Review by New York Times Review
HO-HO-??, kiddies. Here comes Bad Santa with another gift sack filled with mysteries, crime stories and body parts. Ugh, what's that gooey red stuff dripping out of Santa's bag? Not to worry, just some melted candy canes. Now, on to this year's rundown of the best Good Books for Bad Grown-Ups. MOST ORIGINAL MURDER method: For lashing a guy to his wheelchair, sealing his mouth with superglue and tossing him into a river, a Christmas angel goes to Ken Bruen's IN THE GALWAY SILENCE (Mysterious Press, $26). Better double the angels, though, because there are two victims - twins, no less. SOFTEST HARD-BOILED PRIVATE EYE: That would be Isaiah (IQ) Quintabe, Joe Ide's brainy P.I. from Los Angeles, who is paid for his services in casseroles, cookies and reindeer sweaters. In WRECKED (Mulholland, $27), the detective accepts a painting from a beautiful client who hires him to find her mother. But this modest missingpersons case leads to a vengeance drama involving an electric cattle prod with enough volts "to knock a steer sideways." MOST UNPRINTABLE DIALOGUE: Lots of competition here, but the angel goes to John Sandford's madly entertaining Virgil Flowers mystery HOLY GHOST (Putnam, $29). Virgil, an agent with the Minnesota Bureau of Criminal Apprehension, brings a wry sense of humor to the miraculous when the Blessed Virgin pays a visit to a church in Wheatfield, making a bundle of dough for the tiny town. CREEPIEST SETTING: No contest! Anne Perry wins that one with her latest Victorian mystery, DARK TIDE RISING (Ballantine, $28). William Monk, commander of the Thames River Police, takes us to Jacob's Island, a place "like death," where rotting houses are slowly sinking into a "thick, viscous mud that sucked anything of weight into itself, like quicksand." MOST CUTTING WIT: Sara Paretsky's V. I. Warshawski walks away with this angel. In SHELL GAME (Morrow, $27.99), the Chicago P.I. slips into an office after hours by posing as a maid, reasoning that "anyone who's cleaning up after you is part of your furniture, not a person." Needing a foreign language to hide behind, she improvises with the lyrics to "Vissi d'arte." TOUGHEST PUZZLE: I dare you to match wits with Keigo Higashino. Giles Murray's translation of NEWCOMER (Minotaur, $27.99) presents Higashino's fabled Tokyo Metropolitan Police detective, Kyoichiro Kaga (he of the "razor-sharp mind and bloodhound nature"), with a series of minor enigmas wrapped around a brainbusting central mystery: Who murdered a woman with no enemies? PRETTIEST LANGUAGE: That makes two angels for Ken Bruen, whose Irish roughneck, Jack Taylor, talks like an angel himself - only dirtier. IN THE GALWAY SILENCE (Mysterious Press, $26) gives this hotheaded detective good cause for rage, being a fictional treatment of, among other things, a notorious case of systemic fetal death and infanticide in Irish convents. BEST MILEAGE FROM A ROLLING STONE: There's no moss on Jack Reacher. In PAST TENSE (Delacorte, $28.99), Lee Child's peripatetic hero wanders with a purpose, all the way to his father's birthplace in Laconia, N.H. Reacher's search for his roots in this sad old mill town ("a horrific tableau of clouds of smoke and raging fires") is surprisingly sentimental, but brace yourself for the subplot. BEST CHARACTERS OUT OF THEIR DEPTH: What better definition of George Pelecanos's great guys, so human and so doomed? In the man who came uptown (Mulholland/Little, Brown, $27), Michael Hudson emerges from prison a bona fide bibliophile, thanks to the librarian who turned him away from crime and onto books. But this can't last when bad friends realize they need a good guy to drive a getaway car. BEST NATURE STUDY, RED IN TOOTH & CLAW: Delia Owens speaks softly in WHERE THE CRAWDADS SING (Putnam, $26), a tenderly told first novel that begins in 1969, when two boys on bikes come upon a body half submerged in a swamp. The rest of the story reveals how the corpse got there and why we might wish it had never been found. MOST COLORFUL CHARACTER NAMESJames Lee Burke is rightly admired for his lush Louisiana bayou crimescapes. But ROBICHEAUX (Simon & Schuster, $27.99) reminds us of his talent for naming locals like Baby Cakes Babineau and Pookie the Possum Domingue, along with a contract killer called Chester Wimple. ("Sometimes people call me Smiley.") LOUDEST BANG FOR THE BUCK: Half the members of the Los Angeles Police Department's bomb squad are blown to smithereens in Thomas Perry's THE BOMB MAKER (Mysterious Press, $26). "Bombs were acts of murder," Perry allows, but "they were also jokes on you, riddles the bomber hoped were too tough for you." WEEPIEST WEEPER: Wounded World War I veterans and grieving widows make up much of the shrunken population of the town of Wolfpit, encountered by Inspector Ian Rutledge in THE GATEKEEPER (Morrow, $26.99). Charles Todd's hero, himself a victim of shell shock, is one of the moodiest detectives in the genre. COOLEST DEBUT: By their taste in music shall ye know them. Joe King Oliver, a New York private eye who makes his debut in Walter Mosley's new crime novel, DOWN THE RIVER UNTO THE SEA (Mulholland/ Little, Brown, $27), went into prison with a love of classic jazz masters like Fats Waller. He emerged with a taste for the tormented sounds of Thelonious Monk. MOST SIMPÁTICO DETECTIVE: Donna Leon's Venetian policeman, Commissario Guido Brunetti, bares his bleeding heart in THE TEMPTATION OF FORGIVENESS (Atlantic Monthly, $26) when he aids a woman whose 15-year-old son is taking drugs. He advises her to cook dinner for her children, "to show them you're all right and life is normal." CRUELEST