Depth of winter

Review by New York Times Review

They never should have let Ray Boy Calabrese out of the slammer. "A lot got washed away in 16 years," William Boyle acknowledges in GRAVESEND (Pegasus Crime, $25.95), but who knew that Conway DTnnocenzio was still bent on getting revenge for the murder of his brother, Duncan? All this time, Conway has been working a crummy job at a Brooklyn Rite Aid, brooding on the coldblooded crime and waiting for his chance to put Ray Boy in the ground. After coming up with a solid plan and even going to the trouble of learning how to shoot a gun, Conway confronts Ray Boy at his family's upstate summer house near Monticello. But before he pulls the trigger, Conway insists on hearing his brother's last words. "He went, 'Remember third grade. We were friends. Please don't do this,' " Ray Boy tells him, then breaks down crying. Although he's disgusted with himself, Conway can't manage to do the deed. Instead, he sticks Ray Boy in the trunk of his car and drives to Plumb Beach, where Duncan was killed, hoping for a shot of courage. But he still can't pull the trigger, so he leaves Ray Boy in the sand and heads straight to a booth at Murphy's Irish to brood over "shots of Jack and a two pitchers of Bud" with a worn-out cop named McKenna. Conway doesn't want sympathy; he wants a good kick to stiffen his resolve. But McKenna is determined to save him from himself: "I'm telling you, you're gonna live with Hell inside of you. It's gonna crawl up in you. Not purgatory. Hell with a capital H." Boyle chews the local dialect like a Nathan's hot dog, biting into the juices of pure Brooklynese and savoring the mustardy aftertaste. The sound is especially sharp coming from Ray Boy's 15-year-old nephew, Eugene, who wants to be "tough" like his uncle and adds "yo" to his curses. A neighborhood woman named Alessandra, a failed actress who's spent time in California, speaks with a classier accent, but after a few weeks at home with her widowed father, she's snapping her syllabic gum with the best of them. TALK ABOUT tempting fate! In DEPTH OF WINTER (Viking, $28), Walt Longmire, the laconic hero of Craig Johnson's Western mysteries, arrives in Juarez shortly before the Día de los Muertos, Mexico's Day of the Dead. Walt, who serves as the sheriff of Absaroka County back in Wyoming, is way out of his jurisdiction in "the real-deal Wild West" south of the border, but he's got an alarming reason to be there: His daughter, Cady, has been kidnapped by Tomás Bidarte, the sadistic head of a drug cartel, who plans to auction her off for sport - and to settle a score with her father. Johnson gives Walt a voice as dry as desert dust. "This was a strange land for me," he says of the harsh back country where he's tracked down Bidarte, "and strangely enough I liked it." A man's man, Johnson can be eloquent about both the beauty of a sunrise and the sadness of a woman in an isolated village who sees what Walt is reading and confesses, "I miss books - tell me about it." But he also has fun teasing his principled hero about his resemblance to a pro football player, which gets him star treatment in the middle of a raucous street parade. "you won't catch it." That's what Edie Beckett's therapist keeps telling her in Kate Moretti's morbid IN HER BONES (Atria, paper, $16). But with her mother, Lilith, on death row for murdering six women, it's understandable that Edie would be hesitant to peer too deeply into her gene pool. Unable to quiet her fears ("Am I like her?"), she follows an online forum called "Healing Hope," intended for victims of violent crimes, and develops an unhealthy obsession with the children of her mother's victims. At first, she stalks them silently online and finds that "the hunt thrilled me." But she goes too far when she seduces one of them and becomes the chief suspect when he's murdered. Moretti pulls some tricky tricks when she sends Edie on the run, where she slips in and out of some neat disguises and suffers just enough to satisfy the most judgmental reader. when a woman's decomposing body washes up on the beach at Far Rockaway in Peter Blauner's nifty police procedural, SUNRISE HIGHWAY (Minotaur, $27.99), Detective Lourdes Robles of the Queens Homicide Task Force instantly spots what the guys don't even notice: The woman was pregnant. "There was a collection of small brittle bones between the fingers," we're told, "almost like the victim was trying to hold onto a fragile little bird." The pregnancy doesn't contribute to the subsequent homicide investigation into the murders of six young women over the past 15 years, but it does make clear why Robles is such a good cop: She notices things. And just as Robles notes the empty Bacardi bottles and crushed Capri Sun juice packs littering the beach, so too does Blauner keep a tight focus on his regional setting. Outsiders may think Long Island is "all white beaches and clay tennis courts, summer in the Hamptons," but they never see "the ghettos of Wyandanch" or the "shooting galleries in Smithtown." Or the bodies on the beaches. Marilyn STASIO has covered crime fiction for the Book Review since 1988. Her column appears twice a month.

