Review by New York Times Review
HITLER: Ascent 1889-1939, by Volker Ullrich. Translated by Jefferson Chase. (Vintage, $22.) A new biography dispenses with myths of greatness and destiny that circulate about Hitler: In Ullrich's telling, he emerges as a mediocre, unremarkable man who seized on a moment of political rage to rise to power. This book, the first of two planned volumes, ends on the eve of Germany's invasion of Poland, setting off World War II and eventually leading to his downfall. PERFECT LITTLE WORLD, by Kevin Wilson. (Ecco/HarperCollins, $16.99.) Izzy, a teenager pregnant with her teacher's baby, agrees to join a utopian family experiment that resembles a commune. "It's a novel you keep reading for old-fashioned reasons," our reviewer, John Irving, said. "You also keep reading because you want to know what a good family is. Everyone wants to know that." TRUEVINE: Two Brothers, a Kidnapping, and a Mother's Quest: A True Story of the Jim Crow South, by Beth Macy. (Back Bay/Little, Brown, $17.99.) George and Willie Muse, two albino African-American brothers, were exhibited in a circus for years during the 20 th century, a situation close to slavery. How they came to join the show is murky, but the core of Macy's reporting focuses on the boys' mother, Harriett, who doggedly sought to bring them home. HISTORY OF WOLVES, by Emily Fridlund. (Grove, $16.) In Fridlund's debut novel, northern Minnesota's austere landscape sets off a grim coming-of-age story. When a young mother and her son arrive in town, Linda, a teenage loner with a fractured home life, is drawn to them. She soon begins babysitting the child, Paul, and finds herself in an ambiguous family dynamic, made worse after his father returns from Hawaii; the moral choices Linda makes haunt her decades later, when she finally tells her story. AMERICAN PHILOSOPHY: A Love Story, by John Kaag. (Farrar, Straus & Giroux, $16.) A chance encounter leads Kaag, a philosophy professor, to a library full of masterpieces (early editions of works by Kant, signed copies of Thoreau's writings), transforming his professional and personal trajectories. Our reviewer, Mark Greif, praised the memoir as "a spirited lover's quarrel with the individualism and solipsism in our national thought." DO NOT SAY WE HAVE NOTHING, by Madeleine Thien. (Norton, $16.95.) As a child, Marie, the central figure of Thien's novel, and her mother welcome into their home a woman fleeing China after the Tiananmen Square protests. The guest, AnLing, and Marie are linked by their fathers: The men used music to cope with the regime and to remain steadfast to each another during the Cultural Revolution.
Copyright (c) The New York Times Company [November 12, 2017]
Review by Booklist Review
*Starred Review* Preston Grind followed in his parents' professional footsteps, despite their having made him the test case for their theories about child rearing, from which he didn't emerge unscathed literally, as we learn in Wilson's (The Family Fang, 2011) second stellar novel. When Preston's long-nurtured scheme for verifying his ideas by creating a superfamily of several age-mate children and their parents is funded by a billionaire philanthropist, he rouses from the emotional torpor that the accidental deaths of his wife and son induced and sets to work designing the campus for such a family and selecting the adults expecting babies for the projected 10-year experiment. Isobelle Izzy Poole is the odd one of those selected, a just-out-of-high-school single mother whose baby's father, her art teacher, is already dead, a suicide. As the Infinite Family Project (the increasingly portentous name chosen by its funder) per se revolves around Grind, so the storytelling revolves around Izzy. That story, a bit Skinner's Walden Two (1948), a bit Milton's Paradise Lost, is far more compelling and far less sensational than any satire about education since (and including) Jarrell's Pictures from an Institution (1954) as well as much realer and wiser and sadder and eventually reassuring about human nature than dozens of other novels.--Olson, Ray Copyright 2016 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
The author of The Family Fang invents another unusual family structure for his sweet and thoroughly satisfying second novel. When bright high school senior Izzy Poole, whose mother has died and whose alcoholic father ignores her, discovers that she is pregnant by the art teacher at her Tennessee school, her choices are limited, especially after the teacher commits suicide. So when she is approached by idealistic child psychologist Dr. Preston Grind to join an experiment in communal child raising funded by the billionaire heiress to a retail store fortune, she somewhat reluctantly takes up the offer. The idea is that Izzy and nine other couples, all pregnant at the same time, will raise their kids in common in the Infinite Family Project for 10 years, to see if that situation aids the children's emotional and intellectual development. The children thrive; the adults, not so much. Wilson keeps his eye on the grown-ups, particularly Izzy and Preston, as rifts begin to form in the carefully planned and maintained structure. Wilson grounds his premise in credible human motivations and behavior, resulting in a memorable cast of characters. He uses his intriguing premise to explore the meaning of family and the limits of rational decision making. Agent: Julie Barer, the Book Group. (Jan.) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
