Review by New York Times Review
IN 1930, the Little Engine That Could chugged up a hill to test his metal. Since then, countless books featuring anthropomorphized vehicles have followed in his tracks. One of the latest is Anna Dewdney's LITTLE EXCAVATOR (Viking, $17.99; ages 2 to 5) - which is, sadly, a posthumous title from the beloved creator of the Llama Llama books, who had intended to start a new series. Dewdney excelled at pairing rhyme with heartfelt artwork to convey her character's emotional journeys. The same skills are on display in "Little Excavator," as the book's determined protagonist struggles to help transform a vacant lot into a neighborhood park. Dewdney's drawings of construction vehicles are as expressive as her llamas, and when Little Excavator beams with pride at the end of the book, the reader will feel the warmth. Whereas Dewdney's Little Excavator wastes no time trying to prove his worth, the little bulldozer in Candace Fleming and Eric Rohmann's BULLDOZER HELPS OUT (Caitlyn Dlouhy/Atheneum, $17.99; ages 3 to 7) has to watch and wait before he can dig in. When the bigger trucks finally assign Bulldozer a job, he quickly realizes it's more important to stand your ground than move the earth. Whether depicting massive machinery or little kittens, Rohmann's solidly constructed and deftly colored block print illustrations make every page turn a delight. There is little doubt as to whether the trucks of Sherri Duskey Rinker and Tom Lichenheld's MIGHTY, MIGHTY CONSTRUCTION SITE (Chronicle, $16.99; ages 2 to 5) are up for the job, as Rinker's vigorous text attests: Rolling, rumbling, revving hard, ten big trucks meet in the yard. A mighty, massive SUPERCREW - there is nothing they can't do! Briskly paced and stylishly staged, this book's celebration of teamwork feels like the bombastic opening number of a musical as each truck gets to roll into the spotlight and strut its stuff. Lichenheld's cartoony oil-pastel illustrations are radiant and capture the grandeur of the construction site as well as the trucks' determination and pride. These trucks don't think they can - they know they can. Being on the job site with this can-do team will invigorate old and young readers alike. Before we can revel in our mastery, we must first learn the basics. This process can be frustratingly slow, but it can also lead to exhilarating breakthroughs. One such "aha!" moment is writ large in Stephen Savage's LITTLE PLANE LEARNS TO WRITE (Neal Porter/Roaring Brook, $16.99; ages 3 to 6). Soaring high above city and pastures, Little Plane struggles with his skywriting and gets dizzy when attempting the "loopity-loops" that form the letter O. Perseverance pays offand Little Plane is literally over the moon when he finally learns to write. As both illustrator and author, Savage seamlessly blends image and word - essential given this book's subject matter. With its muscular design, saturated colors and crisp language, "Little Plane Learns to Write" is enchanting in its simplicity. The little red plane pops offevery full-page spread, and young readers will be frequent fliers for this adventure in writing. I pause here to note: It's puzzling that the characters in the above books, with the exception of some of the trucks in "Mighty, Mighty Construction Site," are all male. The themes of striving and achieving are as gender neutral as the vehicles themselves. If children's book publishers and authors are ever going to embrace the gender-neutral pronoun "they," perhaps stories like these would be a good place to start. Dispensing with plot and pronouns, but not personality, Carl Johanson's ALL KINDS OF CARS (Flying Eye, $16.95; ages 3 to 7) is presented as a pictorial dictionary. Flat colorful shapes playfully combine to depict the carefully observed (small dump truck, small loading shovel, snowmobile) and the completely imagined (castle car, chewinggum car, crystal car). The simple but cleverly rendered vehicles are likely to inspire children to grab some markers and get in on the fun. Exquisite design and seductive production values make picking this book up a no-brainer. Where to put it down - on your child's night stand or a living room coffee table - will present the bigger problem. Gus the pig, the good-natured star of Leo Timmers's GUS'S GARAGE (Gecko, $16.99; ages 3 to 8) also knows his cars and, as his ever-present smile attests, delights in inventing new ones. When a penguin overheats or a hare needs a turb charge they turn to Gus, who customizes their vehicles using the pile of "bits and bobs" heaped alongside his shop. Each page spread presents the garage from the same vantage point, and this well-crafted stage set allows the reader to track the refuse pile's dwindling inventory. By the end of the book only a little tree stands where the pile once stood. The tree provides a home for an odd assortment of birds, proving once again that everything can be made useful. This is an amusing book to reread, since even the smallest details are assigned a narrative purpose. Clearly, one animal's clutter is another pig's livelihood in this buoyant, rhyming tale. From recycling to cycling, Allan Drummond's PEDAL POWER (Farrar, Straus & Giroux, $17.99; ages 4 to 8) is a timely political story told with a softtouch. In the 1970s, congested roads in Amsterdam were becoming increasingly dangerous for pedestrians and cyclists. Young moms like Maartje Rutten began to speak out and stage family-friendly demonstrations that included parties held in the middle of the street and hand-holding singalongs. Though these events were catnip to the local news media, it wasn't until a little girl was killed while cycling that the movement gained traction. As fuel prices skyrocketed amid a global energy crisis, drivers joined the cyclists in demanding change and together they transformed Amsterdam into the "bicycle capital of the world." Drummond's line work and coloring is loose and breezy and serves as a fitting counterpoint to the informative text. I especially liked that the police are not depicted as villainous and retain their humanity even as they confront the protesters. This book is a celebration of both cycling and political activism, and in these turbulent times it's inspiring to know that when the righteously