Copyright (c) The New York Times Company [September 16, 2018]

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Review by Booklist Review

The fourteenth Walt Longmire novel picks up shortly after The Western Star (2017) left off, with the Wyoming sheriff now in Mexico on a desperate mission to rescue his kidnapped daughter, Cady, from the villainous Tomás Bidarte. With a motley crew of locals in support and not much more than a wing, a prayer, and a small arsenal of guns Longmire heads to the small mountain town where she's being held in an old monastery with not much more than a wing, a prayer, and a small arsenal of guns. While Longmire remains the goodhearted stalwart we've come to know and love, this novel has a different feel, due in equal parts to the unfamiliar territory, the siege-of-the-fortress plot, and the absence of his Absaroka County supporting cast. Series fans will likely welcome the changes, at least temporarily, as Longmire masters repeated capture and gunpoint negotiations with his usual gruff élan. Despite the horrors of drug-cartel violence and Longmire's own fears for his daughter, it all has the feel of an action serial; no matter how many bodies drop, the good guy's going to come out OK and that's OK with us.--Keir Graff Copyright 2018 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.

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Review by Publisher's Weekly Review

Bestseller Johnson's harrowing 14th mystery featuring Sheriff Walt Longmire (after 2016's The Western Star) takes the Wyoming lawman to Mexico, where ruthless killer Tomás Bidarte holds Walt's grown daughter, Cady, captive in a remote mountain compound in the middle of the Chihuahua desert. The six-foot-four Walt faces formidable obstacles in rescuing Cady, not least being his attention-drawing size. Fortunately, one of his allies on this suicidal mission, a blind man known as the Seer, thinks to pass him off as real-life retired NFL star Bob Lilly, a ruse that works for a while. Once Walt and his team arrive at the compound, the trouble really begins. The tension lets up only intermittently as Walt lurches from one dire situation to another. Humorous asides and witty dialogue provide welcome relief from the often grim circumstances in which Walt finds himself, including a stint in the stocks during a Day of the Dead celebration and the climactic confrontation with Bidarte, who plays matador to Walt's bull. Johnson is in fine form. Author tour. Agent: Gail Hochman, Brandt & Hochman Literary Agents. (Sept.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

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Review by Library Journal Review

In this 14th installment of the "Longmire" series (after The Western Stars), the Absaroka County sheriff is in Mexico searching for his daughter Cady, who was kidnapped by the ruthless head of a drug cartel. The men are not strangers; their history has been bloody and violent, including the murder of Longmire's son-in-law and serious injury to Longmire's undersheriff. Longmire must save his daughter before she's auctioned off to the highest bidder among his many enemies. Without backing from the American or Mexican governments, he's on his own, relying on assistance from people he meets on his journey. These include a physician, a mute young man, a blind legless mystic, and a beautiful woman with nerves of steel. Johnson's descriptions of the desert landscape, the burning heat of the sun, and the celebratory Mexican festivals are vivid and complement the unfolding plot as Longmire penetrates the cartel's headquarters. VERDICT It's a new setting for Longmire, but old scores are settled in this page-turner fans will love. [See Prepub Alert, 3/12/18.]-Patricia Ann Owens, formerly at Illinois Eastern -Community Coll., Mt. Carmel © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Review by Kirkus Book Review

An extended battle for kin and spirit in the Mexican desert.This 14th installment of Johnson's Longmire series follows Absaroka County's redoubtable sheriff, Walt Longmire, deep into the Chihuahuan desert in search of his daughter, Cady, who has been kidnapped by Toms Bidarte, the head of a drug cartel and a very bad guy. After a preliminary skirmish with American authorities, who try to restrain him from entering Mexico, Longmire acquires a band of companions and sets off across a forbidding landscape, hoping to reach Bidarte's stronghold before Cady is killed. In a nice early episode, Longmire is passed off to a Mexican colonel as Bob Lilly, the Dallas Cowboy star; other obstacles are not so easily overcome, and as Longmire nears his objective, the dead mount. Several characters warn Longmire that he will need to be ruthless to succeed, but even as the dead accumulate, Longmire adheres to his own moral code. He refrains from killing expat David Culpepper, one of Bidarte's lieutenants, when he has the opportunity because Culpepper is at his mercy, and the contrast between Bidarte's amoral readiness to kill for little or no reason and Longmire's reluctance to take a life if not compelled to do so is possibly overdrawn. The action spans a few days around the Da de los Muertos, which provides somewhat stereotypical opportunities for masked shenanigans and drink-addled confusion. Longmire himself is a nice creation, as ready with a reference to antiquity or a quote from literature as he is handy in a brawl; his allies are satisfyingly varied and colorful, and the bad guys are ruthless and unprincipled. This is a rip-roaring adventure, and if Longmire seems uncannily able to recover from blows to the head and other injuries that would disable a lesser man, well, that's what it takes to defeat this "monster among monsters."The sheriff as the spirit of Quixote, riding a mule to the rescue. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

