A beautiful, terrible thing A memoir of marriage and betrayal

Jen Waite

Book - 2017

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BIOGRAPHY/Waite, Jen
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Subjects
Genres
Autobiographies
Published
New York, New York : Plume, an imprint of Penguin House LLC [2017]
Language
English
Main Author
Jen Waite (author)
Physical Description
260 pages ; 22 cm
ISBN
9780735216464
9780735216518
9780525533177
Contents unavailable.
Review by New York Times Review

For better and for worst: One new account offers lessons in love, while two others document its horrors. MARRIAGE TAKES WORK. We know, we know! But how do you tell the difference between the work required of any committed relationship and a life sentence of hard labor? A realist might say that if you're happy 51 percent of the time then you're ahead of the game, though anyone who's faced such a conundrum knows it's hard to apply a metric to domestic despair - or bliss, for that matter. This summer, two memoirs about marriages that take abrupt and chaos-inducing turns may instill a new appreciation for the placidity (or monotony) of your own partnership. A third book, which attempts to uncover the secrets of lasting intimacy, leaves readers with more questions than answers, but that's pretty much the idea. MY LOVELY WIFE IN THE PSYCH WARD: A Memoir (Harper Wave/HarperCollins, $25.99) began as a much talked about Modern Love column in The New York Times in 2011 and was expanded for Pacific Standard in 2015, where it became one of that magazine's most read articles of the year. Mark Lukach begins with a breezy and too-good-to-be-true summary of his early years with Giulia, a magnetic and ambitious Italian he met when both were freshmen at Georgetown University. Whereas Lukach is a laid-back surfer who teaches high school and coaches sports, Giulia is career-driven, corporate-minded and determined to micromanage her destiny. They seem like the perfect - and perfectly complementary - couple. And they are dizzyingly happy. But at 27, three years into the marriage and a few weeks into a new job, Giulia begins to experience severe anxiety that rapidly merges with suicidal depression. Within a month, she has entered into full-blown psychosis, insisting that she's talking to the Devil, who's sending her apocalyptic messages. Lukach and his father-in-law have no choice but to pick Giulia up and physically force her into the car to take her to the hospital. When she refuses to enter on her own, Lukach threatens to call the police. After six hours in the emergency room, Giulia is sent home with new medication, but a few days later she's back in the E.R. and this time admitted to a psychiatric unit in another part of the city. It will be the first of three such hospitalizations over five years, one of which comes shortly after the birth of the couple's son. At home, Lukach is Giulia's primary caregiver, one whose heroic rise to the occasion does not preclude moments of frustration and even rage. When the psychosis tapers off, depression takes its place and Lukach not only has to hide Giulia's medication so that she doesn't overdose in an attempt to kill herself but also inspect her mouth to make sure she's swallowed what she's supposed to. You can hardly blame her for resisting. The medication causes her to gain 60 pounds in two months and makes her sluggish almost to the point of immobility. When lithium is added to the mix in an effort to quell the depression, it leaves her, Lukach writes, "in the most stilted and zombified state yet, her arms frozen stiff at her sides, her fingers spread apart, her lips pursed, drool sometimes lingering at the corners of her mouth." This a harsh image for any memoirist to render, let alone a husband writing about his wife. But Lukach's rare combination of tenderness and ruthlessness is what makes this book more interesting than your typical illness narrative. His love for Giulia is apparent on every page, but he also hates her in moments and is willing to show us why. When depression finally lifts and Giulia is "better," she's so busy enjoying life again that she can't be bothered to do anything around the house, nor does she show much appreciation for everything Lukach did for her. You want to shake some gratitude into her, but you also want Lukach to stop coasting on martyr fumes. Fortunately, he's an honest enough writer to quote the therapist who invites a shift in thinking: "Sacrifice is a part of love, Mark. But might there not be more to love than just how much you sacrifice?" This kind of self-scrutiny is nowhere to be found in Jen Waite's husband, Marco, a handsome Argentine bartender who swept the author off her feet and was later discovered to be a liar and philanderer of