The American dream Pop to present

Book - 2017

The American Dream: From Pop to present presents an overview of the development of American printmaking since 1960, paying particular attention to key figures such as Jasper Johns, Robert Rauschenberg and Andy Warhol. The 1960s was a period of change in the production, marketing and consumption of prints and the medium attracted a new generation of artists whose attitude towards making art had been conditioned by the monumentality and bold, eye-catching nature of popular imagery in postwar America, from advertising billboards to drive-in movies. Artists used to working on large canvases and huge sculptures created prints of an unprecedented ambition, scale and boldness in state-of-the-art workshops newly established on both the East and Wes...t coasts. Prints also became a means for expressing opinions on the great social issues of the day, from civil rights to the overt and covert role of government. This has continued, with feminism, gender, the body, race and identity, all topics represented in prints in a variety of stylistic approaches across the decades. The changing nature of American society provides a core element of the narrative, with prints offering a fascinating insight into contemporary thinking and attitudes.

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Subjects
Genres
Exhibition catalogs
Published
London : Thames and Hudson 2017.
Language
English
Other Authors
Isabel Seligman (contributor), Jennifer Ramkalawon
Item Description
"This publication accompanies the exhibition 'The American Dream: pop to the present' at the British Museum from 9 March to 18 June 2017"--Title page verso.
Physical Description
332 pages : illustrations (chiefly color) ; 28 cm
Bibliography
Includes bibliographical references and index.
ISBN
9780500239605
  • Piecing together the American dream / Stephen Coppel
  • Irresistible: the rise of the American print workshop / Susan Tallman
  • 1. Pop art
  • 2. Three giants of printmaking: Johns, Rauschenberg, Dine
  • 3. The print workshop: Laboratories of experimentation and collaboration
  • 4. Made in California: the West Coast experience
  • 5. Persistence of abstraction: gestural and hard-edge 1960s-1970s
  • 6. Minimalism and conceptualism from the 1970s
  • 7. Photorealism: portraits and landscapes
  • 8. The figure reasserted
  • 9. Politics and dissent
  • 10. Feminism, gender and the body
  • 11. Race and identity: unresolved histories
  • 12. Signs of the times.
Review by Library Journal Review

The title of this accompaniment to an exhibition of the same name at the British Museum seems to indicate a wide-ranging look at American pop art in all media, but in fact, this is strictly an exploration of American printmaking. British Museum curators -Coppel and Catherine Daunt and Art in Print editor in chief Susan Tallman provide vivid context to the rise of post-World War II ateliers and their interaction with artists such as Jasper Johns, Ellsworth Kelly, Chuck Close, Richard Diebenkorn, Jim Dine, Ed Ruscha, and to lesser-known but brilliant printmakers Richard Bosman, May Stevens, and Lee Lozano. The text and opulent illustrations are organized into 12 sections covering regional influences, artistic styles such as photorealism, abstraction, and minimalism. A series of essays discuss printmaking, feminism, political dissent, gender issues, and racial identity. The brief bibliography covers every artist featured and will aid those seeking more information on the print works as distinct from the artists' works in other media. -VERDICT The varied selection of first-quality examples make this a preeminent guide to American printmaking of the last half-century.-David McClelland, Andover, NY © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.