Endurance A year in space, a lifetime of discovery

Scott Kelly, 1964-

Book - 2017

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Subjects
Genres
Autobiographies
Published
New York : Alfred A. Knopf 2017.
Language
English
Main Author
Scott Kelly, 1964- (author)
Other Authors
Margaret Lazarus Dean, 1972- (author)
Edition
First edition
Item Description
"This is a Borzoi book."
Incldues index.
Physical Description
387 pages, 24 unnumbered pages of plates : illustrations ; 24 cm
ISBN
9781524731595
Contents unavailable.
Review by Choice Review

Scott Kelly is a former NASA astronaut who spent 340 consecutive days in space aboard the International Space Station and holds the record for longest duration spaceflight by an American. Scott and his identical twin brother, Mark Kelly, are the only two siblings who have traveled to space. Their unique relationship was the basis of a biomedical experiment to study the effects of microgravity on human physiology, which is an important issue in the planning of a potential long-duration mission to Mars. Scott chronicles his personal and professional story in an open and inviting manner, infusing his account with dry and somewhat self-deprecating humor as he discusses the challenges he had to overcome to be accepted into the elite and highly competitive astronaut corps. Kelly offers fascinating glimpses into life aboard the ISS, reflecting on problems such as the lack of privacy, the psychological issues that often arise, and the cultural differences that emerge among the ISS's international team of astronauts. Kelly also shares the joys of fellowship among the crew and the simple wonder of looking out the window. The book includes color photographs and is a must-read for anyone interested in human spaceflight. Summing Up: Highly recommended. All readers. --John Z. Kiss, UNC-Greensboro

Copyright American Library Association, used with permission.
Review by New York Times Review

BUNK: The Rise of Hoaxes, Humbug, Plagiarists, Phonies, Post-Facts, and Fake News, by Kevin Young. (Graywolf, $30.) Young's enthralling, essential history is unapologetically subjective - and timely. Again and again, he plumbs the undercurrents of a hoax to discover fearfulness and racism lurking inside. A BOLD AND DANGEROUS FAMILY: The Remarkable Story of an Italian Mother, Her Two Sons, and Their Fight Against Fascism, by Caroline Moorehead. (Harper/HarperCollins, $27.99.) This portrait of a renowned family of Italian anti-fascists, the Rossellis of Florence, depicts the ethical imperative and repercussions of dissent. The book revolves around two brothers whose resistance efforts ended only when they were murdered in 1937, in France. THE RIVER OF CONSCIOUSNESS, by Oliver Sacks. (Knopf, $27.) In this last, posthumous collection of essays, Sacks brilliantly delves into his favorite themes: the evolution of life, the workings of memory and the nature of creativity. THE ODYSSEY, by Homer. Translated by Emily Wilson. (Norton, $39.95.) This landmark translation matches the original's line count while drawing on a spare, simple and direct idiom that strips away formulaic language to let the characters take center stage. ENDURANCE: A Year in Space, a Lifetime of Discovery, by Scott Kelly. (Knopf, $29.95.) In this charming if occasionally convoluted memoir, Kelly details the endless dedication that led to his groundbreaking 12 months in space. He pulls back the curtain separating the myth of the astronaut from its human realities. RAMP HOLLOW: The Ordeal of Appalachia, by Steven Stoll. (Hill & Wang, $30.) Stoll's thesis is built around the concept of dispossession among the people of Appalachia. While the book is meticulously researched, it is also light and readable. Its great strength is that it acknowledges something our politics often fails to: that not everyone wants the same things. THE SECOND COMING OF THE KKK: The Ku Klux Klan of the 1920s and the American Political Tradition, by Linda Gordon. (Liveright, $27.95.) In an enlightening study troubling for its contemporary relevance, Gordon says "the K.K.K. may actually have enunciated values with which a majority of 1920s Americans agreed." FREYA, by Anthony Quinn. (Europa, paper, $19.) The journalist heroine of Quinn's novel is both headstrong and ambitious. Neither will be assets in post-World War II Britain. THE RELIVE BOX: And Other Stories, by T. Coraghessan Boyle. (Ecco/HarperCollins, $25.99.) Set in a close alternate reality, Boyle's skewed stories feel as if they're coming from the end of the world, from a time when we will finally be unable to live with what we are and what we have and what we have done. The full reviews of these and other recent books are on the web: nytimes.com/books

