Failure is an option An attempted memoir

H. Jon Benjamin

Book - 2018

"H. Jon Benjamin--the lead voice behind Archer and Bob's Burgers--helps us all feel a little better about our own failures by sharing his own in a hilarious memoir-ish chronicle of failure. Most people would consider H. Jon Benjamin a comedy show business success. But he'd like to remind everyone that as great as success can be, failure is also an option. And maybe the best option. In this book, he tells stories from his own life, from his early days ("wherein I'm unable to deliver a sizzling fajita") to family ("wherein a trip to P.F. Chang's fractures a family") to career ("how I failed to sell a pilot"). As Jon himself says, breaking down one's natural ability to succeed is not ...an easy task, but also not an insurmountable one. Society as we know it is, sadly, failure averse. But more acceptance of failure, as Jon sees it, will go a long way to making this world a different place. a kinder, gentler place, where gardens are overgrown and most people stay home with their pets. A vision of failure, but also a vision of freedom. With stories, examples of artistic and literary failure, and a powerful can't-do attitude, Failure Is an Option is the book the world doesn't need right now but will get regardless"--

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Subjects
Published
New York : Dutton [2018]
Language
English
Main Author
H. Jon Benjamin (author)
Physical Description
viii, 245 pages, 16 unnumbered pages of plates : illustrations (some color) ; 22 cm
ISBN
9781524742164
  • Acknowledgments
  • Prologue (the Preliminary Failure Before the Main Failure)
  • Chapter 1. The Early Failure Years (or How I Failed to Have a Name)
  • Chapter 2. How I Failed at Pretty Much Everything as a Kid (the Foundations of Failure)
  • Failed Children's Book
  • Failed Album Covers
  • Chapter 3. The Sleepover (and How I Failed to Have One)
  • Chapter 4. The Robbery (and How I Failed to Stop One)
  • Chapter 5. How I Failed to Do Anything Significant with My Disease
  • Chapter 6. The Teen Years (or How I Failed Hosting a Bar Mitzvah Party)
  • Chapter 7. Shelves (or How I Failed to Star in a Pornographic Movie)
  • Chapter 8. The Threesome (or How I Failed to Quantify It)
  • Failed Sexual Positions
  • Chapter 9. How I Failed to Provide a Historical Example of Failure
  • Chapter 10. Dee Har (or How I Failed to Move to France)
  • Failed Pickup Lines
  • Chapter 11. How I Failed to Study the Holocaust
  • My Failed Book List
  • Chapter 12. Getting High (and How I Failed at Being Gay-Bashed)
  • Failed Weed-Strain Reviews
  • Chapter 13. How I Failed to Sell a Pilot
  • Chapter 14. Prince Edward Island (and How I Failed to Take a Walk in the Woods)
  • Chapter 15. How I Failed as a New Father
  • Chapter 16. How I Failed at Providing Some Historical Perspective on Failure Redux
  • Chapter 17. How I Failed at "the Celebrity Favor"
  • Failed Presidential Pets
  • Chapter 18. Buying a Motorcycle (and How I Failed to Ride It)
  • Chapter 19. Midnight Pajama Jam (or How I Failed at Launching a Kids' Show)
  • Failed Business Ideas
  • Chapter 20. How I Failed to Have a Chinese Dinner While Visiting My Parents in Arizona
  • Chapter 21. The Flood: a Waste of Waters Ruthlessly (or How I Failed My Rental Car)
  • Chapter 22. How I Failed at Differentiating My Two Characters of Bob and Archer
  • Epilogue My Failure Is an Option
Review by New York Times Review

WE'RE barreling toward summer, with long drives and leisure hours ahead. It's the time of year when friends who know I'm an audiobook nut ask for suggestions. Podcasts offer more flash and dazzle, but I still love the long arc of books "on tape" as an antidote to the shattered attention span of a Twitter-fied society. Recommendations can be tricky (unless the friend hasn't heard my recent favorite, Amor Towles's wonderful novel "A Gentleman in Moscow," read with wry sadness and perfect comic timing by Nicholas Guy Smith. You're welcome). What follows is an eclectic list of audiobooks that might provide ideas for your next summer drive. LET ME LIE, by Clare Mackintosh. Read by Gemma Whelan. (Penguin Audio; 11 hours, 56 minutes.) Ideal listener: Mystery addicts. Ideal trip: Long drives in the countryside, preferably across moors. The mystery writer Clare Mackintosh's first book, "I Let You Go," won an enthusiastic reception when it was published in 2016, and she has become known for her solid descriptions of police work, her previous profession. This third novel opens with Anna Johnson trapped in a fog of grief over the loss of her parents, who committed suicide at the same seaside cliff, months apart. But were they suicides? Is there a paranormal angle? Things are not as they seem. The twists and turns provide adequate entertainment, but Mackintosh plods until the last scenes of the book. The most satisfying thread concerns the private life of Murray Mackenzie, a retired detective who becomes involved in Anna's case, and who cares for a mentally ill wife. Their story alone would make a fine novel, even without the suicides. Or were they murders? The audiobook's narrator, Gemma Whelan (who also plays Yara