towering proportions. In a BEAUTIFUL, TERRIBLE THING: A Memoir of Marriage and Betrayal (Plume, $25) Waite retraces her steps through a relationship that first gives her the "strange sensation of seeing the world in color for the first time" but eventually reveals itself to be a series of setups at the hands of a master manipulator. Organized into alternating chapters entitled "Before" and "After," the memoir is a study in "gaslighting" - making someone feel that she is crazy or only imagining things. Just three weeks after the birth of the couple's daughter, Waite stumbles on clues that Marco is involved with another woman. The evidence, much of it in the form of telltale emails, Facebook messages and GPS data, is too glaring to deny, though Marco denies it anyway with methods that range from suggesting his wife has postpartum paranoia to attempting suicide (or pretending to; it's not quite clear) amid an apparent psychotic breakdown. Along the way, Waite doubts herself - "maybe because he's so overtired and overworked he's making really bad decisions and doesn't realize how inappropriate his behavior is" - until she can no longer ignore the facts: She married a man who may well be a sociopath. Waite has a knack for showing the ways that cognitive dissonance can chart pathways in the mind that cause emotional confusion to obscure rational thought. But once we grasp the scope of Marco's deceptions, "A Beautiful, Terrible Thing" starts to sound in places like a friend who's been complaining about her bad relationship for years but does nothing about it. This is due mostly to excessive rehashing on the page, since once Waite makes up her mind to leave Marco she is nothing if not proactive in her efforts to make a life for herself and her daughter on their own. By the end, she has decided to pursue a degree to become a therapist specializing in women recovering from sociopathic relationships. Maybe that's why the book works best when Waite is sharing what she learns about destructive personality disorders and what makes certain people vulnerable to those that have them. After all, there's only so much you can hear about a 22-year-old's Instagram posts or the contents of a cheating spouse's email. As it happens, one of the emails that Waite finds from Marco to his girlfriend (she knows his password; talk about the illusion of trust) contains a link to an article called "36 Questions That Can Make Two Strangers Fall in Love." These questions, devised by a psychologist looking to see if a laboratory experiment could make two people fall in love, are in fact the basis of yet another Modern Love column that became a book. In HOW TO FALL IN LOVE WITH ANYONE: A Memoir in Essays (Simon & Schuster, $26), Mandy Len Catron, who became a TED talk sensation on the heels of her Modern Love success, employs a combination of personal history, family history and social research to try to figure out what makes love last over time. That approach would seem to carry the promise of the kind of lofty self-help literature in the Alain de Botton vein. But despite Catron's obvious intelligence, she comes off as surprisingly unsophisticated. The myths she sets out to bust - the Cinderella story, the idea of happily ever after, the "tyranny of meeting cute" - are chestnuts long ago pulverized in the public consciousness, and it's unclear what new insights she's trying to bring to the table. The 36 Questions, on the other hand, are as intriguing as ever. Catron reprises her Modern Love essay here and includes all the questions in a separate chapter. They're a slow climb up a steep hill. "What would constitute a 'perfect day' for you?" gives way to "If a crystal ball could tell you the truth about yourself, your life, the future or anything else, what would you want to know?" It gets even scarier from there. The crystal ball question took me back to Lukach, whose book may be finished but whose uncertain life with Giulia continues. Would the couple have wanted to know their fate from the beginning? If they'd known, would they have married anyway? "With one word, I had lost my wife and gained a lifelong patient," Lukach writes of hearing the word "schizophrenia" applied to her for the first time. It sounds ominous, but aren't all life partners also lifelong patients in a sense? The work of a long-term committed relationship is essentially the work of keeping someone alive in the ways necessary to ensure that you're kept alive in return. That's a pretty heavy lift - and no two couples carry quite the same load - but it's still nice work if you can get it. And a small miracle if you can get it right even 50 percent of the time. MEGHAN DAUM'S latest book is "The Unspeakable: And Other Subjects of Discussion." Her column appears every eight weeks.

