Bosch The 5th centenary exhibition

Book - 2017

"The Museo del Prado houses the largest known collection of works by Jheronimus Bosch. Among its holdings are 'The Adoration of the Magi' and 'The Garden of Earthly Delights' triptychs, as well as the original of 'The Haywain', making it the "home of Bosch" and the perfect institution to hold a major exhibition marking the quincentenary of the artist's death. This magnificent, richly illustrated book reproduces these masterpieces and other recently cleaned and restored paintings, and reveals hitherto unknown facets of Bosch's art." -- Inside flap.

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Subjects
Genres
Exhibition catalogs
Illustrated works
Published
New York, New York : Madrid : Thames & Hudson Inc 2017.
Language
English
Other Authors
Hieronymus Bosch, -1516 (artist), María Pilar Silva Maroto (organizer), Eric de Bruyn, 1955- (author), Paul Vandenbroeck, Larry Silver, 1947-, Reindert Leonard Falkenburg, Fernando Checa Cremades
Edition
1st U.S. edition
Item Description
Catalog of an exhibition held at the Museo Nacional del Prado, Madrid, Spain, May 31-September 11, 2016.
Physical Description
396 pages : illustrations (chiefly color), portraits ; 30 cm
Bibliography
Includes bibliographical references (pages 374-389) and index.
ISBN
9780500970799
  • Bosch and his work / Pilar Silva Maroto
  • Texts and images : The sources for Bosch's art / Eric de Bruyn
  • The axiology and ideology of Jheronimus Bosch / Paul Vandenbroeck
  • Crimes and punishments : Bosch's hells / Larry Silver
  • In conversation with The Garden of Earthly Delights / Reindert Falkenburg
  • The fire and the owl : On the reception of Bosch's work by the Spanish and Flemish Habsburg courts in the sixteenth century / Fernando Checa Cremades
  • Catalogue.
Review by Choice Review

This is the catalogue for an exhibition at the Museo del Prado in Madrid marking the 500-year anniversary of the death of Flemish painter Jheronimus Bosch (c. 1450-1516). Essays provide an updated biography, drawn from all known documents detailing Bosch's life, paintings, and patrons in his hometown of 's-Hertogenbosch. Examined in detail, the textual and visual sources provide further information on Bosch's artistic goals, which have been long misunderstood, in focusing on the foibles of humans and their punishment in hell. This fuller cultural context allows for a more accurate examination of the reception of Bosch's paintings by the original audience, including the Catholic Church, royal patrons, and the new merchant class. Bosch's connection to the Habsburg court of Flanders and Spain explains why the Prado holds the world's largest collection of Bosch paintings, many of them collected by Philip II of Spain during the Renaissance. Primary sources enrich the historical narrative of Bosch and his art, and the complete catalogue entries provide the history of ownership and recent technological research on the physical state of each richly reproduced painting. Summing Up: Essential. Upper-division undergraduates through faculty and professionals. --Allison Lee Palmer, University of Oklahoma

Copyright American Library Association, used with permission.