Review by Booklist Review
Following her acclaimed graphic memoir, Can't We Talk about Something More Pleasant? (2014), which movingly depicted the declining years of her irascible parents, New Yorker cartoonist Chast turns a similarly loving yet jaundiced eye on Manhattan. A native Brooklynite, Chast decamped for suburbia upon having children. But when her daughter started college in the Big Apple, Chast created a personal guide to help her fall in love with the city the way her mother had as a child; that booklet blossomed into this full-blown book. Chast applies her appealingly shaggy drawing style and ever-so-slightly skewed worldview to New York's subways, museums, ethnic restaurants, and other attributes. Her democratizingly unkempt drawings make the wares of the Millionaires' Wives' Dress Hut look just as scruffy as the bag lady on the subway and the scavenging pigeons. But much of the heavy lifting here comes through her hand-lettered prose, in which Chast expresses her clear-eyed yet heartfelt love for the only place that I've been where I feel, in some strange way, that I fit in. --Flagg, Gordon Copyright 2017 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Brooklyn-born Chast follows up her emotional National Book Award finalist memoir Can't We Talk About Something More Pleasant with an expanded version of a guide to Manhattan she made for her college-bound daughter, which enlightens readers on the finer and sometimes obscure points of what makes New York City a vibrant and often loony landscape. Multiple aspects of the city are lovingly examined and lampooned, with a matter-of-fact intimacy that could only come from a native New Yorker, from the bad-why not to get on an empty subway car-to the grand-the expanses of Central Park. Observations and advice on making one's way through the city's diversions are mixed with the quirky character that oozes from the metropolis's every concrete pore. It's all delivered with obvious and knowing affection and captured with a keenly observant pen. (Oct.) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
Chast's (Can't We Talk About Something More Pleasant?) lighthearted tribute to her hometown began as an introduction to the city for her daughter, who was headed to college there. Although a longtime suburbia resident, Chast conjures up a unique vision of New York, as fans of her New Yorker cartoons might expect. Talking standpipes, restaurants selling "gluten-free pho," the worm's nest of subway and utility tunnels beneath the sidewalk, paintings at the Metropolitan Museum of Art visualized with puckish word balloons, those "West Side Story things" (fire escapes)-there's nothing for Chast not to marvel over about Manhattan. "I really like density of visual information," she says, and her Big Apple cityscapes burst with jumbled buildings, oddities of every variety, and her trademark loose-edged-drawn people. This full-color prose-comics hybrid covers city layout, getting around, things to do and see, food, and apartment life. VERDICT There are New Yorkers, New Yorker wannabes, New York visitors, and the New York curious-so expect demand for Chast's whimsical and helpful smorgasbord of urban goofiness. For another New York perspective, see Julia Wertz's Tenements, Towers & Trash (Xpress Reviews, 9/1/17). [Previewed in Douglas Rednour's "Comics Cross Over," LJ 6/15/17.-Ed.]-MC © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
The highly regarded New Yorker cartoonist lets readers see the city she loves through her eyes.As Chast (Can't We Talk About Something More Pleasant?, 2014, etc.) notes early on, this isn't a guidebookthough it could help Manhattan newcomers navigate the streets and the subways. The narrative is really about how an artist sees and how New York is such a treasure trove for the senses. "Maybe one day you will notice the amazing variety of standpipes," writes the author on one of the pages illustrated with photos rather than drawings. "The more you notice themthe more you will see." So it is with the rest of Manhattan, where there is so much to discover; even an artist with a sharp eye and a discerning sensibility can never come close to exhausting the inspiration. Chast explains that she left her native Brooklyn for suburbia for the usual family reasonsan affordable house, better schools, neighborhood safetybut that her love for the city has never diminished. She began this work "as a small booklet I made for my daughter before she left her home in Suburbia to attend college in Manhattan." The result mixes some of the practical advice she must have offered her daughter with a bit of memoir and plenty of sociocultural observation (though she pays less attention to the city's people than its resources and attractions). Chast makes development as an artist and her experience in the city seem inseparable. "I've always preferred cities to Nature," she writes. "I am interested in the person-made. I like to watch and eavesdrop on people. And I really like DENSITY OF VISUAL INFORMATION." Such densityand the details of visual informationconsistently informs her work. The author also underscores the point that even Central Park, that leafy oasis that comprises 6 percent of the island, is actually man-made: "It contains lots of Nature, but is no more natural' than an arrangement of flowers from your neighborhood florist." Chast's voice and vision make this a singular love letter to a singular city. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