Copyright (c) The New York Times Company [July 30, 2017]
Review by Booklist Review

Waite believed she had found her soul mate when she met Marco at the restaurant where they both worked in New York City. Five years later, shortly after their daughter is born, Waite finds a suspicious e-mail referencing a girlfriend. When she confronts Marco, he claims exhaustion and mental-health issues. His behavior turns cold and detached. Escaping to her parents' house in Maine, Waite tries to parse out the truth, wishing for the old Marco and frightened by this new one. She begins to realize that her marriage has never been what she believed and that Marco was never the person she thought. Chapters reflect her struggle, alternating between Before and After, and her writing is conversational and dialogue-heavy. The style serves her well as she intimately shares with readers her experiences of both falling in love and realizing, terrifyingly, that Marco might be a psychopath. In the kind of story usually found in true crime or suspense, Waite authentically voices her trauma and recovery.--Sexton, Kathy Copyright 2017 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

In this emotionally charged memoir, Waite, who lives in Maine with her daughter, describes how the man she married turned out to be not at all what he seemed. Waite details the unraveling of their five-year romance in a powerful narrative. Waite was a waitress in her 20s when she fell in love with Marco, the bar manager where she worked. She believed she'd found her soul mate even though he had a child before meeting her from another relationship and was working in the country illegally. They married, he got a green card, and she used her savings so that they and some friends could open a restaurant. But soon after giving birth to their daughter, she found a suspicious email from her husband to another woman. He denied having an affair and told her that something was very wrong with him psychologically: he'd stopped feeling anything. Exhausted and confused, she retreated to her parents' house to figure out what was making him sick. She couldn't help continuing her detective work, going through phone records and emails. As she researched his changing behavior, the truth about her relationship was revealed. She realized, with the help of a therapist, that she'd been in love with a liar and a psychopath. Waite's is a well-written and at times gripping story of deceit. (July) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

A woman discovers her husband is not whom she thought he was.Waite met Marco at work; he was the new bar manager, and she was working as a waitress "to make the money that did not seem to be materializing from my acting and modeling careers." They went out for drinks even though Waite had a long-distance relationship with another man. "He was sexy and mysterious and all of a sudden I wanted him more than I had wanted anything in my life," she writes. Before long, they were a couple and moved in together; she agreed to help fund Marco's lifetime dream of opening a restaurant; they got pregnant and married. Then their perfect life fell apart when Waite discovered Marco was cheating on her and had been for quite some time. Alternating between two time framesbefore finding out about the affair and afterthe author slowly unravels the complexity of lies and disillusions she suffered because of Marco. The tension, disbelief, and grief permeate the pages as Waite chronicles how she obsessively checked Marco's email and Facebook accounts for proof of his infidelity. The author makes palpable her inability to cope with the enormity of her situation and the confusion and fear for what a divorce would mean for her newborn child. Her recounting of the events gives readers an up-close look at the psychological damage that occurs when one partner falls completely for another and ignores the gut instincts and warning signs that the relationship may not be what it seems. Those who have been in a manipulative partnership with a narcissistic or abusive person will find Waite's honest retelling relevant and potent. Many will find they can use this as a guidebook of what to watch out for so they don't make the same mistakes that the author did. A frank and visceral dual timeline shows the romance and failure of a woman's marriage to a psychopath. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

