A line in the dark

Malinda Lo

Book - 2017

"When Chinese American teenager Jess Wong's best friend Angie falls in love with a girl from the nearby boarding school, Jess expects heartbreak. But when everybody's secrets start to be revealed, the stakes quickly elevate from love or loneliness to life or death"--

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Published
New York, NY : Dutton Books [2017]
Language
English
Main Author
Malinda Lo (author)
Physical Description
281 pages ; 22 cm
ISBN
9780735227422
Contents unavailable.
Review by Booklist Review

Four girls teeter upon the precarious line between love and obsession in Lo's arresting psychological thriller. Sixteen-year-old Jess would do anything for her best friend Angie, anything but accept her beautiful, athletic new girlfriend, Margot, an entitled snob from Pearson Brooke School. Jess, who is attending art class at Pearson through an exchange program, has heard stories of Margot's and her friend Ryan's merciless bullying. When her attempts to show Angie the truth backfire, Jess finds herself gradually carved out of Angie's life. Uncertain of who she is without Angie to revolve around, Jess has to make sure that the moment Angie needs her again, she'll be there. The bulk of the story is told brilliantly from Jess' tightly observed perspective, her observations colored by intense jealousy and desire, the truth of which is doled out in subtle moments and expressive language. Though the late shift to a distant third person is jarring, Lo (Inheritance, 2013) uses it to further stoke a sense of foreboding that doesn't let up until the unpredictable conclusion.--Hutley, Krista Copyright 2017 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In this unusually structured murder mystery, Lo (Inheritance) explores the knotty jealousies, romantic longings, and class disparities among students at a pair of Massachusetts high schools. The first half of the novel is seen through the eyes of Jess Wong, a Chinese-American 16-year-old, who is in love with her best friend Angie but afraid to admit it. She's even more reluctant to do so after Angie begins dating Margot, a popular athlete from a nearby private school. In addition to worrying that she's losing Angie, Jess clashes with Margot's friend Ryan, which turns Jess into a potential suspect after Ryan goes missing after a party and is eventually found dead. Jess's insecurities and simmering emotions are palpable in her first-person narration, and the superhero comics she draws, which features a similar love triangle, further muddy the waters of the mystery behind Ryan's death. Lo pivots halfway in, finishing the story through a mix of transcript of police interviews and third-person chapters, deepening the mystery, shifting potential guilt among multiple possible culprits, and keeping readers guessing until the final pages. Ages 14-up. Agent: Laura Langlie. (Oct.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by School Library Journal Review

Gr 9 Up-Friendship, romance, obsession, and crime all get tangled up in this complicated mystery about love and lies. Angie Redmond and Jess Wong are best friends, though Jess harbors a desperate and rather obvious crush on Angie. Their relationship becomes complicated when Angie begins to date Margot, a wealthy student at a nearby boarding school. Jess, a talented artist who creates a dark, supernatural comic about a love triangle, has her doubts about Margot, who seems cruel and controlling. Margot drives a wedge between Angie and Jess, but eventually, a murder brings them back together. As the police interview all three girls, the details of the night a student is killed highlight the tension among Angie, Jess, and Margot, but do not clearly point to who may have committed the crime. Just when it seems like the truth is coming to light, the story takes another turn, forcing readers to reassess everything they think they understand. Dark, twisty, and unsettling, this book almost begs to be read in one sitting, and then instantly reread. The pace picks up in the second part, with higher tension and uncertainty propelling the story forward quickly, encouraging teens to race to the whodunit conclusion. Though the final few chapters feel rushed, they provide a satisfying-and shocking-finale to this scandalous examination of jealousy, secrets, and untrustworthy characters. VERDICT A high-interest thriller with wide appeal recommended for all collections.-Amanda MacGregor, formerly at Great River Regional Library, Saint Cloud, MN © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review