Copyright (c) The New York Times Company [July 29, 2018]
Review by Booklist Review

*Starred Review* It's no minor point that astronaut Scott Kelly chose as his book's title the name of the ship Ernest Shackleton used for his expedition to cross the Antarctic almost exactly a century before Kelly climbed aboard the International Space Station, which he would call home for the next year. Like Shackleton, Kelly was proposing to do what no one had ever done before, and, like Shackleton, he had no idea what challenges were in store for him, both during his extended stay in space and back home on Earth. He tells his story in chapters that alternate between his life before the year in space (a born risk-taker, he was a poor student until he read Tom Wolfe's The Right Stuff and discovered what he was meant to do with his life) and his life aboard the ISS. For space junkies, it's absolutely required reading. The narrative vividly captures Kelly's growing excitement and trepidation as he prepares to spend a year living in an environment where the potential for catastrophe or death is a part of daily life, and once he's aboard the space station, we feel as though we're right there with him. A great book.--Pitt, David Copyright 2017 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Recently retired astronaut Kelly-who holds the American record for the longest consecutive stretch of days in space-brings a no-nonsense, straightforward style of delivery to the audio edition of his memoir. A New Jersey native whose father and mother were police officers, Kelly embarked on his NASA career after service as a Navy pilot. In the book he tackles such weighty matters as marriage and family struggles, personal and national tragedies, and the loneliness of extended missions on the International Space Station. He doesn't miss a beat with regard to enunciation and pronunciation and shifts gears smoothly between the space travelogue and biographical threads. His anecdotes about cross-cultural relationships with Russian cosmonauts on the station-along with quotidian details about to eating and going to the bathroom in space-provide an opportunity for his droll wit to shine through. Listeners with at least some appreciation for deadpan delivery will be satisfied. A Knopf hardcover. (Oct.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Inspired by Tom Wolfe's book The Right Stuff (1979), Kelly became a navy pilot and astronaut. Before retiring from NASA, he earned the record for the most total time spent in space, including 340 consecutive days at the International Space Station. This memoir is filled with stories of the daring, patience, and humanity necessary to be an effective leader in space, along with the stress of being away from family. His brother Mark Kelly is also a retired astronaut; Scott tells of hearing about the 2011 shooting of his sister-in-law U.S. congresswoman Gabrielle -Giffords, from afar and subsequently leading a moment of silence in honor of the victims. While Kelly's story is personal, it's also a cautionary tale about the future of space exploration, especially if deeper investment is not made. VERDICT Kelly's down-to-earth personality, humor, and blog --SteveKelly.com have earned him a devoted following. Highly recommended to anyone who has an interest in memoirs or space travel.-Beth Dalton, Littleton, CO © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review

A four-time veteran of off-planet missions, including a year aboard the International Space Station, offers a view of astronautics that is at once compelling and cautionary.Why go into space in the first place? Kelly ponders that existential question early on, the whys and wherefores of entering into the strangest of strange environments and potentially suffering all manner of consequences. He replies, "I have a few answers I give to this question, but none of them feels fully satisfying to me." Among those answers, perhaps, are because it's extremely exciting to go where no onevery few people, anywayhas gone before, and after all, Kelly still holds the American record for consecutive days spent in outer space. Naturally, that comes at a cost; his book opens with an alarming portrait of edema, rashes, and malaise, and hence another answer emerges: we can't go to, say, Mars without understanding what space flight does to a human body. Some of Kelly's descriptions seem a little by-the-numbers, the equivalent of a ball player's thanking the deity for a wina spacegoing colleague is "sincere and enthusiastic without ever seeming fake or calculating," while a Russian counterpart is "a quiet and thoughtful person, consistently reliable." Nonetheless, Kelly's book shines in its depiction of the day-to-day work of astronautics and more particularly where that work involves international cooperation. On that score, there's no better account of the cultural differences between Right Stuff-inculcated NASA types and Yuri Gagarin-inspired cosmonauts: "One difference between the Russian approach to spacewalking and ours," he writes, "is that the Russians stop working when it's dark." It's fascinating stuff, a tale of aches and pains, of boredom punctuated by terror and worries about what's happening in the dark and back down on Earth. A worthy read for space buffs, to say nothing of anyone contemplating a voyage to the stars. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

