Robert B. Parker's The Hangman's sonnet A Jesse Stone novel

Reed Farrel Coleman, 1956-

Large print - 2017

"Jesse Stone, still reeling from the murder of his fiancée by crazed assassin Mr. Peepers, must keep his emotions in check long enough to get through the wedding day of his loyal protégé, Suitcase Simpson. The morning of the wedding, Jesse learns that a gala 75th birthday party is to be held for folk singer Terry Jester. Jester, once the equal of Bob Dylan, has spent the last forty years in seclusion after the mysterious disappearance of the master recording tape of his magnum opus, The Hangman's Sonnet. That same morning, an elderly Paradise woman dies while her house is being ransacked. What are the thieves looking for? And what's the connection to Terry Jester and the mysterious missing tape? Jesse's investigation ...is hampered by hostile politicians and a growing trail of blood and bodies, forcing him to solicit the help of mobster Vinnie Morris and a certain Boston area PI named Spenser. While the town fathers pressure him to avoid a PR nightmare, Jesse must connect the cases before the bodies pile up further"--

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Subjects
Genres
Mystery fiction
Suspense fiction
Published
Waterville, Maine : Thorndike Press, a part of Gale, a Cengage Company 2017.
Language
English
Main Author
Reed Farrel Coleman, 1956- (author)
Edition
Large print edition
Physical Description
511 pages (large print) ; 24 cm
ISBN
9781432843144
Contents unavailable.
Review by Booklist Review

*Starred Review* Since the death of his fiancée in a violent shootout, Jesse Stone, police chief of Paradise, Massachusetts, has crawled into the bottle and rarely emerged. He's kept his job only because his loyal second, Molly Crane, has covered for him. Jesse is sober for the first time in weeks because it's wedding day for his deputy, Suit Simpson. As long as he's sober, Stone agrees to meet with representatives of a group planning a seventy-fifth birthday celebration for Terry Jester, a once-renowned folk singer who has lived in seclusion for 40 years, since the disappearance of the master tape of his much-anticipated album The Hangman's Sonnet. The event will take place at a tony local resort and should bring the elite to Paradise. Shortly after the meeting, a 90-year-old widow is killed during a home invasion and her home ransacked. It's only the beginning in a series of violent events that may be connected to the reclusive singer and his lost album. For help, Jesse reaches out to his mobster friend Vinnie Morris and to a private investigator named Spenser. Coleman's fourth Jesse Stone novel is easily his best. It features a clever plot and finds Jesse confronting some very real inner demons. Best of all, it brings together three of Robert B. Parker's much-loved characters. Must reading for Parker devotees who have made peace with the idea of other writers carrying on his name.--Lukowsky, Wes Copyright 2017 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Coleman's heartfelt fourth contribution to Parker's Jesse Stone series explores the meaning of a haunting line from the eponymous sonnet: "The mirror has revealed my hangman's face." Jesse, the police chief of Paradise, Mass., has been deeply scarred by the tragic death of his significant other, who was murdered in front of him at the end of 2016's Debt to Pay. Several months later, Jesse is still taking refuge in the bottle, and despite his colleagues' efforts to cover for him, his diminished capacity has come to the attention of the town's mayor, Constance Walker, who was already not a fan of his. As he struggles to cope with his loss and his self-destructive response to it, Jesse must investigate the death of an elderly town resident during the course of a burglary. He also cooperates with private security on an upcoming birthday gala honoring a reclusive singer and songwriter who was once considered the "Boston Bob Dylan," a responsibility that becomes progressively more complicated. Coleman balances plot and character perfectly. Author tour. Agent: Esther Newberg, ICM Partners. (Sept.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

