Review by New York Times Review
THINK BACK, FOR A moment, to the year 1968. Martin Luther King Jr. and Bobby Kennedy were assassinated. The Beatles released the "White Album." North Vietnam launched the Tet offensive. And American women discovered the clitoris. O.K., that last one may be a bit of an overreach, but 1968 was when "The Myth of the Vaginal Orgasm," a short essay by Anne Koedt, went that era's version of viral. Jumping off of the Masters and Johnson bombshell that women who didn't climax during intercourse could have multiple orgasms with a vibrator, Koedt called for replacing Freud's fantasy of "mature" orgasm with women's lived truth: It was all about the clitoris. That assertion singlehandedly, as it were, made female self-love a political act, and claimed orgasm as a serious step to women's overall emancipation. It also threatened many men, who feared obsolescence, or at the very least, loss of primacy. Norman Mailer, that famed phallocentrist, raged in his book "The Prisoner of Sex" against the emasculating "plenitude of orgasms" created by "that laboratory dildo, that vibrator!" (yet another reason, beyond the whole stabbing incident, to pity the man's poor wives). To be fair, Mailer & Co. had cause to quake. The quest for sexual self-knowledge, as two new books on the history and politics of sex toys reveal, would become a driver of feminist social change, striking a blow against men's overweening insecurity and the attempt (still with us today) to control women's bodies. As Lynn Cornelia writes in "Vibrator Nation," retailers like Good Vibrations in San Francisco created an erotic consumer landscape different from anything that previously existed for women, one that was safe, attractive, welcoming and ultimately subversive, presenting female sexual fulfillment as "unattached to reproduction, motherhood, monogamy - even heterosexuality." As you can imagine, both books (which contain a great deal of overlap) are chockablock with colorful characters, starting with Betty Dodson, the Pied Piper of female onanism, who would often personally demonstrate - in the nude - how to use a vibrator to orgasm during her early sexual consciousness-raising workshops in New York. I am woman, hear me roar indeed. Back in the day, though, attaining a Vibrator of One's Own was tricky. The leering male gaze of the typical "adult" store was, at best, off-putting to most women. Amazon, where sex toys, like fresh produce, are just a mouse click away, was still a glimmer in Jeff Bezos' eye. Enter Dell Williams, who after being shamed by a Macy's salesclerk while checking out a Hitachi Magic Wand, founded in 1974 the mail order company Eve's Garden. That was quickly followed by Good Vibrations, the first feminist sex toy storefront; it's great fun to read the back story of Good Vibes' late founder, Joani Blank, along with radical "sexperts" like Susie Bright and Carol Queen. The authors of "Vibrator Nation" and "Buzz" each put in time observing how sex toys are sold, so have firsthand insight into the industry. Whose take will hold more appeal depends on the reader's interests: In "Buzz," Halbe Lieberman offers a broader view, taking us back some 30,000 years, when our ancestors carved penises out of siltstone; moving on to the ancient Greeks' creative use of olive oil; the buzzy medical devices of the 19th century (disappointingly, doctors' notorious in-office use of vibrators as treatment for female "hysteria" is urban legend); and the impact of early-20th-century obscenity laws - incredibly, sex toys remain illegal in Alabama - before digging deeply into more contemporary influences. In addition to feminist retailers, Lieberman braids in stories of men like Ted Marche, whose family business - employing his wife and teenage children - began by making prosthetic strap-ons for impotent men; Gosnell Duncan, who made sex aids for the disabled and was the first to expand dildo production beyond the Caucasian pink once called "flesh colored"; the Malorrus brothers, who were gag gift manufacturers (think penis pencil toppers); and the hardcore porn distribution mogul Reuben Sturman, who repeatedly, and eventually disastrously, ran afoul of the law. Although their X-rated wares would supposedly give women orgasms, unlike the feministchampioned toys they were sold primarily as devices that would benefit men. Much like the era's sexual revolution, in other words, they maintained and even perpetuated a sexist status quo. "Vibrator Nation" focuses more narrowly on women-owned vendors, wrestling with how their activist mission bumped up against the demands and constraints of the marketplace. Those early entrepreneurs, Cornelia writes, believed nothing less than that "women who had orgasms could change the world." As with other utopian feminist visions, however, this one quickly splintered. Controversy broke out over what constituted "sex positivity," what constituted "woman-friendly," what constituted "woman." Was it politically correct to stock, or even produce, feminist porn? Were BDSM lesbians invited to the party? Would the stores serve transwomen? Did the "respectable" aesthetic of the white, middle-class founders translate across lines of class and race? If the goal was self-exploration through a kind of cliteracy, what about customers (of any gender or sexual orientation) who wanted toys for partnered play or who enjoyed penetrative sex? Could a sex store that sold nine-inch, veined dildos retain its feminist bona fides? Dell Williams solved that particular problem by commissioning nonrepresentational silicone devices with names like "Venus Rising" from Gosnell Duncan, the man who made prosthetics for the disabled. Others followed suit. Even so, Cornelia writes, the retailers struggled to stay afloat: Feminist stores refused, as a matter of principle, to trade on customers' anxiety - there were none of the "tightening creams," "numbing creams," penis enlargers or anal bleaches that boosted profits at typical sex stores. Employees were considered "educators," and sales were secondary to providing information and support. What's more, Good Vibrations in particular was noncompetitive; Blank freely shared her business model with any woman interested in spreading the love. consumer culture and feminism have always been strange bedfellows, with the former tending to overpower the latter. Just as Virginia Slims co-opted the message of '70s liberation, as the Spice Girls cannibalized '90s grrrl power, so feminist sex stores exerted their influence on the mainstream, yet were ultimately absorbed and diluted by it. In 2007, Good Vibrations was sold to GVA-TWN, the very type of sleazy mega-sex-store company it was founded to disrupt. Though no physical changes have been made in the store, Good Vibrations is no longer woman-owned. Although the aesthetics haven't changed, Lieberman writes, the idea of feminist sex toys as a source of women's liberation has faded, all but disappeared. An infamous episode of "Sex and the City" that made the Rabbit the hottest vibrator in the nation also portrayed female masturbation as addictive and isolating, potentially leading to permanent loneliness. The sex toys in "Fifty Shades of Grey" were wielded solely in service of traditional sex and gender roles: A man is in charge of Anastasia Steele's sexual awakening, and climax is properly experienced through partnered intercourse. Meanwhile, the orgasm gap between genders has proved more stubborn than the pay gap. Women still experience one orgasm for every three experienced by men in partnered sex. And fewer than half of teenage girls between 14 and 17 have ever masturbated. At the end of "Buzz," Lieberman makes a provocative point: Viagra is covered by insurance but vibrators aren't, presumably because while erections are seen as medically necessary for sexual functioning the same is not true of female orgasm. Like our feminist foremothers, she envisions a new utopia, one in which the F.D.A. regulates sex toys to ensure their safety, in which they are covered by insurance, where children are taught about them in sex education courses and they are seen and even subsidized worldwide as a way to promote women's sexual health. In other words: We've come a long way, baby, but as "Vibrator Nation" and "Buzz" make clear, we still may not be coming enough. ? PEGGY ORENSTEIN is the author of "Girls & Sex" and a new book of essays, "Don't Call Me Princess."
