The weight of night A novel of suspense

Christine Carbo

Book - 2017

"In the magnificent and brutal terrain of Glacier National Park, a devastating forest fire reveals a long ago crime that may be connected to the recent disappearance of a young boy, from the award-winning author of The Wild Inside and Mortal Fall--perfect for fans of Nevada Barr and C.J. Box. In a land sculpted by glaciers, the forest is on fire. Thick smoke chokes the mountain air and casts a twilight glow over the imposing mountains and vistas of Montana's Glacier National Park. When firefighters are called in to dig fuel line breaks near the small town bordering the park, a crewmember is shocked to unearth a shallow grave containing human remains. Park Police Officer Monty Harris is summoned to the site to conduct an excavati...on. But with a 2,500-degree incendiary monster threatening to barrel through the town and no forensic detective on hand, Monty must work outside protocol. So he seeks help from Gretchen Larson, the county's lead crime scene investigator, and someone on whom Monty feels he can rely. The two are working against the clock to determine the true identity of the victim when a teenager suddenly disappears from one of the campgrounds in Glacier. Could the cases somehow be connected? As chances for recovery of the missing boy grow slimmer and the FBI finds only dead ends, Gretchen and Monty desperately race to fit all the pieces together in time. The Weight of Night is Christine Carbo's latest book in a series which "paints a moving picture of complex, flawed people fighting to make their way in a wilderness where little is black or white" (Publishers Weekly). This gripping thriller is a tribute to the power of family, set against one of America's most majestic and unforgiving landscapes"--

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Subjects
Genres
Suspense fiction
Mystery fiction
Published
New York : Atria Paperback 2017.
Language
English
Main Author
Christine Carbo (author)
Edition
First Atria Paperback edition
Physical Description
397 pages : illustration ; 21 cm
ISBN
9781501156236
Contents unavailable.
Review by New York Times Review