Prologue I'm sitting at the head of my dining room table at home in Houston, finishing dinner with my family: my longtime girlfriend, Amiko; my daughters, Samantha and Charlotte; my twin brother, Mark; his wife, Gabby; his daughter, Claudia; our father, Richie; and Amiko's son, Corbin. It's a simple thing, sitting at a table and eating a meal with those you love, and many people do it every day without giving it much thought. For me, it's something I've been dreaming of for almost a year. I contemplated what it would be like to eat this meal so many times, now that I'm finally here, it doesn't seem entirely real. The faces of the people I love that I haven't seen for so long, the chatter of many people talking together, the clink of silverware, the swish of wine in a glass--these are all unfamiliar. Even the sensation of gravity holding me in my chair feels strange, and every time I put a glass or fork down on the table there's a part of my mind that is looking for a dot of Velcro or a strip of duct tape to hold it in place. I've been back on Earth for forty-eight hours. I push back from the table and struggle to stand up, feeling like an old man getting out of a recliner. "Stick a fork in me, I'm done," I announce. Everyone laughs and encourages me to go and get some rest. I start the journey to my bedroom: about twenty steps from the chair to the bed. On the third step, the floor seems to lurch under me, and I stumble into a planter. Of course it wasn't the floor--it was my vestibular system trying to readjust to Earth's gravity. I'm getting used to walking again. "That's the first time I've seen you stumble," Mark says. "You're doing pretty good." He knows from personal experience what it's like to come back to gravity after having been in space. As I walk by Samantha, I put my hand on her shoulder and she smiles up at me. I make it to my bedroom without incident and close the door behind me. Every part of my body hurts. All of my joints and all of my muscles are protesting the crushing pressure of gravity. I'm also nauseated, though I haven't thrown up. I strip off my clothes and get into bed, relishing the feeling of sheets, the light pressure of the blanket over me, the fluff of the pillow under my head. All of these are things I missed dearly. I can hear the happy murmur of my family behind the door, voices I haven't heard without the distortion of phones bouncing signals off satellites for a year. I drift off to sleep to the comforting sound of their talking and laughing. A crack of light wakes me: Is it morning? No, it's just Amiko coming to bed. I've only been asleep for a couple of hours. But I feel delirious. It's a struggle to come to consciousness enough to move, to tell her how awful I feel. I'm seriously nauseated now, feverish, and my pain has gotten worse. This isn't like how I felt after my last mission. This is much, much worse. "Amiko," I finally manage to say.
 She is alarmed by the sound of my voice.
 "What is it?" Her hand is on my arm, then on my forehead. Her skin feels chilled, but it's just that I'm so hot.
 "I don't feel good," I say.
 I've been to space four times now, and she has gone through the whole process with me as my main support once before, when I spent 159 days on the space station in 2010-11. I had a reaction to coming back from space that time, but it was nothing like this. I struggle to get up. Find the edge of the bed. Feet down. Sit up. Stand up. At every stage I feel like I'm fighting through quicksand. When I'm finally vertical, the pain in my legs is awful, and on top of that pain I feel something even more alarming: all the blood in my body is rushing to my legs, like the sensation of the blood rushing to your head when you do a headstand, but in reverse. I can feel the tissue in my legs swelling. I shuffle my way to the bathroom, moving my weight from one foot to the other with deliberate effort. Left. Right. Left. Right. I make it to the bathroom, flip on the light, and look down at my legs. They are swollen and alien stumps, not legs at all. "Oh, shit," I say. "Amiko, come look at this." She kneels down and squeezes one ankle, and it squishes like a water balloon. She looks up at me with worried eyes. "I can't even feel your anklebones," she says. "My skin is burning, too," I tell her. Amiko frantically examines me. I have a strange rash all over my back, the backs of my legs, the back of my head and neck--everywhere I was in contact with the bed. I can feel her cool hands moving over my inflamed skin. "It looks like an allergic rash," she says. "Like hives." I use the bathroom and shuffle back to bed, wondering what I should do. Normally if I woke up feeling like this, I would go to the emergency room, but no one at the hospital will have seen symptoms of having been in space for a year. I crawl back into bed, trying to find a way to lie down without touching my rash. I can hear Amiko rummaging in the medicine cabinet. She comes back with two ibuprofen and a glass of water. As she settles down, I can tell from her every movement, every breath, that she is worried about me. We both knew the risks of the mission I signed on for. After six years together, I can understand her perfectly even in the wordless dark. As I try to will myself to sleep, I wonder whether my friend Mikhail Kornienko is also suffering from