I can't breathe A killing on Bay Street

Matt Taibbi

Book - 2017

A work of riveting literary journalism that explores the roots and repercussions of the infamous killing of Eric Garner by the New York City police--from the bestselling author of The Divide

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Subjects
Published
New York : Spiegel & Grau [2017]
Language
English
Main Author
Matt Taibbi (author)
Edition
First edition
Item Description
Includes index.
Physical Description
xii, 322 pages ; 25 cm
ISBN
9780812988840
Contents unavailable.
Review by New York Times Review

STICKY FINGERS: The Life and Times of Jann Wenner and Rolling Stone Magazine, by Joe Hagan. (Vintage, $17.) This appraisal of Rolling Stone's co-founder and publisher holds nothing back: not his narcissism and violent temperament, nor his legendary appetites - especially when it came to sex. Even though rock music's importance faded and the magazine has thinned, Hagan makes a case for Wenner's lasting place in 20th-century history LEA, by Pascal Mercier. Translated by Shaun Whiteside. (Grove, $16.) Two Swiss men meet by chance in Provence; one is trying to repair his relationship with his daughter Lea, a brilliant but mercurial violinist who is hospitalized in an asylum that once sheltered Vincent van Gogh. As the men's stories and identities mix, the novel poses unsettling questions: Who are we? And what might it be like to be someone else? A BRIEF HISTORY OF EVERYONE WHO EVER LIVED: The Human Story Retold Through Our Genes, by Adam Rutherford. (The Experiment, $16.95.) Blending data from archaeology to evolutionary biology, this rollicking study investigates how DNA links us to our ancestors. Rutherford takes readers back hundreds of thousands of years to the beginnings of the most recent iteration of humanity, and mines genetics to see our history in a new light. HARMLESS LIKE YOU, by Rowan Hisayo Buchanan. (Norton, $15.95.) This debut novel traces two coming-of-age stories: Yuki persuades her parents to leave her in New York so she can focus on her artistic development - and continue her love affair with the city in the 1960s and '70s. Years later, the son she abandoned tracks her down in Berlin. As our reviewer, Ñamara Smith, said, Buchanan reminds us that "the ethereal dreams of the 1960s shaped the all-too-solid contours of the world we inhabit today." I CAN'T BREATHE: A Killing on Bay Street, by Matt Taibbi. (Spiegel & Grau, $18.) This deeply reported account frames the death of Eric Garner, who died in a police chokehold in New York in 2014, as a consequence of profound societal inequities. Taibbi integrates the facts with the economic and political realities of Garner's life, from institutional poverty to crooked landlords to racist law enforcement agencies. THE NINTH HOUR, by Alice McDermott. (Picador, $17.) In Irish Brooklyn in the early 1900s, nuns take up the cause of a young widow and her daughter, Sally. Sally seems headed for a life in a convent, too - until worldly temptations interfere. Our reviewer, Mary Gordon, praised McDermott, saying, "She has now extended her range and deepened it, allowing for more darkness, more generous lashings of the spiritual."

Copyright (c) The New York Times Company [August 23, 2019]
Review by Booklist Review

*Starred Review* Forty-three-year-old Eric Garner was arrested for selling loosies (individual untaxed cigarettes) on a Staten Island street corner on July 17, 2014. An NYPD cop put Garner in a choke hold that led to his death minutes later. Garner's video-recorded protest as he was held face down on the pavement became a rallying cry in the Black Lives Matter movement. Journalist Taibbi takes the stark outline of this brutal moment and explains what put Garner on the street corner of Bay and Victory that day and what fatal forces intersected there. Half a century after the civil rights movement, Taibbi says, white America does not want to know this man. Readers of this brilliant work of narrative nonfiction will get to know this man and what brought him down. The book's chapters are all named for people who knew Garner or were involved in his death. This takes us away from straight chronology and into Garner's relationships: police might see him only as a 6'2 , 395-pound African American selling loosies on a corner, but we get to know him as a father of four, in catastrophic health, trying to stay ahead of the rent, with the dream of retiring and finally getting to sit down. Taibbi is unsparing in his excoriation of the system, police, and courts that led to the fatal choke hold and worked to blur the abuse afterward, rooted in the NYPD's policy of showing activity through arrests many times manufactured or bogus then test-a-lying in court about what happened. This is a necessary and riveting work.--Fletcher, Connie Copyright 2017 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Library Journal Review

