Review by New York Times Review
How should adults present the grave injustices throughout black history to young readers? Biographies can help. HISTORY IS A STORY like any other, but black history is a story so devoid of logic that it frustrates the young reader. The young readers in my house, told of slavery and segregation, asked in disbelief: "What? Why?" We - the parents of black children, the parents of all children - still need to tell that story. It comforts the adult conscience to remember that amid history's grave injustices there were still great lives. Hence, I suspect, the preponderance of biographies for children published to coincide with Black History Month. Among that genre's newest arrivals are names familiar to adults, as in THE UNITED STATES V. JACKIE ROBINSON (HarperCollins/Balzer + Bray, $17.99, ages 4 to 8), written by Sudipta BardhanQuallen. This picture book is more interested in young Robinson's less-known act of resistance during his Army days than in his later, trailblazing career as a baseball player. It's nice to have an athlete celebrated for personal integrity over physical prowess, and R. Gregory Christie's pictures bolster this, evoking a Robinson who is strong and sure, but also smiling, warm, and ultimately, triumphant. Ella Fitzgerald is more than a familiar name; understanding this, Helen Hancocks has called her new picture book ELLA QUEEN OF JAZZ (Frances Lincoln Children's Books/Quarto, $17.99; ages 4 to 8). Hancocks's illustrations are superb - bright and suitably retro in style. But her tale takes a turn that is not the one Fitzgerald deserves. The focus is mostly on how Fitzgerald's friendship with Marilyn Monroe helped her career, and the movie star, alas, upstages the singer. BEFORE SHE WAS HARRIET (Holiday House, $17.95; ages 4 to 8) is a straightforward picture-book biography of the exceptional Harriet Ttibman. In minimalist verse, Lesa Cline-Ransome begins with the woman in her dotage, then walks readers back through her years as suffragist, spy and liberator - but also, importantly, as a woman who simply wanted to be free. James E. Ransome's lovely watercolor illustrations capture Ttibman's daring, her joy and her dignity. Sandra Neil Wallace's BETWEEN THE LINES: How Ernie Barnes Went From the Football Field to the Art Gallery (Simon & Schuster/Paula Wiseman, $17.99; ages 4 to 8), illustrated by Bryan Collier, is a beautiful testament to a quintessentially American life. Wallace and Collier celebrate both Barnes's success on the gridiron and his subsequent reinvention as an artist. As in "The United States v. Jackie Robinson," athleticism is a secondary concern; early on, we see the young Barnes in a museum, wondering where the black painters are, and the story ends with contemporary young museumgoers being shown Barnes's art. This choice makes the story so satisfying, and just what you want at bedtime. In LET THE CHILDREN MARCH (Houghton Mifflin Harcourt Books for Young Readers, $17.99; ages 6 to 9) Monica Clark-Robinson tells one girl's story of the 1963 children's march on Birmingham. Frank Morrison's illustrations are loose and modern in spirit, enlivening the history lesson. It's understandable to want to channel Martin Luther King Jr.'s oratorical gifts when writing about him, but sometimes the metaphors strain. Still, the book's message is clear and bracing: King understood that it's children who will lead the way, and the man's faith in the future is reassuring even now. Two biographical compendiums, Vashti Harrison's LITTLE LEADERS: Bold Women in Black History (Little, Brown Books for Young Readers, $16.99; ages 8 to 12) and Jamia Wilson and Andrea Pippins's YOUNG, GIFTED AND BLACK (Wide Eyed Editions/Quarto, $22.99; ages 7 to 10) are, by contrast, not bedtime reading but texts that belong in any home library, to be revisited again and again. Wilson's book celebrates a variety of black achievement; there are biographical sketches of Kofi Annan and Stevie Wonder, Solange Knowles and Naomi Campbell, accompanied by Andrea Pippins's illustrations, full of verve but also quite dignified. The candy-colored pages and straightforward stories are hard to resist, and will doubtless forever shape the way many readers think about Wangari Maathai and Langston Hughes. Harrison's book focuses on great black women, and it's lovely to see Lorna Simpson and Gwen Ifill ascend to the ranks of Marian Anderson and Bessie Coleman. Harrison wants readers to imagine themselves in such august company; her adorable illustrations depict all of these figures as a little black girl, an everygirl, in a variety of costumes and backdrops. Harrison and Wilson have similar projects. But which book is better? I'd