Greyjoy on "Game of Thrones"), goes for an even, steady delivery that suggests the protagonist may be a bit slow on the uptake. Her measured tone further hints at her knowledge that, while this book is a mystery, it is no thriller. THE SUN DOES SHINE, by Anthony Ray Hinton. Read by Kevin R. Free. (Macmillan Audio; 9 hours, 11 minutes.) Ideal listener: Anyone interested in wrongful incarceration and racial justice. Ideal trip: To Montgomery, Ala., to see the new National Memorial for Peace and Justice. Anthony Ray Hinton spent nearly three decades behind bars for murders he did not commit, railroaded through the legal system and landing on death row. When Bryan Stevenson, the founder of the Equal Justice Initiative and the man Hinton calls "God's best lawyer," finally won his release, Hinton's tearful statement as he left the prison was, "The sun does shine." How Hinton survived those long years is a story of resilience and imagination, of faith and the support of his mother and friends. He speaks of his rage over his conviction, and of ultimately coming to forgive those who wronged him - including an inept defense lawyer and the prosecutor who locked him away even though the gun supposedly used in the crimes (which belonged to Hinton's mother) had not been fired in years, among other obvious flaws in the case. "They were a shameful lot of sad men, and I prayed for their souls." The actor Kevin R. Free performs this work with flashes of anger cast over a deep humility, and captures the sense of humor that Hinton was, incredibly, able to hold on to during his long years in solitary confinement - his affability could get even prison guards to smile. This is a story that enrages and inspires. COMMON GROUND, by Justin Trudeau. Read by Colm Feore. (Audible Studios; 8 hours, 5 minutes.) Ideal listener: All those people who said they'd move to Canada if Donald Trump was elected. Ideal trip: That drive to Prince Edward Island. Justin Trudeau published this election memoir in 2014 on his way to becoming prime minister of Canada. As such, it has many of the flaws endemic to these hardcover sales brochures. Even so, it's not every national leader who writes about his tattoos, or his time in the boxing ring, or snowboarding. A celebrity since birth - the son of a groundbreaking prime minister and a flamboyant mother who struggles with bipolar disorder - Trudeau shares an engaging life story that would be worth reading whatever his aims. But it's worth noting that "Common Ground" was written for a Canadian audience, so American listeners are going to have less familiarity with the politics of our northern neighbors; he assumes we are passionate about national issues like the 1992 Charlottetown Accord. You might Google. Or not. Trudeau reads an introduction to the book himself, but leaves the rest of the text to the capable Colm Feore, who gets across the author's essential likability and youthful energy. He seems, at times, not to know whether Trudeau's words should be performed as a political stump speech or an earnest sermon, but that is not surprising, since the prime minister's tone wobbles from one mode to the other, with a smidgen of TED Talk thrown in. FAILURE IS AN OPTION, by H. Jon Benjamin. Read by the author. (Penguin Audio; 4 hours, 58 minutes.) Ideal listener: Fans. Ideal trip: Long drives without the kids in the car. H. Jon Benjamin is best known as a voice actor in two animated series, "Archer" and "Bob's Burgers." He is, in other words, a successful purveyor of comedy. But he is also, by his own admission, a schlub. He frames this "attempted memoir" as a "polemic in favor of failure." He does not advise absolute, crushing failure, but appropriately lowered expectations that let us accept our limitations. "The task at hand is to bring failure into your life, accept it, and then find the right amount that suits you." With this facetious self-help framework in place, he runs through a string of hit-ormiss anecdotes about, for example, the sexual threesome he didn't actually end up taking part in, and the fajitas that he, a very bad waiter, could not deliver to tables while they were still sizzling. How hard you'll laugh at these stories will depend on whether you find things like colitis and diarrhea funny. I didn't think I would. I was wrong. I am ashamed to say that his entirely gross and unprintable recollection of driving from LAX Airport to Pasadena and unsuccessfully fighting off the effects of a colitis flare-up had me laughing out loud. Of course, it's that voice. SEASONS OF MY MOTHER, by Marcia Gay Harden. Read by the author. (Simon & Schuster Audio; 8 hours, 34 minutes.) Ideal listener: Fans, but also anyone with family members who suffer from dementia. Ideal trip: Solo, elegiac wanderings. Marcia Gay Harden, best known for her roles in films like "Mystic River," "Miller's Crossing" and "Pollock," opens this partmemoir, part-tribute to her mother by describing a different book the two had been collaborating on before Beverly Harden developed Alzheimer's. The book was going to be about ikebana, the Japanese art of flower arranging that became an enormous part of Beverly's life after her naval officer husband's tour