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1   I turned my water glass in the slick circle of condensation on the smooth, red lacquer of the table between us and studied the man across from me. I was afraid that if I didn't pay attention, he might disappear. The Seer was like that; it was as if he simply drifted away, giving him access to places without appearing to be there, making other people's secrets his own.   "You should take in some of the culture while you are here south of the border-go to the bullfights." Adjusting his straw porkpie hat to a jauntier angle, the hunchback smiled. "You might enjoy it."   I said nothing.   He looked in my general direction, the smile slowly fading. "My friend, Miguel Guerra, says you are highly motivated, but that if I can talk you out of this, I should."   I still said nothing.   He stared at me. "Do you speak Spanish?"   I wiped the sweat from under my eyes with a thumb and forefinger-I had a hard time convincing myself it was coming up on November. "Very little."   He had taken his cheap sunglasses off and placed them next to his drink. His eyes were opaque, and they wandered past me, toward the knobby hills to the south that rose from the desert like a bony hand, the fingers spreading to make peaks and battlements, as if the mountains were at war with the flat land. "That's not good, because where you are going there will be places where no one speaks English."   The Seer sipped his soft drink and then batted the white cane between the knees of his threadbare pants at the exact place where his legs ended.   "Your English is very good."   He shrugged. "I have lived my whole life here in Ju++rez and back before the new drugs, we were just a suburb of El Paso." He glanced down at his truncated legs. "Not the old drugs that did this. My mother traveled to Germany in the sixties and was given the drug that took my legs and my sight and in the process gave me this humped back." He vaguely waved at it sitting there like one of the battlements behind him. "Did you know that hunchbacks are seen as lucky in my country-that we bring good fortune?"   "I hope that's the case."   "Personally, it has never brought me any providence." He paused for a moment and then turned toward the Club Kentucky, seeing it the way it was in his mind's eye. "Ju++rez used to be Las Vegas before there was a Las Vegas-twenty-four-hour bars, casinos, cabarets, brothels." The Seer sipped his soda. "It is said that this club invented the margarita." He nodded. "Marilyn Monroe sat on that very stool where you sit now."   "How do you know Marilyn Monroe?"   He smiled broadly for the first time, and I was surprised at the blinding perfection of his teeth. "My mother was here."   "In this bar?"   "S', January twenty-first, 1961. Monroe filed for divorce from Arthur Miller here in Ju++rez. She was with two men, her lawyers, Aurellano Gonz++lez Vargas and Arturo Sosa Aguilar. They filed a suit of incompatibility of character." He leaned in confidentially. "A marvelous playwright, but she told my mother he was hung like a cocktail sausage."   "Huh."   "She also saw your John Wayne drink himself senseless and walk out onto the sidewalk where he fell face-first like a tree." Sensing my disinterest, the Seer leaned back against the wall. "Most tourists love stories about Hollywood celebrities."   "I'm not here as a tourist."   He waved his cane toward me and changed the subject. "Can you ride a burro?"   "I can ride a horse."   "That does not mean you can ride a burro; there are places where you cannot go by horse or car."   "Fine, I'll walk."   "It is not enough." He studied the problem for a while and then shook his head. "Where you are going you will need a reason to be there, or they will kill you just to hear the sound of their weapons."   "I guess trying to blend in isn't much of a possibility?"   He smiled and slowly began shaking his head. "Let's see, shall we?" His face became somber, and his mouth hung open as if he were tasting the air between us like a snake. "From the timbre of your voice and lung capacity I would say you are at least two hundred pounds, and from the way the floorboard creaked when you walked in I would say two-fifty."   "I am."   "From the angle of your voice, I would say you are six-foot-four or five."   "Five."   "Facial structure also affects the voice-you are of Northern European descent so I am guessing blondish, but considering your age possibly gray, and with blue eyes-but not pure blue, more likely blue with either green or gray."   "Gray, no blue."   "Ah, eyes are difficult. . . . But you will have to forgive me in that I have never actually seen blue or gray or any other colors for that matter." He glanced toward the bar where he knew without seeing that the entire staff of four aged bartenders were watching and listening to us. "And from the deference of the staff, I am guessing your persona is formidable."   