Review by New York Times Review
THEY MAY LOOK like soul brothers, but Joe King Oliver, a New York private eye who makes his first appearance in Walter Mosley's new crime novel, DOWN THE RIVER UNTO THE SEA (Mulholland/Little, Brown, $27), parts company with the author's previous detectives, Easy Rawlins and Leonid McGill. Unlike those more charismatic protagonists, King has no major sins staining his soul, and since he spent years doing hard time for a crime he didn't commit, he has no need for redemption. While that makes this disgraced ex-cop an authentic hero, it also puts him at a disadvantage because (let's come clean) virtuous victims just aren't as much fun as bad boys. Women are King's only weakness. On some anonymous person's mysterious orders, a deceitful woman put him behind bars. And now this same woman has gotten religion and is offering to clear his name. But it may be too late; prison has damaged his body and stolen his spirit. "They broke me in there, darling," he tells his 17-year-old daughter. His musical tastes alone are a dead giveaway: Before going to prison, King loved classic jazz masters like Fats Waller and Louis Armstrong, but now that he's out, his tastes run to the tormented sounds of Thelonious Monk ("the madman in the corner pounding out the truth between the fabrications of rhythm and blues"). King gets his mojo back by taking the death-row case of a black militant journalist who calls himself A Free Man and by wading into a politically acute case of police corruption including a drugs-andprostitution ring run out of a church. As usual with this singular author, the plot is way over the top; but the vibrant characters and pulsating dialogue are primo Mosley. This time out, the comehither voice from the dark side belongs to Melquarth Frost, a seductive sociopath who consistently beats King at chess. "You're crazy, aren't you, Mel?" King puts it to him. "Yeah. I guess I am," Frost admits. "I don't wanna be. It's not like I can get to it, you know what I mean? I love life. . . . It's just . . . I don't know." Great stuff. "WHAT IF I told you I covered up a murder?" THE UNFORGOTTEN (Gallery, $25.99), a first novel by the British journalist Laura Powell, turns on that loaded question. This mournful tale is primarily set in 1956 in a Cornish fishing village plagued by both a serial murderer and a baying pack of reporters lured down from London by the smell of blood. John Gallagher, the only gentleman in this fraternity of uncouth louts, is immediately drawn to Betty Broadbent, the bright 15-year-old daughter of the woman who manages the hotel where the journalists are camped out. The whole village is soon howling for the hide of Nigel Forbes, the local butcher, but Betty knows the real identity of the so-called Cornish Cleaver. It will take 50 years for the truth to come out, and Powell leaves us agonizing over the terrible choices open to a young woman like Betty, living in a village like St. Steele and seeing no way out. PREQUELS ARE FUN because you get an intimate glimpse of your favorite detectives while they're still wet behind the ears and not so full of themselves. Charles Lenox, a gentleman sleuth who goes on to great things in the charming Victorian novels of Charles Finch, is a mere whippersnapper in THE WOMAN IN THE WATER (Minotaur, $25.99), fresh out of Oxford and determined to set himself up as a "consulting detective" (a profession that barely existed in 1850). As a member of the aristocracy, Lenox has access to Metropolitan Police bigwigs, but to establish himself as a private consultant he must solve a case on his own - ideally, a cunning mystery like the one he and his clever valet, Graham, contend with here. The London newspapers have received a letter from someone who boasts of having executed "the perfect crime" and promises more to come. Suspecting a string of homicides has already begun, Lenox gets permission to poke into a previous, possibly related murder. This young woman's "well-kept teeth" indicate that she was not a prostitute but someone of substance, someone who might even have been a member of Lenox's own social circle. TRUDY NAN BOYCE got my attention right away in THE POLICEMAN'S DAUGHTER (Putnam, $28) with her description of "one of the Atlanta Police Department's finest vehicles," a beat-up Crown Victoria with a hole in the floorboard that sucks up dust and blows it in the face of her series heroine, Sarah Alt. This new novel takes Alt, who goes by the nickname Salt, back to the beginning of her career, when she's a beat cop patrolling the Homes, a housing project in what's known as the War Zone that stockpiles 700 families in 200 buildings. At the end of her 4-to-midnight shift, Salt spots a strung-out addict named Shannell who says she took a knife to her man, Big D. The next day, which happens to be Mother's Day, Shannell's daughter finds her murdered. Solving that case will eventually elevate Salt into the homicide department; but for now, she's our favorite street cop. 0