MURDERER: Jeffery Deaver indulges his singular flair for ghastly irony in THE CUTTING EDGE (Grand Central, $28). HIS killer unkindly murders couples at their happiest moments - when, say, they're buying an engagement ring or picking out a bridal gown. Don't plan your wedding until you've read this one. NASTIEST TWIST: The F.B.I. agent in Michael Koryta's HOW IT HAPPENED (Little, Brown, $27) is double-crossed by a fiend who leads him to a false dumping ground of murder victims. "The Bureau rarely fires agents," a colleague pitilessly reassures the disgraced agent. "We just bury them." QUIRKIEST SLEUTH: Charlie Parker, John Connolly's private eye, is chronically depressed, which makes him both endearing and unpredictable: "If there's trouble, he'll find it. If there isn't trouble, he'll make some." That predilection suits his heroic role in the woman in the woods (Emily Bestier/Atria, $26.99) as the savior of battered women. MURDER MOST BESTIAL: Poachers are killing black bears in the Turk Mountain Preserve in rural Virginia, which riles Rice Moore, the nature-loving hero of James A. McLaughlin's BEARSKIN (Ecco/HarperCollins, $26.99), a loner who finds the "complex social network" of bears far more interesting than the human dynamics at the local bar. MARILYN STASIO has covered, crime fiction for the Book Review since 1988. Her column appears twice a month.
Copyright (c) The New York Times Company [June 30, 2019]
Review by Booklist Review
December 1920. Scotland Yard's Ian Rutledge is driving home from his sister's wedding when he comes upon the scene of an apparent homicide. A man lies dead in the road; a woman with bloody hands is bending over the body. I didn't do it, she says, claiming that somebody came out of nowhere, shot the man, and vanished. The victim turns out to be Stephen Wentworth, a man with a convoluted family history (including hints that he may have had something to do with a previous death). As Rutledge digs deeper, there's yet another death, and Rutledge is forced to consider the possibility that someone has just begun a killing spree. The Rutledge series hits a milestone with its twentieth installment. Fans will be pleased but hardly surprised to learn that this one, like its predecessors, is tightly plotted, gracefully written, and dramatically intense. Here's to another 20.--Pitt, David Copyright 2018 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
A chance encounter on a country road late one night in December 1920 kicks off the exceptionally clever plot of bestseller Todd's 20th mystery featuring Insp. Ian Rutledge (after 2017's Racing the Devil). Rutledge, an emotionally scarred WWI veteran, is driving in Suffolk, with no particular destination in mind, when his headlamps catch a car stopped in front of him. Next to the car, a woman with bloodstained hands is bending over a man lying in the road. Rutledge stops to investigate. The man, Stephen Wentworth, is dead. The woman explains that Stephen was driving her home after a dinner party when a man stepped out in front of them. After Stephen got out of their vehicle and exchanged a few words with him, the man shot Stephen. Over local opposition, Rutledge successfully lobbies to take charge of the inquiry, and then struggles to learn why anyone would want to murder Stephen, a popular local bookseller, resisting the theory that the violence was random. As always, Todd (the mother-and-son writing team of Caroline and Charles Todd) deepen their crafty whodunit with a moving exploration of their astute sleuth's inner torments. Agent: Lisa Gallagher, DeFiore and Co. (Feb.) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review
Inspector Ian Rutledge's 20th appearance finds him fighting for control of a case no one wants him to solve.Left unexpectedly at loose ends by his sister Frances' wedding, Rutledge, who's taken several days' leave from Scotland Yard, drives off into the night and doesn't stop until he comes upon another motorcar in the middle of the road and a woman alongside it with blood on her hands. Elizabeth MacRae tells Rutledge a wildly improbable story: a stranger stepped out into the road, stopped the vehicle, and then, after the briefest possible exchange, shot Elizabeth's companion, bookseller Stephen Wentworth, in the heart and ran off. Rutledge insists that the Yard be called in so he can snatch the case away from local Inspector Larry Reed. Reed, only two weeks married himself, is not pleased at being bypassed in favor of a man who may have been the first officer on the scene but was present as a witness rather than an officer, and the two men repeatedly clash. It's just as well that they do, for despite its name, things remain eerily quiet around the village of Wolfpit as Rutledge, driven by an anonymous accusation of Wentworth as a murderer who deserved his fate, begins his questioning. The dead man may have been impulsivehe returned from the Great War, purchased a bookshop from an old friend, and then suddenly took a trip to Perubut he seems to have had no enemies except his monstrous mother, who's always blamed him for the death of his twin brother when they were both just 6 months old. Progress on the case is produced not by Rutledge's inquiries but by two more shootings, all linked, it becomes increasingly evident, to a medieval treatise on apples.Not the strongest outing for the memorably shellshocked sleuth (Racing the Devil, 2017, etc.). The suspects are shadowy and indistinct, the detection is slow, and the murders are both less interesting and less potent than the mystery foreshadowed by Todd's title. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
