Photoshop restoration & retouching
Book - 2019
Saved in:
- Subjects
- Published
-
[San Francisco, California] :
New Riders
[2019]
- Language
- English
- Main Author
- Other Authors
- ,
- Edition
- Fourth edition
- Item Description
- Includes index.
- Physical Description
- xiv, 418 pages : illustrations (chielfy color) ; 26 cm
- ISBN
- 9780321701015
- Foreword
- Introduction
- Downloading the Images
- Part I. Workspace & Workflow
- 1. Equipment, Input, and Raw Processing
- Workspace and Equipment Essentials
- Environment and Lighting
- Furniture
- Computer Equipment
- Input Workflow
- Prioritize Your Time and Effort
- Scanning Resolution vs. Print Resolution
- Eradicating Mold, Mildew, and Fungus
- Removing Fungus and Mold
- Handling Wet or Damaged Photos
- Input Options
- Raw Processing
- Processing Scanner Files
- Processing Digital Camera Files
- Backup Strategy
- Closing Thoughts
- 2. Photoshop and Photoshop Elements Essentials
- Preferences and Color Settings
- Preferences
- Color Settings
- Workspaces and Navigation
- Customizing Menu Commands
- Customizing Your Toolbar/Tools panel
- Efficient Image Navigation
- Tools, Quick Keys, and Brushes
- Quick Keys
- Brushes
- Brush and Tool Context Controls
- Layers, Masks, and Blending Modes
- Layer Naming and Navigation
- Working with Layer Groups
- Flattening and Discarding Layers
- Working with Photoshop Elements
- Photoshop Elements Background
- Photoshop Elements Walkthrough
- Comparing Photoshop Elements and Photoshop
- Closing Thoughts
- Part II. Tone, Exposure & Color
- 3. Exposure Correction
- Evaluating Image Tone and Previsualizing the Final Image
- Assessing Tone with the Measuring Tools
- Tracking Tonal Changes with Color Samplers
- The Histogram Panel
- The Importance of Adjustment Layers
- Mastering Tonality with Levels
- Working with the Black and White Point Sliders
- Working with the Midtone Slider
- Working with Levels Eyedroppers
- Curves and Contrast
- Improving Contrast with Curves
- Working with Blending Modes
- Apply Local Corrections
- Transitioning a Tonal Correction
- Basing Tonal Corrections on Selections
- Nondestructive Dodge and Burn
- Other Techniques
- Double Processing
- Shadows/Highlights to the Rescue
- Camera Raw Filter
- Closing Thoughts
- 4. Working with Color
- Color Essentials
- Color Spaces
- Identifying and Correcting a Color Cast
- Consider the Light Source
- Finding Neutral
- Memory Colors
- Info Panel
- Channels and Practice
- Global Color Correction
- The Auto Corrections
- Automatic Color Corrections with Levels or Curves
- Improving Automatic Color Correction
- Targeting Automatic Color Correction
- Use Adjustment Layers to Alleviate Color Problems
- Correcting Color Temperature with the Photo Filter
- Levels, Curves, and the Gray Eyedropper
- Adjusting Channels in Levels
- Adjusting Channels in Curves
- Divide and Conquer
- Color Balance
- Hue/Saturation
- Camera Raw Filter
- Selective Color Correction
- Correcting Multiple Color Issues
- Matching, Changing, and Replacing Colors
- Matching Colors Across Images
- Replacing Colors
- Changing Color in Lab Color Mode
- Transferring Color Corrections
- Colorizing Images
- Closing Thoughts
- Part III. Restore, Repair & Rebuild
- 5. Dust, Mold, and Texture Removal
- Taking in the Big Picture
- Working Nondestructively
- Duplicate Layers
- Working on an Empty Layer
- Working with Adobe Camera Raw
- Dust on Digital Camera Files
- Dust Removal with ACR
- Fixing Multiple Images in ACR
- Less Work, More Results
- The Crop Tool as Restoration Tool
- Restoration with Content-Aware Scale
- Work Smart Not Hard
- Despeckle Filter
- Median Filter
- Dust & Scratches Filter
- Channel Extraction
- Selecting the Cleanest Channel
- Extracting the Cleanest Channel
- Returning the Ambience
- Removing Spots, Fungus, and Mold
- Using the Clone Stamp Tool
- The Clone Source Panel
- Using the Healing Tools
- Managing Glare, Texture, Moiré, and Color Artifacts
- Reducing Problems Before Restoration
- Reducing Digital Camera Noise
- Returning Image Texture
- Closing Thoughts
- 6. Damage Control and Repair
- Damage Assessment
- Problem Solving
- Eliminating Cracks, Rips, and Tears
- Filling In Missing Parts
- Cloning, Healing, and Recycling
- Patch Tool
- Content-Aware Move Tool
- Perspective Healing with Vanishing Point Filter
- Content-Aware Fill
- Putting It All Together
- Document Repair
- Faded Text on a Document
- Damaged Documents
- Reversing Lens Anomalies
- Correcting Lens Distortion
- Removing Curvature
- Upright Command
- Closing Thoughts
- 7. Rebuilding and Re-Creating Images
- Changing Backgrounds
- Combining Images
- Re-Creating Backgrounds
- Film Grain and Digital Noise
- Reconstruction from Other Images
- Removing and Adding People
- Filling the Void
- Adding People to Images
- Reducing Reflections and Light Leaks
- Reducing Reflections
- Correcting Lens Flare
- Finishing Touches: Vignetting
- Closing Thoughts
- Part IV. Professional Retouching
- 8. Portrait Retouching
- Stages of Retouching
- Level 1
- Level 2
- Level 3
- Level 4
- Developing a Portrait-Retouching Strategy
- Working in Layers
- Dennis's Retouch Workflow
- Layers Workflow in Action
- Removing Distractions
- The Beauty of Blank Plates
- Flattering Contours
- Flattering the Couple
- The Importance of Skin
- The Teenage Years
- Mature Skin
- Color Correcting Skintone
- Enhancing Facial Features
- The Digital Surgeon
- Adding Creative Interpretation
- Step 1. Adding a Glow
- Step 2. Adding a Split-Tone Color Treatment
- Retouching Portraits in Lightroom
- Third-Party Plug-ins and Applications
- Digital Anarchy Beauty Box
- Imagenomic Portraiture
- On1 Perfect Portrait
- Anthropics Technology Portrait Pro
- Closing Thoughts
- 9. Beauty Retouching
- Types of Beauty Retouching
- Devising a Working Strategy
- Working with the Client
- Markups
- Deadlines, Approvals, and Revisions
- Image Rights
- The Beauty-Retouching Workflow
- The Big Picture
- The Details
- The Workflow
- Matching Tone, Color, and Contrast
- Perfect Skin
- Frequency Separation
- Creating the Frequency Separation Layers
- Working with the Frequency Separation Layers
- Working on Skin with Frequency Separation
- Smoothing Wrinkles with Frequency Separation
- Enhancing the Lighting
- Adding Light to the Hair
- Adding Contrast to Shadows
- Closing Thoughts
- 10. Product, Food, and Architectural Retouching
- Product Retouching
- Placing the Bottle on a New Background
- Replacing the Label
- Replacing the Bottle Cap
- Adding New Labels
- Adjusting the Lighting
- Food Retouching
- Architectural Retouching
- Real Estate Shots: Losing the For Sale Sign
- Interior Shots: Combining Exposures
- Closing Thoughts
- Appendix
- Index