***This excerpt is from an advance uncorrected copy proof*** Copyright © 2017 Jen Waite B E FO R E   MARCO. This man, I knew in my gut, was it. I finally understood what it meant, when you "just know." I just knew about Marco. I met him at the Square, the restaurant where we both worked. I got a job as a waitress to make the money that did not seem to be materializing from my acting and modeling careers. Two years out of college, I had quit my job as an analyst at a hedge fund and decided to become a full‑time actor, to "go for it." It sounded great in theory. A year later, I'd gone to audition after audition, casting after casting, and the biggest job I had booked was starring in a holiday vodka commercial. The role called for "blonde, pretty, aspirational, Swedish‑looking." Check, and apparently check, check, check. A whole twenty seconds of staring dreamily into the eyes of the chiseled‑faced man I had met a few hours before and clinking my glass against his. Having a restaurant job to pay the bills made me a cliché, but it was necessary, and besides, it gave the days structure. On the first day of training at the Square, a trendy burger restaurant a few blocks from my apartment, I sat with ten other new employees around a large, circular table, listening to Bruce, the tiny, energetic manager go over the corporate "steps of service." It was my second waitressing job--the first, a chain restaurant in midtown (the only place that would hire me with no experience) lasted just two months. As Bruce danced around the restaurant, demonstrating when to bring steak knives versus butter knives to a table, I scanned the faces around the table, landing on dark brown eyes belonging to one of the bartenders. He was tall and Latin with black, slicked back hair and mocha skin. Judging by his accent when he asked a question about the bar setup a few moments earlier, he had been born elsewhere but had lived in the States awhile; the way he spoke was confident and fluid. Our eyes briefly locked and he gave a quick, easy smile. I looked away, willing myself not to blush. I had learned long ago that the best way to survive in New York City was to keep my defenses up at all times. And anyway, I was happy with my long‑distance boyfriend back home in Maine. Jeff had light blue eyes, curly brown hair, and a build comprised of the muscles he used every day in his construction job. When I saw him without clothes, it was like seeing a Greek god in the flesh. I had never seen a body like that in real life before. I had met Jeff while I was home for the summer helping my mom recover from surgery. When I went back to New York at the end of the summer, we substituted drunken nights on his couch for hours on the phone, and what was supposed to be a fun summer fling somehow turned into a year‑long romance. Our relationship of texting and sporadic weekend visits was easy, and he made me laugh. The meeting ended, and I gathered my notebook and pen and slid my sunglasses up to rest on top of my head. I was almost through the doors leading to the street before anyone else had even gotten up from the table. I felt someone come up right behind me and suddenly the door was opening. It was the Latin. "Jen, right?" Except the way he said it, it sounded like "Gin." "Um, right. Sorry, I was just--" "I'm Marco, the bar manager. Bruce asked me to hand out these employee packets to everyone at the end of the meeting, but you ran away before I could give you one," he said, passing me some rolled up sheets of paper. "Oh, sorry, I was just . . . thanks." I couldn't help but meet his open face with a smile. "Well, you're obviously in a hurry," he said with a wink and then walked away before I could respond. The next day at work we did speed drills at the bar to see how quickly the bartenders could churn out drinks during a rush. "Send three drinks on different tickets, right now, bam, bam, bam," Bruce whispered to me and rubbed his hands together. I put in the order for three drinks. "Ah, a jalapeño margarita for . . . Gin," Marco said as he read the first bar ticket. My face flushed with color. The next ticket printed. "And a mojito for . . . Gin," Marco said with a half-smile. I smiled back as the third ticket printed. "Martini straight up with a twist. Wait. Don't tell me," he scrunched his face up, "For Gin!" "I'm sorry." I laughed, walking over to the bar. "Bruce made me," I whispered when I got close enough. "Don't be sorry," he said. "At least I have something nice to look at while I make these drinks." "Oh. Ha," I said and forced myself to breathe in and out steadily through my nose. On the last night of training, before the restaurant opened to the friends and family of the owners the next day, everyone decided to go for a drink at the dive bar two blocks away. I finished my side work and walked to the bathroom to change out of my black uniform. "Are you coming to Doyle's, Gin?" I looked up to see Marco walking toward me with his small work duffel bag in hand."Umm . . . yeah. I just have to change." "I'll wait for you at the bar. Everyone else already left," he said with a smile. "Oh, OK . . . I'll be right out." My heart pounded as I quickly pulled on skinny jeans and a loose T‑shirt. I walked back through the main room of the restaurant. Marco was waiting by the big glass doors. "After you." Marco held the door open, and we walked through. "Who said chivalry is dead," I said with a small smile. "Oh, that's my Latin charm. It's been bred into me over generations and generations," he said seriously. "Oh, really, is that so?" When our shoulders touched for an instant on the way to Doyle's, I momentarily stopped breathing. At the bar, we settled in with our coworkers. I sat down next to Andrew, a server with a gleaming bald head and oversize bright white teeth, who immediately began telling me about his relation‑ ship troubles with his current boyfriend. Marco ordered two vodka sodas and placed one in front of me. "Double vodka soda for Gin." His smile swept over