That moment on July 17, 2014, when Eric Garner uttered his last words, "I can't breathe"-now a rallying cry for the "Black Lives Matter" movement-was a convergence of years of social, political, and racial injustice, according to Taibbi (The Divide: American Injustice in the Age of the Wealth Gap). Here Taibbi dives deep into who Garner was and how he wound up on a Staten Island sidewalk selling bootleg cigarettes. In telling Garner's story through the eyes of people connected to him, Taibbi lays down the backdrop that led to Garner's arrest and the police choke hold caught on video for millions to see. The New York Police Department's aggressive stop-and- frisk policies, the emphasis on crime statistics and belief in the "broken windows theory," which focused on policing minor offenses in order to prevent serious and violent crimes, played a part in the events of that day, Taibbi writes. Dominic Hoffman's flowing narration and vocal characterization of the dialog in Taibbi's vignettes illuminate Garner's story. VERDICT This powerful, eye-opening work goes beyond the headlines of an arrest that helped ignite a national protest movement against police brutality and injustice. Hoffman's narration carries the message convincingly throughout. ["An insightful, important account for all readers": LJ 10/1/17 review of the Spiegel & Grau hc.]-Gladys Alcedo, Wallingford, CT © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

Rolling Stone contributing editor Taibbi (Insane Clown President: Dispatches from the 2016 Circus, 2017, etc.) goes behind the scenes of an infamous police killing of an unarmed black man to explore a tragic national phenomenon.When Eric Garner died on July 17, 2014, on a street in the New York City borough of Staten Island, much of the available information suggested police officers fatally choked him because he was resisting arrest for illegally selling untaxed cigarettes. The coverage also demonized Garner as a physically huge, threatening black man with an extensive criminal history. In the first 100 pages of this searing expos, the author paints a portrait of Garner as a mostly well-liked street hustler trying to provide for his wife and children, a former talented athlete who eventually weighed more than 350 pounds due to lack of adequate self-care and proper health care. After deeply exploring Garner's life from a variety of perspectives, Taibbi offers detailed reporting about the out-of-control Staten Island police officers present at the death scene, especially Daniel Pantaleo, an officer prone to excessive force who had already faced at least two civil rights lawsuits. In the second half of the book, the author explores the futile efforts of the Garner family to achieve posthumous justice and also to remove Pantaleo from the NYPD. Taibbi clearly shows how numerous police personnel, as well as the Staten Island district attorney and judge, frustrated the search for truth in every way they could. What emerges from the author's superb reporting and vivid writing is a tragically revealing look at a broken criminal justice system geared to serve white citizens while often overlooking or ignoring the rights of others. "Garner's death," writes Taibbi, "and the great distances that were traveled to protect his killer, now stand as testaments to America's pathological desire to avoid equal treatment under the law for its black population." Sure to be a fixture on any reading list or curriculum regarding the woeful state of the American criminal justice system. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

