Savage theories

Review by New York Times Review

Kamtchowsky - one of the main characters in Oloixarac's exuberant blend of political satire and sexual picaresque - is a young, unsightly woman who meets a young, unsightly man. After their bizarro meet-cute, they embark on a relationship built around a shared repulsiveness they believe must confer on them a certain evolutionary advantage: "Ugly people are inevitably more intelligent than beautiful people, because they've had to develop more sophisticated means of obtaining things." But then they meet another couple whose good looks and penchant for phrases like "the phenomena of synchrony and contagion" upend such assumptions. Besides, Argentina's recent murderous history has a way of making pet theories of natural selection sound quaint. What starts out for the foursome as regular evenings of philosophical musings and group sex evolves into a joint online gaming venture called "Dirty War 1975." Oloixarac, like her characters, was born in the 1970s, during Argentina's "Years of Lead," and "Savage Theories" keeps returning to that national trauma even as its various plots spin off in different directions before coalescing at the end. The narrator, self-conscious and somewhat self-delusional, hounds her aging professor by pointing out errors in his Theory of Egoic Transmissions, which in turn is based on the work of a Dutch anthropologist from the early 20 th century who posited that human consciousness was organized around our common ancestral experience as prey. Hence the vicarious thrill we feel for the victim who attacks her attacker, the nerd who triumphs over his jock-tormentors; Oloixarac offers these examples and more in her whirlwind of a book. Kesey has done a remarkable job with his translation - or so I would wager, considering "Savage Theories" ranges gracefully from academic jargon to meticulous parsings of bodily functions and everything in between (a disquisition on the character of Alex P. Keaton from "Family Ties" turns out to be surprisingly pertinent). No doubt some readers looking for steadier footholds will find the narrative too restive and ruthless for their taste, but this book rewards total immersion: Come for the inevitable Borges allusions, stay for the wild ride.

Copyright (c) The New York Times Company [January 1, 2017]

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Review by Booklist Review

In this dazzling, frantic tour de force, Argentine author Oloixarac traces several intertwining threads. Rosa Ostreech distracts herself from completing her convoluted thesis by attempting to seduce an aging professor. Portly Kamtchowsky and her lover, Pabst, engage in pornographic high jinks, and a Dutch anthropologist works on a theory about human evolution rooted in the predatory practices of our primate ancestors. Oloixarac's suspiciously cagey narrator, sounding like an aggressively witty intellectual, and who has no problem divulging explicit sexual details, doesn't so much weave together as assemble into a pastiche these competing story lines. She also manages to resurrect ghosts from Argentina's Dirty War and dive headfirst into the twenty-first century's strange technological frontier. Though the novel is daunting in substance and structure, with a wide range of cultural references from Aristotle and Leibniz to Elton John and Jenna Jameson, readers willing to indulge this careening carousel of a novel will be rewarded with an unexpectedly prescient experience. In spite of its first publication in Spanish in 2008, Oloixarac's tale proves timely in light of Argentina's recurrent political turnover.--Báez, Diego Copyright 2016 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.

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Review by Publisher's Weekly Review

Acclaimed in Argentina when it was first released, Oloixarac's brilliant, dextrous debut novel is a twisty tale of academia, lust, and culture. At its core are three narratives, two of which take place in the present: the adventures of young Kamtchowsky and her boyfriend, Pabst, as they sift their way through the Buenos Aires music, drug, pornography, and video game scenes; and the pursuit of the novel's narrator, known only as Rosa Ostreech, as she tries to draw the attention of her older professor (by seducing another man), also in Buenos Aires. The third story line begins in 1917 and focuses on a Dutch anthropologist-and later his disciples-as he explores a theory that ties human civilization and behavior to the violence seen in our primate ancestors. These ambitious narrative threads overlap, yet characters disappear for long stretches, making their stories unfold in fits and starts, which may frustrate some. However, the author's ability to incorporate diverse elements, including 1970s Argentinian sex comedies, early 20th-century psychological theory, Elton John, and Thomas Hobbes singing in bed, makes for a singular and humorous experience. Perhaps best of all is Oloixarac's prose: discursive, surprising, and off-kilter-like the characters themselves, it reveals a ceaseless appetite for understanding and belonging. (Jan.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

