The master key

Masako Togawa, 1933-2016

Book - 2017

The K Apartments for Ladies are occupied by over a hundred unmarried women, once young and lively, now grown and old - and in some cases, evil. Their residence conceals a secret, a secret connecting the unsolved kidnapping in 1951 of four-year-old George Kraft to the clandestine burial of a child's body in the basement bath-house. So, when news comes that the building must be moved to make way for a road-building project, more than one tenant waits with apprehension for the grisly revelation that will follow. Then the master key is lost, stolen and re-stolen, and suddenly no-one feels safe.

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FICTION/Togawa Masako
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1st Floor FICTION/Togawa Masako Due May 10, 2024
Subjects
Genres
Detective and mystery fiction
Thrillers (Fiction)
Mystery fiction
Published
London : Pushkin Vertigo 2017.
Language
English
Japanese
Main Author
Masako Togawa, 1933-2016 (author)
Other Authors
Simon Grove (translator)
Item Description
"The master key was first published in Japanese by Kodansha in 1962. First English translation published by Dodd Mead, 1985. First published by Pushkin Press in 2017"--Title page verso.
Physical Description
188 pages ; 20 cm
ISBN
9781782273639
Contents unavailable.
Review by Booklist Review

When Tokyo's municipal authorities announce plans to move the K Apartments for Ladies to accommodate traffic improvements, longtime receptionist Katsuko Tojo sagely predicts that stirring the building's secrets will result in death. Six months before the move, the building's master key is lost by another receptionist, Kaneko Tamura, who used it to discredit her bully's academic reputation. Noriko Ishiyama, whose mental illness compels her to stalk the building searching for tidbits to hoard, discovers the key and uses its power to implicate another resident in the theft of a priceless violin. A month later, Yoneko Kimura uses the master key to gather evidence of a former teacher's role in the famous unsolved disappearance of an American army major's young son. In a bizarre domino effect, the entangling of the women's secrets breeds murder and suicide, culminating in the shocking revelation of a calculating puppet master. Japanese crime maven Tagawa's 1962 debut is a twisted locked-room fable, made creepily seductive by masterful portrayals of the residents' eccentricities and hints of malevolent supernatural forces.--Tran, Christine Copyright 2018 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Originally published in 1962, Togawa's first novel is an outstanding puzzle mystery. In a prologue, set in 1951 Tokyo, an unidentified man, dressed as a woman, tries to cross a busy street against the light and is fatally struck by a van. A nameless woman living in the K Apartments for Ladies waits alone for seven years for the dead man's return-and is still waiting. Flash back to three days before the accident. The man carries a traveling bag containing a child's corpse to the woman's apartment. Hours later they bury the body in the building's basement, an act witnessed-unbeknownst to them-by a third person. Most of the action takes place seven years after these events, when the tenants of the building, mainly women leading secluded and lonely lives, are scheduled to be moved and their numerous secrets are threatened to be revealed. The gradual, logical, but still surprising unfolding of the Russian nesting doll of a plot is a delight. (Mar.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

DEBUT Welcome to Tokyo's K Apartments for Ladies, a building filled with stories, mystery, and secrets. This threaded and complicated novel brings to life some of the most suspect residents, whose lives have become entangled over the years. There are tales of a stolen violin, a missing child, mysterious lovers, a strange religious cult, and one master key to open every room in the apartment house. Togawa's woven account is fascinating and complex as the master key moves among the hands of victims, assailants, dark shadows, and desperate characters. And just when you think you have a suspect in mind, a new door opens. Then it is decided that the building will be moved a few feet for the construction of a highway and all its secrets unravel. VERDICT Originally published in 1962, this debut novel, which won Japan's Edogawa Rampo Prize, is a brilliant, suspenseful, and classic mystery that will leave readers wondering who really lives next door.-Ron Samul, New London, CT © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Fans of P.D. James, Robert Barnard and other literate writers in the genre will welcome US publication of this prize-winning author's first work. In postwar Tokyo, the K Apartment House for ladies is about to be moved intact in a highly publicized engineering feat. Then, flashback seven years to one of its occupants and her confederate--a man dressed in woman's clothes--as they bury a child's body in an unused communal bath beneath the building. A second flashback tells of the kidnapping of four-year-old George Kraft, son of an American army officer and his Japanese wife. The stage is set. The actors are a few of the present-day occupants of the K apartments--single, lovely, obsessed, neurotic--each life a novel in itself, told in a spare, unembellished style that never lapses into the sentimental. Manipulated by hidden strings, their actions and reactions lead to suicide, murder, and some final surprising revelations. This is a fresh, original novel, superbly crafted and riveting from start to finish. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

