1st Floor Show me where

FICTION/Davies Peter
1 / 1 copies available
Location Call Number   Status
1st Floor FICTION/Davies Peter Checked In
Subjects
Genres
Historical fiction
Published
Boston ; New York : Houghton Mifflin Harcourt 2016.
Language
English
Main Author
Peter Ho Davies, 1966- (author)
Physical Description
268 pages ; 24 cm
ISBN
9780544263703
Contents unavailable.
Review by Booklist Review

*Starred Review* British-born of Welsh and Chinese parentage, Davies (The Welsh Girl, 2007) has lived stateside since 1992, but this is his first U.S.-set title. In it he explores the history of his adopted home in four sections. In Gold, he links the completion of the transcontinental railroad by Chinese workers to magnate Charlie Crocker's mixed-race Hong Kong-born manservant Ah Ling. In Silver, Hollywood's first Chinese American movie star, Anna May Wong, escapes her greatest celluloid humiliation, losing the role of a lifetime to a German American actress in yellowface by taking the trip of a lifetime to a homeland where she's never been. In Jade, Jimmy Choi debates the truth of his friend Vincent Chin's tragic death and how the subsequent lenient sentencing of Chin's murderers marked the start of a pan-Asian political movement. In Pearl, a mixed-race Chinese American man and his wife travel to China to claim their daughter-to-be. Intertwining fact with fictional license and creative finesse, Davies charts the conflicted, complicated journey of being a minority American through multiple generations. Rich rewards await readers searching for superbly illuminating historical fiction; think Geraldine Brooks' Caleb's Crossing (2011) or Hilary Mantel's Cromwell trilogy.--Hong, Terry Copyright 2016 Booklist

From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review

Though billed as a novel, The Fortunes could more aptly be described as a collection of four novellas, each of which explores a different facet of Chinese-American experience. The first section, "Gold," is set during the mid-19th century and follows Ling, an orphan, from his childhood on Pearl River in China to Gold Mountain, Calif., where he works first in a laundry and then as a valet before becoming an unlikely organizer of Chinese workers building the Central Pacific Railway. In "Silver," Davies imagines the lonely inner life of 1930s actress Anna May Wong, Hollywood's first Chinese-American star, who has affairs with many leading men but never marries any of them. "Jade" takes place in the 1980s, against the backdrop of the dying American auto industry, and focuses on the mistaken identity of a Chinese-American man taken to be Japanese in a deadly strip club brawl. In "Pearl," the final section, a present-day middle-aged American writer, whose mother was from China, now finds himself there for the first time to adopt a baby girl with his Caucasian wife. The book's scope is impressive, but what's even more staggering is the utter intimacy and honesty of each character's introspection. More extraordinary still is the depth and the texture created by the juxtaposition of different eras, making for a story not just of any one person but of hundreds of years and tens of millions of people. Davies (The Welsh Girl) has created a brilliant, absorbing masterpiece. Agent: Maria Massie, Lippincott Massie McQuilkin. (Sept.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review

Davies (The Welsh Girl) deftly weaves together four stories of the Chinese American experience to create a rich tapestry of what it takes to find acceptance with oneself and in one's country. A 19th-century laundry worker, a Chinese film star, a friend of someone killed in a hate crime, and a half-Chinese man looking to adopt a Chinese baby tell their stories of life in America and how their "Chinese-ness" has helped define their American existence. Although uniquely different, the characters are uniquely the same: racism, questions of identity, the need for acceptance, and the need to be "all-American" surface in all of them. Raw, witty, honest, and unflinching, The Fortunes manages to capture the heart of growing up Chinese American. Impressively narrated by the talented James Chen, who brings an authenticity to the story with his numerous accents and reserved yet powerful telling. VERDICT In this emotionally gripping novel, Davies proves that he's a masterful writer. ["A thought-provoking literary work": LJ 8/16 review of the Houghton Harcourt hc.]-Erin Cataldi, Johnson Cty. P.L., Franklin, IN © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

