?" Maggie had learned from the castle's housekeeper that the Blue Men, also called storm kelpies, were a race of sea devils believed to live in the waters of the Hebrides. "The sea's always a mystery, isn't it?" She sat across the desk from him in a red-­leather club chair, noting a shadow box of pinned butterflies hanging on the opposite wall. "And what would your Freud say about the ocean, Doctor?" Dr. Jaeger was a psychologist who visited Forbidden Island once a month. A fisherman named Broden MacLean brought him on his small boat, along with food, supplies, and fresh laundry. The doctor's job was to monitor the physical and mental health of the prisoners--­"the trainees," as they were euphemistically called. He was always immaculate, his Jermyn Street suits well pressed, his crisp white shirts giving the impression he could perform surgery at any moment. Dr. Jaeger met with each prisoner in the castle's library, a chilly, wood-­paneled space redolent of beeswax polish, cigarette smoke, and dry rot, with glass-­fronted bookcases and dark mahogany panels that stretched up to a plaster-­medallioned ceiling. A reproduction of the English artist Sir Edwin Landseer's The Sanctuary hung over the fireplace's mantel--­a painting of a wounded deer who had swum to an island, a momentary place of refuge from the violence of the hunt. In profile, the animal's large dark eye looked both accusing and sad. Even though it was a library, the books looked to have been bought for display purposes only. The few tooled leather-­bound tomes that looked read were on hunting and fishing: James Watson Lyall's Sportsman's and Tourist's Guide to the Rivers, Lochs, Moors and Deer Forests of Scotland, Izaak Walton's The Compleat Angler, and the like. They were flanked by a selection of Sir Walter Scott novels, while H. G. Wells's The Island of Doctor Moreau kept company next to a set of Agatha Christie mysteries. The bloodcurdling howl of a passing Manx shearwater startled them both. The black and white birds were everywhere on the island, living on top of the rocky peaks of the eroded volcano, their loud screams wild and eerie. As the bird dove, like a Spitfire attacking a U-­boat, the doctor scribbled something in his notebook, then glanced up. "I'm more of a Jung disciple myself," he told her, "and he had quite a bit to say regarding the ocean and the unconscious." "I'm sure." Maggie gazed through a sunbeam thick with dust motes to the calendar on the desk--­the date was November 12, 1942. Her last memory of being in London was June 22. One hundred and forty-­three days had passed since she'd been brought, against her will, to Forbidden Island. For more than twenty weeks, nearly five months, she'd been held prisoner in the island's castle, unable to help the war effort, prohibited from letting her friends and family know she was safe. The inmates were completely sequestered. No phone calls were allowed. No letters could be sent or received. No radio communication was permitted. Beyond the castle, there was nowhere to go on the island--­no town, no village, only uninhabited woods and lochs. Forbidden Island, really the Isle of Scarra, located just off the western coast of Scotland, was a remote overgrown wilderness of three square miles, with moors, forests, craggy inlets, and shining sands. Golden eagles soared overhead and red deer wandered under the pines. There were no boats, of course--­beyond the one that visited once a month--­but even if there were, the island was surrounded by whirlpools, rendering passage treacherous at best. Maggie and her fellow prisoners were housed in what had once been a shooting lodge, an improbably ugly structure called Killoch Castle, with long, unconvincing battlements and graceless corner turrets. The "castle" was a lumbering reification of Victorian and Edwardian excess, a florid fantasy of a medieval manse built as a private residence in 1900 for Sir Marcus Killoch, a textile tycoon from Lancashire. Sir Marcus had designed the structure in a castellated Tudor style, using blood-­red sandstone shipped over from Annan at great expense. It had its own electricity supply, as well as modern plumbing and heating. In its day, the castle had been infamous for luxury and excess. It boasted a Japanese garden, a maze, a bowling green, and a golf course--­all created using topsoil imported from Ayrshire. A glass greenhouse had once housed tropical plants and flowers, as well as hummingbirds, turtles, and alligators, while the hunting hounds slept in a heated kennel. There was even a small stone cottage on the side of the mountain, a hermitage for a resident hermit, who would dispense wisdom to any inquiring guests. When Marcus Killoch died in 1922, he'd left no heirs. And when the war had broken out, the abandoned castle was taken over by the British government. Maggie hated Killoch Castle. She thought it one of the most loathsome buildings she'd ever seen, a monument to colossal ego, bad taste, and greed. In her opinion, Marcus Killoch was the worst kind of nouveau riche Englishman, who played at being an island laird with his toy castle, rifles, and hunting trophies. Dr. Jaeger remained silent, pen poised over paper. Maggie