Review by New York Times Review
have you ever dreamed of getting hired as an extra on "Downton Abbey"? Did you grow up coveting the bonnets on "Little House on the Prairie"? Do you fantasize about the good old days when your gentleman caller would have serenaded you instead of sexting you? Be careful what you wish for, Therese Oneill warns in "Unmentionable." For starters, you might miss the crotch of your panties: Victorian women's underwear was slit down the middle, which facilitated peeing but complicated things at that time of the month. You might miss your little pink pill, too, if the alternative was a vaginal suppository designed to kill "germs. And possibly things that rhyme with 'germ.' " "Unmentionable" transports us back to the world of middle-class 19th-century women, with special emphasis on the messy details that costume dramas airbrush out. Acting as tour guide to her time-traveling reader, Oneill, a humor writer, tells us what we'll wear (a lot of layers, none very clean), how we'll power our vibrators (galvanic batteries) and where we'll park our excrement (under the bed). With a 4-year-old's scatological glee, Oneill details the logistics of old-time peeing, pooping, gestating, menstruating and mating - or, as the Victorians termed the carnal act, "jiggery-pokery," "frickle-frackle," "rumbusticating" and the "featherbed jig." Oneill has dug up some lovely tidbits from the dustbin of history. Particular gems include 19th-century cosmetics catalogs that claim to sell rouge only to professional actors, "in much the same way modern medical marijuana is dispensed only for the treatment of glaucoma." Oneill draws on the writings of figures like John Harvey Kellogg (the man behind the cornflakes) and "Thomas Hill, a prolific and respected writer of guidebooks on everything from thanking a railway conductor to writing . . . tombstone inscriptions." "Unmentionable" is lavishly illustrated, too: Oneill has an eye for ludicrous images and a penchant for punny captions. A racy photo of a lady touching her chest, for example, is titled "I'm galvanizing my bosoms so I don't get breastysteria!" Unfortunately, Oneill's finds are as padded as Victorian buttocks. She addresses her reader as "my sweet friend," "my darling," "dear one," "poor child," "my fragile flower" and "my little dumpling" and often interrupts her narrative with cutesy asides ("Just a quick reminder, darling"). Her arch tone seems to suggest that the 21st century has figured out everything the naïve Victorians missed. "The Victorian era provided the foundation for social change . . . just the foundation," she says. Today, "you and I can wear pants. And run for president." For Oneill, Victorian time travel is a tour of horrors that makes us thankful to come home to tampons and toilets. she has A point, but does the age of Spanx and Wonderbra really have the right to sneer at the era of the corset and the bustle? On a summer day, does a sweaty polyester thong really chafe less than a cotton bloomer? And in an election cycle that seemed to hinge on how often a candidate compared beauty queens to barnyard animals, can we really cite our "own century's advanced science and frank acceptance of human sexuality"? The past, L. P Hartley said, is a foreign country. For Oneill, it's more like a sideshow. ? LEAH PRICE'S most recent book is "How to Do Things With Books in Victorian Britain"
Copyright (c) The New York Times Company [December 11, 2016]
Review by Booklist Review
Twenty-first-century women who are tired of living with the oppressive expectations demanded of the female sex might think that things were somehow better in the nineteenth century. A humor writer with a passion for history, Oneill leads readers by the petticoat as she tracks the history of 1800s women's fashion, hygiene, sex, and social mores. She wittily excerpts the writings of nineteenth-century doctors and reformers who miraculously transformed misogyny into science, advising women on everything from how to bathe, apply makeup, and stand so your breasts don't sag to how to properly menstruate and how to win a man. Hello, Slattern, Oneill wryly addresses the reader, whose assumed romantic view of the nineteenth century she works hard to dismantle. The constant rebukes (though a unique approach) get old and have a way of outshining the material she presents. Yet this is a fascinating look into the shocking pseudoscience of the 1800s in which Oneill sheds new light on the origins of today's misogyny, double standards, and just plain mystery surrounding women that, maddeningly enough, persist.--Grant, Sarah Copyright 2016 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Library Journal Review
Welcome to a highly irreverent tour of the darker sides of the Victorian age. Popular history writer and blogger Oneill points out that although films and fiction set in this period have great appeal today, they omit significant parts of the less-than-comfortable aspects of the time, including bad hygiene, poor medical knowledge resulting in hack treatments, and restrictions on social interactions. The author's wicked sense of humor saves the subject from devolving into a dry tome, instead providing laugh-out-loud moments on the most unthinkable and unmentionable subjects. The brilliance of this study is Oneill's ability to transport readers back in time and have them experience the day-to-day life of women battling the issues of the era. In doing so, this work both educates and amuses in its historical approach of the unseen and unseemly sides of the time. VERDICT This fun romp of a book will appeal to history aficionados and lovers of the Victorian age and its etiquette, as well as anyone who enjoys a good laugh at the oddly absurd. [See "Editors' Fall Picks," LJ 9/1/16, p. 27.]-Stacy Shaw, Orange, CA © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.