Review by New York Times Review
BRUCE LEE: A Life, by Matthew Polly. (Simon & Schuster, $20.) Among the first serious treatments of the martial arts star, this definitive biography follows Lee's move from America to Hong Kong and back again, his time as a child star in Asia, the reverse racism he experienced and his rise to prominence in the United States. Above all, Polly explores how Lee's fame helped reshape perceptions of AsianAmericans in the United States. THE OPTIMISTIC DECADE, by Heather Abel. (Algonquin, $15.95.) A back-to-the-land summer camp attracts a charismatic leader and a bevy of followers, who encounter the limits of their ideals in the Colorado desert. Our reviewer, Zoe Greenberg, called Abel "a perceptive writer whose astute observations keep the book funny and light even under the weight of its Big Ideas." INDIANAPOLIS: The True Story of the Worst Sea Disaster in U.S. Naval History and the Fifty-Year Fight to Exonerate an Innocent Man, by Lynn Vincent and Sara Vladic. (Simon & Schuster, $18.) Nearly 900 people died when the U.S.S. Indianapolis, a Navy cruiser, was torpedoed by a Japanese submarine in 1945, but the story has long been incomplete. Vincent, a Navy veteran, and Vladic, a filmmaker, offer a fuller view of the episode. FRUIT OF THE DRUNKEN TREE, by Ingrid Rojas Contreras. (Anchor, $16.) Drawing on the author's own experiences, this debut novel describes life in Escobar-era Colombia. Narrated by a young girl, Chula, and her family's maid from a nearby slum, the story captures the despair, confusion and chaos as the country's conflict raged. Our reviewer, Julianne Pachico, praised the book, writing, "You don't need to have grown up in Bogotá to be taken in by Contreras's simple but memorable prose and absorbing story line." DON'T MAKE ME PULL OVER! An Informal History of the Family Road Trip, by Richard Ratay. (Scribner, $17.) This playful account conjures up the era before air travel was within reach for many American families, and explores how the Interstate transformed people's relationship to the country. Part history, part memoir (Ratay recalls with fondness trips from his own childhood), the book is a love letter to the 1970s. A LUCKY MAN: Stories, by Jamel Brinkley. (Public Space/Graywolf, $16.) A finalist for the National Book Award, this collection explores race, class and intimacy in the lives of black men. In the title story, a man whose wife seems to have left him examines his expectations of what the world owes him, what he feels he can take from others and what it would mean if his good fortune ran out.
Copyright (c) The New York Times Company [June 9, 2019]
Review by Booklist Review
It's difficult to imagine a more comprehensive account of Bruce Lee's short but influential life than this one. Lee's death at the age of 32 is still the subject of much speculation, and Polly has his own (quite plausible) theory, but the book isn't an investigation into the kung fu star's death; rather, it's a celebration of his life. From Lee's beginnings as a child star in Chinese films to his years in the U.S. as a martial-arts innovator and struggling actor, to his breakout success in Hong Kong cinema and his influence on future generations of aspiring actors, Polly charts the course of Lee's life in careful, precise detail. His admiration for Lee comes through on nearly every page, but this no hagiography: the author doesn't skim lightly over Lee's drug use or infidelity, nor does he shy away from the sordid circumstances surrounding Lee's death. A fascinating story of a remarkable figure in popular culture, this is the biography Bruce Lee's legion of fans have been waiting for.--Pitt, David Copyright 2010 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
This thorough, well-sourced biography from Polly (Tapped Out) is an engrossing examination of the life of a martial arts movie star and his shocking, early death. Lee was born in San Francisco in 1940, but his family moved to Hong Kong shortly after his birth. He started acting there as a child, and at age 16 began studying under kung fu master Ip Man. In 1959, Lee moved to Seattle in pursuit of a career acting and teaching kung fu. He landed a few roles in American television series such as The Green Hornet, but, eager for better roles, he moved back to Hong Kong, where he starred in such action movies as Fist of Fury and The Way of the Dragon. Polly describes Lee as a patron of kung fu who "sought to straddle East and West" yet routinely faced racism (relatives of his wife, Linda, refused to attend their wedding in 1964). He possessed a volatile temper, a dangerously obsessive work ethic, and a propensity for extramarital affairs. In 1973, Lee collapsed and died while dubbing dialogue for Enter the Dragon, and Polly is especially strong as he sifts through the sensational aftermath of Lee's death, rejecting tabloid rumors that he died in an actual fight and outdated medical opinions of death by "cannabis intoxication" in favor of the more logical cause-heatstroke, given Hong Kong's heat wave that day. In what is certainly the definitive biography of Lee, Polly wonderfully profiles the man who constructed a new, masculine Asian archetype and ushered kung fu into pop culture. (June) © Copyright PWxyz, LLC. All rights reserved.
Review by Kirkus Book Review
Spirited celebration of the life of "the Patron Saint of Kung Fu," a stalwart of pop culture whose career is due for a revival.Growing up in Hong Kong, Bruce Lee (1940-1973) wasn't much of a student. As Polly (Tapped Out: Rear Naked Chokes, the Octagon, and the Last Emperor: An Odyssey in Mixed Martial Arts, 2011, etc.) writes, he was good in English and pretty poor in everything else; he was held back a couple of grades and known as a schoolyard bullythough the kind that "was a gang leader, offering protection to those willing to follow him." He would go on to battle a string of sadists and miscreants in films that would become standards of early-1970s popular culture. First, however, he had to set up shop as a martial arts master with a burning mission to spread Wing Chun and other forms of Chinese fighting arts to America, always with his own stamp on them, always willing to fight to establish his credentials. "I would like to let everybody know," Lee announced in 1963, "that any time my Chinatown brothers want to research my Wing Chun, they are welcome to find me at my school in Oakland." Meaning, Polly speculates, that Lee was willing to take on all of San Francisco's Chinatown and its myriad masters to make his mark. His martyrdom was assured by dying young just before his signature film, Enter the Dragon, entered the market in 1973, but even before then, the charismatic Lee had a huge following. Polly recounts a trip to Goa with Green Hornet star James Coburn in which everyone knew who Lee was, but not Coburn, and later moments in which he outshone even the great Steve McQueenwhich is exactly as Lee swore it would be. Enter the Dragon also fulfilled Lee's other promise: that he would become, as the author writes in rather outdated language, "the first and highest paid Oriental superstar in the United States."Students of martial arts, film history, and the 1970s alike will find much to enjoy in Polly's homage. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