An upcoming birthday celebration sticks Paradise police chief Jesse Stone with a case that even Spenser, his private-eye counterpart in the late Parker's better-known franchise, couldn't solve.Terry Jester, ne Jacobivitz, is about to turn 75, and Stan White, his longtime manager, is pulling out all the stops to celebrate the event. It would be wonderful if the great man could mark the day, and end 40 years out of the musical limelight, by releasing "The Hangman's Sonnet," his legendary comeback project, but the master tape of the album, which reportedly featured all sorts of A-list musicians in unaccustomed support of Boston's answer to Bob Dylan, vanished years ago, unheard by anyone but WBMB DJ Roscoe Niles. Jesse, still mourning his murdered fiancee, Diana Evans (Robert B. Parker's Debt to Pay, 2016), while he celebrates the wedding of Officer Luther "Suitcase" Simpson, wants nothing better than to be left alone to fall off the wagon again. But medical examiner Tamara Elkin lectures him about drinking himself numb; Paradise mayor Constance Walker alternately needles and threatens him over his minimal efforts at making her look good; and the death of elderly Maude Cain at the hands of a pair of burglars demands his attention. There's no mystery about who the burglars werewith the help of his mobbed-up frenemy Vinnie Morris, whom he consults when he doesn't feel like doing actual detective work, Jesse quickly identifies them as Kirk Kingston Curnutt and Humphrey Boltonthe big questions involve what they were looking for and whether they found it before they took off. An even bigger question has an even more obvious answer: could the long-missing mix tape and the brand-new burglary possibly be connected? A cameo appearance by Spenser resolves nothing but makes Jesse, who can certainly use a boost, look comparatively good. The convoluted plot entangles a remarkable number of suspects. If you think you've picked out the guilty party, you're probably right. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