One Ibrahim Bang bang bang! At about 2:45 p.m. on April 2, 2014, on a drizzly afternoon in Staten Island, New York, an aspiring music producer in his late thirties named Ibrahim Annan was sitting in his car when a noise outside startled him. "Open the fucking window!" Tall and slender, with a slim mustache, Annan, known as Brian or B or Bizzy B to his friends, was the son of two devout Muslim Ghanaian immigrants. On this afternoon, he was parked on private property, a muddy driveway in front of a friend's apartment building. The noise came from the driver's side of his spiffily maintained 2011 Toyota Camry. Annan looked up and saw a white man with a hoodie obscuring most of his face, rapping on the window. Bang bang bang! "Open the fucking window before I break your fucking arm!" Annan looked past his dashboard and saw another figure standing at about ten o'clock, also dressed in street clothes. This one was aiming a gun at him. Annan froze. He was a regular visitor to this address, 100 Pierce Street, on the northern side of the island. It's a dull three-­story apartment building, nestled in a sleepy mixed-­race neighborhood of run-­down one-­family homes. He had a key to an apartment there belonging to his friend, a local DJ known as Icebox International. The two sometimes mixed music inside. He would later say he was there that day to visit his friend on the way back from the post office. The police version of this story is different. They say Ibrahim Annan pulled into the parking spot and immediately began ostentatiously playing around in his front seat with a giant baggie of weed, which they would describe in a criminal complaint as a "ziplock bag of marihuana." This "ziplock bag" in the complaint was described as being "open to public view." By unsurprising coincidence, New York City police are not supposed to arrest people for marijuana possession unless the subject is "publicly displaying" the drug. If you're carrying it or even smoking it in private, it's just a ticket. But at the time, tens of thousands of New Yorkers were criminally arrested for pot possession every year, which either pointed to an epidemic of exhibitionist drug use or a lot of iffy police reports. Bang bang bang! "OPEN THE FUCKING DOOR!" A dependable rule of thumb in police brutality cases is that the worst incidents are triggered by something the suspect says. A lot of these episodes are already running hot before they fully erupt. They often start with the police tackling someone, putting a knee in his or her back, hurling obscenities (to be fair, sometimes in retaliation for obscenities thrown at them). So it doesn't take much to raise the collective temperature beyond the bursting point. An F-­bomb or two will usually do it. Annan yelled back: "Get a fucking warrant!" Boom! The inside of Annan's car exploded with glass as the officer in the hoodie used something--­a nightstick maybe?--­to shatter the driver's-side window. At the hospital later on, Annan would have glass fragments removed from his eyes. Annan turned his face to the right to avoid the impact. But when he opened his eyes, he was immediately struck on the left side of his face with what he thought was an ASP, a kind of telescoping metal baton used by police all over the country. Another policeman had opened the passenger-­side door and was also striking him repeatedly with something. He heard the impact of steel on his skull before he felt it. Meanwhile the original officer in the hoodie was yanking at his seat belt. The Toyota dealership would later have to replace the seat belt lock, which is designed to withstand car accidents. It was broken and ripped loose in the struggle. After more than twenty blows to his face and head, Annan was pulled from the car and thrown to the ground. A police cruiser had driven up beside his car, and he was now facedown in the mud and glass, obscured in a narrow spot between two vehicles. Annan says he screamed for bystanders behind the cars to reach for their cellphones. "Film them!" he screamed. "Film them!" "Shut the fuck up!" "Film them!" Hands pulled behind his back, Annan felt a set of cuffs go on. Officers were raining blows down on him from all angles. He detected a strange sensation in his left leg and tried to protest. "Yo, hey, the ankle cuff is too tight!" he gasped. "What are you talking about?" "The cuff on my ankle! It's too tight!" In fact, there was no cuff on his ankle. Annan's left leg had been stomped on repeatedly, broken in three places, the damage so severe he would still be walking with a cane more than a year later. Annan tried to focus. He looked down at the mud in front of him. The blows were coming so furiously that he began to worry that he would die here, in this coffin-­sized space between two cars. His legs and wrists were throbbing and now he also felt something, a hand maybe, sliding under his neck, preparing maybe for a headlock. In his panic he felt himself losing air and spoke three words destined to become famous in another man's mouth. "I can't breathe," he said. "Shut the fuck up." "I'm serious. I can't breathe!" One of the officers answered him: "You can fucking talk, you can fucking breathe." In the ambulance a few minutes after his beating, Annan was beside himself. He looked at his mangled left foot and nodded at the officer. "Where do you live?" he shouted. "Identify yourself!" The cop shook his head, then leaned forward and punched Annan in the face. The EMT in the front of the vehicle said nothing and kept driving. The borough of Staten Island would later charge Annan seven hundred dollars for the ambulance ride. Ibrahim Annan was well known to the staff of the Richmond University Medical Center. He and his sister both suffered from sickle cell anemia and had come there regularly for treatment their whole lives. Now Annan was pushed through the door of the ER on a gurney. He was shouting, hysterically, at the top of his lungs. "They attacked me and broke my leg! Don't let them hurt me! Don't let them hurt me!" "Shut up," one of the officers muttered. Annan's gurney was moved to a private room. Inside, the hospital staff implored him to keep his mouth shut. He was eventually handcuffed to his bed and then wheeled off to a far corner of the ER. Much later in the evening, after word of his detention had finally reached his family, Annan's youngest sister, Mariama, wandered through the emergency room, looking for her brother. Mariama caught a glimpse of him from afar, his face bloodied and his leg smashed. "I had never seen him like that before," she said. "It was awful." The police wouldn't let her or anyone else in the family visit him or even learn exactly what had happened, so she had to steal a glance from a distance. "The incident completely changed the way I think about everything--­the government, the police, everything," she said later. "I didn't trust the nurses because they were following the police instructions. I was afraid to leave him there with any of them." Annan's parents also tried to get access to Ibrahim. It took more than a full day and multiple trips back and forth to Staten Island's infamous 120th Precinct before the two slow-­moving, elderly Africans were finally given a pass to see their