Copyright (c) The New York Times Company [February 4, 2018]
Review by Publisher's Weekly Review
Focusing on American cultural history from the 1950s to the present, Lieberman, who wrote her Ph.D. dissertation on the history of sex toys, traces the commodification of the sex toy and its path into American mainstream culture. She populates the book with the colorful stories of many of the sex-toy industry's most influential activists, inventors, and entrepreneurs, among them Reuben Sturman, who built a vast, sleazy empire on including masturbation booths in his adult stores, and Betty Dodson, a feminist activist who argued for the importance of the female orgasm and women's sexual liberation. Lieberman writes that "sex toys soaked up the meanings of whoever was promoting them" and that they "were always political, but the politics they embodied were up for grabs." The dildo, for example, threatened many straight men who feared it was a replacement for them, a reaction Lieberman contrasts with the perception among some lesbians that the dildo was a reinforcement of heterosexual, penetrative sex. Lieberman's history is a fascinating account of the way sex toys have touched feminists, queer communities, and American perceptions of sexuality. (Nov.) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
In her first book, historian Lieberman transforms her dissertation on the history of sex toys into a thoughtful and densely footnoted tour of the individuals, business enterprises, and politics that have shaped the creation, distribution, and use of sex toys in the United States from the mid-20th century to the dawn of the 21st century. The work begins on a personal note as Lieberman describes her experience selling sex toys in Texas during the early 2000s. Chapter 2 offers a fast-paced prehistory of the modern sex toy, from ancient carved phalluses through to early 20th-century plug-in "point massagers." The remaining 13 chapters introduce readers to entrepreneurs who turned sex toys into a money-making industry and, often, an implicitly political practice. These manufacturers and retailers, Lieberman argues, helped to reshape American sexual practices and beliefs; particularly beliefs about masturbation, technology, and sexual pleasure. This work focuses on dildos and vibrators, though other toys-from ben wa balls to blow-up dolls-also make brief appearances, as do sexually explicit literatures and sex educational practices. VERDICT This engaging popular history introduces the material, economic, and cultural aspects of an industry that has received little historical attention. For general readers.-Anna J. Clutterbuck-Cook, Massachusetts -Historical Soc. © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
The unexpected and underappreciated history of sex toys.Years before sex expert Lieberman earned her doctorate in "Sex Toy History," she invested in her first vibrator, and it became "love at first buzz." She went on to participate in adult novelty parties while living in Texas, where the sale or promotion of sexual stimulators was considered legally obscene (things have changed since). The historically regressive nature of the availability and use of sex toys forms the thrust of the book, and the author's vast knowledge of sex, eroticism, and the art of self-pleasure is on vibrant display. Lieberman describes ancient "phallic batons" in use as far back as 40,000 B.C.E. Though the information is readily available, she notes, there remains no definitive answers on the true origins and usages of sex toys, primarily because their history is shrouded in "male fear," patriarchal regulation of women's bodies, and shame. While Japanese societies celebrate the sex toy, the author encountered difficulty in tracing the tabooed subject matter within American culture until, tucked away in the archives of museums, libraries, and vintage catalogs, she discovered dilators, ticklers, and vibrators and their assorted histories as sexual apparatuses disguised as medical devices. Lieberman introduces us to a colorful cast of creators and purveyors who have played a role in destigmatizing masturbation and revolutionizing the sex industry. Among others, these include an enterprising paraplegic who embarked on a handcrafted dildo manufacturing business, which helped usher innovative variations on sex toys into the mainstream consumer market. Lieberman also profiles the two creative entrepreneurs behind the Pleasure Chest adult novelty chain and American artists and sex educators Betty Dodson and Joani Blank, and she updates readers on more contemporary advancements within the sex toy arena. On a deeper level, through its probing exploration, the text also becomes a sharp commentary on contemporary society's ever changing sexual landscape and how sex is perceived, judged, accepted, and enjoyed with more variations than ever before. Provocative, illuminating, and consistently entertaining. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