1 Fully sober for the first time in weeks, Jesse Stone was pounding the ball into the worn pocket of his old glove. As he slammed the ball into the glove over and over again, he stared out his office window at Stiles Island and the morning sunlight reflecting off the dark blue waters surrounding it. He was trying to steady his hands and empty his mind. Some men prayed the rosary. Some meditated. He wasn't one to overthink things. At least he hadn't been until Mr. Peepers had shot Suit. Jesse could trace his self-doubt and second-guessing back to that bloody day. How many times in the last few months had he traced a jagged red line from the day Suit was wounded to the day Diana was killed? How many times had he rehashed the events between those two incidents, questioning his decisions? And today those questions rang in Jesse's ears as loudly as they ever had. "Jesse," Alisha said, sticking her head through his office door. "I didn't expect you in today, with Suit's wedding and all." He didn't turn around but stopped pounding the ball. "Just making sure things are in place, with most of us scheduled to be at the wedding." The truth was that he hadn't slept more than a few hours last night, nor did he want to be alone in his house with his memories and doubts. "We'll be fine. Nice tux," she said, noting Jesse's outfit hanging from his coatrack. "Thanks." He turned slightly, smiled. "What did you come in here for, anyway?" "Since you're in, there are some people here to see you. Should I send them in?" He cursed under his breath. He was desperate for a drink but was duty-bound to stay straight for the rest of the day. "Who?" "Roger Bascom." "Send him in." "He's not alone. He's got two other people with him." "What two other people?" he asked, his voice edgy, impatient. Alisha shrugged. "Bascom didn't bother introducing them, but one of them is stunning. She's dressed in a few thousand bucks' worth of clothes and jewelry. Her Christian Louboutin shoes and her makeup alone cost more than I make every two weeks. Believe me, Jesse, she'd get your attention if she was dressed in a potato sack." "The third member of the party?" "An older man. Well dressed, but he reminds me of a used-car salesman." "Send them in," Jesse said, placing his ball and glove on his desk. Roger Bascom was the head of private security for Stiles Island. Stiles, largely a playground for the wealthy, was under Jesse's jurisdiction. Most of the time there was little reason for his cops to venture over there to do anything but routine patrols. Early in Jesse's tenure, there had been a failed assault on the island by a gang of thieves, during which the bridge to the mainland was blown up and several cops, guards, and criminals had been killed. Since that day, the islanders had seen fit to get more serious about protecting themselves and their assets. Over the years there had been a gradual upgrading of security, in terms of both personnel and equipment. Jesse didn't have much use for Bascom, a lean man with a military brush cut and a chilly demeanor. He took himself a little too seriously for Jesse's taste. Dealing with him was like dealing with a household appliance, only less enjoyable, but Jesse wasn't paying much attention to Bascom when the trio walked into the office. Alisha's assessment of the woman with Bascom was spot-on. She wasn't yet thirty, drop-dead gorgeous, with hair that shone in the light like a blackbird's feathers in the sun. She had intense green eyes flecked with gold. Beautiful eyes, but intelligent and assessing. She had goddess cheekbones and a thin sculpted body that was only enhanced by the cut of her suit, the height of her heels, and her taste in jewelry. Alisha had gotten it right about the third member of the party as well. In his seventies, too tanned, with a head of wispy Einstein hair, he wore a light brown suede jacket over a white silk shirt, the open collar of which exposed a tangle of furry white chest hair. He also had on expensively ripped jeans and running shoes. Jesse stood and got a third chair to add to the two that permanently faced his desk. He asked all three to sit and then went back behind his desk. He sat, too, keeping his shaky hands out of sight. He nodded. "Roger, what's going on?" "Chief Jesse Stone, meet Bella Lawton and Stan White. The chief prefers to be called Jesse." Bascom made a disapproving face. Jesse ignored that and nodded to them. He saw that Bella Lawton's eyes focused on his baseball glove. Bascom noticed her notice. "Chief Stone was a professional baseball player. In the Dodgers' system, I believe." "Uh-huh. Now that we all know one another's names and you know I played ball, what can I do for you?" Jesse saw Bella's eyes shifting from his glove to his tuxedo. "One of my officers is getting married later this morning, so if you don't mind, can we get to the point?" The three visitors looked at one another as if silently arguing about who would answer the question. Finally, Stan White spoke up. "Terry Jester," he said, as if those four syllables were self-explanatory. Jesse nodded, thinking that maybe they were. 2 Stan White stared at him impatiently, mistaking Jesse's silence for ignorance. That was usually a grave mistake. Jesse didn't mind. He knew that in most situations it was better to be underestimated, and cops were always being underestimated. Still, Jesse kept quiet. Silence could be a cop's best friend. He enjoyed watching White squirm. As he did, he took sideways glances at Bascom and Bella. Bascom was his usual unreactive Frigidaire self. Bella was trying unsuccessfully not to smile, and her smile did nothing to damage Jesse's opinion of her looks. White had had enough of Jesse's silence and repeated himself, only louder. "Terry Jester! You've heard of Terry Jester, haven't you?" "Who?" White thought that if he kept repeating Jester's name over and over, it might get through to Jesse. He stood up, wagging his finger at Jesse. "Terry Jester. The Terry Jester." Jesse shrugged and tilted his head like a confused puppy. "Sorry. I got nothing." White turned to Bascom. "Is this guy for real?" "Relax, Stan," Bascom said, shaping his mouth into something that passed for a smile. Bella said, "I think Chief Stone-Jesse is . . . I believe the technical term would be busting your balls. Is that right?" If she was trying to make a good impression, she was doing a hell of a job. Jesse laughed his first meaningful laugh in months. "I'm sorry, Mr. White. I know who Terry Jester is. I played ball. I didn't live in a cave. Folks around here call him the Boston Bob Dylan." But instead of calming down, White was apoplectic. "Bob Dylan isn't fit to kiss Terry's tuchus. Until Terry went into semiretirement, their record sales were about the same. And as a poet, Dylan couldn't hold a candle to Terry. Dylan the genius . . . get outta here. You wanna see where 'Mr. Tambourine Man' comes from and all those swirling, rapid-fire words from Zimmerman, go get yourself a copy of Mexico