In the still of the night

Dara Wier, 1949-

Book - 2017

""Wier is a poet concerned with capturing the fluidity of thought and experience-and not diminishing its forward charge in doing so. Wier's lines have always had a wild whitewater crash to them, overwhelming any vessel she pours them into." -Boston Globe "That's how one human leaves us" ends the first poem of Dara Wier's direct and powerful new collection, a raw and fluid exploration of grief. Wier records her thoughts with intelligence, clarity, honesty, and immediacy, showing us the unraveling of her world and her new consciousness after a great loss. it would not be sufficient to stop the bleeding grief absence is for these words would have such life in and so of them they would burn in ways so pre...sent we would begin to smell smoke and think fire Dara Wier is the author of numerous collections of poetry, including You Good Thing, Selected Poems, Remnants of Hannah, Reverse Rapture, Hat On a Pond, and Voyages in English. Also among her works are the limited editions (X In Fix) in Rain Taxi's Brainstorm Series, Fly on the Wall, and The Lost Epic, co-written with James Tate. She teaches workshops and form and theory seminars and directs the MFA program for poets and writers at the University of Massachusetts Amherst and co-directs the University of Massachusetts' Juniper Initiative for Literary Arts and Action. She is the co-founder of Factory Hollow Press in North Amherst, Massachusetts"--

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Subjects
Genres
Poetry
Published
Seattle : Wave Books [2017]
Language
English
Main Author
Dara Wier, 1949- (author)
Edition
First edition
Item Description
"Wave Books."
Physical Description
121 pages ; 20 cm
ISBN
9781940696560
9781940696577
Contents unavailable.
Review by Publisher's Weekly Review

With her typical subtle and eloquent emotionality, Wier (You Good Thing) offers up harmonious meditations on disquieting themes. The prevailing subjects here are grief and its effects-which, in the context of these poems, is simply one element of the condition of living. "How many conversations/ With who isn't/ Able to talk back/ Is one human allotted?" Wier asks. Beneath this lies the question of what roles a poet and poetry perform in the function of grieving: "People like how a poem is one place (there are others) we believe talking to the dead might have the results we desire and intend." Without pedantry or obfuscation, Wier's lines cohere into a philosophical discourse about the poet's relationship with the world. "If anyone wants a poet usually they want their poets to be saying something,/ if not for them, then at least apparently having them somehow or other in mind," she writes. These lines hint at a strange comfort to be found in this collection, despite its heartbreaking material. "It's true that people like to be surprised by what they find in a poem," Wier writes; there is much to be surprised by here. (Oct.) © Copyright PWxyz, LLC. All rights reserved.

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