Review by Booklist Review
On the solid foundation of the dystopian genre's great forebear, George Orwell's 1984, Rapp constructs a frighteningly familiar world just a few ticks ahead of our own. Angela, a 15-year-old model of social discontent, is trapped in a culture in which all discourse and technology are devoted to speeding things up, allowing corporate masters to control a population too busy moving to slow down and think. Hope emerges in the form of an underground movement devoted to deceleration, in which Angela finds love with another female rebel. But, as in the tradition of classic dystopias, both hope and love are doomed. Rapp's characters are mainly boiled down to their motivations, but Cavallaro's sharp, slim-lined cartooning imbues a helping of personality, and his brisk, inventive page compositions keep visual interest high. Rapp uses clever linguistic devices to help define this oppressive culture, and the very structure of the form strengthens the visual metaphor, with word balloons sharply contrasted to indicate social outlook and the infrequent use of color as a symbol for the transcendent freedom that seems so painfully beyond reach.--Karp, Jesse Copyright 2017 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
In a futuristic riff on Romeo and Juliet, Rapp (The Children and the Wolves) and Cavallaro (Foiled) run with the idea that humanity is in the midst of a "great acceleration," imagining a not-so-distant America in which speed, brevity, and commerce are prized above all else. Fifteen-year-old Angela feels innately uncomfortable in a world in which everyone says "Go" when they're finished speaking (as though hurling conversation back and forth), farm animals are branded with corporate logos, and cybernetic implants in citizens are just one aspect of a surveillance state. After Angela receives an illicit copy of a cult classic book, she discovers a literal underground movement striving to create a slower, more considered existence, and she finds unexpected (and tragic) romance with a fellow rebel, Gladys. It's a world of absolutes, strikingly reflected in Cavallaro's jittery, angular illustrations, which largely forgo shading in favor of stark black-and-white scenes; color is used only twice, powerfully heightening the emotions in each scene. Rapp's rapid-fire dialogue eerily evokes a society hurtling down a troubling road and raises haunting questions about sacrifices made in the name of safety, productivity, and progress. Ages 14-up. (Feb.) © Copyright PWxyz, LLC. All rights reserved.
Review by School Library Journal Review
Gr 10 Up-Welcome to a brave new world that is marketing-forward and tech-heavy. Culture has been reduced to snippets of perfectly packaged and abbreviated elements. It's a world run by the Guarantee Committee (GC), and the inhabitants are "protected" and monitored to ensure that they are keeping everything short. Students at Hyper High no longer study the classics; instead, they take Brief Lit, which abridges the classics and simplifies the language. It's a world that 15-year-old Angela hates. She wants to revel in language and luxuriate in art, so it isn't difficult for her to commit to an Underground community that she discovers by accident in Blackhawk Caves. In the Underground, Angela falls in love with Gladys and becomes an active part of the resistance. As with all great tragedies, it is a love destined for heartbreak. Rapp and Cavallaro successfully rely on the problem play format and use it to weave a cautionary tale about our fast-paced world. Cavallaro's choices of predominantly black-and-white artwork complement this gripping, thought-provoking narrative. Frames are employed to create unique panels that propel readers to the conclusion, and the spare use of full color heightens the emotion of the piece. VERDICT Fans of George Orwell's 1984 and Ray Bradbury's Fahrenheit 451 will find much to ponder in this notable graphic novel.-Jodeana Kruse, R. A. Long High School, Longview, WA © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