Dr. Preston Grind, a wunderkind child psychologist, himself the product of a highly questionable "friction method" of parenting developed by his own psychologist parents, sets up an experimental family community in the woods of Tennessee with the financial assistance of a kindhearted billionaire widow. Housing nine young couples and one single mother (19-year-old Izzy), this collective parenting study assigns all of the adults equal responsibility for each of the kids, who don't live with their own parents (or even know their actual identity) until the age of five. It seems unbelievable that Dr. Grind and the team of psychologists he hires to organize, run, and study the community couldn't have foreseen the obvious complications of this setup, sexual indiscretions and marital infidelities chief among them. Wilson (The Family Fang) presents this world through the eyes of Izzy and Dr. Grind, both smart and sensitive individuals damaged by painful upbringings who learn to overcome them and connect. -VERDICT It takes a village, or in this case a well-meaning, utopian parenting study, to create the ingredients for this almost farcical yet moving novel about love, parenting, and the families we create for ourselves. [See Prepub Alert, 8/1/16.]-Lauren Gilbert, -Sachem P.L., Holbrook, NY © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by School Library Journal Review
Eighteen-year-old Izzy Poole's mother died when she was young, and her father drowned his grief in alcohol. Just before her high school graduation, she learns she is pregnant by her emotionally unstable art teacher. Confronted with the prospect of raising her baby alone, Izzy joins a research study that promises support for her and her son. Dr. Preston Grind, a famous child psychologist, has created the Infinite Family Project. For 10 years, 10 babies and their parents will live in a complex. The adults will raise the children together as a collective family while pursuing their professional goals, with all living expenses covered by an eccentric benefactor; however, none of the children will know who their biological parents are. While many of the participants find the setup strange, the project is successful for a long time. But when the utopian arrangement begins to fall apart, Izzy is faced with the fear of once again being without a family. Teens will identify with Izzy's complicated relationship with her father and her hopes and fears for the future. What makes this story stand out is the questions it raises about current family structures as well as the benefits and drawbacks of the "it takes a village" approach to raising children. VERDICT Recommend this engaging, thought-provoking novel to teens interested in psychology or family studies.-Lynn Rashid, Marriotts Ridge High School, Marriottsville, MD © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
That infamous village that's needed to raise a child comes to fruition when a brilliant researcher creates a communal parenting experiment.This is another bittersweet story about messed-up families from the talented Wilson (The Family Fang, 2011, etc.) but one in which the author stays a bit more grounded, keeping an atmosphere of emotional authenticity that rings true. Wilson's muse is Izzy Poole, a just-graduated high schooler with a particular talent for barbecuing meat, who finds herself in dire straits. She's pregnant with her emotionally disturbed art teacher's baby and estranged from her father. After the art teacher commits suicide, Izzy is confronted with a very odd proposal from a researcher with an agenda. At the behest of a retail mogul, Dr. Preston Grind is determined to create a model in which 10 children are raised by a commune of parents, with no child knowing who their biological parents are. We quickly learn that the doctor is actually a hot mess, raised by two famous child psychologists who subjected their child to constant and unexpected stress throughout his upbringing. Grind may have inherited their brilliance but he's also a cutter with borderline PTSD. Torn between the experiment and raising her son, Cap, alone, Izzy decides to go along with Grind's complex scheme. "She would make it work," Wilson writes. "Izzy would find tiny ways to make herself essential, to succeed when it seemed so unlikely. Ten years, that's what she had. She would mine every essential element out of these ten years and she would be transformed." The second half of the novel checks in on this "Infinite Family Project" every year or two, as Wilson delves into the drama and tensions inherent in this strange aquarium. Relationships begin to splinter, even as Izzy becomes fundamentally reliant on the group. "We're a family," Grind says, near the end. "An imperfect one." A moving and sincere reflection on what it truly means to become a family. Copyright Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