like to point out that my sons own around 40 volumes on the subject of trucks. Young readers deserve both these books. FOR OLDER READERS The person most qualified to tell the tale of Kareem Abdul-Jabbar is the man himself, as gifted an intellect as he is an athlete. Written with Raymond Obstfeld, his autobiography, BECOMING KAREEM: Growing Up On and Off the Court (Little, Brown Books for Young Readers, $17.99; ages 10 and up) is aimed at middle grade readers but could and should be read aloud to younger kids. It's a tale by a wise elder - about basketball, sure, but also about cultural, political, social and religious awakenings, big stuff narrated in a very accessible way. MARTIN RISING: Requiem for a King (Scholastic, $19.99; ages 9 to 12) is a collaboration by two of children's literature's most well-known names, Andrea Davis Pinkney and Brian Pinkney (who happen to be married). It's a work of verse, with some prose end matter to help elucidate the poems, and it will reward a reader sophisticated enough to grapple with language and metaphor. Andrea Davis Pinkney frames her poem cycle about the Rev. Dr. Martin Luther King Jr.'s last months with the figure of Henny Penny, the bird who either worried or prophesied, and she makes King's death feel as significant as the falling of the sky above. It is, of course, a terrible and sad story, but one in which Brian Pinkney's illustrations manage to find beauty. King is an evergreen subject, so significant and complex that the story of his life and death can withstand repeated tellings. James L. Swanson's CHASING KING'S KILLER: The Hunt for Martin Luther King, Jr.'s Assassin (Scholastic, $19.99; ages 12 and up) is a departure, less classroom text than airport thriller. It's a bit like sneaking kale into brownies: Swanson offers plenty of context on King's activism and his turbulent times, but frames the book as a manhunt for James Earl Ray. This approach makes education feel more like entertainment, and will prove seductive to even a reluctant older reader. My children are too young, yet, for Swanson's thriller and the Pinkneys' elegiac tribute, or maybe I simply want to believe that they are. They have a lifetime of reading ahead, particularly if they are to meet Dr. King's expectations for them. For now, my boys can suspend disbelief and accept that Pippi Longstocking can lift a horse and plays with pistols. But they won't be able to believe what happened to Dr. King in Memphis. Who among us can? RUMAAN alam is the author of two novels, "Rich and Pretty" and "That Kind of Mother," which will be published next month.
Copyright (c) The New York Times Company [August 30, 2019]
Review by Booklist Review
*Starred Review* Andrea Davis Pinkney's breathtaking collection of docu-poems chronicles Dr. King's final months and is divided into three sections: daylight, darkness, and dawn. Blending whimsy and wisdom, metaphor and reality, the powerful verses focus on the time King spent organizing the Memphis sanitation workers in their fight for decent working conditions. As the title declares, this book is a requiem for a man whose leadership is as conspicuously absent today as it was in the aftermath of April 4, 1968. King is portrayed in familiar ways: a loving family man and rousing speaker. But readers also see him in moments of frailty (weakened by fever, emotionally exhausted) and uninhibited boyishness (pillow fighting with Andrew Young and Ralph Abernathy). Brian Pinkney's characteristic, swirling illustrations are sometimes so impressionistic as to be abstract, but never fail to convey the essence of the accompanying poems, from deep reverence for King, to solidarity with the sanitation workers, to the heat of a peach-meat Tennessee sun. Each poem trembles under the weight of the story it tells, juxtaposing moments of spring renewal, such as the blooming of forsythia, with the mistreatment of the workers. Some poems are abrupt, while others build in momentum like King's own eloquence, blending his words seamlessly with Andrea Davis Pinkney's. This packs an emotional wallop and, in perfect homage, soars when read aloud.--Chaudhri, Amina Copyright 2017 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