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Review by Library Journal Review

In her black comedy pastiche, Argentine essayist and journalist Oloixarac develops two story lines. In the first, Kamtchowsky and Pabst, a pair of unattractive young adults involved in drugs, orgies, and social media, develop a video game with the help of some geeky friends that hacks Google Earth. In the second thread, which develops the theme of intergenerational conflict, the pseudonymous narrator stalks a University of Buenos Aires professor whose incredible anthropological theory she aims to correct. Overlaying the minimalist plots and characters are digressions on anthropology and political philosophy in a text saturated with polysyllabic phrasing and distracting references to popular music, movies, television and social media. The translator footnoted 15 of the most obscure ones (mostly those referring to Argentine culture), but numerous others will pass by many readers as they question their purpose. Ultimately, Oloixarac's intentional pretentiousness satirizes the academic research community, with the "savage -theories" of the title becoming manifest in various ways as objects of prey turn into predators. VERDICT Though the inclusion of blogs, video games, and viral videos into mainstream literature is appealing, it's not enough to offset the recondite style and pseudointellectual pose.-Lawrence Olszewski, North Central State Coll., Mansfield, OH © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Review by Kirkus Book Review

Set in Buenos Aires, Oloixarac's debut novel ranges widely, from initiation rites to computer hacking, from human prehistory to ketamine-fueled parties.The mysterious narrator stalks a middle-aged professor, desperate to reveal that she alone understands his brilliant Theory of Egoic Transmissions ("soon I will illuminate the dark side of your philosophy"). Parallel to this narrative runs a sexual picaresque, beginning "amid the violence of the Years of Lead, in the late 1970s." The heroine of this thread, Kamtchowsky, and her boyfriend, Pabst, become involved with another couple. Dark and humorous in turns, the tone is wry, erudite, raunchy, and the text is sprinkled with references to politics, philosophy, anthropology, and pop culture and the occasional illustration. Academic posturing is mocked. A character finds himself "caught in a burst of metatheory as regarded the meaning of jerking himself off." At the heart of Oloixarac's ambitious book lie the human relationship to violence and the significance of our prehistoric shift from prey to weapon-wielding predator. The narrator is interested in "an ontology of human acts," "an anthropology of voluptuousness and war." She sees the individual existing within "a space dense with ghosts and purposeful geometries" where "the totality of past and present points of view...pierce through space, and one another." This could also describe the structure of the novel, making for a sometimes-dizzying ride. The narrator embarks on a calculated seduction of a former leftist guerilla and toys with him, the prey becoming predator. Meanwhile, Kamtchowsky, "little diva of amateur porn," invents a computer game based on Argentina's Dirty War. A hack embedded within it makes possible a project that maps Buenos Aires in a wholly new way ("The city was an utter mess. And yet it was beautiful"), illuminating "the cyclical history of a country where events occurred and then revolved around one another, merely existing, unable to account for themselves." While there are echoes of Borges and Bolao here, the synthesis of ideas and the manic intelligence are wholly new. Brilliant, original, and very fun to read. Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.