swollen legs and painful rashes-- Misha is home in Moscow after spending nearly a year in space with me. I suspect so. This is why we volunteered for this mission, after all: to discover how the human body is affected by long-term space flight. Scientists will study the data on Misha and me for the rest of our lives and beyond. Our space agencies won't be able to push out farther into space, to a destination like Mars, until we can learn more about how to strengthen the weakest links in the chain that makes space flight possible: the human body and mind. People often ask me why I volunteered for this mission, knowing the risks--the risk of launch, the risk inherent in spacewalks, the risk of returning to Earth, the risk I would be exposed to every moment I lived in a metal container orbiting the Earth at 17,500 miles per hour. I have a few answers I give to this question, but none of them feels fully satisfying to me. None of them quite answers it.   When I was a boy, I had a strange recurring daydream. I saw myself confined to a small space, barely big enough to lie down in. Curled up on the floor, I knew that I would be there for a long time. I couldn't leave, but I didn't mind--I had the feeling I had everything I needed. Something about that small space, the sense that I was doing something challenging just by living there, was appealing to me. I felt I was where I belonged. One night when I was five, my parents shook Mark and me awake and hustled us down to the living room to watch a blurry gray image on TV, which they explained was men walking on the moon. I remember hearing the staticky voice of Neil Armstrong and trying to make sense of the outrageous claim that he was visiting the glowing disc in the New Jersey summer sky I could see out our window. Watching the moon landing left me with a strange recurring nightmare: I dreamed I was preparing to launch on a rocket to the moon, but rather than being secured safely in a seat inside, I was instead strapped across the pointy end of the rocket, my back against its nose cone, facing straight up at the heavens. The moon loomed over me, its giant craters threatening, as I waited through the countdown. I knew I couldn't possibly survive the moment of ignition. Every time I had this dream, I woke up, sweating and terrified, just before the engines burned their fire into the sky. As a kid, I took all the risks I could, not because I was foolhardy but because everything else was boring. I threw myself off things, crawled under things, took dares from other boys, skated and slid and swam and capsized, sometimes tempting death. Mark and I climbed up drainpipes starting when we were six, waving back down at our parents from roofs two or three stories up. Attempting something difficult was the only way to live. If you were doing something safe, something you already knew could be done, you were wasting time. I found it bewildering that some people my age could just sit still, breathing and blinking, for entire school days--that they could resist the urge to run outside, to take off exploring, to do something new, to take risks. What went through their heads? What could they learn in a classroom that could even approach the feeling of flying down a hill out of control on a bike? I was a terrible student, always staring out windows or looking at the clock, waiting for class to be over. My teachers scolded, then chastised, then finally--some of them--ignored me. My parents, a cop and a secretary, tried unsuccessfully to discipline my brother and me. Neither of us listened. We were on our own much of the time--after school, while our parents were still at work, and on weekend mornings, when our parents were sleeping off a hangover. We were free to do what we liked, and what we liked was to take risks. During my high school years, for the first time I found something I was good at that adults approved of: I worked as an emergency medical technician. When I took the EMT classes, I discovered that I had the patience to sit down and study. I started as a volunteer and in a few years worked my way up to a full-time job. I rode in an ambulance all night, never knowing what I would face next--gunshot wounds, heart attacks, broken bones. Once I delivered a baby in a public housing project, the mother in a rancid bed with old unwashed sheets, a single naked lightbulb swinging overhead, dirty dishes piled in the sink. The heart-pounding feeling of walking into a potentially dangerous situation and having to depend on my wits was intoxicating. I was dealing with life-and-death situations, not boring--and, to me, pointless-- classroom subjects. In the morning, I often drove home and went to sleep instead of going to school. I managed to graduate from high school, in the bottom half of my class. I went to the only college I was accepted to (which was a different college than the one I had meant to apply to--such were my powers of concentration). There, I had no more interest in schoolwork than I'd had in high school, and I was also getting too old to jump off things for fun. Partying took the place of physical risk, but it wasn't as satisfying. When asked by adults, I said I wanted to be a doctor. I'd signed up for premed classes but was failing them in my first semester. I knew I was just marking time until I'd be told I would have to do