son. As immigrants they had a poor instinct for the uglier nuances of American culture and were puzzled by every part of the process. The deal for the pass had been brokered by Mariama. She pleaded with a desk sergeant at the 120th Precinct, an outpost that had for decades been the subject of horror stories within the island's nonwhite community, who refer to it darkly as the "One Two Oh." On the street in certain parts of Staten Island, people believe the 120 is where they send all the reject cops from other precincts, especially the ones with too many abuse complaints. The precinct jailhouse in particular has a terrible reputation for, among other things, its smell and poor ventilation. Even hardened criminals go the extra mile to try to avoid landing there, even for a night. Mariama remembers the moment when she got the pass. She was standing in the precinct with her two parents when finally, the desk man shook his head and sighed. "Okay, I'll give them a pass," he said. "But only because they're fucking old." Mariama nearly fainted. "I was afraid for my parents," she said later. "They were shocked by the language. These are elderly, proper people. They could have had a heart attack." After a bedside arraignment in the hospital, Ibrahim Annan faced a litany of charges: menacing, criminal possession of marijuana in the fifth degree, obstructing government administration, unlawful possession of marijuana, assault in the second degree, and assault in the third degree, among others. Annan's family later hired a tall, sharply dressed African American lawyer named Gregory Watts. He would grumblingly describe the charges of assaulting the police. "They smashed the guy's car window, and one of them got a little cut after they beat his ass up," he said. "That's the assault." The last charge was criminal possession of a weapon in the fourth degree. The police explanation for that charge is that when they banged on Ibrahim Annan's car window, the accused responded by holding up a lighter and an aerosol can and shouting at armed police from inside a closed vehicle, "IF YOU OPEN THE WINDOW I'M GOING TO BURN YOU." The officers used all caps in the complaint. Annan would later claim he never even read that part of the charges. "I said what?" he asked, incredulous. The long list of charges slapped on Annan were part of an elaborate game police and prosecutors often play with people caught up in "problematic" arrests. A black man with a shattered leg has a virtually automatic argument for certain kinds of federal civil rights lawsuits. But those suits are harder to win when the arrest results in a conviction. So when police beat someone badly enough, the city's first line of defense is often to go on offense and file a long list of charges, hoping one will stick. Civil lawyers meanwhile will often try to wait until the criminal charges are beaten before they file suit. It's a leverage game. If the beating is on the severe side, the victim has the power to take the city for a decent sum of money. But that's just money, and it comes out of the taxpayer's pocket. The state, meanwhile, has the power to make the losses in this particular poker game very personal. It can put the loser in jail and on the way there can take up years of his or her life in court appearances. As Annan would find out, time is the state's ultimate trump card. Annan was in the hospital for more than three weeks. His ankle had to be reconstructed surgically. When he finally went home, he was mostly immobile. It was spring outside, and he missed seeing the weather turn warm. Feeling better one day in the beginning of May, however, he decided to get some fresh air. With the aid of a walker, he went outside and headed down toward Bay Street, near the water. The big man in the doorway saw everything. He knew this part of the island like the back of his hand. Anything in this little crisscrossed city block that looked or felt out of place, he registered instantly. If you judged this man by his clothes, you missed a lot. He looked a mess from the outside. He'd change T-­shirts every day, but the giant XXL sweatpants were often the same smudged and stained pair from the day before. The big man suffered from sleep apnea and chronic allergies, which left his nose constantly running. A hundred times a day or more, he'd wipe his nose with his fingers, then wipe his fingers on those sweatpants. Eric Garner's one recent concession to fashion was a pair of shell-­toe Adidas sneakers, made iconic in New York by Run-­DMC, a band he was crazy for as a kid growing up in Brooklyn. His sneakers were huge--­size 16--­and yet still too small for him, because he also suffered from diabetes and his swollen feet spilled out of his shoes. Some of his friends on the street called him "Elephant Foot." But it really wasn't that funny. The swelling from his illnesses left him in constant pain, which was a problem because his job required him to stand in place, rain or shine, hot summer or biting winter, for as much as ten or twelve hours a day. His usual place of work was on a little stretch of Bay Street, on Staten Island's North Shore. He spent most of his time there, circling a small triangular patch of trash-­strewn grass called Tompkinsville Park. The park, which used to be nicknamed Needle Park, contains a dozen or so benches, a big red brick public toilet building long ago locked up by authorities, and a view of New York's Upper Bay. On most days it's also home to a collection of dope fiends, drifters, crackheads, and alcoholics. They come here to hang out, get high, drink, argue, and trash-­talk. Just a hundred yards or so from this crowd, on the water side of the park, sits a new fifty-­seven-­unit condominium complex bearing the absurdly pretentious name "The Pointe at St. George." "The Pointe" is part of a major Staten Island renewal project called the Bay Street corridor, an ambitious plan to invest nearly a billion dollars in a string of high-­end residential buildings that would dot the waterfront leading to the Staten Island Ferry. A two-­bedroom unit at the "luxury, full-­service" condo complex sells for half a million dollars or more. A nice starter home for an entry-­level Wall Street hustler, perhaps, who wants a water view at night and doesn't mind reading the Financial Times on a morning ferry ride to downtown Manhattan. The condos looked like great investments but for one thing: the view across the street. Needle Park is an old-­school New York street hangout--­not too dangerous, but visually rough around the edges and definitely way too black for anyone who'd spend a half-­million dollars to spell "Point" with an "e." When this place was just a straight-­up shooting gallery in the early 2000s, police hardly ever came by. But now that the park was on the edge of a billion-­dollar real estate investment, the police were always coming around, mixing it up with the park's denizens over one thing or another. Nickel-­and-­dime stuff, mostly, what the police call "quality of life" arrests: drinking from open containers, peeing on the sidewalk, disorderly conduct. Excerpted from I Can't Breathe: A Killing on Bay Street by Matt Taibbi All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.