Marriage of a thousand lies

SJ Sindu

Book - 2017

"Lakshmi, called Lucky, is an unemployed millennial programmer. She likes to dance, to have a drink or two, and she makes art on commission. Fifty bucks gets you high-resolution digital images of anything you want (orcs, mermaids, cos-playing couples in sexy boudoir scenes) and a nice frameable print. Lucky's husband, Krishna, is an editor for a greeting card company. Both are secretly gay. They present their conservative Sri Lankan-American families with a heterosexual front, while each dates on the side. When Lucky's grandmother has a nasty fall, Lucky returns to her mother's home to act as caretaker and unexpectedly reconnects with her childhood best friend and first lover, Nisha. Nisha has agreed to an arranged marri...age with a man she doesn't know, but finds herself attracted to her old friend. The attraction is mutual and Lucky tries to save Nisha from entering a marriage based on a lie. But does Nisha really want to be saved? And what does Lucky want, anyway? It doesn't always get better. To live openly means that Lucky would lose most of the community she was born into--a community she loves, an irreplaceable home. As Lucky, an outsider no matter what choices she makes, is pushed to the breaking point, Marriage of a Thousand Lies offers a moving exploration of friendship, family, and love, shot through with humor and loss"--

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Subjects
Genres
Domestic fiction
Psychological fiction
Published
New York, NY : Soho Press, Inc [2017]
Language
English
Main Author
SJ Sindu (author)
Physical Description
275 pages ; 22 cm
ISBN
9781616957902
Contents unavailable.
Review by Booklist Review

What do you do when your life is built on a lie your marriage, your family relationships, your entire identity? The heroine of Sindu's fine debut, who goes by the Americanized name of Lucky (her birth name is Lakshmi), is a lesbian married to a gay Indian man, Kris (short for Krishna), and to make matters worse, her economic situation is also precarious: she is an unemployed millennial programmer. The child of immigrants from Sri Lanka, Lucky is caught in a double bind: Does she acquiesce or be true to herself? She wants to please her traditional family, especially her mother and grandmother, who want her to live the conventional life of a good brown daughter. Her feelings are further complicated when she learns that her first love, Nisha, is about to get married to someone she doesn't love. When Lucky's grandmother is injured in a fall, Lucky returns to her mother's home to be her grandmother's caretaker, and to confront her present and future. A timely tale with themes of immigration, free will, identity, and personal choice.--Sawyers, June Copyright 2017 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

An unusual marriage of convenience sets in motion Sindu's perceptive, subtle, and provocative first novel. Lucky, born Lakshmi, is a second-generation Tamil Sri Lankan who grew up in a wealthy suburb of Boston. She meets Indian Kris when he is on a student visa at the college they both attend, where she recognizes him as "the only other South Asian queer on campus." The two realize that marriage will placate parents suspicious of their sexuality, permit Kris to stay in the country, and allow them to conduct their affairs in private. Lucky's life gets complicated when her elderly grandmother is injured in a fall and she has to return to the family home to help care for her. Here, she reunites with her high school lover, Nisha, who is about to enter into an arranged marriage. Sindu's characters, including Lucky's divorced parents, are all believably complicated and compassionately observed, and she anchors the central tension between individuality and ties to family in concrete scenes from Lucky's life, whether she's learning to play rugby with some of Nisha's friends or helping Nisha get dressed for her engagement party. The author's quirky sense of humor and matter-of-fact take on a potentially fraught situation keep the tone of the novel deceptively light, resulting in a moving and memorable story. (June) © Copyright PWxyz, LLC. All rights reserved.