of duty in Japan. The disease, and other tragedies in the women's lives, stole the project away. But flowers and their meaning run through this intergenerational story, organized around the seasons and the blooms they bring to mind, Marcia's childhood and her sometimes-spiky relationship with her parents. The description of her mother's drift into the limbo of Alzheimer's will be familiar to anyone dealing with a family member who has dementia, but the author sees through what has been lost. "When all is said and done - even without memory - what still exists is love." There is beauty here, and tragedy, though the prose can be, forgive me, flowery. But as an actor, Harden uses the persuasive strength of her voice to inhabit every line. JOHN schwartz is a climate change reporter for The Times and the author of "This Year I Put My Financial Life in Order."

Copyright (c) The New York Times Company [August 2, 2018]
Review by Booklist Review

Benjamin's attempted memoir is irreverent, edgy, and hilarious, just what readers will expect from the voice actor and comedian of Bob's Burgers fame. From his early days as a Jewish disco dancer, Benjamin has failed at an impressive variety of endeavors, including almost starring in a pornographic movie, trying to get a college professor to contribute to his book by writing a chapter on historic failures, joining in a threesome, studying the Holocaust, selling a TV pilot about a young guy playing squash with old guys in New York, and just about everything in childhood. Woven between chapters are such wacky asides as Failed Sex Positions, Failed Pickup Lines, and Failed Business Ideas, all riffs on the failure theme. Contending that people fail more than they succeed, Benjamin claims we actually learn more from crashing than soaring (and it sure makes a better story) and that accepting failure takes the pressure off being a success. Be sure to shelve this in humor rather than self-help, and recommend to all who need a respite from stress and a good laugh.--Smith, Candace Copyright 2018 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In this rambling collection of random anecdotes, comedian Benjamin (the voice of characters in the Archer and Bob's Burgers TV series) tells of his life failures. Stringing together short chapters better suited for standup routines, Benjamin provides fodder for the cliché that learning from failure provides a way forward in life. He can be a hilarious storyteller who fires off witty one-liners (looking back on playing catch with his neighbors, he concludes that "the curveball is the oral sex of baseball. It's delicate and precarious"), but even those grow tiresome after a while. In a chapter titled "The Early Failure Years," he attributes his occasional dizziness and his incredible laziness to his mother's being given nitrous oxide during his birth; later, he lists his various business failures, including an idea for a restaurant called "Leftovers,"which would cut down on food waste and provide cheap meals by serving leftovers. In one of his funnier observations (from a chapter subtitled "How I Failed Hosting a Bar Mitzvah"), Benjamin points to the adolescent character of the present U.S. president: "Teens are a grisly combination of suppressed rage, sexual confusion, vanity, and unrelenting incompetence... just imagine Donald Trump but more agile." On stage, these anecdotes might work well, but on the page they are cloying and tedious. (May) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Benjamin, comedian and star of animated shows Archer and Bob's Burgers, presents a brief and very funny account of how his life's failures added up to an accidentally successful career. Each chapter recounts a different stage of failure in Benjamin's life: failing to have a childhood sleepover, neglecting to have a successful threesome in college, going on unsatisfying vacations with his partner in which they might or might not have been at risk of being eaten by a bear, failing to purchase a motorcycle on eBay (he did eventually ride it for 45 seconds), and one spectacularly vivid scatological disaster attending his first press event as a TV star. Interludes among the biographical material include pitches for failed books, undesirable strains of marijuana, and a running gag in which Benjamin writes to history professors begging them to write part of his book for him so he can make his deadline. Benjamin's narration makes the text feel like a one-man show. VERDICT A fun glimpse into the personal life of a much-beloved cartoon voice actor that will appeal to fans of comic memoirs such as recent works by John Hodgman or Tiffany Haddish.