MYCROFT HOLMES, Sherlock's older, fatter, smarter brother, was renowned for solving mysteries without leaving his armchair at the Diogenes Club. In Josephine Tey's "The Daughter of Time," Inspector Alan Grant of Scotland Yard was confined to a hospital bed when he tackled the historical crime of the murdered princes in the Tower. And Rex Stout's corpulent genius, Nero Wolfe, investigated criminal cases without budging from his elegant Manhattan townhouse. The Swedish author Leif GW Persson takes up the challenge of the sitting sleuth in THE DYING DETECTIVE (Pantheon, $27.95), which features Lars Martin Johansson, once head of the National Criminal Police, but now retired and vegetating in the country. Johansson is about to bite into a spicy sausage from "the best hot-dog kiosk in Sweden" when he has a stroke that puts him in the hospital under the care of a doctor who's seriously worried about his heart. That in itself might be enough to give Johansson a heart attack, so he grasps at the chance to work on an old case, the unsolved rape and murder of a 9-year-old girl named Yasmine. "Do you think it's possible to solve a 25-year-old murder case if you're forced to lie on a sofa the whole time?" Johansson asks his former colleague and best friend, Bo Jarnebring. Well, sure it's possible, so long as the supine sleuth has friends like Bo, who digs up the police files for his old boss and drives him around to possible crime scenes. Nero Wolfe may have had Archie Goodwin to do the legwork and take his guff, but Johansson has his own minions. Besides his doting wife, Pia, there's his punked-out caregiver, Matilda, to drive him to the faceto- face interviews that are crucial to the investigation, and beefy Max to handle certain illicit errands that shall not be named. Persson wrote a hefty trilogy of deeply researched, if ponderously argued, crime novels based on the unsolved assassination of the Swedish prime minister Olof Palme. On a lesser scale, this exhaustively detailed police procedural, painstakingly translated by Neil Smith, speaks to that same inclination to dig for the truth, regardless of the personal cost, which in this case is quite high. Maybe too high. SONS ARE EXPECTED to carry on their fathers' professions in 1816 Dublin, but when 18-year-old Abigail Lawless tries to follow her father into the medical field, she has to sneak into the anatomical theater where he's dissecting a cadaver for the edification of his male students. In THE CORONER'S DAUGHTER (Pegasus Crime, $25.95), Andrew Hughes takes great relish in describing the occupational hazards of being a smart woman in restrictive times. Luckily for Abigail, her father is happy to tutor his clever girl privately. But Abigail is on her own when she applies her knowledge of human anatomy to question the supposed suicide of a housemaid who was said to have killed her illegitimate newborn child. This slender thread of a plot is sturdy enough to send Abigail all over the city in pursuit of a killer, from the wretched Lying-In Hospital, where poor women are herded into overcrowded wards, to the grand ballroom at Charlemont House, where society swells parade in all their finery. Although social class, religious fanaticism and early forensic medical procedures are all duly explored, I confess to being more thrilled by the spectacle of a life-size animatronic doll - with rotating glass eyes! - entertaining the guests at that society ball. IF FRANK MARR didn't have a drug habit, he'd probably still be with the narcotics squad of the Washington, D.C., police. But Marr is a willing slave to cocaine, so here he is, a lackadaisical private eye in David Swinson's CRIME SONG (Mulholland/Little, Brown, $26), trying to keep his coke edge while investigating the murder of his cousin, a nice kid who happened to be dealing drugs. "I certainly wouldn't want to put my lifestyle on someone else," Marr says. "It ain't for everyone." Drugs and all, Marr is easy to take, a decent guy with a sense of honor. And since Swinson is one of the best dialogue hounds in the business, Marr is also blessed with some terrific street talk. While searching for his stolen vinyl record collection, he has an extended conversation with a cabdriver that just about melts in your mouth. "How many times I gotta keep tellin' you I ain't stupid?" the driver demands. Keep talking. We hear you. THERE ARE STUNNINGdescriptions of rampaging forest fires, majestic mountain ranges and violent storms in THE WEIGHT OF NIGHT (Atria, paper, $16),Christine Carbo's rugged wilderness mystery set in Glacier National Park. If only people didn't stand in front of the landscape. Carbo's characters, a manly park police officer with a burdensome secret and a crime scene investigator with nightmares of her own, aren't the liveliest creatures in the forest, but they perform important tasks like finding the skeleton that kicks offthe mystery. It's in depicting nature's drama that Carbo's writing thrives. "This was no campfire with steady, lulling pops and crackles," she observes. "We were talking about the kind of roaring giant that presses in on you, fills your head with its freight train of noise, and makes your gut vibrate." More of that, please. MARILYN STASIO has covered crime fiction for the Book Review since 1988. Her column appears twice a month.

Copyright (c) The New York Times Company [June 18, 2017]
Review by Booklist Review

As wildfires rage in Montana's Glacier National Park, a burial investigation is cut short and a 13-year-old camper goes missing. Gretchen Larson, head of the county forensic team, regrets leaving behindsome of the bones of a just-discovered skeleton when park police officer Monty Harris insists they depart as the flames near. The priority then becomes finding the boy, who disappeared while his family went on a hike. Alternate first-person chapters narrated by Larson and Harris detail the painstaking search, involving the FBI and local authorities, as well as revealing the dreadful secret from Gretchen's teen years in Norway, and Monty's eventual discovery of it. It's Gretchen who spots a possible pattern of boys killed over a period of decades, circumstantial evidence that Monty judges too thin to be turned over to the FBI; it's also Larson whose meticulous forensic work proves key. Carbo extols the beauty of her setting and provides sensitive character development. Monty (introduced in Mortal Fall, 2016) is already established as an appealing protagonist and pairing him with Gretchen produces a winning team.--Leber, Michele Copyright 2010 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