PROLOGUE 1 April 1951: At the Otsuka Nakacho crossroads On that day, the snow (unusual for April) which had fallen on the night before was still half an inch deep in the morning. But before midday the sun peeped through the clouds and a thaw set in. In no time at all, the streets once again danced in the sunshine of spring. At exactly noon, a woman tried to cross the road at the Otsuka Nakacho crossroads, even though the lights were against her. Her head was completely hooded by a red scarf, and she wore a thick winter coat over black ski pants. This in spite of the fact that everyone else on the street was beginning to sweat slightly in the warm sunshine... When the woman had got about a third of the way across the road, a small van came racing towards her from the direction of the Gokokuji temple. It was fully laden with wooden kegs of nails. The young driver, a boy from the mountains, was affected by the snow; his mind was full of the rosy-cheeked girls of his native place, and he had his foot hard down on the accelerator as he came up the slope. The green light seemed to beckon his youthfulness on--hurry! hurry! it seemed to say. From the corner of his eye, he caught a sudden glimpse of the girl in the red scarf but to him it was just a further reminder of the girls in his snow-bound native village. Perhaps that was why he skidded on the tramlines, although one cannot be sure. At any rate, the inexperienced young driver slammed on his brakes, but the van did not respond to his efforts to control it. It slid right around and headed back towards the woman. The last thing the young man saw before closing his eyes was the red-scarved and astonished face of the woman as she came crashing through his windscreen. It took three minutes for the white ambulance to come from the fire station a hundred yards from the junction; it sped away with the casualties, and in another three minutes had delivered them to a nearby branch of the T University hospital. During this time, the girl opened her mouth and muttered something three times, but no one could catch what she was trying to say. By the time the ambulance reached the hospital, it was over. A tall, white-coated doctor examined the body and pronounced it dead. 'In spite of the lipstick, this was a male,' he added in a strangled voice. His face was quite expressionless. Those present had difficulty in repressing their laughter, until they were overcome by the solemnity of death, so that even the horror of the traffic accident was driven from their minds. The young driver, who had been but the instrument of destiny, was punished beyond reason. He was in deep shock, and even after admission to the hospital he seemed unable to close his mouth. He slavered constantly, and kept muttering disjointedly, but all he could say was, 'The red scarf, the red scarf.' Time passed. The busy police detectives waited for a family to come forward and identify the body of an unknown male, aged about thirty, who wore female dress... Time passed. A cub reporter covering crime, with time on his hands, went around the homosexual world of Ueno showing the photograph of the unidentified male... Time passed. The doctors and nurses at the hospital gradually ceased to joke during tea-breaks about the unidentified male, in female dress, who had been run over at the Otsuka Nakacho crossroads. But somewhere, a woman waited alone in a darkened room... waited for the man to come back to her. The room was on the fifth floor of an apartment block, buried in the shadows just two bus stops away from the Otsuka Nakacho crossroads. She awaited the return of the man whom she had dressed in her own red scarf, winter coat and black ski pants, the man who had gone off with slumped shoulders, without even looking back. She waited, alone, for seven years. She is still waiting. The name of the building where she lives is 'The K Apartments for Ladies'. PART ONE Three hints The eye-witness: Three days before the accident The man stumbled yet again as he climbed the stairs. The Gladstone bag that he was carrying seemed to get heavier and heavier; already, he had had to stop on the landing of the third floor to change hands. He gazed at the brown dyed leather bag, cursing its weight, but betraying no emotion towards its contents. He was too far gone to think of that any more. All he was now concerned about was getting everything over with as soon as possible. He had been driven along for the last few hours by a feeling of resignation, a hope that the end was at last in sight. His consciousness seemed blocked by a wall, or blinded in limitless darkness. Now that the end was at last near, he felt no elation, merely a sense of despair. Shrugging his shoulders, he wiped his forehead with a handkerchief and carefully readjusted the red scarf around his face before picking up the leather bag again. The sweet female perfume on the scarf affected him profoundly. Recovering his spirits, he lifted the heavy case and carried it, bumping his knees, up the staircase. From time to time, he could hear footsteps or voices downstairs. Hurrying on, he reached the fifth floor and, pausing only to make sure there was no sign of life in the corridor, made his way to the door of a certain apartment. A girl was waiting there. Glancing at the travelling bag, she asked, 'Did the receptionist say anything?' 'No, she was so deep in her newspaper that she didn't even notice me.' As he replied, he lowered the case onto the doorstep. The leather base curled and the bag overbalanced onto the concrete floor with a dull thump. 'Hey, watch what you're doing! You shouldn't treat it so roughly!' exclaimed the girl in a loud voice. The man wanted to point out how heavy the bag was, and how his hands were slippery with sweat. But he could only mumble, 'It makes no difference.' The woman, without seeking his help, lugged the bag into the middle of the room. 'Poor little thing. Well, we'd better get him out quickly.' 'Poor little thing.' The woman repeated herself, but the man could only slump on the floor and gaze blankly at her. The woman snapped apart the clasp of the bag, which fell open. Inside, there was the body of a small child. She unwrapped the thick blanket, revealing miniature features in apparently tranquil sleep. His silky flaxen hair glimmered like gold in the lamplight. The girl chattered ecstatically. 'Oh my, oh my! Poor little fellow--we must get you out of this, mustn't we now? What a good little boy to put up with such cramps for so long!' As she bent down to draw the little blanket-swaddled body from the bag, she noticed for the first time that he was gagged with a white handkerchief stained with clotted black blood. After a while she spoke, but her voice now had a hollow ring to it. 'He's dead.' The man propped himself up on his elbows. 'It couldn't be helped. It was the only way.' For a long while, all was silent in the room. The man and the woman just sat there with the corpse of the child in the travelling bag between them. Excerpted from The Master Key by Masako Togawa All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.