-Jason Puckett, Georgia State Univ. Lib., Atlanta © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Voice actor and stand-up comedian Benjamin structures a free-wheeling memoir of his rather uneventful life around the many failures he has experienced.The author, who voices the title characters of Archer and Bob's Burgers, grew up in a middle-class Jewish family in Worcester, Massachusetts, where he watched a lot of TV and recorded interviews with himself. He bounces lightly through his childhood in chapters such as "The Sleepover (and How I Failed to Have One)" (cold tent) and "The Teen Years (How I Failed Hosting a Bar Mitzvah Party)" (the DJ played AM oldies). Then he moves on to stories about failing to move to France, get a graduate degree in Holocaust studies, sell a TV pilot, and ride a motorcycle. Every time Benjamin starts to get into potentially heavy emotional territory, he leaps out and moves onward with a joke. The most effective chapters of the book are those that give a sense of the author's trials and tribulations as he recognizes his shortcomings and goes on with a shrug. These chapters are interspersed with brief intermissions, most of which are padding. Benjamin also initiates longand increasingly annoyinginterchanges of letters with scholars, asking them to explain how failure expressed itself in history, to which they respond with polite confusion. He inserts a sophomoric collection of line drawings of failed sexual positions and a more successful set of failed pickup lines: "Do you work out, or are you just naturally tense?"; "Has anyone ever told you you look like my mother?" Benjamin's descriptions of self-humiliation can get uncomfortable for readers, as in the case of a protracted chapter involving diarrhea, a rental car, and a hotel.More a collection of gags than a thoughtful examination of a life, the book is best experienced in bits and pieces in order to avoid the impression of being trapped in an elevator for hours with a stand-up comic. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Chapter 1 The Early Failure Years (or How I Failed to Have a Name) I was born in a hospital. I was told that my mother was given nitrous oxide for the birth. As in, she was totally sedated. The whole labor, totally out of it. My father used to say it was used for the conception as well. Just kidding, he never said that. I just wanted to make a salty joke and blame it on my father. Anyway, they used strange methods back in the sixties. Maybe her sedation affected me. I do feel dizzy all the time, and I'm incredibly lazy, which might have all been connected to not having heard the agonized screams of my mother as I came into the world. Just entering the universe to a really quiet room, but for the nasal mutterings of a Jewish obstetrician complaining to a nurse about the cost of his landscaper, can have a lasting effect on one's personality. The place of my birth was Worcester, Massachusetts. Worcester isn't known for its good hospitals, so I imagine I was mishandled. I don't have any visible signs of that, except for two huge indentions in my skull. I assume forceps were used. I read once that the name Elliot became popular in the late nineteenth century because that was the name of the forceps used in childbirth: the Elliot forceps. Can you imagine naming your child after the steel instrument that pulled them out of your vagina? That shows a real lack of due diligence. When you name your child after a medical device, it is a pretty telltale sign of an unhappy marriage. Not many women naming their kids Eppy today, after the epidural. Just saying. Also, that will be the last time I will write "just saying," based on how I cringed after writing it. I was named Harry Jon Benjamin. Harry after my paternal grandfather and Jon after the misspelling of John. It appears that there was some discord over my name, so an untidy agreement was made between my parents where they would maintain my first name on the birth certificate but call me by my middle name. The Harry has always been a buried secret, like an identity Easter egg, and that mystery has had its own odd effects as well, probably due to the fact that my dad's father died at a really young age, so passing on his name would be like passing on a curse. But they still gave it anyway, with the caveat of deciding to never utter it. So, as a result, I am just subtly cursed by the ghosts of my ancestry. It's a very Jewish tendency to honor and excise the past simultaneously. (Jewish voice) "He's named after his grandfather, God rest his soul, a name that will never ever be uttered in this house, God forbid!" That's what's in my name. A real Jewish cocktail of guilt, pride, and necrophobia. Still, Jon is a pretty solid mainstream name, so I could blend in, until teachers read out the spelling. It's never fun to get made fun of for the fact your name is spelled wrong. Like, "Your mom's so dumb, she spelled John wrong." Or "How dare you sully the memory of John the Baptist, who baptized Jesus and whose head was cut clean off by King Herod just 'cause his vindictive daughter asked him to!" Anyway, no one is ever completely scarred by a name, except for, maybe, that guy named Tiny Ichicock. My earliest memories are of my parents cleaning. My father owned an electrical supply store that sold lighting and bulbs and circuit breakers, etc., so as a family, we had access to a lot of cutting-edge electrical equipment. You know how in the fifties, there was a rush to be the first home on the block to purchase a TV set? It was momentous, a real sea change for families. That "moment" came for us in the form of the NuTone Central Vacuum System. Because of my father's position, we were definitely the first