When I was nine I wanted a short-sleeved button-down shirt. Amma refused to buy one from the boys' section, pushed me instead toward the pinks and butterflies in the girls', so I told her I needed one for a school play. I wore it open when I biked down hills, the wind slipping its fingers through the loose weave, cooling my sweat through my tank top. My best friend Nisha told me I'd make a cute boy, and her words squeezed something deep inside my bones, pried loose the skin between my legs. Pin pricks. Needles. My first lie.     Music pumps from the walls and jumps off the tin roof tiles. Gay night at the local dive, and it's a clash of rainbow shirts against walls of dusty license plates. College lesbians and blue-collar queers slide around each other in the hot, coffin-shaped bar. Hands slip numbers over sticky tables, roaming thumbs hook over edges of rough denim, drunken tongues on beads of sweat, lips mix over whispered lies, skin on skin without room for truths and this is why we're here.      "Two o'clock," Kris says. "Don't look." He leans my way over a tall, spindly table and sips his long island iced tea through a stirrer held between his teeth. His hair, which he grows out into a swoop over his left eye, falls down between us like a curtain. We've both taken off our wedding rings. Mine rests in a tiny glass tray in our bathroom. Kris's is placed carefully on his nightstand next to his multivitamins.      The walls vibrate with the bass, bouncing across my skin. I drink my beer and check my phone, wondering if it's my ex calling, but it's only my mother.       "Your two o'clock, or mine?" I say.       "Mine." Kris shakes the hair out of his eyes and points at my phone. "Is it Emily?"       "No." I put my phone back in my pocket. It's only been a couple of weeks since Emily and I broke up, but the time has stretched me out. My insides feel ragged and thin. I want the dance floor to swell up with people, the music to climb inside me and wipe my brain clean.      Kris stares hard at his glass, now mostly filled with ice, the dark tea slurped down to the last inch. Even at twenty-seven, he is still all angles that push at his clothing.      I drain the last of my beer and walk toward the bar. Kris's two o'clock is a man sitting at the table next to ours in a Red Sox hat and a white Hanes shirt. He holds his Bud Light to his lips but doesn't drink.      I walk up next to a woman on a bar stool whose sad eyes droop down at the outer corners like they're going to tip the pupils right out of her face. My phone buzzes. I ignore it. The woman smiles at me, her mouth edged in red lipstick. I could take her into a bathroom stall and push her up against the cold brick walls. I think of that red, red mouth gaping open, lipstick smeared, fingers clutching at me, lips slippery on my fingers and mouth.      I smile back. She slides her bar stool closer and touches my arm when she talks, her fingers tingling the skin where I've pushed up the sleeves of my button-down. Kris would say it was worth it. A fuck's a fuck, he would say.      My phone buzzes. Amma again. I leave the woman smiling and walk back to where Kris is standing, stirring the ice in his glass around and around. This is the first time we've gone out in months--my unemployment and his busy work schedule as a second-pass message editor for a greeting card company keeps us out of the bars and at home doing normal married people things like Amma always wanted. Kris spends his nights trying to write his own greetings and staring at the cards framed over his desk, the few he got published when he first left engineering and started in this business. I spend my nights drawing commissions for horny suburban fanboys with money to waste--too-thin elves facing off against tentacled monsters, custom Sailor Scouts, coy anime girls frolicking at the beach, well-endowed geishas undressing in dimly-lit rooms.       "So?" Kris says. He tips his glass back and shakes an ice cube into his mouth.       "The one at the bar? I don't think so."       "A fuck's a fuck." He holds the ice cube between his teeth and talks around it. "Emily's getting laid. Why shouldn't you?"       "Shut up." I wish I had bought another beer so that I'd have something to hold onto, so that the cold of it could take my mind off the ache in my stomach. My hands grasp at the air.      The man in the Red Sox hat stares hard at Kris through the darkness of the bar.       "Emily was no Nisha," Kris says. He raises his empty glass. "To Nisha, your oldest and truest."      I feel the outline of my phone through my pocket and think about calling Nisha.       "Red Sox Hat seems interested," I say.       "He's drinking a Bud Light."       "A fuck's a fuck."      I haven't spoken to Nisha since my wedding, haven't had a meaningful conversation with her since we graduated from high school four years before that. I tap my fingers on the table. What would she say if I called her now?       "He's not bad looking." Kris tucks a piece of hair behind his ear and looks again at the man, letting his gaze linger. He crunches down on another ice cube. "He's coming over."      Red Sox Hat puts his enormous biceps on our table, which creaks under the pressure. He's younger-looking close up, probably still in his early twenties, still in college. Kris sits up a bit straighter.      The man smirks at me and says, "Can I buy you a drink?"      Before I can react, Kris reaches across the table and folds his fingers over my wrist. My phone buzzes.       "This one's mine," Kris says.      Red Sox Hat gets up off the table and looks from Kris to me and back to Kris. "My mistake." He walks back to his table.      I wrench myself from Kris's grip. He puts his forehead in his hands.       "Sorry," I say. "I thought he was looking at you."      Kris nods to the table. I rub my wrist where he held it. We have an agreement that he'll intervene if guys hit on me, but he overdoes it.       "I knew these boots were a bad idea," I say. Kris had picked them out. "I look straight."       "How's this for a greeting? Roses are red, violets are blue."       "Is now really the time?"       "Every guy I like just wants to sleep with you."       "Wonderful. You should write greetings for a living."      Kris lifts his head up and catches my eye. We laugh at the same time. Our heads tip toward each other and we clutch the table for support. Some of the thinness inside me fades. I feel almost solid. Excerpted from Marriage of a Thousand Lies by S. J. Sindu All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.