understood what he was doing; his prolonged silence was a technique, designed to make her talk. She recognized it from her spy training with the SOE. Still, she knew she could outlast him; he had nothing on the Gestapo interrogator she'd encountered in Paris. Without compromising his ramrod posture, Dr. Jaeger tilted his head, face blank as a Lewis stone. "This is your fifth session, Miss Hope. And you haven't revealed anything yet. Anything of real import, that is." "I like the peace in the library, Doctor. It's an excellent place to think." She picked up her half-­finished sock. "And to knit. Since I can't be an SOE agent anymore--­or do anything to help the war effort, really--­the least I can do is help keep our soldiers' feet warm." "You're not alone, Miss Hope. Most agents brought to the island rankle at even the idea of mandated therapy." "Well, not me. I know you're just doing your job. So, let's make this simple. When you realize I really and truly won't talk--­at least not about what those in the British Intelligence fear I might let slip--­you'll release me. And I'll go back to regular life." She smiled. "And since I'll never talk, you might as well let me go now." "Ah, Miss Hope." He raised his eyebrows. "I'm afraid it's not that easy. And even if it were, I don't have the authority to release you, or anyone." Maggie's needles stopped midpurl. "Tell me what I need to do. To get out of this place. To leave this moldering castle and get off this island. Who can you talk to? Colonel Martens? Tell him I won't say anything. And I never will. I signed the Official Secrets Act." She had once been part of a mission greater than herself, and now she missed it desperately. There was a war going on, a global war determining if people lived in freedom or died in slavery, and she wanted to do her bit. Something. Anything. Because without victory there would be no survival, for her or anyone she loved. "I'm no good to anyone locked away here. All the trouble His Majesty's government went through to train me, just wasted." Maggie had been brought to Forbidden Island because she'd been asked by Colonel Martens to participate in a lie she'd felt was reprehensible. It wasn't lost on her that she'd been asked, and refused, only days after escaping from Gestapo custody in Nazi-­occupied Paris, a costly disaster both professionally and personally. And yet . . . The question still tormented Maggie, even after time on the island to think. How desperate must a situation be for a certain action to be acceptable in war? How heinous must a course of action become before people decide a line has been crossed? And was it forgivable in the fight against an evil as pernicious as Nazism? Does the end ever justify the tainted means? "Miss Hope, when you were first here, you didn't speak for weeks." "I--­I had nothing to say." "You stayed in bed." "I was tired. That mission to Paris was exhausting." "You threw things at the nurse. A vase of flowers, if I recall." "I threw the vase at the wall, not the nurse," she clarified, resuming her knitting. "The flowers annoyed me. So very . . . cheerful. I loathe marigolds." "So you do remember the first weeks you were here." "Some of it," Maggie admitted. "Do you remember we had to sedate you? And, one night, straitjacket you?" "No!" Maggie had recollections of slipping through the cracks of sanity and going under, but she wasn't about to discuss them. Then, calmer: "No, I don't recall." "Do you remember why you were brought here?" Yes, I do--­but you're daft if you think I'll tell you. "You were in F-­Section," Dr. Jaeger prodded. "What went wrong in Paris?" Maggie wasn't about to take the bait. "It's cold today, isn't it?" She set down the sock and buttoned up her heavy wool cardigan. "You're changing the subject." "As you well know, Doctor, I never discuss war-­related information--­with anyone." Dr. Jaeger gave a wry smile. "I can see you're still suspicious. And I understand why." "I'm under house arrest. Whatever I say to you, you'll undoubtedly relay to them." "And who is them?" "Colonel Henrik Martens, Churchill's so-­called Master of Deception. Colonel Bishop with MI-­Six. And whoever else they're working with. The people in charge of . . ." "Of what, Maggie?" F-­Section. Agents going missing in France. A compromised network in Paris. A double, maybe triple agent. The secret of Pas-­de-­Calais and Normandy and the invasion of occupied Europe. "You know I can't say. And how much longer will I be imprisoned here?" "And I can't tell you that, I'm afraid." "Look," she stated, "I'll talk about myself, but not my work for SOE. Is that a worthy compromise?" She raised an eyebrow. "Besides, have you read my file?" The doctor leaned back in his chair. "It's a page-­turner." Maggie gave a single sharp laugh. "Tell me about it--­I lived it. And whatever they want you to know about me is in there. You don't need me to share anything more." "I want to help you, Miss Hope. Will you let me?" "I'm fine, Doctor. Just not sleeping. It's been months and months and I can't sleep." Excerpted from The Prisoner in the Castle: A Maggie Hope Mystery by Susan Elia MacNeal All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.