home in our neighborhood to install the vac system, which held the promise of changing everything for home cleaning. It was basically a network of ports in the wall of any room that could connect a vacuum hose to a central unit in the basement. A comprehensive cleaning system, like the 2001: A Space Odyssey of vacuum systems. A real Valhalla for compulsive cleaners. And shit, did they use it. In my memory, most of my childhood was spent vacuuming or hearing the sound of vacuuming. Giving my parents this technology was like giving the Union forces the Gatling gun-you can do so much more damage so much more quickly. And with more frequency. The key element to the NuTone vac was that you could increase the sheer amount of "cleaning" opportunities in any given moment. As in, it encouraged rapid-response cleaning. Like, if one piece of lint was on the floor, one could, or dare I say, should, plug in the vac and deal with it like it was a medical emergency. With the vacuum in place, our house was on its way to becoming "clear." As in, a perfectly self-contained cleaning environment. A real biosphere of neuroses. The plaintive wails of the NuTone vac system would wake me in the morning and put me to sleep at night. A giant sucking sound, if you will. And I never knew when and where it was going to come. The threat was always nigh. I would lie awake in bed and long for the simpler times, when vacuums were manual. From the eyes of this child, this was just the way things were. Futuristic cleaning all the time and without any foreseeable slackening. The sheer force of constant cleaning was, of course, the veneer of order for a bubbling chaos beneath, and new technologies would only serve to stiffen that veneer. To this day, I can't clean. And that seems counterintuitive to the bulk of my upbringing, which was consumed with it. Maybe it was rebellion, or maybe I'm still in a state of shock, but to this day, I wipe off a table as if you handed a baby monkey a wet cloth. I still get bizarre pleasure in watching people clean, though. One of the first things I did after making some money was hire a cleaning woman to come to my studio apartment in New York City. She was young and cute, but it was less sexual attraction than an attraction to the cleaning. I would sit and marvel at it, which made for an uncomfortable situation. There was always this very present energy coming from her, saying, "Why are you always hanging around here in your small apartment and watching me clean?" My intentions were very easy to misread, and it was a hard distinction to communicate, like, "I'm not gawking at you the way you're thinking. I just like to watch people clean. Because of my childhood. Seriously I just need to watch!" Chapter 2 How I Failed at Pretty Much Everything as a Kid (the Foundations of Failure) I meet kids all the time lately who are really good at things, and I keep thinking, I don't remember being good at anything as a kid. My son, who is fourteen now, has many talented friends, some who play music, others who are savvy at coding; others speak several languages, some are precocious artists, etc. Mainly, as a kid, I just went to Friendly's. And I had so much time to get good at something, but no . . . nothing. A local pederast did try to get me into archery, but I even faltered at that, which I guess was a good thing: the avoiding pederasty part. But why was I so averse to getting good at something? I remember this one kid in my elementary school who was an avid Cub Scout. He recruited me to join his Cub troop that was run by his father. His skill was that he knew how to tie something like five hundred different knots. So many knots. The double loop, the half hitch, the midline loop, the sailor's hitch, the strangle knot, even the super controversial hangman's knot. I went to one scout meeting at his house and we sat in a tent for at least two hours tying knots using a diagrammatic guide. He looked so happy. After the meeting, I immediately quit the Cub Scouts. I often wonder if that kid finally ever hung himself or others. More likely, he's just an incredibly successful scout leader. But he was doing something, despite its being only tying knots. He was practicing sophisticated skills, even at nine years old. I recall reading about Ben Franklin, who left school at ten, apprenticed with his brother as a printer, then started writing for a newspaper at age fifteen. Jesus. I mean, c'mon. What a prodigious asshole. My unique talents centered more around watching TV while eating SpaghettiOs raw from the can, which made my father rabidly mad, because he had installed in the TV room a white shag rug, that, as a consequence, had recurring and ever-growing concentric SpaghettiO stains. Also, I was proficient at taking a racquetball racket and hitting a tennis ball in my living room against the wide brick chimney for hours. That's a skill I could have possibly developed into something greater, but on the whole, it was more like what one would do for recreation in a supermax. And don't get me wrong: everyone's childhood is "like a prison," even though that's a bit "reductio ad custodia." But, look, starting early being "into something" has its