Review by New York Times Review
Kawakami's latest translated work is less a novel than a series of hyper-real pictures at an exhibition, bursts of closely observed detail leaving out much of the why and wherefore that link one to the next. In a suburb of Tokyo, the unpredictable and faintly lecherous Mr. Nakano runs a shop selling secondhand goods, from T-shirts and air-conditioners to vintage Glico plastic toys from the 1930s. Two young people have drifted into his employment: the novel's narrator, Hitomi, both a free spirit and a self-conscious perseverator, and Takeo, a gruffboy with an artistic bent. Also present is Mr. Nakano's bohemian sister, Masayo, who looks on benevolently as Hitomi and Takeo circle each other, mutually attracted but struggling to connect. These lives and others intersect at the thriftshop, their pasts mostly unmentioned, their futures unplanned. Incidents occur, as randomly assorted as the merchandise: a freak stabbing, a visit to a yakuza mobster with a suit of samurai armor to sell, the death of an Afghan hound, the appearance of a celadon bowl that may or may not be cursed. Awkward date nights end in anticlimax: "We had sex, briefly." Kawakami lavishes attention on quotidian minutiae and exquisitely awkward pauses, ending scenes on maddeningly unresolved but vibrant images. The result is a queasy myopia of uncomfortably intimate moments and blurry context. It feels a lot like daily life in Tokyo, but odder. Students of Japanese culture refer to "mono no aware," a wistful sense of the impermanence of things. Kawakami's characters, surrounded by discarded objects, update this ephemeral "Tale of Genji" ambivalence to the broken present. "People buy things exactly because they're of no use," Mr. Nakano tells Hitomi. "The Nakano ThriftShop" may lack the standard features of a novel - back story, narrative momentum, character development - but it captures an untranslatable Japanese mood. JANICE P. NIMURA is the author of "Daughters of the Samurai: A Journey From East to West and Back."
Copyright (c) The New York Times Company [August 27, 2017]
Review by Booklist Review
This atmospheric novel is a strange, lovely, intimate look into the regular lives of a shop owner, his sister, and his two employees. Hitomi and Takeo work at the overflowing Nakano Thrift Shop for the eponymous Mr. Nakano, who spends his days haggling over second-hand goods (not antiques). It isn't long before Hitomi and Takeo aimless, twentysomething loners begin an awkward relationship. Mr. Nakano's sister, Masayo, an artist, is a frequent visitor to the shop and weaves an almost magical spell over customers; the store is always busier when she's around (as is the reader). Although Hitomi is the book's narrator, Masayo is its guiding force. She serves as Mr. Nakano's voice of reason and Hitomi's sexual role model and confidante. Though never explicit, sex is a consistent undertone. In general, the writing is reserved, and the chapters episodic, making this character-driven story slow-paced and dense. A patient reader will be rewarded with memorable characters in a modern Japanese slice-of-life drama.--Sexton, Kathy Copyright 2017 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
In this gentle novel, Kawakami uses a series of vignettes to chronicle a girl's time working at Mr. Nakano's secondhand store in Tokyo. Soon after she's hired, Hitomi begins dating Takeo, a coworker who proudly describes himself as "just simple." Hitomi wonders how to have a carefree conversation with him to overcome the awkwardness that leads him to respond to her messages with: "I'm fine. Hope you are too." Despite this struggle to navigate their shared inexperience, frank sexuality is inescapable at the shop. One customer brings in photographs of "a man and a woman, naked and intertwined," and Mr. Nakano asks Hitomi to read the "totally pornographic" novel his mistress has written to help answer his question: "Are all women really so damned erotic?" Even at their strangest, these interactions are rendered calmly by Kawakami in pleasant, leisurely prose. The progression of events is hardly dynamic, and those quotidian rhythms are reflected in Hitomi's emotional life. Her relationship with Takeo remains forever "out of sync," leaving her to conclude that "love is idiotic, anyway." Rather than describing an awakening, Kawakami is interested in the experience of working an incidental job, and that allows each moment to stand on its own without having to shoulder greater meaning. "The hourly wage wasn't much," Hitomi muses, "but it was consistent with the amount of effort required." (June) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review
In this quirky and episodic novel, a young woman yearns for love in a thrift store full of oddities and odd characters.Kawakami (Strange Weather in Tokyo, 2014, etc.) writes of Hitomi, a nave cashier at the Nakano Thrift Shop, who falls for her co-worker, Takeo. "People scare me," confides Takeo, who wants companionship with Hitomi but nothing more. Though Hitomi and Takeo find friendship on the common ground of Mr. Nakano's unusual shop, Takeo is taciturn and reluctant; he's uninterested in sex. (Their boss, Mr. Nakano, on the other hand, openly discusses his sexual exploits, multiple marriages and trips to visit "the Bank"his mistressto the chagrin of his employees.) Frustrated by Takeo's reticence and lack of attention, Hitomi visits Mr. Nakano's sister, Masayo, for advice. Masayo, who is in her 50s, attempts to explain to Hitomi how nobody can be taken for granted. "When I haven't heard from someone for a while, the first thing that occurs to me is that they might have just keeled over. This was what Masayo had murmured when Takeo hadn't been answering my calls," Hitomi recalls. Masayo's words prove to be prescient. Several items hint at the greater significance of Nakano's thrift store, including an old set of photographs and an antique celadon bowl that's cursed by a breakup. Each has a brief role in the story, but much of Kawakami's work centers on Hitomi's obsession with Takeo's lack of romantic response. Another themeart and its relationship to realityis touched on briefly yet doesn't come to fruition. Romantic discussions and concerns are surface-level. Characters in the novel have no real motivation to change, so the book becomes a static exercise in studying them as objects. Charming and engrossing as a shop of curiosities but thin on meaningful change or conflict. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
