Review by New York Times Review
GIVE ME YOUR HAND, by Megan Abbott. (Little, Brown, $26.) Abbott, who always immerses readers in hothouse subcultures in her novels - cheerleading, gymnastics - here explores the relationship between competitive scientists at a cutthroat university laboratory. THE SINNERS, by Ace Atkins. (Putnam, $27.) The latest crime novel featuring Sheriff Quinn Colson revolves around a high-end marijuana operation, Fannie Hathcock's thriving strip joint/ brothel and a crooked trucking outfit based in Tupelo, Miss., that cons drivers into hauling stolen goods. ONLY TO SLEEP, by Lawrence Osborne. (Hogarth, $26.) A thriller that jolts Philip Marlowe, Raymond Chandler's iconic private investigator, out of his quiet Mexican retirement and back into the world of scams and seductions. Osborne, who worked as a reporter along the border in the early 1990s, knows Mexico well and he passes that knowledge along to Marlowe. CONAN DOYLE FOR THE DEFENSE: The True Story of a Sensational British Murder, a Quest for Justice, and the World's Most Famous Writer, by Margalit Fox. (Random House, $27.) Fox, a recently retired obituaries writer for The Times, tells the thrilling story of Arthur Conan Doyle's involvement in a real-life case that might have intrigued his hero, Sherlock Holmes. A DOUBLE LIFE, by Flynn Berry. (Viking, $26.) In this thriller, a London doctor searches for her father, a man of power who long ago disappeared after a murder it appears he committed. Berry tells stories about women who seethe over the knowledge of violence and are fueled by a howling grief for its victims. AFTER THE MONSOON, by Robert Karjel. (Harper/HarperCollins, $26.99.) Karjel's Nordic-noir thriller refreshingly shifts the action from bleak Scandinavia to Djibouti, at the Horn of Africa, where spies and kidnappers converge and Swedish special forces confront the region's jihadists. THE PRICE YOU PAY, by Aidán Truhen. (Knopf, $25.95.) Imagine "Pulp Fiction" crossed with Martin Amis on mescaline, and you'll have a sense of this cocaineinfused, high-octane caper, a brilliant latticework of barbed jokes, subtle observations and inventive misbehaviors at once knowing and brutal. NEVERWORLD WAKE, by Marisha Pessl. (Delacorte, $18.99.) Pessl's first young adult novel is a dazzling psychological thriller in which four high school classmates determine to find answers about the death of a friend. THE BANKER'S WIFE, by Cristina Alger. (Putnam, $27.) In Alger's cerebral, expertly paced Swiss thriller, an American expat wife sorts through the conflicting stories surrounding her husband's death. The full reviews of these and other recent books are on the web: nytimes.com/books
Copyright (c) The New York Times Company [August 30, 2019]
Review by Booklist Review
Osborne is the third writer to have resurrected Raymond Chandler's Philip Marlowe (following Robert B. Parker and Benjamin Black), and his effort may be the best of the lot. Wisely electing not to re-create Chandler's iconic PI in his salad days, nor to imitate the author's simile-strewn style, Osborne gives us a retired Marlowe, 72 years old and living in Baja California (a good place for an old man) in the late 1980s; things change when two life-insurance agents turn up looking to hire Marlowe to investigate whether one Donald Zinn really drowned in Mexico as reported. Why Marlowe? Someone told the agents that, retired or no, he was the best man money couldn't buy. So Marlowe, like Tennyson's Ulysses, thinks he might have a go at one more round of striving and seeking. Naturally, what he finds in Mexico is a muddle (a true Chandlerian plot, beguiling in its absurd inexplicability) yet offering the detective plenty of opportunity to muse on the bitter pill of aging. Osborne's real triumph here is to create a new style for the septuagenarian Marlowe that seems absolutely right, less florid but even more driven by mordant wit.--Bill Ott Copyright 2018 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Set in 1988, this successful attempt to channel the spirit of Raymond Chandler from Osborne (Beautiful Animals) finds 72-year-old Philip Marlowe living a quiet life in Baja California "after a low near-decade of sloth and decay and Ronald Reagan." One day, two representatives of the Pacific Mutual insurance company call on Marlowe. Donald Zinn, a developer and a Pacific Mutual client, has drowned, apparently accidentally, off the coast of the Mexican state of Michoacán. The company is hoping that it can reduce its financial exposure if Marlowe finds evidence that Zinn, who was heavily in debt, took his own life or was involved in criminal activities. The PI agrees to look into the matter, starting with a visit to the resort that Zinn and his widow had been running. While the plot follows familiar paths, Osborne has mastered Chandler's gift for metaphor (the Pacific Life reps "bared the teeth of friendly hyenas who have done their killing for the day") and deepens Marlowe's psyche as he responds to "a sad summons from the depths of [his] own wasted past." This is the perfect companion volume to The Annotated Big Sleep (reviewed on p. 46). Agent: Adam Eaglin, Cheney Agency. (July) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
As Osborne's (Beautiful Animals) latest novel begins, we meet a retired Philip Marlowe living in Baja California in 1988. He is mostly alone, with his memories, a bottle, and a small dog to keep him company. He surprises himself by becoming interested when two men from an insurance company approach him with an offer: a shady real estate developer from San Diego has drowned farther down the coast, and they'd like him to double check the conclusions of the Mexican authorities. Marlowe travels north across the border and meets the widow, a world-weary femme fatale. Then he makes his way south, encountering various unsavory sorts, from dubious expats to jaded local fixers. He begins to unravel the mystery, finding his skills are still sharp but occasionally overwhelmed by the past. Even an attempt on his life prompts as much nostalgia as it does wariness. Verdict Fans of the Raymond Chandler originals as well as the Robert B. Parker and Benjamin Black successors (Poodle Springs and Black-Eyed Blonde, respectively) will find much to like here. Writing about a character as far from the present as he is past his prime provides a fresh perspective on one of the classic hard-boiled detectives.-Dan Forrest, Western Kentucky Univ. Libs., Bowling Green © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
Philip Marlowe returns, albeit in a rather superannuated hard-boiled form, in this novel commissioned by the Raymond Chandler estate.Osborne sets his novel in the late 1980s, when Marlowe is 72 and living in retirement in Mexico. He has one last case to solve, however, one that calls him "to a last effort, a final heroic statement." Pacific Mutual has recently paid $2 million on a policy for Donald Zinn, recently deceased, but the firm suspects it's being scammed and that Zinn and his "widow" are planning to live the high life in Mexico. Marlowe arranges to meet Dolores Zinn, and as one might expect, she's a generation younger than her husband and fatally attractive. Marlowe soon establishes that Zinn is indeed alive and has assumed the identity of one Paul Linder, who recently died under suspicious circumstances. Zinn is a vicious bully whose first impulse is to want to murder Marlowe to get him out of the way of his happy "retirement," but his wife instead tries to persuade the detective to accept a generous payment and forget about their scheme, for, after all, everyone wins if Marlowe simply reports to Pacific Mutual that he was unable to locate Zinn. Osborne is generally successful at ventriloquizing Chandler. The book features intriguing and shady characters, a convoluted and murky plot, and Marlowe's attempts to remain untainted in a world pervaded by violence and corruption. Adapting to the times, the detective now has "a small radio transmitter with bugging devices, a pair of opera glasses, and a subminiature Minox camera," but perhaps most startling is that he's traded in his .38 for a shikomizue, a razor-sharp sword hidden in his cane.While there are obvious perils in what Osborne attempts to do here, for the most part he succeeds in re-creating both a beloved character and a decadent ambience. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.