Review by New York Times Review
How should adults present the grave injustices throughout black history to young readers? Biographies can help. HISTORY IS A STORY like any other, but black history is a story so devoid of logic that it frustrates the young reader. The young readers in my house, told of slavery and segregation, asked in disbelief: "What? Why?" We - the parents of black children, the parents of all children - still need to tell that story. It comforts the adult conscience to remember that amid history's grave injustices there were still great lives. Hence, I suspect, the preponderance of biographies for children published to coincide with Black History Month. Among that genre's newest arrivals are names familiar to adults, as in THE UNITED STATES V. JACKIE ROBINSON (HarperCollins/Balzer + Bray, $17.99, ages 4 to 8), written by Sudipta BardhanQuallen. This picture book is more interested in young Robinson's less-known act of resistance during his Army days than in his later, trailblazing career as a baseball player. It's nice to have an athlete celebrated for personal integrity over physical prowess, and R. Gregory Christie's pictures bolster this, evoking a Robinson who is strong and sure, but also smiling, warm, and ultimately, triumphant. Ella Fitzgerald is more than a familiar name; understanding this, Helen Hancocks has called her new picture book ELLA QUEEN OF JAZZ (Frances Lincoln Children's Books/Quarto, $17.99; ages 4 to 8). Hancocks's illustrations are superb - bright and suitably retro in style. But her tale takes a turn that is not the one Fitzgerald deserves. The focus is mostly on how Fitzgerald's friendship with Marilyn Monroe helped her career, and the movie star, alas, upstages the singer. BEFORE SHE WAS HARRIET (Holiday House, $17.95; ages 4 to 8) is a straightforward picture-book biography of the exceptional Harriet Ttibman. In minimalist verse, Lesa Cline-Ransome begins with the woman in her dotage, then walks readers back through her years as suffragist, spy and liberator - but also, importantly, as a woman who simply wanted to be free. James E. Ransome's lovely watercolor illustrations capture Ttibman's daring, her joy and her dignity. Sandra Neil Wallace's BETWEEN THE LINES: How Ernie Barnes Went From the Football Field to the Art Gallery (Simon & Schuster/Paula Wiseman, $17.99; ages 4 to 8), illustrated by Bryan Collier, is a beautiful testament to a quintessentially American life. Wallace and Collier celebrate both Barnes's success on the gridiron and his subsequent reinvention as an artist. As in "The United States v. Jackie Robinson," athleticism is a secondary concern; early on, we see the young Barnes in a museum, wondering where the black painters are, and the story ends with contemporary young museumgoers being shown Barnes's art. This choice makes the story so satisfying, and just what you want at bedtime. In LET THE CHILDREN MARCH (Houghton Mifflin Harcourt Books for Young Readers, $17.99; ages 6 to 9) Monica Clark-Robinson tells one girl's story of the 1963 children's march on Birmingham. Frank Morrison's illustrations are loose and modern in spirit, enlivening the history lesson. It's understandable to want to channel Martin Luther King Jr.'s oratorical gifts when writing about him, but sometimes the metaphors strain. Still, the book's message is clear and bracing: King understood that it's children who will lead the way, and the man's faith in the future is reassuring even now. Two biographical compendiums, Vashti Harrison's LITTLE LEADERS: Bold Women in Black History (Little, Brown Books for Young Readers, $16.99; ages 8 to 12) and Jamia Wilson and Andrea Pippins's YOUNG, GIFTED AND BLACK (Wide Eyed Editions/Quarto, $22.99; ages 7 to 10) are, by contrast, not bedtime reading but texts that belong in any home library, to be revisited again and again. Wilson's book celebrates a variety of black achievement; there are biographical sketches of Kofi Annan and Stevie Wonder, Solange Knowles and Naomi Campbell, accompanied by Andrea Pippins's illustrations, full of verve but also quite dignified. The candy-colored pages and straightforward stories are hard to resist, and will doubtless forever shape the way many readers think about Wangari Maathai and Langston Hughes. Harrison's book focuses on great black women, and it's lovely to see Lorna Simpson and Gwen Ifill ascend to the ranks of Marian Anderson and Bessie Coleman. Harrison wants readers to imagine themselves in such august company; her adorable illustrations depict all of these figures as a little black girl, an everygirl, in a variety of costumes and backdrops. Harrison and Wilson have similar projects. But which book is better? I'd like to point out that my sons own around 40 volumes on the subject of trucks. Young readers deserve both these books. FOR OLDER READERS The person most qualified to tell the tale of Kareem Abdul-Jabbar is the man himself, as gifted an intellect as he is an athlete. Written with Raymond Obstfeld, his autobiography, BECOMING KAREEM: Growing Up On and Off the Court (Little, Brown Books for Young Readers, $17.99; ages 10 and up) is aimed at middle grade readers but could and should be read aloud to younger kids. It's a tale by a wise elder - about basketball, sure, but also about cultural, political, social and religious awakenings, big stuff narrated in a very accessible way. MARTIN RISING: Requiem for a King (Scholastic, $19.99; ages 9 to 12) is a collaboration by two of children's literature's most well-known names, Andrea Davis Pinkney and Brian Pinkney (who happen to be married). It's a work of verse, with some prose end matter to help elucidate the poems, and it will reward a reader sophisticated enough to grapple with language and metaphor. Andrea Davis Pinkney frames her poem cycle about the Rev. Dr. Martin Luther King Jr.'s last months with the figure of Henny Penny, the bird who either worried or prophesied, and she makes King's death feel as significant as the falling of the sky above. It is, of course, a terrible and sad story, but one in which Brian Pinkney's illustrations manage to find beauty. King is an evergreen subject, so significant and complex that the story of his life and death can withstand repeated tellings. James L. Swanson's CHASING KING'S KILLER: The Hunt for Martin Luther King, Jr.'s Assassin (Scholastic, $19.99; ages 12 and up) is a departure, less classroom text than airport thriller. It's a bit like sneaking kale into brownies: Swanson offers plenty of context on King's activism and his turbulent times, but frames the book as a manhunt for James Earl Ray. This approach makes education feel more like entertainment, and will prove seductive to even a reluctant older reader. My children are too young, yet, for Swanson's thriller and the Pinkneys' elegiac tribute, or maybe I simply want to believe that they are. They have a lifetime of reading ahead, particularly if they are to meet Dr. King's expectations for them. For now, my boys can suspend disbelief and accept that Pippi Longstocking can lift a horse and plays with pistols. But they won't be able to believe what happened to Dr. King in Memphis. Who among us can? RUMAAN alam is the author of two novels, "Rich and Pretty" and "That Kind of Mother," which will be published next month.