The grim task of writing about Dr. King's assassination is handled with great tenderness by this husband-and-wife team. Andrea Davis Pinkney's 39 poems sing, exhort, console, and illuminate. She explains the strike by sanitation workers that brought King to Memphis ("Come,/ please come./ The strikers need you"), describes King's exhaustion, and celebrates his prophetic last speech ("I've seen the promised land," he says. "I may not get there with you"). Brian Pinkney paints with gentle, rounded strokes, alternating portraits with atmospheric, abstract washes. He shows King adjusting the knot of his tie on the balcony of the Lorraine Motel, his gaze distant. Suddenly, there's a "Pop!" Deep emotion finds expression in impassioned bursts: "Angry fists alight with fire!/ Smashing glass!" The fairy tale hen, Henny Penny, appears throughout to warn and comfort in anguished moments: "She tries, oh, she tries/ to fly/ in the bullet's face." In the end, King's legacy offers redemption and hope: "And with love, we all shall rise." Written with an eye toward choral reading, this is a unique and remarkable resource. Ages 9-12. Agent: Rebecca Sherman, Writers House. (Jan.) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review
Gr 4 Up-A powerful celebration of Martin Luther King Jr., set against the last few months of his life and written in verse. Divided into three sections, ("Daylight," "Darkness," and "Dawn"), Andrea Davis Pinkney's poems focus on the winter and spring of 1968, from King's birthday on January 15 through the horror of his assassination on April 4 and end with a tribute to his legacy of hope on Easter Sunday, April 14. The poems begin broadly, painting a portrait of spring emerging in Memphis as garbage collectors fight against discriminatory wage policies, ultimately bringing King to that city to organize and uplift the movement. But as the last moments of King's life tick away, the narrative zooms in, detailing the emotional beats of his final public speeches, the feverish exhaustion of long days and nights away from home, and the relief of stolen moments of leisure with his closest friends. Throughout, the crowds filling churches seeking inspiration and bravely marching in the face of violence are as much a part of the story as King himself. Brian Pinkney's watercolor, gouache, and India ink illustrations convey warm moments of victory and joy, as well as the darkness and chaos of loss, through swirls of color. Impressionistic brush-stroke portraits of King alternate with spreads full of faces listening, marching, and mourning. Back matter includes author and artist reflections, a time line, and additional historical information with photographs. VERDICT Beautifully illustrated and begging to be read aloud, this poetry collection is an exceptional classroom tool for civil rights lessons and offers much for individual readers to linger over.-Chelsea Couillard-Smith, Hennepin County Library, MN © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
After establishing Martin Luther King Jr.'s characteristics, even in childhood, that would compel him to fight oppression, the poetic narrative jumps to King's thirty-ninth birthday. The remaining poems detail what transpired between February 1968, when sanitation workers went on strike in Memphis, and April 1968, when King was assassinated. Swirling watercolor, gouache, and India-ink illustrations give life and movement to King's story. Timelines. Bib. (c) Copyright 2018. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
The multiaward-winning Pinkneys' requiem lovingly explains in a set of "docu-poems" the events surrounding Dr. Martin Luther King Jr.'s assassination, particularly the Memphis sanitation workers' strikes that brought him to the city where he eventually died. The author humanizes King through the love he has for his family and movement comrades (including an April 4, 1968, pillow fight with his brother, Andrew Young, and Ralph Abernathy) as well as the viral bug he suffers with as he gives his last, prescient, and momentous "I've Been to the Mountaintop" speech. The illustrator, blending influences of Marc Chagall and Norman Lewis, gives the story a loosely drawn, vibrantly warm, watercolor haze, which, with halos of yellows and oranges and even wings, give King and his family an almost beatific, if not saintly, glow, even in their sorrows. The character of Henny Penny, who is a blend of the fabled chicken and a wise black grandmother, provides the Greek-chorus narration in a device that is understandable if sometimes-distracting. Catholicism creates hagiographies to explain their martyrs' and other saints' deaths, whether history concurs with their feats for the faith or, in some cases, their very existences. Even as U.S. black communities wrestle with Dr. King's personal foibles, media-glossed images, and complex messages, here readers have a children's book in which adults may also find succor, if not inspiration, considering the current reverting-to-pre-Civil Rights administration. Spiritually vital. (author's and illustrator's notes, history, timeline, bibliography) (Poetry. 8-adult) Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
