The deeper the water the uglier the fish A novel

Katya Apekina

Book - 2018

It's 16-year-old Edie who finds their mother Marianne dangling in the living room from an old jump rope, puddle of urine on the floor, barely alive. Upstairs, 14-year-old Mae had fallen into one of her trances, often a result of feeling too closely attuned to her mother's dark moods. After Marianne is unwillingly admitted to a mental hospital, Edie and Mae are forced to move from their childhood home in Louisiana to New York to live with their estranged father, Dennis, a former civil rights activist and literary figure on the other side of success. The girls, grieving and homesick, are at first wary of their father's affection, but soon Mae and Edie's close relationship begins to fall apart--Edie remains fiercely loyal t...o Marianne, convinced that Dennis is responsible for her mother's downfall, while Mae, suffocated by her striking resemblances to her mother, feels pulled toward their father. The girls move in increasingly opposing and destructive directions as they struggle to cope with outsized pain, and as the history of Dennis and Marianne's romantic past clicks into focus, the family fractures further. Moving through a selection of first-person accounts and written with a sinister sense of humor, THE DEEPER THE WATER THE UGLIER THE FISH powerfully captures the quiet torment of two sisters craving the attention of a parent they can't, and shouldn't, have to themselves. In this captivating debut, Katya Apekina disquietingly crooks the lines between fact and fantasy, between escape and freedom, and between love and obsession.

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Subjects
Genres
Novels
Published
Columbus, Ohio : Two Dollar Radio [2018]
Language
English
Main Author
Katya Apekina (author)
Physical Description
353 pages ; 20 cm
ISBN
9781937512750
Contents unavailable.
Review by Publisher's Weekly Review

Apekina's ambitious debut begins in 1997, after teenage sisters Edith and Mae have moved to live with their father in New York City in the wake of their mentally ill mother, Marianne, entering a hospital for treatment. Edith, the older sister, wants to return to Louisiana to care for their mother, while Mae loves the distance and is enjoying getting to know their father, Dennis Lomack, a novelist who's famous for his depictions of life during the civil rights movement. The girls grow further apart: Edith sets off for Louisiana to help her mother while Mae gets uncomfortably involved in her father's creative process. Marianne, meanwhile, is portrayed only as a mentally unstable woman, never becoming a fully realized character. The novel attempts, with mixed success, to address many topics-such as mental illness, civil rights, family trauma, and sexual and artistic consent. Though there are some loose threads at the end, Apekina has nevertheless written a confident, piercing novel. (Sept.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

A debut novel examines the ripple effects of mental illness and betrayal on a broken family.In 1997, Edith is 16; younger sister Mae is 14. Edith is "headstrong" and loyal: She's spent most of her life caring for her mentally ill mother after her father, Dennis, left the family when she was 4. Mae, nicknamed "Spooks" because of her eerie demeanor, is deeply empathetically connected to their mother in a way that practical Edie is not. When their mother attempts suicide and is hospitalized, the sisters are sent to New York City from Louisiana to live with their father. A famous novelist, Dennis is now faced with Edie's bitterness and resentment at his betrayal and Mae's bottomless emotional need for his attention. But the situation appears to be just the dangerous spark he needs to finally write the masterpiece that his early career predicted, and he is willing now, as he was in his marriage to the girls' mother, to exploit it. Apekina's decision to structure the novel as a kaleidoscopic whirl of perspectives is perfect: We can see how different Mae's and Edie's understandings are of their parents' behavior, and the minor characters that occasionally interject show how the situation appears to those outside the destructive family dynamic. We feel the characters hurtling toward disaster as Edie grows more enraged and turns to her father's neighbor for help in returning to Louisiana to reunite with her mother and as Mae and Dennis grow mutually more obsessed with each other. Apekina's inventiveness with structure and sentence marks the book's every page, and the result is a propulsive and electrifying look at how familyand artcan both break people and put them back together again.A dark and unforgettable first book. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.