Review by New York Times Review
BRUCE LEE: A Life, by Matthew Polly. (Simon & Schuster, $20.) Among the first serious treatments of the martial arts star, this definitive biography follows Lee's move from America to Hong Kong and back again, his time as a child star in Asia, the reverse racism he experienced and his rise to prominence in the United States. Above all, Polly explores how Lee's fame helped reshape perceptions of AsianAmericans in the United States. THE OPTIMISTIC DECADE, by Heather Abel. (Algonquin, $15.95.) A back-to-the-land summer camp attracts a charismatic leader and a bevy of followers, who encounter the limits of their ideals in the Colorado desert. Our reviewer, Zoe Greenberg, called Abel "a perceptive writer whose astute observations keep the book funny and light even under the weight of its Big Ideas." INDIANAPOLIS: The True Story of the Worst Sea Disaster in U.S. Naval History and the Fifty-Year Fight to Exonerate an Innocent Man, by Lynn Vincent and Sara Vladic. (Simon & Schuster, $18.) Nearly 900 people died when the U.S.S. Indianapolis, a Navy cruiser, was torpedoed by a Japanese submarine in 1945, but the story has long been incomplete. Vincent, a Navy veteran, and Vladic, a filmmaker, offer a fuller view of the episode. FRUIT OF THE DRUNKEN TREE, by Ingrid Rojas Contreras. (Anchor, $16.) Drawing on the author's own experiences, this debut novel describes life in Escobar-era Colombia. Narrated by a young girl, Chula, and her family's maid from a nearby slum, the story captures the despair, confusion and chaos as the country's conflict raged. Our reviewer, Julianne Pachico, praised the book, writing, "You don't need to have grown up in Bogotá to be taken in by Contreras's simple but memorable prose and absorbing story line." DON'T MAKE ME PULL OVER! An Informal History of the Family Road Trip, by Richard Ratay. (Scribner, $17.) This playful account conjures up the era before air travel was within reach for many American families, and explores how the Interstate transformed people's relationship to the country. Part history, part memoir (Ratay recalls with fondness trips from his own childhood), the book is a love letter to the 1970s. A LUCKY MAN: Stories, by Jamel Brinkley. (Public Space/Graywolf, $16.) A finalist for the National Book Award, this collection explores race, class and intimacy in the lives of black men. In the title story, a man whose wife seems to have left him examines his expectations of what the world owes him, what he feels he can take from others and what it would mean if his good fortune ran out.
Copyright (c) The New York Times Company [June 9, 2019]
Review by Booklist Review
*Starred Review* In nine perceptive stories about broken families, loners, and social outcasts in search of redemption, Brinkley's stunning debut depicts urban life in all its lonely, wearying detail. Set in Brooklyn and the Bronx, in poor neighborhoods and on school campuses, these tales are imbued with pathos, sexuality, and moments of violence and tenderness. In the title story, a private school security guard secretly snaps photos of young women in public and wonders if his wife has left him for good. In I Happy Am, a boy attending a Catholic day camp shares an unlikely bond with a suburban woman, even though she's not the wealthy blonde he anticipated. No More Than a Bubble follows two college friends who crash a Brooklyn house party, where the girls they pursue teach them a lesson in hard-to-get. The former inmate in A Family stalks his deceased friend's son and widow until an unexpected encounter reveals his intentions and complicated history. These characters may be hanging on by frayed threads, but they are very much alive and not so much guarded against whatever hardships may befall them as, rather, looking for a lucky break and welcoming chance with open arms. With this memorable collection, Brinkley emerges as a gifted and empathetic new writer.--Fullmer, Jonathan Copyright 2018 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
The nine stories in Brinkley's promising debut address persistent issues of race, class, and masculinity across three decades of New York City's history, from Manhattan's corporatization in the mid-'90s to the outer boroughs' gentrification today. In "No More Than a Bubble," two black Columbia undergrads crash a very white house party in Brooklyn, where they pair off with two older women with confounding, less-than-successful results. An imaginative young man finds his expectations of upper-middle-class life dashed during a day trip to the suburbs in "I Happy Am," while a former convict reconnects with a dead buddy's girlfriend in "A Family." "A Lucky Man" and "Clifton's Place" are the collection's two most successful stories, conveying the particular sadness of older African-Americans left adrift by market forces and "revitalization." Other entries, in plot and in prose, can feel too polite and mannered to register as memorable, nodding toward a stylistic exuberance and transgressive edge that never fully appear. Nonetheless, Brinkley's stories offer penetrating perspectives and stirring tragedies. Agent: Jin Auh, Wylie Agency. (May) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
DEBUT Brinkley's first collection portrays young African American men struggling with fathers, brothers, and friends, present or absent. What impresses first is the length and strength, the sheer weightiness of each detailed and meditative story. Brinkley doesn't flick off moments but shows how each contains multitudes. In "No More Than a Bubble," ostensibly about two friends picking up girls at a party, the narrator says, "Sometimes I feel all I'd have to offer, other than questions, are my memories of that time in Brooklyn." As he recalls his father's effort to teach him about happiness, he can't enjoy the sex he's having because he's trying to manage the situation; later, he recognizes the sudden rupture with his friend as something repeated throughout his life. Elsewhere, a boy who thinks of himself as a robot-the better to block his feelings-endures a troublesome trip to the suburbs, and a teenager striving for manhood is caught between his desire for a wild night out and his concern for a damaged younger brother he sometimes scorns. VERDICT Fully developed stories that readers will savor. © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
An assured debut collection of stories about men and women, young and old, living and loving along the margins in Brooklyn and the Bronx.In "I Happy Am," one of nine tales Brinkley spins here about dreamers constricted or confounded by realities, Freddy is a young black boy from the Bronx who, at least for the length of the trip his summer camp is taking to the suburbs, imagines himself as a superpowered robot. Upon finding the house his camp is visiting to be "a bigger version of the apartment where [he] lived," Freddy begins to wonder whether real life "spoke…to what his imagination guarded": that there may be more potential for wonder and mystery beyond his dream life. This story shares with the others a preoccupation with characters' reckoning with unfulfilled promises and unrecognized possibilities. The title of "J'ouvert, 1996" refers to an all-night revel originating at Brooklyn's Grand Army Plaza during which a teenage boy, his wide-eyed younger brother in tow, intends to find, and assert, a grown-up self. In "A Family," an ex-convict grapples tentatively, even a bit reluctantly, with the idea of becoming a lover to the widow of his closest friend. The title story is about a middle-aged man who believes his wife has left him and taken whatever luck he could claim with her, while "Infinite Happiness" navigates the dicey emotional maze of a lopsided romantic triangle playing out in the promised land of present-day Brooklyn. It's difficult to single out any story as most outstanding since they are each distinguished by Brinkley's lyrical invention, precise descriptions of both emotional and physical terrain, and a prevailing compassion toward people as bemused by travail as they are taken aback by whatever epiphanies blossom before them.A major talent.
Copyright (c) Kirkus Reviews, used with permission.
