The lying game

Ruth Ware

Large print - 2017

On a cool June morning, Isa Wilde, a resident of the seemingly idyllic coastal village of Salten, is walking her dog along a tidal estuary. Before she can stop him, Isa's dog charges into the water to retrieve what first appears to be a wayward stick, but to her horror, she discovers it's not a stick at all but a human bone. As her three best friends from childhood converge in Salten to comfort a seriously shaken-up Isa, terrifying discoveries are made, and their collective history slowly unravels.

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LARGE PRINT/FICTION/Ware, Ruth
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Subjects
Genres
Psychological fiction
Thrillers (Fiction)
Published
Waterville, Maine : Thorndike Press, a part of Gale, a Cengage Company 2017.
Language
English
Main Author
Ruth Ware (author)
Edition
Large print edition
Physical Description
613 pages (large print) ; 23 cm
ISBN
9781432840815
Contents unavailable.
Review by New York Times Review

A single cryptic text, "I need you," reunites four friends in the stippled light of an English seaside village just as surely as it signals readers that they're in the hands of a pro. Ware sets her psychological puzzle in a crumbling old mill on the Reach, where a marshy river meets the glimmering sea. It's the home of Kate, who summons her old friends Isa, Thea and Fatima when the discovery of a human bone in the shifting sand threatens to reveal misdeeds from their boarding-school days 17 years earlier. Ware further complicates the guessing game with the disclosure that the teenagers once played a game of their own invention, awarding points for telling convincing lies to taunt their classmates. Now the former clique must separate truth from deception as the stakes ratchet higher amid the growing possibility that someone close to them has committed murder. "A lie," says the narrator, Isa, no slouch at the game. "I'd almost forgotten how they feel on my tongue, slick and sickening." Capable as she is, Ware hasn't worked out all the kinks of believability. Would Isa, a hyperprotective new mother, keep returning to the creepy mill with her baby as threats mount, the electricity fails and the sea threatens to swallow any route of escape? But for the most part, "The Lying Game" makes good on its premise that tall tales have consequences, especially when they're exposed to the glare of truth.

Copyright (c) The New York Times Company [September 10, 2017]