motivated collectively march, shout, sing and pedal, the powers that be eventually yield. Though social change is usually a story of fits and starts, a more leisurely paced journey awaits readers in the pages of Vanina Starkoff's ALONG THE RIVER (Groundwood/ House of Anansi, $17.95; ages 4 to 8). Open, the book's long, narrow pages become the river itself. Drifting along, painted in succulent color and loving detail, are all manner of boats abundantly stocked with food, music and celebrations. Born in Argentina and now living in Brazil, Starkoffcreates a vivid tapestry of life that reminds us that the spirit in which you travel is more important than where you go. In one wry juxtaposition the text gently implores the reader to "search for . . . your own way" while "continuing to steer your own course." The accompanying illustration suggests otherwise: A man, eyes closed, is contentedly lying out on a longboat stacked with watermelons, while a dog naps on his chest. A flock of birds hitch a ride and a school of fish swim along. Whereas the construction trucks are all ambition and drive, this stunningly beautiful book presents a refreshingly new sensibility: Willpower alone can only get you so far; sometimes it's best to go with the flow. The murmur of a lazy river may calm one's nerves, but the distant sound of "wheels on steel" has always been an invitation to wonder. Where has that train been? Where is it going? Moving from dark forest to frozen tundra, from sleepy village to congested metropolis, Andria Rosenbaum and Deirdre Gill's TRAINS DON'T SLEEP (Houghton Mifflin Harcourt, $16.99; ages 4 to 7) covers a lot of ground. Though never explicitly stated, the book is also a dreamy journey back in time to the golden age of rail travel, when circus trains packed with bears, elephants and tigers would "sweep by sheep," and interstate highways had yet to be built. The illustrated glossary will help young train enthusiasts learn the difference between a flat car and a stock car, but it's the book's painted double-page spreads - at once monumental and ethereal - that are truly transporting. JAMES STURM is the author and illustrator of the picture books "Ape and Armadillo Take Over the World" and "Birdsong" and an author of the Adventures in Cartooning series.
Copyright (c) The New York Times Company [September 24, 2017]
Review by Booklist Review
*Starred Review* This amazing picture book uses wonderfully inventive, retrolike line drawings and bright primary colors to present an array of cars. The various modes of transportation run the gamut from wacky, made-up vehicles (the brick car, the carrot car, the clock car) to actual, identifiable conveyances (an amphibious vehicle, a combine harvester, a limousine). There are even some vehicles that, if they don't exist, clearly should: an elephant ambulance, a castle car, and a swimming pool car (and keep an eye out for the book car on page 22). The text consists solely of the name of each conveyance, with multiple examples spilled across pages. Some double-page spreads are thematic (an airport scene, an underground mining operation, a couple construction sites), but most pages offer eclectic, mind-stretching creations. Occasional human and animal figures are shown employing these various devices, including a reoccurring crocodile that shows up in the most unexpected places. Swedish illustrator Johanson lays out this offering in the form of a catalog, and young readers certainly won't hesitate in picking out their favorites. This whimsical collection is delightful and provides fresh surprises at every turn. Most young audiences will finish this and immediately demand another reading. Thank goodness there's an index!--McBroom, Kathleen Copyright 2017 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
If it has wheels and can be driven, it's a car-that's the takeaway message from Swedish illustrator Johanson's first children's book, which presents some wildly unusual vehicles, rendered in a flat, screenprintlike style in bold shades of red, yellow, blue, and green. A "ridiculous car" with extra-large wheels looks downright normal beside a two-turreted "castle car," a square-wheeled "chewing-gum car" blowing a giant bubble, and a driver-free "poo car" that needs no explanation. As if to suggest that a "dinosaur car" is every bit as plausible as, say, a bulldozer, Johanson intermixes spreads devoted to specialized, real-life mechanisms, including vehicles designed for fighting fires, construction, and farm work. It's a stylish and imaginative collection that all but guarantees kids will be reaching for art supplies as they dream up their own vehicles. Ages 3-5. (Mar.) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review
Can there be room for yet another picture book about cars? Apparently. This Swedish import (by way of England) provides an original take on this overstuffed genre. The format could not be simpler. There is no connecting narrative, and text is limited to one- or two-word labels for a heady mix of fantasy and traditional vehicles of every conceivable type and purpose, most apparently arbitrarily arrayed on the pages. Bright flat colors and whimsical shapes dominate. The cars depicted feel like a stream of consciousness. Some are funny or silly: "marmalade car," "sausage car," "rocket car," "chewing-gum car," and, inevitably, "poo car." A few are a bit obscure for most young children, such as "Mondrian car" or "Jules Verne car." Some spreads are thematic, Richard Scarry-style, showing real vehicles associated with specific environments, including mining, hospital, agriculture, road-building, and an airport. The book includes an index to all the cars depicted and endpapers showing many of the vehicles in a cityscape. The book is apparently oblivious to the environmental implications of fossil-fueled transportunless including the "greenhouse car," the "chimney car," and the "wood stove car" on the same spread as the "stressed car" is making a subtle point? The absence of a well-told storyline makes the book feel static, but kids who love cars will enjoy this crazy compendium and will be engaged by the imaginative take on a traditional subject. (Informational picture book. 2-4) Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