something else, and I had no idea what that would be. One day I walked into the campus bookstore to buy snacks, and a display caught my eye. The letters on the book's cover seemed to streak into the future with unstoppable speed: The Right Stuff. I wasn't much of a reader--whenever I was assigned to read a book for school, I would barely flip through it, hopelessly bored. Sometimes I'd look at the CliffsNotes and remember enough of what I read to pass a test on the book, sometimes not. I had not read many books by choice in my entire life--but this book somehow drew me to it. I picked up a copy, and its first sentences dropped me into the stench of a smoky field at the naval air station in Jacksonville, Florida, where a young test pilot had just been killed and burned beyond recognition. He had crashed his airplane into a tree, which "knocked [his] head to pieces like a melon." The scene captured my attention like nothing else I had ever read. Something about this was deeply familiar, though I couldn't say what. I bought the book and lay on my unmade dorm room bed reading it for the rest of the day, heart pounding, Tom Wolfe's hyperactive, looping sentences ringing in my head. I was captivated by the description of the Navy test pilots, young hotshots catapulting off aircraft carriers, testing unstable airplanes, drinking hard, and generally moving through the world like exceptional badasses. The idea here (in the all-enclosing fraternity) seemed to be that a man should have the ability to go up in a hurtling piece of machinery and put his hide on the line and then have the moxie, the reflexes, the experience, the coolness, to pull it back in the last yawning moment--and then to go up again the next day, and the next day, and every next day, even if the series should prove infinite--and, ultimately, in its best expression, do so in a cause that means something to thousands, to a people, a nation, to humanity, to God. This wasn't just an exciting adventure story. This was something more like a life plan. These young men, flying jets in the Navy, did a real job that existed in the real world. Some of them became astronauts, and that was a real job too. These were hard jobs to get, I understood, but some people did get them. It could be done. What drew me to these Navy pilots wasn't the idea of the "right stuff"--a special quality these few brave men had--it was the idea of doing something immensely difficult, risking your life for it, and surviving. It was like a night run in the ambulance, but at the speed of sound. The adults around me who encouraged me to become a doctor thought I liked being an EMT because I liked taking people's blood pressure measurements, stabilizing broken bones, and helping people. But what I craved about the ambulance was the excitement, the difficulty, the unknown, the risk. Here, in a book, I found something I'd thought I would never find: an ambition. I closed the book late that night a different person. I would be asked many times over the following decades what the beginning of my career as an astronaut was, and I would talk about seeing the moon landing as a kid, or seeing the first shuttle launch. These answers were to some extent true. I never told the story about an eighteen-year-old boy in a tiny, stuffy dorm room, enthralled by swirling sentences describing long-dead pilots. That was the real beginning.   When I became an astronaut and started getting to know my astronaut classmates, many of us shared the same memory of coming downstairs in our pajamas as little kids to watch the moon landing. Most of them had decided, then and there, to go to space one day. At the time, we were promised that Americans would land on the surface of Mars by 1975, when I was eleven. Everything was possible now that we had put a man on the moon. Then NASA lost most of its funding, and our dreams of space were downgraded over the decades. Yet my astronaut class was told we would be the first to go to Mars, and we believed it so fully that we put it on the class patch we wore on our flight jackets, a little red planet rising above the moon and the Earth. Since then, NASA has accomplished the assembly of the International Space Station, the hardest thing human beings have ever achieved. Getting to Mars and back will be even harder, and I have spent a year in space-- longer than it would take to get to Mars--to help answer some of the questions about how we can survive that journey. The risk taking of my youth is still with me. My childhood memories are of the uncontrollable forces of physics, the dream of climbing higher, the danger of gravity. For an astronaut, those memories are unsettling in one way but comforting in another. Every time I took a risk, I lived to draw breath again. Every time I got myself into trouble, I made it out alive. Most of the way through my yearlong mission, I was thinking about how much The Right Stuff had meant to me, and I decided to call Tom Wolfe; I thought he might enjoy getting a call from space. Among the other things we talked about, I asked him how he writes his books, how I might start to think about putting my experiences into words. "Begin at the beginning," he said, and so I will. Excerpted from Endurance: A Year in Space, a Lifetime of Discovery by Scott Kelly All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.