Review by New York Times Review
PITY POOR, NERDY GORK. He'S prone to fainting and sweating. He crashes into walls. He's an orphan, a virgin and a would-be poet. He's got every classic loser trait short of bedwetting. "I feel so ashamed, I just want to vacate my life," Gork laments. Reading his name, we're meant to hear "dork." Gork's also got horns and they're too short. The horny kid is, in fact, a dragon from the planet Blegwethia, the setting for Gabe Hudson's genre-bending new coming-of-age tale, "Gork, the Teenage Dragon." Gorkis about to graduate from War Wings Academy, an institution whose cutthroat corridors and cliques might recall your high school, if it were crawling with giant reptiles. In Hudson's cartoonish universe of anthropomorphic, adolescent dragons, jocks and "normals" inhabit the upper social strata. Then come nerds, mutants and "Dragobots" like Gork's cybernetic gal-pal, Fribby. The whole enterprise drifts more than a few puffs away from Peter, Paul and Mary's "land called Honah Lee," closer to Hogwarts and Holden Caulfield's Pencey Prep. Gork and his fellow cadets may snort "firebolts" and belch "firestreams," but they also pilot sentient spacecraft, wear capes and wield "powerstaffs": souped-up scepter/smartphones packed with gadgets like teleporters and lasers that would make Wile E. Coyote drool. The story picks up with Crown Day and EggHarvest, the annual ritual where male cadets pair up with female queens, and then embark, via spaceship, to conquer and colonize other planets, which they populate with baby dragons that result when the couple "rub scales." But with his "big stupid over-large heart" and rock-bottom "mating magnetism score," Gork's got no macho dragon mojo. Find no mate, and he'll become a slave. Hudson, formerly an editor for McSweeney's, made a splash with his darkly comic debut collection of short fiction, "Dear Mr. President" (2002), set during the gulf war. "Gork, the Teenage Dragon" is an uneven follow-up whose execution doesn't live up to its premise. For one, I wondered about Hudson's intended audience. The storytelling feels too libidinous (and occasionally gruesome) for middle grade or young adult readers. Gork's idea of clever is to refer repeatedly to his "scaly green ass," when he's not ogling every "juicy dragonette," especially the "luscious tail" of Runcita, the shedragon he fancies. Yet the humor and action seem too slapstick to appeal to most adults. And Gork's voice - a crucial element, since he's a first-person, present-tense narrator - often lands like a dead weight on the page. "Anyway, now back to this battle in the spaceship. Well like I was saying, Athenos II's muscular tentacle is bashing Fribby's shiny head ... Bam bam bam bam bam." Gork's speech is oddly peppered with anachronistic exclamations - "yes sir," "shoot" and "doodlysquat." Is this a moody, hormonal teenager or a caricature of a Depression-era codger? Hudson's bigger obstacle is that most of the novel's events unfold on that single EggHarvest day. The pace slows to a crawl. One can sense Hudson running out of ways to thwart Gork from getting the girl. Hence, many repetitive scenes describe encounters with bullies. As if from a cosmic grab-bag, Hudson pulls out sword-and-sorcery and sci-fi standards, including wormholes, a prophecy and a mad scientist (Dr. Terrible, Gork's grandfather) who's created a mind-swapping machine. Paean, pastiche or parody? If Hudson means to lampoon genre conventions, in the spirit of Terry Pratchett or Douglas Adams, his blade is too dull. Still, a more worldwise Gork occasionally shines through. In Chapter 1, he takes a bite at "that bastard" J.R. R. Tolkien, whose "The Hobbit," he complains, "paints us dragons out to be a bunch of ignorant and repulsive savages." That's more like it. I wish "Gork, the Teenage Dragon" had more teeth. An outcast of another species can be found in Jomny Sun's "Everyone's a Aliebn When Ur a Aliebn Too." Jomny is the alter ego of Jonathan Sun, an architect, artist and M.I.T. doctoral student whose Twitter witticisms have racked up nearly half a million followers. In this book-length comic collection of Sun's social media routine - I hesitate to call it a "graphic novel," since it lacks much of a plot - a kidney-beanlike alien naif is sent to our world to "please find out abot the earbth creatures." Jomny meets various insecure beings, and the text-lite encounters, written with intentional misspellings, are illustrated with minimalist black-and-white drawings. A wise owl is plagued with self-doubt; a fledgling artisthedgehog thinks, "I suck, I am crap"; an onion reveals that if you peel back its layers you'll find "just a smaller, mor afraid onion." Think Wall-E meets E.T., Ziggy meets "Mork and Mindy." The situational wisdom and one-liners the "aliebn" gleans about art, life, friendship and loneliness run alternately banal and poignant. Your Jomny-love may depend on your stomach for non sequiturs, cute animals and puns (a beaver says "dam business"; an otter thinks it's an "auteur") but also perhaps on your age. I grew up with "Peanuts" and "Calvin and Hobbes," "The Hitchhikers Guide to the Galaxy" and "Star Wars," Monty Python and Shel Silverstein. Sun knows these forebears; in one of the best gags, a tree tells the alien it "learned to stop giving things" just because people "want somthing", poking fun at Silverstein's pop-philosophy classic "The Giving Tree." Perhaps the appeal of "Gork" and "Everyone's a Aliebn" is generational. To be sure, each peer group needs its silly fix, its revenge-of-the-nerds outsider triumph, its conquering dragonHarry Potter mashup. So if these heroes speak to you, blast off with them. ETHAN GILSDORF is the author of "Fantasy Freaks and Gaming Geeks: An Epic Quest for Reality Among Role Players, Online Gamers, and Other Dwellers of Imaginary Realms."
Copyright (c) The New York Times Company [September 17, 2017]
Review by Library Journal Review
DEBUT Sun, the playwright and artist famous for the popular @jomnysun Twitter feed, presents the story of an "aliebn" named Jomny who is sent to Earth to study humanity. Jomny instead encounters an array of forest creatures, including an owl with impostor syndrome, a kindly tree, an egg agonizing over what it's destined to hatch into, and a hedgehog with artistic aspirations. Jomny and his new friends discuss death, love, art, depression, insecurity, and more, all with the outsider perspective and naïveté (expressed in the character's interactions and observations, as well as the simple illustrative style and unique spelling and syntax) that have gained Sun a huge readership. Impressively sincere, at times insightful, and humorous, many of Sun's observations and conclusions about humanity can also feel aphoristic or platitudinous rather than groundbreaking, as most of what's here boils down to "what makes you different makes you special." VERDICT Sun's fans will welcome his first book with wild enthusiasm, while those not familiar with his online presence might be a little less excited. Still, even the most cynical reader will have a hard time not being somewhat charmed.-TB © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.