I sighed. "Lately."   "You are armed?"   "Yep."   "With what?"   "Colt 1911."   He shook his head at the antiquity of my sidearm. "Why the .45?"   "Because they don't make a .46."   He smirked and allowed his sightless eyes to rest on the surface of the small table between us. "I regret having to ask . . . but can you shoot?"   "Yep."   "How well?"   "Well enough for whatever needs to be done."   He paused for a moment and then nodded. "Maybe we use this." He tipped his head to one side. "There have always been men who come here from your country mostly for money and women, but other things, too. I propose a safari, but not for animals."   "For what then?"   "There were men like yourself who came to Old Mexico in search of antiquities. Even now. There was a good friend of my cousin's, a Mr. Guzm++n, who was here searching for a particular Russian Model P made by your Colt company."   "JosZ Guzm++n." I smiled. "Although I think his friends call him Buck."   "I believe that is his name, s'. He was a lawman like you-you know him?"   "A legend."   "My cousin was with him when he bought the single-action pistol from a fat policeman who was directing traffic in the middle of the street in Nogales." He sipped his Guayaba Jarritos. "What kind of lawman are you?"   "Absaroka County Sheriff, Wyoming."   "We don't see many sheriffs." He warmed to his purveyor of antique armaments idea and nodded more vigorously. "This will provide us with an excuse for being in areas where we might not normally be, and it gives us a bargaining reputation without the hazards of drug money." He finished his soda. "I will begin spreading the word that there is a gringo in town looking for vintage armaments and that we will be traveling around the area south of here."   "We?"   He lowered his eyes. "Yours is a good cause, and I would like to help you."   I shook my head but then spoke, realizing he couldn't see my response. "I can't let you do that. I appreciate your help, but if you go with me you're likely to be killed."   "I am half dead now, so what does it matter?" He folded up his cane and reached out his arms like my granddaughter Lola did when she wanted to get out of her high chair. "We will need a driver."   I finished my water and pushed the old wheelchair, which was painted a vibrant turquoise and orange, toward the door, the cane across his knees. "You're not going, and I don't need a car-I have a truck parked on the other side."   His turn to shake his head at me. "A new truck?"   "I don't know, a rental. It's blue, I think."   He took charge and wheeled past me down the bar toward the front entrance. "Too new for our purposes, and the US plates are too conspicuous; we will need something that blends in, along with a driver who knows the roads."   Hastily, I tossed a few pesos onto the table before following after him. "I thought cars couldn't go on the roads where we are going."   He called back over his shoulder. "Eventually, but first we will need a driver and a vehicle that will not arouse suspicion."   One of the old bartenders opened the glass door for him and then assisted me in getting him over the rubber threshold with a demeanor that read happy-to-be-rid-of-the-both-of-you. Blinking from the bright sun and pulling at my sweat-soaked shirt collar, I joined the Seer on the streets. "Does it ever cool off in this damn place?"   "It snowed here thirty-seven years ago." He replaced his inside sunglasses for the oversized ones that he used outside. "In the winter at night it gets colder." He grinned. "Sometimes."   We had reached the curb when a large, honest-to-God pink, 1959 Cadillac convertible pulled into view and slid up in front of us like a pulsating puddle of Pepto-Bismol, oozing to a stop. A young man with long hair and amazingly thick glasses got out and came around, opened the door, and saluted me. "Hola, Capit++n."   The Seer gestured toward the young man. "My nephew, Alonzo-our driver."   I gave him my hand. "Walt Longmire."   "Good to meet you." He lifted his uncle from the wheelchair, carefully placed him in the passenger seat, and then put the conveyance into the cavernous rear.   I leaned forward, but the Seer stopped me with his cane. "We have not discussed the fee for our services."   "I figured we'd get to that."   He gestured toward his nephew and stuck a hand out. "One hundred US dollars apiece per day, plus expenses."   "Driving this, gas alone should be another thousand." I shook his hand and noticed how strong his grip was, then reached out and tapped the Longhorn steer horns mounted on the hood. "So is this the inconspicuous vehicle we'll be taking south?"   