Copyright (c) The New York Times Company [August 30, 2019]
Review by Booklist Review
Fifty-two black men and women, past and present, are introduced in this eye-catching book. Readers receive short bios about subjects that include icons (Rosa Parks, Martin Luther King Jr., Harriet Tubman); celebrities and athletes (Oprah, the Williams sisters, Louis Armstrong); and some people whose names are less familiar, such as Samuel Coleridge Taylor, a mixed-race English composer who worked at the turn of the last century. The book gets most of its points for the breadth of its coverage and its dynamic design and artwork. The oversize volume has a pop-art sensibility, depicting every subject in a folk-art style surrounded by design work and, often, items representative of their careers. These are accompanied by biographical information five or six paragraphs long, along with a highlighted quote. Information so concise does leave out a lot: for instance, there is no mention of the affect Oprah Winfrey's father had on her life, nor Muhammad Ali's issues with serving in the U.S. Army. But the visuals will draw kids, and the bios may be just enough to spur readers onward.--Cooper, Ilene Copyright 2010 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
With a title drawn from Nina Simone's "To Be Young, Gifted and Black," this striking volume highlights 52 black activists, politicians, artists, writers, scientists, and entertainers from around the world. Wilson introduces the figures in succinct biographies that move briskly through their accomplishments, emphasize their impact, and include brief quotations ("If they don't give you a seat at the table, bring a folding chair," said Shirley Chisholm, the first African-American woman in Congress). Wilson's subjects are weighted toward the 20th and 21st centuries (Jean-Michel Basquiat, Mae Jemison, Steve McQueen, the Obamas, the Williams and Knowles sisters), but earlier trailblazers are also represented, including George Washington Carver, Alexandre Dumas, and Harriet Tubman. Pippins uses dramatic shades of pink, yellow, red, and fluorescent green to create tableaus that suggest a blend of religious iconography and pop art. A luminous and diverse tribute to black movers and shakers across the centuries. Ages 7-10. (Feb.) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
Gr 3 Up-With a title that references the late Lorraine Hansberry's phrase "young, gifted and black," this exuberant collected biography is one readers won't want to miss. Students are invited to explore one and two-page vignettes of 52 compelling figures in black culture worldwide. Each profile recounts their beginnings and marvelous feats as scientists, writers, athletes, artists, or activists, both past and present. Exquisitely designed, each illustrated portrait is thickly outlined, colored digitally, and illuminated by irradiating forms that resemble papel picado. Each written entry follows a precise format: a clear definition of the person in a larger sans-serif font; the same but smaller font for the text; a bold handwriting font for a highlighted quote; and an outlined, all-caps font for the inventive titles given to each, such as "Conductor" for Harriet Tubman, "Soul-Singing Superstar" for Solange, and "Chess Grandmaster" for Maurice Ashley. There is not a chronology or categories. There is a back matter and a "Hall of Fame" photo album-like index of black-and-white headshots, each framed with a name banner and page number. In the preface, New York-based activist author Wilson and illustrator Pippins pinpoint the importance of telling stories of black success with the adage that "if you can't see it, you can't be it." VERDICT Share this book widely across generations as a launching point for more discoveries.-Sara Lissa Paulson, City-As-School High School, New York City © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
In this "love letter...to the next generation of black changemakers" (per the book's welcome note), stylish digitally colored ink portraits illustrate fifty-two brief bios of black subjects; the person's iconic (unsourced) quotations appear in bold. The selections vary widely in era, nationality, background, and occupation, but the connecting factors are talent and willingness to work hard as a child. A "Hall of Fame" with photos is appended. Glos. (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
A richly illustrated collective biography of 52 black icons, from the well-known to the less familiar.In the opening author's note, the purpose of the volume is made clear: "All children deserve to see themselves represented positively in stories. That's why we're highlighting the talent and contributions of black changemakers from around the worldfor readers of all backgrounds to discover"a worthwhile goal exquisitely executed. This diverse collection of iconic figures includes film directors, politicians, writers, athletes, musicians, scientists, and leaders, among others. In no apparent order, subjects profiled range from those born in the 1800s to those born more recently, after the turn of the 20th century, who make up the majority of the 52. Most icons occupy one half of a double-page spread that's unified by colors, designs, and patterns in the art. The colorful and dynamic images often use shapes and imagery to portray the subjects as crowned or haloed (as in the angelic halo, partially made of piano keys, that adorns Nina Simone). Each vibrantly illustrated minibio includes either the person's nickname or words they are known by in bold, their birth and death dates (if deceased), and the place of their birth. The inclusion of non-American black icons is notable and commendableespecially that of Australian Aboriginal "Champion Sprinter" Cathy Freeman. A beautifully crafted volume that can serve either as an introduction to these figures or as a supplementary text. (glossary) (Collective biography. 9-14) Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
