Review by New York Times Review
THE KINGDOM OF HIS WORLD By Alejo Carpentier. (Farrar, Straus & Giroux, $15.) First published in English in 1957, this story of a slave surviving the violence of the Haitian revolution is considered a masterpiece of Caribbean literature and a stunning early example of magical realism. THE LAST BLACK UNICORN By Tiffany Haddish. (Gallery Books, $26.) Haddish, a comedian who had a breakout role in the movie "Girls Trip," here recounts her South Central Los Angeles youth and the emergence of her funniness. BRUNCH IS HELL By Brendan Francis Newnam and Rico Gagliano. (Little, Brown, $25.) The authors pinpoint the cause for all our societal problems, the "specter" haunting America. Are you ready for it? It's brunch. Their solution for saving the world is to revive the art of the more civilized choice, the dinner party, and they show you how. ANYONE WHO'S ANYONE: THE ASTONISHING CELEBRITY INTERVIEWS 1987-2017 By George Wayne. (Harper, $25.99.) Wayne is one of Vanity Fair's most provocative and provoking interviewers and this collects his greatest hits, including interviews with Ivana Trump, Martha Stewart and Joan Rivers. THE USUAL SANTAS. (Soho Crime, $19.95.) Crime writers are set loose on Christmas and come up with short stories that take place in a variety of locales, from a Korean War P.O.W. camp to a palatial hotel in 1920s Bombay, all somehow finding a way to craftily meld noir and Noel. "Pssst. Don't tell anyone, but I have a fondness for thrillers. So when I saw a glowing review recently for the second detective novel by Joe Ide about a brilliant African-American detective in a bad neighborhood of Los Angeles, I figured I'd save money and just buy the first in the series, IQ. It's now in paperback, and I'm cheap. Alas, the story was a page-turner, and I was finished in a day - forcing me to buy the just-published sequel, RIGHTEOUS. Both are great yarns, not literary fiction but unembarrassed about having two pages in a row without a chase scene. Gangs, drugs, guns, they all make their appearances, but this is fundamentally a series about a smart, haunted, likable and flawed detective working his way through mayhem. But if anybody asks, I read the series for the sociology." - NICHOLAS KRISTOF, COLUMNIST, ON WHAT HE'S READING.
Copyright (c) The New York Times Company [July 16, 2018]
Review by Booklist Review
A good bit of pop-culture gossip is always tantalizing, especially if you're hearing it straight from the source. The George Wayne Questionnaire had been a rooted feature in the pages of Vanity Fair for more than 20 years. Before that, Wayne honed his Q&A skills at his own DIY periodical R.O.M.E. and later in the author-adored Interview. Here we get the greatest hits cultivated by the master provocateur. Interviews with Carrie Fischer and Debbie Reynolds offer a sentimental pause, while irreverent conversations with Kate Moss and Bridget Hall have the cattiness of a drunken sleepover. Wayne introduces each reprinted interview by sharing some personal history and providing a current context. Some observations seem to be out of touch, especially his extolling the greatness of Ivanka Trump. But that is the allure of juicy gossip and what's made Wayne such an artful interviewer; we all secretly want to know, and he is just the personality to tell you. A fun romp through celebrity culture.--Ruzicka, Michael Copyright 2017 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Kirkus Book Review
A career-spanning collection of the writer's celebrity interviews.Since 1987, George Wayne, or GW, has picked the brains of pop-culture luminaries for readers of his DIY magazine R.O.M.E., Interview, and Vanity Fair, where his column appeared for 22 years. Collected in this volume for the first time, the interviews offer unique insight into a particular New York social circle populated by the glitterati, fashionistas, celebrities, and other socialites. Having landed in New York in the early 1980s after graduating from the University of Georgia, Wayne immediately immersed himself in downtown clubs, and his predilection for fashion designers and celebrities reflects the exclusivity and stratification of that scene. (References to air-kisses abound.) The "QAs," as the author calls them, are conversational and irreverent, and Wayne never shies away from asking controversial, occasionally random questions. He asks Joan Rivers about her fondness for plastic surgery, 90-year-old architect Philip Johnson about Viagra, and on which date David Copperfield first slept with supermodel girlfriend Claudia Schiffer, among other non sequiturs. Updated with contemporary introductions, not all of Wayne's interviews seem slated for posterity. His fawning adoration of "alpha fox" Ivanka Trump and the assurance that she would "keep POTUS 45 [her father, Donald Trump] grounded and real" is already terribly dated. Other interviewees include model Kate Moss, Donatella Versace, Carrie Fisher, Marc Jacobs, Barry White, Kathleen Turner, Farrah Fawcett, Tony Curtis, Charlton Heston, Martha Stewart, and Russell Simmons. Featuring a foreword by Vanity Fair editor Graydon Carter (who says Wayne reminds us "that we could all use a bit more mischief in our lives before the age of the individual passes us by for good"), Wayne's collected interviews are playful snapshots of the rarefied world of celebrity shoulder-rubbing. At times fascinating, the interviews offer a casual, unguarded look at some of the most high-profile personalities of the past 30 years. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