Jesss feelings for her best friend Angie are strong and complicated--a mix of longstanding affection, mutual dependence, protectiveness, and unrequited longing. Jess and Angie are both queer and out, but have never been together. When Angie falls for Margot, a wealthy, charismatic student from the nearby tony boarding school, Jesss jealousy builds. Her concerns about Margots motives are mostly warranted, but Angie persists in the hope that the four of them--Angie, Jess, Margot, and Margots hostile best friend Ryan--can become close. Then, in the aftermath of a party, one of the four girls dies from a gunshot. Who killed her? Los storytelling is taut and vivid as she expertly doles out clues (Margots history of bullying; Ryans secret stash of love letters). Post-murder, the book pulls back from Jesss perspective to a third-person narration interspersed with police interview transcripts, forcing readers to confront Jesss unreliability as a narrator as they attempt to piece together means, motive, and opportunity. Meanwhile, Jesss ongoing art-class project puts a supernatural spin on issues of rivalry, friendship, possessiveness, and mistaken intentions, complicating readers assumptions about what is really going on. Drawing every character as complicit in unexpected and thought-provoking ways, Lo spins an addictive psychological mystery. claire e. gross (c) Copyright 2017. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Queer romance, friendship rivalries, and ominous secrets twist together in Lo's latest enthralling tale. Chinese-American Jess Wong has known her white best friend, Angie Redmond, since grade schoolthe problem is she's loved Angie for nearly as long, unrequited. When Angie begins dating Margot Adams, a wealthy white student at a nearby private school, Jess knows she should be happy that her friend is happy, but as jealousy and suspicion about Margot eat at her instead, her friendship with Angie begins to crack apart. Jess tries to throw herself into her comics art, but even there, themes of loyalty, love, and betrayal arise. As tensions reach their breaking point, a classmate and friend of Margot's is discovered murdered in the park, and the resulting upheaval and search for a killer sheds light on some harrowing truths about everyone. Lo has delivered an intricate tapestry of narrative, woven in a labyrinthine pattern of secrets and colored with intersecting hues of Chinese-American identity, the dark intensity of relationships, and telltale stains of blood. A sudden (and likely disorienting) shift from Jess' first-person perspective to a more detached third-person narration serves the practical purpose of providing information; together with police interview transcripts to which Jess couldn't be privy, it artfully signals to readers that Jess is no longer in control of the storyor the facts. Mesmerizing. (Thriller. 13-17) Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

This is what I remember: the leather box lying open on the marble kitchen island; inside it a bed of black satin cradling a golden gun. It's small enough to look like a toy. Across the kitchen, Angie opens the back door, letting in a freezing blast of winter air. She looks upset, and I'm pulled to her almost involuntarily. All I want to do is make sure she's okay, and it doesn't even matter that she probably doesn't understand how much she means to me. It's purer this way. She can take whatever she wants from me, whenever she wants it, because I'm her best friend. Margot comes inside behind Angie, grabbing her hand. "Please," she says. Angie doesn't pull away. She doesn't even see me. The room spins. My tongue is thick from the syrup of too many drinks. I have beached up against the edge of the island, the marble cutting into my stomach, and the box is right in front of me. The gun is engraved with leaves and flowers, and it looks like a charm you might wear on a bracelet next to a miniature dagger and a coil of rope. I reach for it. The metal is cool, the gun heavier than I expected. It's pretty. The vines seem to come alive, twining around the grip and the barrel, ending in the small dark muzzle: a silent, open mouth. Someone says my name. Ryan, Margot's best friend, lunges toward me from the other side of the island. She's an avenging demon of the ice princess variety, blond and pale with her silver dress glittering over pushed-up breasts while she points her finger at me. "Liar." Angie is beside me, her face a mask of shock. "What the hell are you doing?" she demands. "Let's go." It takes me a second to realize she wants to leave. With me. She takes my hand, pulls the gun away. Her fingers are so cold it's as if they'd been dipped in a bucket of ice, but they still send an electric jolt all the way through my vodka-induced emotional padding. Angie puts the gun back in the box. Ryan picks it up, curling her finger around the trigger. Excerpted from A Line in the Dark by Malinda Lo All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.