Review by New York Times Review
ALI: A Life, by Jonathan Eig. (Houghton Mifflin Harcourt, $30.) The first full biography of Ali since his death last year, Eig's richly researched, sympathetic yet unsparing portrait of a controversial figure for whom the personal and the political dramatically fused could not come at a more appropriate time. FRANCE IS A FEAST: The Photographic Journey of Paul and Julia Child, by Alex Prud'homme and Katie Pratt. (Thames & Hudson, $35.) Paul Child was an accomplished photographer, as this handsome selection of images from the Childs' life in post-World War II France makes plain. RUTHLESS RIVER: Love and Survival by Raft on the Amazon's Relentless Madre de Dios, by Holly FitzGerald. (Vintage, paper, $16.) A riveting account of a "dream honeymoon" in South America gone very wrong, starting with a plane crash and ending with a near-death experience deep in the jungle. Stranded 26 days, the author and her husband somehow retain hope and affection. THE TASTE OF EMPIRE: How Britain's Quest for Food Shaped the Modern World, by Lizzie Collingham. (Basic Books, $32.) Through the clever re-creation of 20 meals, consumed over the centuries and in various locales, a social historian illuminates the influence of apparently mundane habits. STICKY FINGERS: The Life and Times of Jann Wenner and Rolling Stone Magazine, by Joe Hagan. (Knopf, $29.95.) Hagan paints the rogue's life of the Rolling Stone co-founder with a brush made of stinging nettles, making excellent use of the extensive interviews and archival materials Wenner gave him. IMPROVEMENT, by Joan Silber. (Counterpoint, $26.) Disparate lives in disparate places intersect in this novel, which revolves around a single mother whose boyfriend enlists her in a scheme to smuggle cigarettes across state lines. With consummate skill, Silber reveals surprising connections between characters in contemporary New York and 1970s Turkey. LEONARDO DA VINCI, by Walter Isaacson. (Simon & Schuster, $35.) Isaacson, the biographer of innovators and inventors, turns to the original genius, the Renaissance man whose artistic and mechanical talents still invoke awe, in a book tracing the connections between Leonardo's art and his contemplation of nature. AMERICAN WOLF: A True Story of Survival and Obsession in the West, by Nate Blakeslee. (Crown, $28.) The story of one wolf's struggle to survive in the majestic Yellowstone National Park offers an ambitious look through the eyes of an endangered animal. THE GIRL WHO SAVED CHRISTMAS, by Matt Haig. Illustrated by Chris Mould. (Knopf, $17.99. Ages 7 and up.) If Roald Dahl and Charles Dickens cooked up a Christmas tale, it might resemble this spry story of Victorian London (with cameos by Dickens himself). The full reviews of these and other recent books are on the web: nytimes.com/books
Copyright (c) The New York Times Company [August 14, 2019]
Review by Booklist Review
The holiday adventures continue in this companion to A Boy Called Christmas (2016), which relays Nikolas' life in Elfhelm, where he has embraced his role as Father Christmas as well as that of young chimney-sweep Amelia Wishart. Though their fates are entwined, catastrophe litters their paths to each other. For Nikolas, Christmas spirit is running low worldwide, and trolls are rampaging through the North Pole. Such serious obstacles might be enough to brace yourselves cancel Christmas. Meanwhile, newly orphaned Amelia has found herself imprisoned in cruel Mr. Creeper's workhouse, with little chance of escape. Once a child with incredible Christmas spirit, her grim circumstances have dampened her capacity for hope. Sensing trouble, Father Christmas knows he must rescue Amelia and rekindle her belief in him if his cherished holiday is to be saved. Haig keeps the magic of Christmas alive in this charming, action-packed story. Black-ink illustrations add to the writing's humor, while memorable characters and a loyal cat further extend the story's pull. A lively, bighearted choice for those holiday displays.--Smith, Julia Copyright 2018 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by School Library Journal Review
Gr 4-6-Eight-year-old Amelia toils as a destitute chimney sweep in 1840's London, desperately hoping for a miracle that can heal her sick mother and save her family. It turns out that magic and hope alone are what makes Christmas happen, and Amelia's unconditional belief empowers Father Christmas enough to perform his first Christmas. Two years later, Father Christmas's kingdom has been destroyed by giant trolls and the orphaned Amelia is a prisoner in a horrible workhouse. She no longer believes in magic-without her, Father Christmas cannot continue, so he loads his sleigh and heads off to London to find her. The story is fast-paced and playful, peopled with interesting characters and unique details such as the "Barometer of Hope" and the invention of the "Tell-Elf-Home," but what sets this story apart are the genuine emotions exhibited by all-loss, fear, sadness, and, ultimately, love. VERDICT An inventive Christmas-themed origin tale that is a pure holiday treat.-Sada Mozer, Los -Angeles Public Library © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Horn Book Review
Amelia, whose hope helped Father Christmas deliver his first gifts, is now orphaned and stuck in a workhouse. It's up to Father Christmas to help, despite his own holiday headaches. The plot feels unfocused--with historical-figure cameos and Santa's-workshop scenes vying for space--but fans of companion book A Boy Called Christmas will find echoes of its charm, particularly in the expressive black-and-white drawings. (c) Copyright 2018. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
Orphaned chimney sweep Amelia loses everything, including hope, leaving Christmas in dire jeopardy. This companion to A Boy Called Christmas (2016) is written in the same jolly tone and similarly decorated with waggish illustrations. Eight-year-old Amelia, who once brimmed with hope, was the very first child to receive a present from Father Christmas. But because trolls destroyed the sleigh, the only thing Amelia received last Christmas was to be tossed into a workhouse run by the odious Mr. Creeper. Now starved and worked relentlessly, Amelia has run out of hope, the essential fuel for the magic of Christmas, and consequently Father Christmas can hardly get the sleigh off the ground or stop time long enough to get presents delivered to all the children of the world. It becomes Father Christmas' mission to find Amelia amid the peculiar streets and humanity of London. This tale is classically atmospheric; in fact, Charles Dickens himself makes some very important appearances. With an abundance of chortleworthy silliness ("Vixen bit Comet's ear for sniffing her bottom"), supreme wisdom is bestowed: trolls aren't very smart, but they don't hate Father Christmas; Flying Story Pixies will do anything for wonderful new words; and most importantly, hope is born in the simple act of kindness. The human cast appears to be an all-white one. With a little bit of naughty and a lot of nice, this Christmastime yarn is a veritable sugarplum. (Fantasy. 6-13) Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