Copyright (c) The New York Times Company [February 18, 2018]
Review by Publisher's Weekly Review
Set in 1850, Finch's uneven 11th novel starring aristocratic London sleuth Charles Lenox (after 2016's The Inheritance) recounts Lenox's first serious inquiry, undertaken when he was just 23. Lenox and Graham, his Bunter-like valet ("who every fifteen days or so let slip a small joke at his employer's expense"), routinely peruse the papers for crime stories. An anonymous letter-writer to one newspaper boasts of having committed the perfect murder and of his intention to kill a second woman around the first crime's one-month anniversary. The pair deduce that the writer refers to the unsolved strangulation of an unidentified woman found on an island in the Thames, and Lenox uses his family connections to get access to Sir Richard Mayne, the head of Scotland Yard, and a role in the investigation. Finch supplies an extremely clever solution to the murder mystery, but the dynamic between Lenox and his servants can feel more farcical than realistic, and describing the 19th century as the one "in which murder became a real notion" is ill-phrased, at best. Still, this entry will please series fans. Agents: Kari Stuart and Jennifer Joel, ICM. (Feb.) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
In this prequel to Finch's long-standing historical series, a very young Charles Lenox is eager to prove his worth as a detective. In 1850 London, his problem is getting Scotland Yard and his friends to believe in his abilities. Lenox and his valet Graham come across an intriguing letter in one of the city's less illustrious daily papers-a letter that brags about the commission of a perfect murder. Lenox and Graham begin to dig into the affair and soon make connections that the police did not. While Lenox has the support of the commissioner, he has become something of a joke among the Yard's investigators. Nevertheless, he perseveres. As he works to unravel clues to prevent another murder, Lenox has to deal with unrequited love and the shocking news of his father's failing health. Can he find the strength to pursue his dreams? Can he beat a fiendish killer at his own game? Verdict Finch (The Inheritance) does a wonderful job of re-creating the atmosphere of mid-19th-century England; his characters are crisply drawn and believable. It's wonderful to see the neophyte Lenox develop the skills for which he becomes renowned in later books. An excellent addition to an already terrific series. [See Prepub Alert, 8/7/17.]-Julie Ciccarelli, Tacoma P.L. © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
The prequel to the career of astute Victorian private detective Charles Lenox.Our detective has just turned 23 at the start of Finch's (The Inheritance, 2016, etc.) 11th mystery. Lenox is determined to begin his career as a private detective, hoping to find his first big case from the multitude of crime stories in London's newspapers. When a letter shows up in the Challenger boasting of the perfect crime, Lenox and his school friend-turned-valet, Graham, at first believe it a hoax until they connect the dots to an unsolved murder from a few weeks prior. A woman, strangled, washed up in a wooden box on Walnut Island, and no one has reported her missing. Even though Lenox's gentleman-detective vibe is a source of mockery at Scotland Yard, he takes his findings to the chief right away. He can't risk a second "perfect" murder, which, if the Challenger letter is to be believed, will happen at any moment. Lenox's Sherlock-ian methods of deduction keep the narrative charged, and his soberness surrounding murder is a welcome touch: "this woman had lived; she had breathed as they all breathed here upon Bankside now; now she was gone. That must count for something." We're reminded of Lenox's youth as he enjoys society parties and stumbles over his feelings for his close friend Elizabeth, but as Lenox develops a portrait of his murderer, the clouds over London grow darker. Clues point to multiple layers of deception meantand ableto lead even the most seasoned detective off the trail. Lenox must try to find a hidden weakness behind the illusion of perfection, knowing full well that a mixture of pretension and anger in a person can be a very dangerous one. Lenox has officially reached the big leaguesthe conclusion waiting for him is nothing short of chilling.A case with enough momentum to recharge this series and grab new readers with its pull. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
