Review by Booklist Review
History is never far away at Honeychurch Hall, a Devonshire stronghold of the Royalists during the English Civil War. As the modern-day owners of the hall and their neighbors, descendants of the opposing Roundheads, prepare for the annual reenactment of the 1643 Skirmish, things go awry, beginning with the discovery of a skeleton with a Honeychurch dagger in her hand. For Kat Stanford, an antiques dealer, and her mother, Iris, a covert though best-selling novelist, the real disaster is the disappearance of the only copy of Iris' hand-typed manuscript, which vanished somewhere between the Little Dipperton post office and the author's London publisher. After Kat asks Muriel, the postmistress, about the manuscript, all but five pages arrive in London, stained with jelly. Yes, Muriel snuck a read, and that may be what got her killed. Kat, while not a suspect, is at the center of the investigation, and she's courted by both the handsome owner of Carew Court and DI Shawn Cropper, a dashing widower. This fourth in the series will delight fans of British small-town mysteries mixed with a little romance.--Muller, Karen Copyright 2017 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Cozy fans who like their mysteries set in small communities where a feud over the pruning of a rose bush is front-page news will welcome Dennison's fourth Honeychurch Hall whodunit set in Devon (after 2016's A Killer Ball at Honeychurch Hall). Kat Stanford, the star of the TV show Fakes & Treasures, was hoping to open an antique shop in London with her eccentric mother, Iris, an author of bestselling romances, but Iris's impulsive decision to buy the carriage house on the Honeychurch Hall estate near Little Dipperton has forced a change in plans. Despite her initial disappointment, Kat is now content to reside in the Devonshire countryside. Unfortunately, her love life is less than satisfactory; her one and only date with heartthrob Det. Insp. Shawn Cropper ended when he became ill. A series of thefts in the area adds a little tension, as does the disappearance of Iris's latest manuscript (of which there's only one copy), but those expecting much sleuthing may be disappointed. Agent: Dominick Abel, Dominick Abel Literary Agency. (May) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review
Plucky blonde Kat Stanford once again finds herself mixed up in the antics, antiques, and sudden deaths of the local gentry and village (A Killer Ball at Honeychurch Hall, 2016) in this featherweight treat.Kat and her mother, Iris, have moved to the Devon village of Little Dipperton to live out their pastoral fantasies: Kat's opening an antiques shop, while Iris writes romance novels. The local aristocracy is playing out their centuries-old history of feuding as a lark, with the Carews of Carew Court and the Honeychurches of Honeychurch Hall facing off in a re-enactment of the local skirmishes of the English civil war. The plans for this historical entertainment are briefly sobered by the discovery of a centuries-old murder victim, a skeleton in a scold's bridle with a dagger in her ribs. Meanwhile, the newly widowed postmistress, Muriel Jarvis, has suspiciously large-scale money problems, Lady Honeychurch worries that the Earl is playing lad about town, patriarch Aubrey Carew has married a much younger woman of questionable background, and a newcomer upsets the village by opening a rival tea shop. For no particular reason, Iris insists on typewriting her manuscripts and sending them off to her editor without so much as a photocopy, so of course her latest draft goes missing. The postmistress may be to blameshe knows all the village secretsbut the search is stalled by a murder. Kat and Iris' madcap investigation brings everything to a happy conclusion. An overstuffed cream puff of a farce, with secret identities, family heirlooms, and ghosts oozing from every corner. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