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Chapter 1   In the rite of passage practiced by the Orokaiva communities of New Guinea, the young boys and girls are first tormented by adults who crouch hidden in the foliage. Pretending to be spirits, the adults pursue the children, shouting, "You are mine, mine, mine!" They drive the initiates onto a platform similar to those used for the slaughter of swine; there, hoods are drawn over the heads of the terrified children, leaving them blind. They are led to an isolated hut deep in the forest, where they are made witness to the torturous rituals and ordeals in which the history of the tribe is encoded. Anthropologists have confirmed that it is not uncommon for children to die in the course of these ceremonies. In the end, the surviving children return to the village wearing the same masks and feathers as those who'd first threatened them, and join in a wild boar hunt. They are now not prey but predators, and they too shout, "You are mine, mine, mine!" Similarly, among the Nootka, Kwakiutl, and Quillayute tribes of the Pacific Northwest, it is wolves--that is, men in wolf masks--who torment the children, driving them at spearpoint into the dark heart of the rites of fear. When the ritualized torture is complete, the children are taught the secrets of the Cult of the Wolf.     The life of little Kamtchowsky began in the city of Buenos Aires amid the violence of the Years of Lead; her earliest memories dated to the return of Argentine democracy known as the Alfonsinist Spring. Her father, Rodolfo Kamtchowsky, came from a Polish family that had immigrated to the city of Rosario in the 1930s. Rodolfo's mother died quite young, and he was sent to live with his aunts--the only man in the house. As early as primary school, he demonstrated an exceptional gift for abstract thought, and his fourth-grade mathematics teacher, who'd been to university, spoke glowingly of his capacity for formal innovation. When little Rodolfo brought this news home to his aunts it frightened them a bit, but they nonetheless decided that when he turned thirteen they would send him off to the capital to continue his studies.      Rodolfo was a happy child, but very shy. He spoke little, and at times appeared not to hear what was said to him. When the time came to move to Buenos Aires, he was taken in by yet another aunt, who lived across the street from Lezama Park. He enrolled at the Otto Krause Technical Institute, and later earned his engineering degree in record time.      Neither his timidity nor his chosen field had done him any favors in terms of meeting girls. In his engineering courses there had only been two female students, and he hadn't really considered them girls as such--they were rather dumpy, almost misshapen, much as his own daughter would one day be. It soon become clear that fate and inclination had obliged him to be heterosexual, monogamous, and faithful. It was thus only natural that as soon as Providence brought him a woman (one belonging to the set known as "Girls"), Rodolfo would cleave to her, much as a certain type of mollusk swims freely through the ocean before driving its muscular appendage down into the sediment like an axe, its shell or mantle equipped with the ability to line the mucus-coated appendage with layers of calcium, though of course the lining will at some point disintegrate, and the mollusk will once again be adrift between death and the ocean's depths.      When he first spotted her, she was walking along Corrientes Avenue: a short, dark-haired young woman in a tight turtleneck sweater, her black eyes lined in black, mask-like. Though Rodolfo had known of similar sets of empirical data, impressive only because of how perfectly generalizable and thus ordinary they could become, there was something in the moment's avalanche of concrete detail--perhaps the way the pleats shifted beneath her buttocks, perhaps the bus ticket protruding from her back pocket--that he perceived as supernatural. Something beyond what he'd come to expect of this world. This passageway between a set of environmental data and his individual, untransferable status as eyewitness to it, as synthesized into the phenomenon of "her," led him to experience a sense of decisiveness. He followed her down the street as if keeping watch over her. Then he noticed that others were watching her too, that an awareness of her was spreading, and as he came to understand the worth , in some sense, of this awareness, he likewise understood that she couldn't possibly be oblivious to the fact that he'd been following her for at least ten blocks. Of course, this latter thought was of no importance whatsoever to the present stage of the process--he had already intuited its programmatic nature--and he resolved to stop thinking altogether.      Then a miracle occurred: it started to rain, and Rodolfo was carrying an umbrella. The young engineer quickened his pace. His heart filled as the young woman laughed a bit distractedly and accepted the protection he offered. They stepped into a bar called La Giralda to warm up and dry off; as Rodolfo had hardly gotten wet at all, he concerned himself exclusively with warmth, and blushed ever so slightly, but she didn't seem to notice. She peeled off her wet sweater, giving Rodolfo a glimpse of her flesh-colored bra, and he hid his erection by sitting down as quickly as he could. They ordered hot chocolate, and she wolfed down a few croissants.      