City Blues, for chrissakes! Terry Jester never had to rip off Jack Kerouac." "Take it easy, Stan," Bella said, grabbing his forearm and urging him back into his seat. She turned to Jesse. "You'll have to forgive Stan. He's been Terry's manager for-how long has it been?" "Fifty-three years." White puffed out his chest, a wistful look in his eyes. "We were just two kids, Terry and me, bumming around Greenwich Village then, not even eighteen. We didn't have two nickels to rub together, but we did gigs, had fun. I could sing a little, write a little, but Terry, Terry . . . He had the magic. He had the gift, the looks. Me . . . I had business sense and some family connections. One thing led to another and . . ." Jesse said, "All very fascinating, Mr. White, but-" "Stan, please." His agitation was suddenly replaced by a winning smile and polite charm. "Please forgive my outburst. Old men get impatient." "No need to apologize, Stan, but what has all this to do with the Paradise Police Department?" White said, "It'll be all over the local media soon about Terry and the album, so we thought we should give you a heads-up is all." White had leaned forward and whispered the words the album like he was giving Jesse top-secret information. That got Jesse's attention. "The album?" White raised his palms, winked at Jesse, and said, "You'll see. Terry might even sing a few songs from the album. That would be a once-in-a-lifetime thing." Before Jesse could ask anything else, Bascom spoke up, "A month from tomorrow, Mr. White will be throwing a gala seventy-fifth birthday party for Mr. Jester at the Wickham estate on Stiles Island. There will be several celebrity guests in attendance. Some will be arriving by chartered yacht from New York City, but most will be coming by car through town. You will no doubt want to have your entire department on duty that weekend and alert your auxiliary as well. Mayor Walker has given Mr. White and Ms. Lawton her assurance that you will give us your full cooperation." Jesse bristled at that. Not only was Bascom condescending to dictate how Jesse should deploy his department, but they'd gone over his head, directly to the mayor. Beyond that, the last thing Jesse wanted to deal with in high summer in a seaside town like Paradise was a celebrity invasion. As an L.A. cop, he'd seen what nightmares star-studded events created even in a town that lived for them and was equipped to handle them. Jesse kept his cool, ignoring Bascom and talking directly to Bella Lawton. "That makes you PR," he said, nodding at Bella. She smiled her electric-white smile. "Very good, Jesse. Yes, I'll be handling all the traditional, digital, and social media for the gala. And with all due respect to Roger's understated assessment of the attendees, we anticipate several megastars from across the artistic spectrum to be there. We're still waiting on Jay Z and BeyoncZ, Clooney, and Jagger's people to give us a firm yes. But those are only some of the A-listers we're looking at." Had he not been so desperately craving a drink at that moment, Jesse might have chided Bella for giving herself away. He had always been good at seeing the truth beneath the bullshit. It was one of the qualities that made him a great cop. What Bella had really said was that the response to the invitations wasn't what they had hoped for and they were going to put on a full-court press. Press being the operative word. "Okay, thank you for notifying me," Jesse said. "I'll be in touch. If you don't mind, I've got to get ready for this wedding." Bascom just stood and left. White, confused by Jesse's terse dismissal, hesitated for a beat or two, then followed Bascom toward the office door. Only Bella lingered. White called to her, "Bella, are you coming?" "Go on, Stan. I'll be out in a second." She waited for White to leave before turning back to Jesse. "I guess I overplayed my hand there with the A-list-megastar routine. How did you know?" "I worked LAPD for a long time and my ex-wife was an actress. Not many PR ploys I haven't seen." "Sorry, Jesse, I meant no disrespect." "I can take it." She leaned across his desk. "I just bet you can." A loud few seconds of silence followed as they both let Bella's comment hang there between them. She placed a business card on the desk, took a pen out of her bag, and wrote something on the back of the card. "Listen, Jesse, I might have oversold it, but we really are expecting a crowd and there will be some marquee names among them. So please don't totally discount what we've said. That's my cell number on the back of the card. Call me . . . anytime." When she left, Jesse picked up the card, but he was too preoccupied to care. Instead, he pulled out his side drawer and looked for the bottle he knew wasn't there. It was only another few hours, he told himself, and then went back to pounding the ball into his glove. 3 He'd already pulled the dresser drawers out one at a time, running his latex-gloved hands through the old lady's clothes. He'd turned the drawers over, searching for a hidden key, a note with instructions, or an envelope. Something. Anything. Now he moved on to her bedroom closet, gagging at the lavender, lilac, orange peel, and clove stench of the big potpourri sachet on the shelf. It wasn't just the potpourri getting to him. It was the way the mildew and camphor mixed and clashed with each other. Maybe it wasn't that at all. Since coming into her bedroom, he hadn't been able to escape the memories of his own grandma. Memories of how she used to powder herself up and pile on the clownish face paint over her sagging chicken skin, how she sprayed on sickly-sweet old-lady perfume to cover up the telltale scent of her own decay. He couldn't escape the feeling that she was watching him, judging him, especially when he touched the old lady's underthings. That really gave him the creeps. After patting down her dresses, her coats, and inspecting each of her shoes, he grabbed a chair. He stood on it and began to remove things from the shelf: hat boxes, cardboard boxes, photo albums, letters bound together with faded red ribbon. This was more like it. He tossed each item onto the bed, gladly leaving the white satin sachet bag behind. As he stepped off the chair, there was a knock at the bedroom door. Heart thumping, he froze, one foot still on the chair seat, the other on the floor. He laughed at himself for reacting. The cops wouldn't have knocked, and unless the old biddy had Houdini skills, she was still tied up in the basement. "What is it, Hump?" A linebacker-sized man in his forties with a face pitted like a bad country road stepped into the bedroom. Six-foot-three and two-forty, going soft around the middle, he looked like he'd forgotten to take his shoulder pads off after practice. "King," he said. "Why are you dumping out the old girl's panties and stuff on the bed?" Excerpted from Robert B. Parker's the Hangman's Sonnet by Reed Farrel Coleman All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.