Review by Booklist Review
Howe is a prolific and renowned poet and novelist. Winner of the Ruth Lilly Poetry Prize, she was recently a finalist for the Man Booker International Prize for fiction. This is just her third book of nonfiction, and it is an unclassifiable amalgam of essay, aphorism, quotation, narrative, and verse. The book has no argument but proceeds by association. If there is a theme, it is suffering: Suffering is actually a jewel, precious and personal. Some might even say it holds up the heavens with its radiance. In chapters of varying lengths, figures as diverse as Saint Francis, Simone Weil, the poet George Oppen, and the Boston Marathon bomber Dzhokhar Tsarnaev contend with suffering, their own and others'. For Howe, adolescence is the time when the suffering of others becomes visible, when injustice becomes unignorable, and this awareness shapes each life she considers. Howe and her friends appear, but their suffering is no more real or vivid than what happens to the saints or cinematic characters who people this strange, provoking book.--Autrey, Michael Copyright 2016 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
Howe (Second Childhood: Poems) draws on over four decades as an acclaimed poet and fiction writer to seamlessly braid lyric and essayistic modes in her third nonfiction collection, a meditation on the pressures and formative friendships of youth. Without positing explicit correlations, Howe reprises several familiar tales of young people moved to action-variously compassionate or violent-by their radical faith, including Francis of Assisi, Brigid of Ireland, Simone Weil, and more recently, the Tsarnaev brothers behind the 2013 Boston Marathon bombing. Citing an Uzbek folktale in which two teenage boys set off on adventures together, seeking "to transcend and escape the ugly fate of adults," Howe affirms that this story "could be told in any culture; and has been." Moving from literary invocation (she brings in influences as diverse as Hannah Arendt, Marcel Proust, and W.B. Yeats) to lush, filmic description (citing a roster of filmmakers from around the world), Howe attempts-and often brilliantly, obliquely manages-to capture those qualities of youth that age inevitably dulls: the passions that doom, save, or at least alter the course of our adulthoods. Her encompassing knowledge (she can furnish an anecdote or datum to illustrate nearly any idea, from the neuroscientific to the devotional) and empathic vision will make readers believe her pronouncement: "History is the top god of the secular world." (Nov.) © Copyright PWxyz, LLC. All rights reserved.
(c) Copyright PWxyz, LLC. All rights reserved