National park police officer Monty Harris and forensic anthropologist Gretchen Larson take turns narrating Carbo's engrossing third novel set in Montana's Glacier National Park (after 2016's Mortal Fall). When a young man with a crushed skull is found buried in the park, Monty and Gretchen set out to ascertain his identity and catch his killer, amid a raging forest fire. They also have to look for a missing 13-year-old boy, Jeremy Corey. Gretchen and Monty are each plagued by ghosts from their pasts: Gretchen, who was institutionalized as a teen in a Norwegian mental facility, suffers from parasomnia, causing her to act out unconsciously while sleepwalking. Her parasomnia recurs the night before the discovery of the young man's body. The hunt for Jeremy dredges up painful memories for Monty, who had a boyhood friend who similarly disappeared and was never found. The suspense builds as the pair race to stop a monster who apparently keeps victims alive for days before killing them. An intricate plot complements the compelling characters. Agent: Nancy Yost, Nancy Yost Literary Agency. (June) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

The Weight of Night 1 Gretchen I'D LOVE TO tell you the person I am now has nothing to do with the girl I was when I lived in Sandefjord, a quaint port town on the southern tip of Norway. I was born there, a place where the sun glinting on the navy-colored, foamy bay made you feel alive, and the crisp air gusting in from the North Sea ensured you never forgot your strong-blooded, Nordic roots. I lived a typical, healthy life with my family--skiing, sledding, skating--until everyone: my mother, my father, my grandparents, my aunts and uncles, the neighbors, my classmates, my teachers . . . quit trusting me. I quit trusting me. It had been exactly five years and two months since the last time I had gone through a phase of my dreaded sleepwalking habit, when I was twenty-five. I have had what professionals call a REM behavior disorder--a condition that takes sleepwalking to absurd levels--since I was a child. Unlike most people who frame each day with an awakening from sleep and a submission back into it, I learned that the bracket on the slumbering end of my frame was seriously flawed. After a busy or stressful day when most people relish the thought of snuggling into their beds, wrapped in warm covers, their heads sinking into soft ­pillows and sliding blissfully into a world of dreams where time ceases to exist, I fear going to sleep--sometimes dread it. But I had begun to think I might be over my syndrome--that I'd succeeded in prying myself away from my younger self, that ­treacherous girl, like I was a toy comprised of two plastic parts held together only by stubborn glue. Unfortunately, I was wrong, and my dis­order began rearing its ugly head again one warm summer morning in August. Later, my doctor would say it was the heat and the particle­filled air that acted as a trigger, but I came to see its resurfacing as much more fated--a deeper prompt forcing me to dredge up raw, unwelcome memories. I woke up at my usual six a.m. alarm and noticed the light covers--a sheet and thin blanket--tangled and pushed to the bottom of the bed. I gave myself the benefit of the doubt. After all, it had been a hot night. All summer the temperature had hovered upward of ninety-five degrees and half the Northwest was on fire. Montana was no exception. Fires burned to the east, west, north, and south of the Flathead Valley, and the ones raging in and around Glacier National Park had started more than four weeks earlier. Now the thick smoke blanketed the mountains and choked the valley, making each day feel like an apocalyptic event lurked around the corner. I'd closed the windows the night before because it seemed better to suffer the heat than to inhale the dense, toxic air. A fly had furiously buzzed along the windowsill, captive in the stagnant room. For a good half hour, I listened to its maddening buzz and its random, annoying flights. After I tried to swat at it when it flew too close to my face a number of times, it settled somewhere on the ash-covered sill and left me alone. I finally drifted off listening to the whir of the ceiling fan. Of course, I thought, such circumstances would give anyone a restless night. I'd probably just kicked the covers down to get some air. I swung my feet to the wood-planked floor, pleased to feel the smooth slats under my soles, and sat for a second rubbing my arms. The morning light filtered through the smoky sky and stretched across the golden floor like gauze, turning it a sickly yellowish orange. I looked out the window, hopelessly wanting to see something wet--some freshly soaked pavement, leaves dripping with moisture, or soil darkened by rain. It was bone-dry, the grass in the small yard turned beige, the leaves on the tips of the bushes tinged yellow. The pine trees in the side woods appeared diseased with reddish-brown needles, many already fallen and desiccated on the forest floor as if it were fall. There was no relief in the forecast. I picked up my phone from the bedside table and checked for