Later that same afternoon, caught up in the flood of chatter and delighted with his newfound and apparently innate ability to talk to the girl and imagine her naked simultaneously, Rodolfo told her that the aunt with whom he lived in Buenos Aires had said that his other aunts, the ones who lived in Rosario, had had to work as prostitutes to provide for him. The girl was a sophomore psychology major; she responded languidly that in fact Rodolfo believed that his own mother had been in that line of work. The girl gazed at her reflection in the window, practicing her Evenly Suspended Attention, then glanced at Rodolfo to gauge his reaction. His mother had died of cancer, and in her final years she'd been unable to rise from her bed; stunned, he took a bite of the chocolate-covered churro in his hand, and let his thoughts drift.      The following day he went to the university to look for her. The Psychology Department was divided into two areas of study--"psychosocial" and "humanistic"--both housed in Philosophy and Letters over on Independencia Street. Like Rodolfo, the future mother of little Kamtchowsky belonged to the first generation of middle-class youth to throw itself more or less en masse into the market for higher education. In 1968 the Psychology Department produced twice as many graduates as it had the year before; its explosive growth continued, peaking in the early 1970s at more than four hundred graduates per year. When the Peronist party returned to power, the university gutted and rebuilt all of its departmental programs, the course offerings now influenced by the entire spectrum of Marxist doctrine. Many once-mandatory courses became optional, and in 1973 the department's plan of study was reoriented to emphasize the field's social aspects, in particular its communitarianism and fieldwork. The new approach downplayed the importance of professional training through coursework and curricular obligations. Marxist epistemology determined that the main priority should be support for popular struggles; the specific obsessions of fields less reliant on partisan imperatives were given second-tier status at best. Enrollment rates had grown precipitously, and forty-five percent of the new female students chose the psychology department, where women outnumbered men by a ratio of eight to one.      For a university graduate, the statistical probability of interaction with either a professional psychologist or one in training was thus extremely high; nonetheless, this was Rodolfo's first time. Never before had he received the look of scientific condescension native to a mind that is forever tracing deep connections between unscientific postulates and the world itself. Psychoanalytic jargon allowed both respectable professionals and those en route to respectability to pepper their vocabulary with genital references that would have been out of bounds even in openly lowbrow entertainment contexts such as cabaret shows. Government censors could close striptease joints and ban certain films, but psychoanalysis was perceived as a sort of linguistic vanguard, a close cousin of "freedom of thought," and the members of its lexical entourage had managed to insert themselves into the moist cavities of the middle class.      The key to the enthusiasm with which society had embraced the field was undoubtedly its medical origins--its very existence was justified by its alleged ability to alleviate pain. To Rodolfo, the constellation of words that calmly orbited the anal and vaginal orifices seemed indescribably mature and daring, unlike anything he'd ever known (and in this sense much like love); the implications left him all but priapismic. The young woman often let her eyes fall closed as she spoke, interlacing her speech with significant pauses. She seemed intelligent, but it was impossible to know for sure. When she spoke earnestly of the Oedipal myth, of Little Hans and the vagina dentata , of autoerotic mothering in Melanie Klein, Rodolfo hid his surprise as best he could and scrutinized her face, trying to determine whether or not there was, beneath all the eyeliner and mascara, a member of the lettered elite who actually took all this nonsense seriously. It seemed reasonable to him that between the demands of romance and those of political militancy, she wouldn't have time to get a real degree. Each time she spoke of the passion of the people's struggle, of mobilizing the masses from below, of shattering the shell of the individual once and for all, Rodolfo got such a hard-on that he could have filled the mouths of all those rebel woodcutters in Chaco with proteins and fatty filaments, each last one Made in Kamtchowsky . And somewhere in the course of one of these interludes, little K was conceived. Excerpted from Savage Theories by Pola Oloixarac All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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