me. As he walked to the other side of the table, I thought, I am going to marry that man. It was a quick, involuntary thought, and I recoiled as soon as it had passed through my mind. I took a long drink through the straw in front of me and focused on the cool liquid sliding down my throat. For the next hour I talked and joked with Andrew and Karly, another blonde waitress. I'd always thought Karly was icy, but after two beers she melted into a sweet, goofy girl from California. Karly confessed she put on a "bitch face" to fend off advances from the bussers who seemed particularly drawn to her even though she hovered almost a foot above them. I was aware of Marco sitting across the small table from me the entire time, and even though we were both involved in separate conversations, I felt myself speaking every word and making each gesture only for him. As the double vodka soda settled into my bones, loosening my limbs and flushing my cheeks, I pressed my knee into his under the table. For half a second, there was nothing. And then I felt it. A slight returned pressure. Neither of us acknowledged what was happening under the table, and it went unnoticed by all our coworkers. When everyone else said their good‑byes around 2:00 a.m., I turned to Marco, "Are you sure you ordered me a double? It was a little weak." Instead of leaving with the others, he grinned and made his way to the bar saying, "In that case, I better get you another drink or you'll leave dissatisfied, and we wouldn't want that." Karly paused at the door, "Are y'all coming?" "No, we're gonna have one more. See you tomorrow!" Pull up , a voice whispered in my head. Instead I took a large gulp of the drink Marco had just set in front of me. He wanted to know everything about me. There was something about the way Marco looked at me, his eyes were so intense, like I was the only person in the bar. I told him about growing up in a small town on the coast of Maine. My childhood filled with sandy beaches and freezing cold water that gave me ice cream headaches when I dunked (but I always dunked anyway) and playing tag at night with the neighborhood kids. I told him about my parents. How they were the parents that my friends wished were their own parents: affectionate, warm, and funny but also just strict enough. My mom worked her way up the corporate ladder as a manager at L.L.Bean, and my dad was a computer engineer. I told Marco about the moment my dad announced that he had quit his job to start his own company. How, even as an eleven‑year‑old, I knew it was something special and something to be proud of, but the uncertainty made me nervous. After his first two start‑ups failed, we saw less and less of him as he worked longer and longer hours. My mom started getting migraine headaches. There was a tension in our house that had never been there before. And then, after four years and three failed start‑ups, my parents brought my sister and me into the dining room and told us to look at the newspaper lying on the kitchen table. The tiny little blurb circled in pen read, "Cimaron Snapped up by AMCC." My sister and I shrieked in delight. My father's start‑up had been bought by a larger company--we were never told the details, but after that morning, the tension in our house dissipated. I'm not usually in the habit of revealing much about my childhood, but when Marco looked at me, he saw me, who I really was, and my self‑consciousness evaporated. His questions came one after another, and, when I got to the part about my long‑ distance boyfriend, I blushed but plowed on. Marco just smiled and started talking. He told me about growing up in Argentina, about his grandfather's house in the countryside where he would go for the summer and take care of his grandfather's bunnies (only much, much later would he confess that many of those bunnies ended up on their dinner plates), about his trip to the United States with his mother, father, and older sister when he was eighteen. The trip that changed his life. They came for a family vacation after his graduation from military high school. After spending a week in New York City as a tourist who spoke five words of English, he fell in love with the excitement and energy of the city and refused to board the plane back home. It was a split second decision that resulted in a brand‑new life in a foreign country and the most exciting city in the world. Then, five years later, when he was just twenty‑three and had worked his way up from a busser, to a server, to a bartender, and had become fluent in English, he got his Polish girlfriend pregnant. The girlfriend left him when the baby was a year old, and he had stayed in New York to be close to his son. He had begged her to try to make it work for their new family, but she had already moved on to someone else. She gave him a week to get out of their apartment so her new boyfriend could move in. That was seven years ago. "I've never told anyone those details before," he said slowly, looking up from his hands. "I'm so sorry. That's . . ." I reached out and touched his arm. I wanted to know everything about him, but in the next moment, he cleared his throat and smiled, "I think they're closing up. You better finish your drink." I leaned forward to take in the last of the vodka soda through the straw. "Don't do that." "Do what?" I asked. "Lean over like that." I looked down to see cleavage, a lot of cleavage. "On that note . . . it's probably time for me to go home." Marco walked me home, and we hugged in front of my building. When our bodies pressed together, electricity coursed through my body. "Well, I think you better go inside right now," Marco said with a laugh. "Because if you don't get out of my sight soon, I might try to kiss you. And I don't want to embarrass myself." My cheeks flushed with pleasure. "Good night, Marco." "Good night, Gin." Excerpted from A Beautiful, Terrible Thing: A Memoir of Marriage and Betrayal by Jen Waite All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.