Alonzo gunned the motor. "This sonless, goat-fornicating, godforsaken, flat-beer-tasting beast will carry us as far as the equator if need be." He grinned, and you could tell that he and the Seer were from the same genetic corral. "We will see you tonight at Our Lady of Guadalupe Cathedral." He threw an arm over the side of the Caddy and pointed down the street. "I will meet you inside a little before nine p.m." He turned his head. "Any questions?"   "Yep." Running my eyes over the glossy flanks of the hot pink Caddy and the outrageous tailfins, the largest ever produced, I stuffed my hands in my jeans and glanced at him. "How much Mary Kay did you have to sell to get this thing?"     On the long trip back to the Avenue Benito Ju++rez bridge, I thought about what I was doing. I was a stranger in a strange land, and my backup was a legless, blind humpback and his Coke-bottle-lensed, Caddy-driving nephew, neither man instilling a great deal of confidence.   The sidewalk became more crowded as I approached the Border Patrol building on the right, and I was reminded of the cattle chutes we used in Wyoming as I took the general entrance back into my country instead of the one to the left for Americans with documents.   I had to remember to get a passport.   Standing in the long line, I looked around me and figured that the Seer had been right about my blending in-I was going to have to lose about eight inches, forty pounds, and investigate a pigment transplant.   Behind the Plexiglas, a bored-looking young woman gestured for me to step forward. "American citizen?"   "Yep."   "ID?"   I pulled out my driver's license and handed it through the opening at the bottom. She studied it for a moment, and I watched as her left hand slipped beneath the counter. A moment later another uniformed individual was standing beside her and motioned for me to go to the unmarked door to the right, not the general one to the left.   "Is there a problem?"   "Not really, except that you're supposed to have a passport to enter Mexico, even if you don't really need one to get back in the US." The older man who was stationed behind the young woman motioned again, and she turned back to me with a practiced smile. "Just a routine check-you're the lucky one-millionth customer of the day." I nodded and followed my license; the heavy door buzzed, and I pushed it open and entered a short hallway. The Border Patrol guy appeared from the other side and pointed toward the door at the end of the hall.   "Do I get a prize or anything?"   "Oh yeah, it's in there."   I walked down the hall and just as my hand touched it, the door buzzed and the lock sprang.   FBI Special Agent-in-Charge Mike McGroder sat reading from a file folder at a metal table with his loafered feet on its surface. "I told you not to go by yourself."   "Your socks don't match." I sat in the chair opposite him. "I was just doing a little sightseeing. Did you know that Marilyn Monroe got her divorce from Arthur Miller in Ju++rez?"   "No."   "Did you know he was hung like a cocktail sausage?"   "Walt." He glanced at the camera in the corner of the ceiling behind him. "You were reconnoitering in a foreign country, and you're lucky I've got pull and can get you back in this one."   "As far as I can remember, I'm an American citizen."   "An armed American citizen in Mexico, which means you get the nicest corner cell in the shittiest maximum-security prison in the Free and Sovereign State of Chihuahua."   "I just wanted to get the ball rolling."   "Okay, Sisyphus." He put his feet on the floor, tossed the file onto the table, and ran a palm over his crew cut. "I've got you a meeting with the AIC and the DEA guy here in El Paso tomorrow at four-thirty."   "I'll already be gone."   "Walt." He placed his elbows on the table, lacing his fingers as a chin rest. "They know you're coming. Hell, they're planning on you coming, and they're going to have a very warm reception for you."   "I figure."   "I'm just trying to give you a fighting chance at survival."   "Doesn't matter."   "Look, let's set ourselves up for success here. I think getting your daughter out of Mexico and you surviving it is what we're shooting for."   "Me surviving would be nice, but I doubt it'll happen." I sat back in my chair with the image of a five-year-old girl with reddish hair dancing through a pasture as the horses looked on. "He knows I'm here, he knows I know he's got her, and he'll kill her if I don't play by the rules." I reached under my lightweight jacket and pulled the aforementioned .45 from the small of my back and placed it on the table between us. "That's what I've got. Now I know I'm going into a fight, so I'll gladly trade it for a rifle, a shotgun, an RPG, a Sherman tank, or an atomic bomb-but that's what I've got." Excerpted from Depth of Winter: A Longmire Mystery by Craig Johnson All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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