I: GOLD Celestial Railroad Beset by labor shortages, Crocker chanced one morn to remark his houseboy, a slight but perdurable youth named Ah Ling. And it came to him that herein lay his answer. ​-- ​American Titan, K. Clifford Stanton 1. It was like riding in a treasure chest, Ling thought. Or one of the mistress's velvet jewel cases. The glinting brasswork, the twinkling, tinkling chandelier dangling like a teardrop from the inlaid walnut ceiling, the etched glass and flocked wallpaper and pendulous silk. And the jewel at the center of the box ​-- ​Charles Crocker, Esquire, Mister Charley, biggest of the Big Four barons of the Central Pacific Railroad, resting on the plump brocaded upholstery, massive as a Buddha, snoring in time to the panting, puffing engine hauling them uphill.         It was more than a year since the end of the war and the shooting of the president ​-- ​the skinny one, with the whiskery, wizened face of a wise ape ​-- ​who had first decreed the overland railroad. His body had been carried home in a palace car much like this, Ling had heard Crocker boast. Ling pictured one long thin box laid inside another, the dead man's tall black hat perched atop it like a funnel. People had lined the tracks, bareheaded even in the rain, it was said, torches held aloft in the night. Like joss sticks, he reflected.         For a moment he fancied Crocker dead, the carriage swagged in black, and himself keeping vigil beside the body, but it was impossible with the snores alternately sighing and stuttering from the prone form. "Locomotion is a soporific to me," Crocker had confessed dryly as they boarded, and sure enough, his eyes had grown heavy before they reached Roseville. By the time the track began to rise at Auburn, the low white haze of the flats giving way to a receding blue, vegetal humidity to mineral chill, his huge head had begun to roll and bob, and he'd presently stretched himself out, as if to stop it crashing to the floor. Yet even asleep Crocker seemed inexorable, his chest surging and settling profoundly as an ocean swell, the watch chain draped across it so weighty it must have an anchor at one end. Carried to the Sierra summit, he looked set to rumble down the lee side into Nevada and Utah, bowling across the plains, sweeping all before him.         Ling knew he should be looking out the window, taking the chance to see the country, to see if the mountains really were gold, but he hadn't been able to take his eyes off the steep slope of his master's girth. My gold mountain, he thought, entertaining a fleeting vision of himself ​-- ​tiny ​-- ​scaling Crocker's imposing bulk, pickaxe in hand, following the glittering vein of his watch chain toward the snug cave of his vest pocket.         Ling didn't own a watch himself, of course, but shortly after he entered service Crocker had had him outfitted with a new suit from his dry goods store, picking it out himself. The storekeep had been peddling a more modest rig ​-- ​"a fustian bargain, as it were!" ​-- ​that the big man dismissed out of hand as shoddy. He settled on a brown plaid walking suit instead, waving aside the aproned clerk to yank the coat sharp over Ling's narrow shoulders. "There now!" Crocker declared, beaming at him in the glass. "Every inch a gentleman's valet." He taught Ling how to fasten only the top button of the jacket, leaving the rest undone, to "show the vest to advantage," and advised him he needn't bother with a necktie so long as he buttoned his shirt collar. "Clothes make the man," the circling clerk opined, sucking his teeth. "Even a Chinaman." And then, of course, there must be a hat, a tall derby, which Ling balanced like a crown, eyes upturned. As a finishing touch Crocker had tucked a gold coin, a half eagle, into Ling's vest pocket ​-- ​a gift, though the cost of the outfit itself would come out of his wages ​-- ​where Ling could swear the thing actually seemed to tick against his ribs like a heartbeat: rich, rich, rich.         He patted it now, as he finally turned to take in the scenery ​-- ​the pale halo of sere grass along a ridge, the stiff flame of a cypress, the veiled peaks beyond ​-- ​wondering despite himself if the mountains might glister through the flickering pines. 2. Gold Mountain. Gum Shan. Ling had never even laid eyes on gold before he left Fragrant Harbor. It had made him feel furtively foolish. There he was, sent to find it and he'd never seen it in his life. What if he didn't recognize it? How yellow was it? How heavy? What if he walked right by it? "How can you miss it, lah!" Aunty Bao had snapped, over the snick of her abacus. "There'll be a mountain of it, stupid egg!" But Ling wasn't so sure. They came from Pearl River. If it were really full of pearls, he wanted to tell her, he wouldn't be sailing to Gold Mountain.         "Besides," Big Uncle insisted, "you have seen gold before." They were in his cabin on the "flower boat," the moored junk that housed the brothel Big Uncle owned and Aunty Bao ​-- ​palely plump as the pork buns she was named after ​-- ​managed for him. Yes, Big Uncle was saying, a grandfather had made his fortune prospecting in Nanyang. The old man had had a mouthful of gold teeth. As an infant, Ling had even been given gold tea, a concoction made by pouring boiling water over a piece of gold, supposed to ensure luck. Didn't he remember? Ling tried. For a second a vast, bared smile, glistening wetly, rose up before him and with it a feeling of fear, an impression, as the lips drew back, that beneath the flesh the man himself was made all of gold, that behind the gold teeth lay a gold tongue clanging in a gold throat. But the only "grandfather" he could actually recall was a broken-down old head swabbing the decks who had already lost those teeth, pulled, one by one, to pay for his opium habit. All that was left was a fleshy hole, the old man's lips hanging loose as an ox's, his tongue constantly licking his bruised-looking gums.         Still, Big Uncle pressed, "Gold is in your blood, boy!"         Perhaps, Ling thought, but he'd learned to doubt his blood.         His people were of that reviled tribe of sea gypsies known as Tanka, "egg folk," after the rounded rattan shelters of their sampans. Forbidden by imperial edict to live on land and only grudgingly tolerated in ports and coastal villages, for generations they'd made a thin living as fishermen, mocked for their stink by the Han Chinese. Latterly they'd made an even more odious, if also more lucrative, reputation smuggling opium for the British and pimping out their women to them for good measure. Ling's mother had been one of these haam-sui-mui, or "saltwater girls." "A lucky one," Aunty Bao observed with a moue of envy, a beauty plucked from the brothel by a wealthy foreigner and established in her own household. Only his mother's luck had run out fast. She'd died in childbirth, and her protector, Ling's father, had settled a generous sum on Big Uncle to take the infant off his hands. All Ling had left of her was her name. He had grown up on board the flower boat along with the other bastards, a clutch of them grudgingly provided for until they could be disposed of profitably, the girls as whores, the boys as coolies (a C or P daubed on their chests in pitch for Cuba or Peru, where they'd labor in the sugar plantations or mine guano).         The only children Big Uncle kept were his lawful sons by Aunty Bao. Their father styled himself a respectable Chinese comprador ​-- ​frogged brocade jacket over ankle-length changshan, silk cap smoothed tight over shaven head ​-- ​grooming his boys to run the family business, even if that business consisted of a brothel, an opium den, a smuggling fleet. Big Uncle's sons were plump and well dressed ​-- ​on land they could pass for Cantonese ​-- ​but more than anything Ling envied them their father's name.     Excerpted from The Fortunes by Peter Ho Davies All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.