consequences, too. One can carry that burden, heavy, of having tied all those knots. For me, I just needed to find my own thing. Anything that would envelop my time beyond procrastination. Something that would set me on a higher path. The thing is, I was very shy and introverted. I didn't realize that then, but I enjoyed being home alone, despite the accompanying gripping loneliness. One thing I started to do was record myself on a Panasonic cassette player doing interviews. But because I seldom left my house, I would interview me as me or me as other people. This turned out to be a relatively successful pet project, most evident in the time I interviewed myself as an astronaut on Voyager 1 and played it for all the kids at school and they went crazy. It, in a nutshell, exemplified the power of lying. My hoax was so convincing that one student coaxed me to play it for our teachers. I played it for Mr. Simko, our gym teacher, and he was shocked. He asked me how I got to interview a real astronaut, and I told him that he came to my house because he was friendly with our neighbor who was a scientist. Then I played it for my homeroom teacher Mr. Powers, and he immediately pointed out that Voyager 1 was unmanned. "Oh . . . yeah, but he was in the space program." "But he described seeing Earth from the spacecraft on Voyager One." "Well, he must have been joking." "But the whole interview was about him being in space." "He must have been talking about a different spaceship." "And as far I know, Jon, there is no astronaut in NASA named Biff Alderman." I really should have stopped with the gym teacher, but that's the price one pays when one flies too close to the sun, or, in other words, plays a fake interview with an astronaut for a guy who has a completist knowledge of the space program. Later, I tried school politics. In sixth grade, I ran for class treasurer. My only real experience with money thus far had been borrowing it from my parents and stealing it from my cousin's drawer. Both seemed ample qualifiers to run for treasurer. My decision to run was somewhat quixotic, as in I decided to run the day of the elections. I was up against a girl named Doreen. She was smart, driven, and self-assured. She was running unopposed and had made signs to "Vote Doreen" and hung them all over the school. I was what is now called a "spoiler candidate." In the auditorium, in front of the class, Doreen gave her speech. It was well delivered and she spoke eloquently about raising funds to support a class trip to Boston. That was huge. Though we were only an hour from Boston, it was like a galaxy away for most people in Worcester. Personally, I had been only a few times, but most kids talked about Boston like it was Paris. Like, "Have you been to Boston?" "Are you fucking kidding me? No fucking way. I've been to Shrewsbury, though." She talked about working with the teachers and the school board to raise money for this trip to go to Paul Revere's house. She also talked about getting new outdoor equipment for the playground. New balls, new baseball equipment, and new nets for the basketball hoops. I thought I had this in the bag. I was counting on the "no-nothing" vote. Nobody wants some loudmouth, proactive girl with a solid agenda, making promises about school trips and better overall conditions. Give them something they really want to hear: a hopeless message, a message that conveys "you get what you get." Why invest in new balls when we've been kicking around that one deflated one for years? Do we really want to sully the memory of all those who came before us who kicked that deflated ball? Do we want some shiny new netting on the hoop when our forefathers played without them? What we needed was some hard-line illiberalism. Instead, she completed her speech, and I was called up and I stood before the class, immediately drowning in flop sweat, and said, "What she said." Everybody stared and the room started to melt and no one even uttered a chuckle. Even the heater hissed in disapproval. I received zero votes. Later that year, I looked over at Doreen while we stood in Paul Revere's dumb bedroom and she gave me a smug look. Whatever. I tried music. My father played the clarinet. But he had stopped playing by the time I was born, so it was more my dad had a clarinet. My dad also had a gun. He never shot it. I guess it was for protection. He kept it hidden in a box somewhere on a shelf in the back of a hallway closet-a perfect spot for a gun when you need one quickly. In the event of a home invasion, my father would have to exchange pleasantries with the intruders, all the while subtly making his way to a closet at the other side of the house to get the gun. Or maybe his plan all along was to deceive them by telling them that he keeps all his money in a wooden box in a hall closet, then lure them to this closet and then, after using a stepladder to reach up to the shelf for the box, slowly open it, pull out the pistol, and say, ÒOh, my mistake, this was the box with this in it,Ó then BLAM BLAM BLAM, shower them with bullets. Excerpted from Failure Is an Option: A Memoir(ish) by H. Jon Benjamin All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.