messages. There were none, so I headed to the bathroom to shower and get ready to go into the lab. Nothing too pressing was going on, but I needed to finish some paperwork on a deceased man--a young firefighter, in fact--from the day before. He'd been found separated from his crew, sitting still against a tree as if he were simply enjoying a peaceful moment in the forest, watching swallows diving in and out of branches or listening to the chickadees sing their songs, before continuing on his way. Only, in these fire-infested woods, there would be no birdsong. The ME determined that it was his heart--an ­arrhythmia--but we'd been called in before the ME made that determination just in case there was foul play. I'd almost forgotten about my bedcovers when I looked in the mirror one last time, checking that my shoulder-length blond hair was secured neatly away from my face and that the small amount of blush I'd applied wasn't on too thick. Not out of vanity, I just hated too much makeup. My fair skin didn't take it well, so I picked up a tissue and gently wiped my cheekbones to dab up any excess color and lighten the effect of the already faint pink powder. There were certain things you picked up from your mother whether you wanted to or not, and I could still hear her words: ­Amerikanske jenter bruker for mye sminke. American girls wear too much makeup. After moving to Seattle from Norway at age eighteen, I went for months painting on as much cover-up and thick mascara as possible just to separate myself from the au naturel Nordic girl that my family knew. Just to ensure that when I looked in the mirror, I could almost pretend I was Americansk and not notice the ghostly, nearly translucent skin and the treacherous blue eyes staring back, constantly questioning who I was and why the hell I was alive. Eventually, I couldn't fight reality anymore and gave up one day after looking at myself and realizing I loathed the disguise just as much as I hated the girl underneath the raccoon liner, deep rosy blush, and mauve lipstick. That was the last time I wore heavy makeup. I threw the tissue in the trash and headed to the kitchen to make some coffee. When I stepped into the living room, I stopped immediately. The shelves on the other side of the room stood vacant except for two cast-iron book weights formed in the shape of easy chairs. My books weren't there. All of them, probably fifty--paperbacks, hardbacks, and all my forensic texts--had been taken down. Instead, four rows of stacked books, each slightly crooked, rose in columns before the fireplace. I glanced at my small dining room off to my right. Two dining chairs stood peculiarly on top of the oak table. What else had I done? I, of course, considered whether I had left the house or not, perhaps walked down the street in my underwear in the middle of the night--maybe even peed on some of the neighbor's bushes. But, even though I work in forensics, it doesn't take a super sleuth to check out the scene. I had taken a look around, filled in a few blanks, and discerned I'd done nothing crazy. All my doors were locked, my key still hidden in its jar above the refrigerator, unmoved since I'd set it there before going to bed. My doors require keys for both entering and leaving. Since I'm not particularly tall, no more than five-four, I would have had to have grabbed either a chair or my footstool to reach above the refrigerator. All signs indicated that I'd only set the two chairs on the dining table and not messed with the other two. This I could also tell by a slight film of dust that had collected on the floor, since I hadn't eaten at my dining room table in months. And my footstool with its worn red, blue, and gold embroidered flowers and wooden lion's feet was exactly where I'd left it: near my closet in the bedroom with a pile of dirty clothes draped across it. When I purchased the house, the locksmith thought I was crazy for wanting key locks that worked both ways, but as I mentioned, I don't trust myself. Not since I was exactly fifteen years and three months old. My parents used to try to convince me that there were plenty of people in the same boat--those who felt like they couldn't maintain control at certain times: alcoholics, drug addicts, people with anger-­management issues. But my issue was different because I had always been fine during my waking moments. It was the nighttime that posed problems. Besides, I could see in their worried expressions, their furrowed brows and tear-filled eyes, that they didn't entirely believe the logic themselves, especially my mom. She wanted to, but ultimately, she couldn't. No one predicted that something as innocent as sleep could be lethal for me, for my family. I pushed down the sickening feeling that rose inside of me. I marched over, grabbed each chair, and scooted it back under the table where it belonged. "Shit," I mumbled out loud to no one. Herbal tea, I thought, something without caffeine. I need herbal tea before I put away those damn books. Excerpted from The Weight of Night: A Novel of Suspense by Christine Carbo All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.