The Lying Game I'm coming!" I shout it up the stairs, as Owen calls something down above Freya's sleepy squawking cries. When I get up to the bedroom he's holding her, pacing back and forth, his face still pink and crumpled from the pillow. "Sorry," he says, stifling a yawn. "I tried to calm her down but she wasn't having any of it. You know what she's like when she's hungry." I crawl onto the bed and scoot backwards into the pillows until I'm sitting against the headboard, and Owen hands me a red-faced, indignant Freya who takes one affronted look up at me and then lunges for my breast with a little grunt of satisfaction. All is quiet, except for her greedy suckling. Owen yawns again, ruffles his hair, and looks at the clock, and then begins pulling on his underwear. "Are you getting up?" I ask in surprise. He nods. "I might as well. No point in going back to sleep when I've got to get up at seven anyway. Bloody Mondays." I look at the clock. Six a.m. It's later than I thought. I must have been pacing the kitchen for longer than I realized. "What were you doing up, anyway?" he asks. "Did the bin lorry wake you?" I shake my head. "No, I just couldn't sleep." A lie. I'd almost forgotten how they feel on my tongue, slick and sickening. I feel the hard, warm bump of my phone in my dressing gown pocket. I'm waiting for it to vibrate. "Fair enough." He suppresses another yawn and buttons up his shirt. "Want a coffee, if I put one on?" "Yeah, sure," I say. Then, just as he's leaving the room, "Owen--" But he's already gone and he doesn't hear me. Ten minutes later he comes back with the coffee, and this time I've had time to practice my lines, work out what I'm going to say, and the semi-casual way I'm going to say it. Still I swallow and lick my lips, dry-mouthed with nerves. "Owen, I got a text from Kate yesterday." "Kate from work?" He puts the coffee down with a little bump, it slops slightly, and I use the sleeve of my dressing gown to mop the puddle, protecting my book, giving me time to reply. "No, Kate Atagon. You know, I went to school with her?" "Oh, that Kate. The one who brought her dog to that wedding we went to?" "That's right. Shadow." I think of him. Shadow--a white German shepherd with a black muzzle and soot-speckled back. I think of the way he stands in the doorway, growls at strangers, rolls his snowy belly up to those he loves. "So . . . ?" Owen prods, and I realize I've stopped talking, lost my thread. "Oh, right. So she's invited me to come and stay, and I thought I might go." "Sounds like a nice idea. When would you go?" "Like . . . now. She's invited me now." "And Freya?" "I'd take her." Of course, I nearly add, but I don't. Freya has never taken a bottle, in spite of a lot of trying on my part, and Owen's. The one night I went out for a party, she screamed solidly from 7:30 p.m. to 11:58, when I burst through the doors of the flat to snatch her out of Owen's limp, exhausted arms. There's another silence. Freya leans her head back, watching me with a small frown, and then gives a quiet belch and returns to the serious business of getting fed. I can see thoughts flitting across Owen's face . . . That he'll miss us . . . That he'll have the bed all to himself . . . Lie-ins . . . "I could get on with decorating the nursery," he says at last. I nod, although this is the continuation of a long discussion between the two of us--Owen would like the bedroom, and me, back to himself and thinks that Freya will be going into her own room imminently, when she turns six months. I . . . don't. Which is partly why I've not found the time to clear the guest room of all our clutter and repaint it in baby-friendly colors. "Sure," I say. "Well, go for it, I reckon," Owen says at last. He turns away and begins sorting through his ties. "Do you want the car?" he asks over his shoulder. "No, it's fine. I'll take the train. Kate will pick me up from the station." "Are you sure? You won't want to be lugging all Freya's stuff on the train, will you? Is this straight?" "What?" For a minute I'm not sure what he's on about, and then I realize--the tie. "Oh, yes, it's straight. No, honestly, I'm happy to take the train. It'll be easier; I can feed Freya if she wakes up. I'll just put all her stuff in the bottom of the pram." He doesn't respond, and I realize he's already running through the day ahead, ticking things off a mental checklist just as I used to do a few months ago--only it feels like a different life. "Okay, well, look, I might leave today if that's all right with you." "Today?" He scoops his change off the chest of drawers and puts it in his pocket, and then comes over to kiss me good-bye on the top of my head. "What's the hurry?" "No hurry," I lie. I feel my cheeks flush. I hate lying. It used to be fun--until I didn't have a choice. I don't think about it much now, perhaps because I've been doing it for so long, but it's always there, in the background, like a tooth that always aches and suddenly twinges with pain. Most of all, though, I hate lying to Owen. Somehow I always managed to keep him out of the web, and now he's being drawn in. I think of Kate's text, sitting there on my phone, and it feels as if poison is leaching out of it, into the room--threatening to spoil everything. "It's just Kate's between projects, so it's a good time for her and . . . well, I'll be back at work in a few months, so it just feels like now's as good a time as any." "Okay," he says, bemused but not suspicious. "Well, I guess I'd better give you a proper good-bye kiss, then." He kisses me, properly, deeply, making me remember why I love him, why I hate deceiving him. Then he pulls away and kisses Freya. She swivels her eyes sideways to regard him suspiciously, pausing in her feed for a moment, and then she resumes sucking with the single-minded determination that I love about her. "Love you, too, little vampire," Owen says affectionately. Then, to me, "How long is the journey?" "Four hours, maybe? Depends how the connections go." "Okay, well, have a great time, and text me when you get there. How long do you think you'll stay?" "A few days?" I hazard. "I'll be back before the weekend." Another lie. I don't know. I have no idea. As long as Kate needs me. "I'll see when I get there." "Okay," he says again. "Love you." "I love you, too." And at last, that's something I can tell the truth about. Excerpted from The Lying Game by Ruth Ware All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.